UPC · Release
Rare Live Recordings 1934-1959
Billie Holiday
825481040396
128 tracksReleased 2007-01-01ESP-Disk'
Last verified:
825481040396 is the Universal Product Code (UPC barcode) for the release “Rare Live Recordings 1934-1959” by Billie Holiday, released 2007-01-01 on ESP-Disk'. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 128 tracks, each with its own ISRC. Tracks include FR8V60600036, USGR10000141.
Format
8Number system
25481Manufacturer
04039Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCRare Live Recordings 1934-1959
ISRC2 recordings
ISWC51 works
IPI1 songwriter
Track List (128)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lost My Man Blues | — | ||
| 2 | Theme: Moten Swing | — | ||
| 3 | Announcer Introduction | — | ||
| 4 | Swing Brother Swing | — | ||
| 5 | Announcer Introduction | — | ||
| 6 | They Can’t Take That Away From Me | — | ||
| 7 | I Cried for You | — | ||
| 8 | Fine and Mellow | — | ||
| 9 | Announcer Introduction | — | ||
| 10 | I’ll Get By | — | ||
| 11 | Billie’s Blues | — | ||
| 12 | Do Nothin’ Till You Hear From Me | — | ||
| 13 | Danny Kaye Introduces Jerome Kern Who Presents Bille With Her Award | — | ||
| 14 | I Cover the Waterfront | — | ||
| 15 | Fine and Mellow | — | ||
| 16 | All of Me | — | ||
| 17 | Endy Gets Caught Playing Piano | — | ||
| 18 | Endy Goes to Storyville | — | ||
| 19 | Do You Know What It Means to Miss New Orleans | — | ||
| 20 | Satchmo Talks | — | ||
| 21 | Farewell to Storyville | — | ||
| 23 | The Blues Are Brewin’ | — | ||
| 24 | The Man I Love | — | ||
| 25 | Miss Brown to You | — | ||
| 26 | Lover Man (Oh, Where Can You Be?) | — | ||
| 27 | I Wonder Where Our Love Has Gone | — | ||
| 28 | Billie’s Blues | — | ||
| 29 | No More | — | ||
| 30 | Good Morning Heartache | — | ||
| 2-1 | You’re Driving Me Crazy (What Did I Do?) | — | ||
| 2-2 | Maybe You’ll Be There | — | ||
| 2-3 | Introduction by Donald Wood | — | ||
| 2-4 | You’d Better Go Now | — | ||
| 2-5 | Them There Eyes | — | ||
| 2-6 | Lady Day and Eddie Condon Speak | — | ||
| 2-7 | Keep on Rainin’ | — | ||
| 2-8 | Lady Day and Eddie Condon Speak | — | ||
| 2-9 | Lover Man (Oh, Where Can You Be?) (Incomplete) | — | ||
| 2-10 | I Cover the Waterfront | — | ||
| 2-11 | All of Me | — | ||
| 2-12 | Naration / Early History | — | ||
| 2-13 | Fine and Mellow | — | ||
| 2-14 | I Loves You Porgy | — | ||
| 2-15 | Jam Session Introduction | — | ||
| 2-16 | All of Me | — | ||
| 2-17 | You’re My Thrill | — | ||
| 2-18 | Lover, Come Back to Me | — | ||
| 2-19 | ’Tain’t Nobody’s Biz‐Ness If I Do | — | ||
| 2-20 | You’re Driving Me Crazy (What Did I Do?) | — | ||
| 2-21 | He’s Funny That Way | — | ||
| 2-22 | Miss Brown to You | — | ||
| 2-23 | Lover Man (Oh, Where Can You Be?) | — | ||
| 2-24 | Them There Eyes | — | ||
| 2-25 | My Man | — | ||
| 2-26 | I Cover the Waterfront | — | ||
| 2-27 | Crazy He Calls Me | — | ||
| 2-28 | Detour Ahead | — | ||
| 2-29 | Strange Fruit | — | ||
| 2-30 | ’Tain’t Nobody’s Biz‐Ness If I Do | Billie Holiday | — | |
| 2-31 | All of Me | — | ||
| 3-1 | I Loves You Porgy | — | ||
| 3-2 | My Man | — | ||
| 3-3 | Tenderly | — | ||
| 3-4 | God Bless the Child | — | ||
| 3-5 | My Man | — | ||
| 3-6 | Them There Eyes | — | ||
| 3-7 | Lover Man (Oh, Where Can You Be?) | — | ||
