UPC · Release
Historical Recordings and Rarities 1928-1948
Jean Sibelius
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825646053179 is the Universal Product Code (UPC barcode) for the release “Historical Recordings and Rarities 1928-1948” by Jean Sibelius, released 2015-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 81 tracks, each with its own ISRC. Tracks include FIFIN1100017, HKI191248505, HKI191248506.
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Track List (81)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | — | ||
| 2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro ma non troppo | — | ||
| 4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia) | — | ||
| 5 | Symphony no. 2 in D, op. 43: I. Allegretto | — | ||
| 6 | Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato | — | ||
| 7 | Symphony no. 2 in D, op. 43: III. Vivacissimo | — | ||
| 8 | Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato | — | ||
| 2-1 | Symphony no. 3 in C, op. 52: I. Allegro moderato | — | ||
| 2-2 | Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto | — | ||
| 2-3 | Symphony no. 3 in C, op. 52: III. Moderato - Allegro (ma non tanto) | — | ||
| 2-4 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto | — | ||
| 2-5 | Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto | — | ||
| 2-6 | Symphony no. 5 in E-flat, op. 82: III. Allegro molto - Un pochettino largamente | — | ||
| 2-7 | Karelia Suite, op. 11: I. Intermezzo | — | ||
| 2-8 | Karelia Suite, op. 11: III. Alla marcia | — | ||
| 2-9 | March of the Finnish Jaeger Battalion, op. 91a | — | ||
| 2-10 | Andante Festivo | [unknown] | — | |
| 3-1 | Pohjola's Daughter, op. 49 | — | ||
| 3-2 | Belshazzar's Feast - Suite, op. 51: I. Oriental Procession | — | ||
| 3-3 | Belshazzar's Feast - Suite, op. 51: II. Solitude | — | ||
| 3-4 | Belshazzar's Feast - Suite, op. 51: III. Night Music | — | ||
| 3-5 | Belshazzar's Feast - Suite, op. 51: IV. Khadra's Dance | — | ||
| 3-6 | Tapiola, op. 112 | — | ||
| 3-7 | Night Ride and Sunrise, op. 55 | — | ||
| 3-8 | The Oceanides, op. 73 | — | ||
| 3-9 | Romance in C, op. 42 | — | ||
| 4-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 4-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | — | ||
| 4-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | — | ||
| 4-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | — | ||
| 4-5 | The Bard, op. 64 | — | ||
| 4-6 | The Tempest - Incidental Music, op. 109: Prelude | — | ||
| 4-7 | The Tempest - Suite no. 1, op. 109: I. The Oak Tree | — | ||
| 4-8 | The Tempest - Suite I, op. 109: II. Humoresque | — | ||
| 4-9 | The Tempest - Suite I, op. 109: III. Caliban's Song | — | ||
| 4-10 | The Tempest - Suite I, op. 109: VII. Intrada - Berceuse | — | ||
| 4-11 | The Tempest - Suite II, op. 109: IV. Prospero | — | ||
| 4-12 | The Tempest - Suite II, op. 109: VII. Miranda | — | ||
| 4-13 | Pelléas et Mélisande - Incidental Music, op. 46: IV. A Spring in the Park | — | ||
| 4-14 | Pelléas et Mélisande - Incidental Music, op. 46: VIII. Entr'acte | — | ||
| 4-15 | Pelléas et Mélisande - Incidental Music, op. 46: IX. Death of Mélisande | — | ||
| 4-16 | In memoriam: funeral march, op. 59 | — | ||
| 5-1 | Luonnotar, op. 70 | — | ||
| 5-2 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | Finnish National Orchestra, Georg Schnéevoigt | — | |
| 5-3 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | Finnish National Orchestra, Georg Schnéevoigt | — | |
| 5-4 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | Finnish National Orchestra, Georg Schnéevoigt | — | |
| 5-5 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto | Finnish National Orchestra, Georg Schnéevoigt | — | |
| 5-6 | Symphony no. 7 in C, op. 105: Adagio - | — | ||
| 5-7 | Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Vivacissimo - Adagio - | — | ||
| 5-8 | Symphony no. 7 in C, op. 105: Allegro molto moderato - | — | ||
| 5-9 | Symphony no. 7 in C, op. 105: Vivace - Presto - Adagio | — | ||
| 5-10 | King Christian II - Suite, op. 27: Nocturne | — | ||
| 5-11 | King Christian II - Suite, op. 27: Elegy | — | ||
| 5-12 | King Christian II - Suite, op. 27: Ballade | — | ||
| 6-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 6-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 6-3 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 6-4 | En Saga, op. 9 | — | ||
| 6-5 | The Return of Lemminkäinen, op. 22 no. 4 | — | ||
| 6-6 | Scènes historiques, op. 25: III. Festivo | — | ||
| 6-7 | Finlandia, op. 26 | — | ||
| 6-8 | Kuolema, op 44: I. Valse triste | — | ||
| 6-9 | Karelia Suite, op. 11: I. Intermezzo | — | ||
| 7-1 | String Quartet in D minor, op. 56 "Voces intimae": I. Andante - Allegro molto moderato | — | ||
| 7-2 | String Quartet in D minor, op. 56 "Voces intimae": II. Vivace | — | ||
| 7-3 | String Quartet in D minor, op. 56 "Voces intimae": III. Adagio di molto | — | ||
| 7-4 | String Quartet in D minor, op. 56 "Voces intimae": IV. Allegretto (ma pesante) | — | ||
| 7-5 | String Quartet in D minor, op. 56 "Voces intimae": V. Allegro | — | ||
| 7-6 | Romance in F, op. 78 no. 2 | — | ||
| 7-7 | Danse champêtre, op. 106 no. 2 | — | ||
| 7-8 | Danse champêtre, op. 106 no. 1 | — | ||
| 7-9 | Mazurka, op. 81 no. 1 | — | ||
| 7-10 | Auf dem Herde, op. 115 no. 1 | — | ||
| 7-11 | Malinconia, op. 20 | — | ||
| 7-12 | Romance in D-flat, op. 24 no. 9 | — | ||
| 7-13 | Säv, säv, susa, op. 36 no. 4 | — | ||
| 7-14 | Flickan kom ifrån sin älsklings möte, op. 37 no. 5 | — | ||
| 7-15 | Aus banger Brust, op. 50 no. 4 | — | ||
| 7-16 | Come Away, Death, op. 60 no. 1 | — | ||
| 7-17 | Längsamt som kvällskyn, op. 61 no. 1 | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: II. Adagio di molto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
| Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | — |
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What is UPC 825646053179?
825646053179 is a Universal Product Code (UPC) assigned to Historical Recordings and Rarities 1928-1948 by Jean Sibelius. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 81 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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