UPC · Release
Ten Classic LPS (Plus a Selection of Non‐album Tracks)
George Jones
Last verified:
823564819303 is the Universal Product Code (UPC barcode) for the release “Ten Classic LPS (Plus a Selection of Non‐album Tracks)” by George Jones, released 2018-01-01 on Enlightenment (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 120 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (120)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Why Baby Why | — | ||
| 2 | Seasons of My Heart | — | ||
| 3 | It’s OK | — | ||
| 4 | Let Him Know | — | ||
| 5 | Play It Cool | — | ||
| 6 | Hold Everything | — | ||
| 7 | Boat of Life | — | ||
| 8 | You Gotta Be My Baby | — | ||
| 9 | What Am I Worth | — | ||
| 10 | Your Heart | — | ||
| 11 | Ragged but Right | — | ||
| 12 | Yearning (to Kiss You) | — | ||
| 13 | Still Hurtin’ | — | ||
| 14 | Taggin’ Along | — | ||
| 15 | Too Much Water | — | ||
| 16 | Don’t Stop the Music | — | ||
| 17 | You Never Thought | — | ||
| 18 | Take the Devil Out of Me | — | ||
| 19 | All I Want to Do | — | ||
| 22 | Gonna Come Get You | — | ||
| 23 | Uh, Uh, No | — | ||
| 24 | The Good Old Bible | — | ||
| 25 | Will the Circle Be Unbroken | — | ||
| 26 | My Lord Has Called Me | — | ||
| 27 | Jesus Wants Me | — | ||
| 28 | A Wandering Soul | — | ||
| 29 | We’ll Understand It | — | ||
| 30 | Cup of Loneliness | — | ||
| 31 | If You Want to Wear a Crown | — | ||
| 32 | My Soul’s Been Satisfied | — | ||
| 2-1 | White Lightning | — | ||
| 2-2 | I’m With the Wrong One | — | ||
| 2-3 | That’s the Way I Feel | — | ||
| 2-4 | Life to Go | — | ||
| 2-5 | Don’t Do This to Me | — | ||
| 2-6 | Wandering Soul | — | ||
| 2-7 | Give Away Girl | — | ||
| 2-8 | You’re Back Again | — | ||
| 2-9 | No Use to Cry | — | ||
| 2-10 | Nothing Can Stop Me | — | ||
| 2-11 | Lonesome Life | — | ||
| 2-12 | The Old Old House | — | ||
| 2-13 | I Saw Me | — | ||
| 2-14 | Everytime I Look at You | — | ||
| 2-15 | I Wish That Tonight Would Never End | — | ||
| 2-16 | Flame in My Heart | — | ||
| 2-17 | Ain’t It Funny What a Fool Will Do | — | ||
| 2-18 | There’s No Justice | — | ||
| 2-19 | Out of Our Minds | — | ||
| 2-20 | I Can’t Change Overnight | — | ||
| 2-21 | In the Shadow of a Lie | — | ||
| 2-22 | Someone Sweet to Love | — | ||
| 2-23 | Tarnished Angel | — | ||
| 2-24 | The Last Town I Painted | — | ||
| 2-25 | Relief Is Just a Swallow Away | — | ||
| 2-26 | The First One | — | ||
| 2-27 | Into My Arms Again | — | ||
| 2-28 | Mr. Fool | — | ||
| 2-29 | I Always Wind Up Loser | — | ||
| 2-30 | Glad to Let Her Go | — | ||
| 2-31 | The Likes of You | — | ||
| 3-1 | Revenooer Man | — | ||
| 3-2 | Slave Lover | — | ||
| 3-4 | Eskimo Pie | — | ||
| 3-5 | Tall Tall Trees | — | ||
| 3-6 | If I Don’t Love You (Grits Ain’t Groceries) | — | ||
| 3-7 | Big Harlan Taylor | — | ||
| 3-8 | Let’s Invite Them Over | — | ||
| 3-9 | Suppose Tonight Would Be Our Last | — | ||
| 3-10 | I Let You Go | — | ||
| 3-11 | Multiply the Heartaches | — | ||
| 3-12 | She’s My Mother | — | ||
| 3-13 | What’s in Our Heart | — | ||
| 3-14 | Until Then | — | ||
| 3-15 | Don’t Go | — | ||
| 3-16 | Now Tell Me | — | ||
| 3-17 | There’s a Friend in the Way | — | ||
| 3-19 | It Scares Me Half to Death | — | ||
| 3-20 | A Rose From a Bride’s Bouquet | — | ||
| 3-21 | When Your House Is Not a Home | — | ||
| 3-22 | I’m Just Blue Enough | — | ||
| 3-23 | We Could | — | ||
| 3-24 | Take Me as I Am (or Let Me Go) | — | ||
| 3-25 | Where Did the Sunshine Go? | — | ||
| 3-26 | Making the Rounds | — | ||
| 3-27 | I’ve Just Got to See You Once More | — | ||
| 3-28 | Lovin’ Lies | — | ||
| 3-29 | Just When I Needed You | — | ||
| 3-30 | My Heart’s Bouquet | — | ||
| 4-1 | I Get Lonely in a Hurry | — | ||
| 4-2 | Book of Memories | — | ||
| 4-3 | I’m Gonna Change Everything | — | ||
| 4-4 | The Race Is On | — | ||
| 4-5 | Least of All | — | ||
| 4-6 | Gonna Have a Little Talk With You Friend | — | ||
| 4-7 | I’ve Been Known to Cry | — | ||
| 4-8 | Loves Gonna Live Here | — | ||
| 4-9 | Gold and Silver | — | ||
| 4-10 | Holiday for Love | — | ||
| 4-11 | She’s Mine | — | ||
| 4-12 | Where Does a Little Tear Come From | — | ||
| 4-13 | A New Baby for Christmas | — | ||
| 4-14 | Treasure of Love | — | ||
| 4-15 | I Gotta Talk to Your Heart | — | ||
| 4-16 | House of Gold | — | ||
| 4-17 | When My Heart Hurts No More | — | ||
| 4-18 | Hearts in My Dream | — | ||
| 4-19 | With Half a Heart | — | ||
| 4-21 | Color of the Blues | — | ||
| 4-22 | Singin’ the Blues | — | ||
| 4-23 | Geronimo | — | ||
| 4-24 | Something I Dreamed | — | ||
| 4-25 | You Comb Her Hair | — | ||
| 4-26 | My Tears Are Overdue | — | ||
| 4-27 | World’s Worst Loser | — | ||
| 4-28 | Not What I Had in Mind | — | ||
| 4-29 | Brown to Blue | — | ||
| 4-30 | Wrong Number | — | ||
| 4-31 | Without a Reason | — | ||
| 4-32 | Please Talk to My Heart | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+37 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 823564819303?
823564819303 is a Universal Product Code (UPC) assigned to Ten Classic LPS (Plus a Selection of Non‐album Tracks) by George Jones. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 120 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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