| 3-8 | Willow Weep for Me | — | ||
| 3-9 | I Only Have Eyes for You | — | ||
| 3-10 | My Man | — | ||
| 3-11 | Please Don’t Talk About Me When I’m Gone | — | ||
| 3-12 | Jon McCloughland Introduction | — | ||
| 3-13 | I Cover the Waterfront | — | ||
| 3-14 | Too Marvelous for Words | — | ||
| 3-15 | I Loves You Porgy | — | ||
| 3-16 | Them There Eyes | — | ||
| 3-17 | Willow Weep for Me | — | ||
| 3-18 | I Only Have Eyes for You | — | ||
| 3-19 | You Go to My Head | — | ||
| 3-20 | Stormy Weather | — | ||
| 3-21 | A Ghost of a Chance | — | ||
| 3-22 | Nice Work If You Can Get It | — | ||
| 3-23 | God Bless the Child | — | ||
| 3-24 | Please Don’t Talk About Me When I’m Gone | — | ||
| 3-25 | Don’t Explain | — | ||
| 3-26 | I Loves You Porgy | — | ||
| 4-1 | Fine and Mellow | — | ||
| 4-2 | What a Little Moonlight Can Do | — | ||
| 4-3 | Foolin’ Myself | — | ||
| 4-4 | It’s Easy to Remember (And So Hard to Forget) | — | ||
| 4-5 | Moanin’ Low | — | ||
| 4-6 | Don’t Explain | — | ||
| 4-7 | When Your Lover Has Gone | — | ||
| 4-8 | Mort Saul Introduction | — | ||
| 4-9 | ’Tain’t Nobody’s Business If I Do | Billie Holiday, Buster Harding and His Orchestra | — | |
| 4-10 | Willow Weep for Me | — | ||
| 4-11 | When Your Lover Has Gone | — | ||
| 4-12 | God Bless the Child | — | ||
| 4-13 | I Only Have Eyes for You | — | ||
| 4-14 | Good Morning Heartache | — | ||
| 4-15 | Them There Eyes | — | ||
| 4-16 | Billie’s Blues | — | ||
| 4-17 | What a Little Moonlight Can Do | — | ||
| 4-18 | Travelin’ Light | — | ||
| 4-19 | Lover, Come Back to Me | — | ||
| 5-1 | I Got It Bad (And That Ain’t Good) | — | ||
| 5-2 | Lady Day Speaks / Early History | — | ||
| 5-3 | Just Friends | — | ||
| 5-4 | Lady Day Speaks / The Number 13 | — | ||
| 5-5 | A Ghost of a Chance | — | ||
| 5-6 | Please Don’t Talk About Me When I’m Gone – 1 | — | ||
| 5-7 | Every Thing Happens to Me | — | ||
| 5-8 | Please Don’t Talk About Me When I’m Gone – 2 | — | ||
| 5-9 | I Don’t Want to Cry Anymore | — | ||
| 5-10 | Prelude to a Kiss | — | ||
| 5-11 | Jeepers Creepers | — | ||
| 5-12 | My Yiddishe Mama | — | ||
| 5-13 | Hey! Lady’s Here | — | ||
| 5-14 | God Bless the Child | — | ||
| 5-15 | Introduction | — | ||
| 5-16 | Nice Work If You Can Get It | — | ||
| 5-17 | Willow Weep for Me | — | ||
| 5-18 | When Your Lover Has Gone | — | ||
| 5-19 | Billie’s Blues | — | ||
| 5-20 | Please Don’t Talk About Me When I’m Gone | — | ||
| 5-21 | God Bless the Child | — | ||
| 5-22 | Now or Never | — | ||
| 5-23 | Producers Final Comment | — |
Lost My Man Blues
—
Theme: Moten Swing
—
Announcer Introduction
—
Swing Brother Swing
—
Announcer Introduction
—
They Can’t Take That Away From Me
—
I Cried for You
—
Fine and Mellow
—
Announcer Introduction
—
I’ll Get By
—
Billie’s Blues
—
Do Nothin’ Till You Hear From Me
—
Danny Kaye Introduces Jerome Kern Who Presents Bille With Her Award
—
I Cover the Waterfront
—
Fine and Mellow
—
All of Me
—
Endy Gets Caught Playing Piano
—
Endy Goes to Storyville
—
Do You Know What It Means to Miss New Orleans
—
Satchmo Talks
—
Farewell to Storyville
—
The Blues Are Brewin’
—
The Man I Love
—
Miss Brown to You
—
Lover Man (Oh, Where Can You Be?)
—
I Wonder Where Our Love Has Gone
—
Billie’s Blues
—
No More
—
Good Morning Heartache
—
You’re Driving Me Crazy (What Did I Do?)
—
Maybe You’ll Be There
—
Introduction by Donald Wood
—
You’d Better Go Now
—
Them There Eyes
—
Lady Day and Eddie Condon Speak
—
Keep on Rainin’
—
Lady Day and Eddie Condon Speak
—
Lover Man (Oh, Where Can You Be?) (Incomplete)
—
I Cover the Waterfront
—
All of Me
—
Naration / Early History
—
Fine and Mellow
—
I Loves You Porgy
—
Jam Session Introduction
—
All of Me
—
You’re My Thrill
—
Lover, Come Back to Me
—
’Tain’t Nobody’s Biz‐Ness If I Do
—
You’re Driving Me Crazy (What Did I Do?)
—
He’s Funny That Way
—
Miss Brown to You
—
Lover Man (Oh, Where Can You Be?)
—
Them There Eyes
—
My Man
—
I Cover the Waterfront
—
Crazy He Calls Me
—
Detour Ahead
—
Strange Fruit
—
’Tain’t Nobody’s Biz‐Ness If I Do
Billie Holiday
—
All of Me
—
I Loves You Porgy
—
My Man
—
Tenderly
—
God Bless the Child
—
My Man
—
Them There Eyes
—
Lover Man (Oh, Where Can You Be?)
—
Willow Weep for Me
—
I Only Have Eyes for You
—
My Man
—
Please Don’t Talk About Me When I’m Gone
—
Jon McCloughland Introduction
—
I Cover the Waterfront
—
Too Marvelous for Words
—
I Loves You Porgy
—
Them There Eyes
—
Willow Weep for Me
—
I Only Have Eyes for You
—
You Go to My Head
—
Stormy Weather
—
A Ghost of a Chance
—
Nice Work If You Can Get It
—
God Bless the Child
—
Please Don’t Talk About Me When I’m Gone
—
Don’t Explain
—
I Loves You Porgy
—
Fine and Mellow
—
What a Little Moonlight Can Do
—
Foolin’ Myself
—
It’s Easy to Remember (And So Hard to Forget)
—
Moanin’ Low
—
Don’t Explain
—
When Your Lover Has Gone
—
Mort Saul Introduction
—
’Tain’t Nobody’s Business If I Do
Billie Holiday, Buster Harding and His Orchestra
—
Willow Weep for Me
—
When Your Lover Has Gone
—
God Bless the Child
—
I Only Have Eyes for You
—
Good Morning Heartache
—
Them There Eyes
—
Billie’s Blues
—
What a Little Moonlight Can Do
—
Travelin’ Light
—
Lover, Come Back to Me
—
I Got It Bad (And That Ain’t Good)
—
Lady Day Speaks / Early History
—
Just Friends
—
Lady Day Speaks / The Number 13
—
A Ghost of a Chance
—
Please Don’t Talk About Me When I’m Gone – 1
—
Every Thing Happens to Me
—
Please Don’t Talk About Me When I’m Gone – 2
—
I Don’t Want to Cry Anymore
—
Prelude to a Kiss
—
Jeepers Creepers
—
My Yiddishe Mama
—
Hey! Lady’s Here
—
God Bless the Child
—
Introduction
—
Nice Work If You Can Get It
—
Willow Weep for Me
—
When Your Lover Has Gone
—
Billie’s Blues
—
Please Don’t Talk About Me When I’m Gone
—
God Bless the Child
—
Now or Never
—
Producers Final Comment
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| T'Ain't Nobody's Business If I Do | Billie Holiday | T-322.669.552-5 |
Billie Holiday
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.433.575-2T-010.433.838-6T-011.191.232-3T-070.000.748-2T-070.011.896-2T-070.026.321-3T-070.039.215-9T-070.039.254-6T-070.049.834-5T-070.055.069-1
+41 more
T-070.064.882-3T-070.088.298-9T-070.089.012-5T-070.097.652-8T-070.109.682-3T-070.135.152-1T-070.137.905-6T-070.137.962-5T-070.166.058-3T-070.178.445-3T-070.180.810-7T-070.181.140-6T-070.198.339-2T-070.199.316-9T-070.200.285-4T-070.207.741-5T-070.210.347-6T-070.210.576-7T-070.211.315-2T-070.211.363-0T-070.233.721-0T-070.234.030-4T-070.234.259-3T-070.240.715-5T-070.268.668-7T-070.902.587-5T-070.902.589-7T-070.904.226-1T-070.908.014-7T-071.068.525-8T-071.181.436-6T-071.189.808-6T-071.869.475-7T-801.195.270-9T-801.272.202-1T-802.062.511-1T-900.755.157-7T-901.133.294-8T-910.978.268-5T-910.978.331-5T-322.669.552-5
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 825481040396?
825481040396 is a Universal Product Code (UPC) assigned to Rare Live Recordings 1934-1959 by Billie Holiday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 128 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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