UPC · Release
Maria João Pires
Last verified:
The UPC for “Verdes anos 1976-1985” by Maria João Pires is 825646124824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. Label: Erato. This release contains 60 tracks, each with its own ISRC. Tracks include FRZ207300702, FRZ207300701, FRZ207300703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto, BWV 1052: I. Allegro | — | ||
| 2 | Concerto, BWV 1052: II. Adagio | — | ||
| 3 | Concerto, BWV 1052: III. Allegro | — | ||
| 4 | Concerto, BWV 1055: I. Allegro | — | ||
| 5 | Concerto, BWV 1055: II. Larghetto | — | ||
| 6 | Concerto, BWV 1055: III. Allegro ma non tanto | — | ||
| 7 | Concerto, BWV 1056: I. Allegro | — | ||
| 8 | Concerto, BWV 1056: II. Largo | — | ||
| 9 | Concerto, BWV 1056: III. Presto | — | ||
| 2-1 | Sonata quasi una fantasia no. 14, op. 27 no. 2 "Moonlight" in C-sharp minor: I. Adagio sostenuto | — | ||
| 2-2 | Sonata quasi una fantasia no. 14, op. 27 no. 2 "Moonlight" in C-sharp minor: II. Allegretto | — | ||
| 2-3 | Sonata quasi una fantasia no. 14, op. 27 no. 2 "Moonlight" in C-sharp minor: III. Presto | — | ||
| 2-4 | Sonata no. 8, op. 13 "Pathétique" in C minor: I. Grave - Allegro di molto e con brio | — | ||
| 2-5 | Sonata no. 8, op. 13 "Pathétique" in C minor: II. Adagio cantabile | — | ||
| 2-6 | Sonata no. 8, op. 13 "Pathétique" in C minor: III. Rondo | — | ||
| 2-7 | Sonata no. 17 op. 31 no. 2 "Tempest" in D minor: I. Largo - Allegro | — | ||
| 2-8 | Sonata no. 17 op. 31 no. 2 "Tempest" in D minor: II. Adagio | — | ||
| 2-9 | Sonata no. 17 op. 31 no. 2 "Tempest" in D minor: III. Allegretto | — | ||
| 2-10 | Sonata no. 23, op. 57 "Appassionata" in F minor: I. Allegro assai | — | ||
| 2-11 | Sonata no. 23, op. 57 "Appassionata" in F minor: II. Andante con moto-Allegro ma non troppo | — | ||
| 3-1 | Valse brillante, op. 34, no. 3 in F major | — | ||
| 3-2 | Grande valse, op. 42 in A-flat major | — | ||
| 3-3 | Valse, op. 64, no. 1 in D-flat major | — | ||
| 3-4 | Valse, op. 69, no. 1 (op. posth.) in A-flat major | — | ||
| 3-5 | Valse, op. 64, no. 2 in C-sharp minor | — | ||
| 3-6 | Valse, op. 70, no. 1 (op. posth.) in G-flat major | — | ||
| 3-7 | Valse, op. 69, no. 2 (op. posth.) in B minor | — | ||
| 3-8 | KK IVa, no. 15 (op. posth.) in E minor | — | ||
| 3-9 | Valse brillante, op. 34, no. 2 in A minor | — | ||
| 3-10 | Valse, op. 64, no. 3 in A-flat major | — | ||
| 3-11 | Valse, op. 70, no. 2 (op. posth.) in F minor | — | ||
| 3-12 | Valse, op. 70, no. 3 (op. posth.) in D-flat major | — | ||
| 3-13 | Grande valse brillante, op. 18 in E-flat minor | — | ||
| 3-14 | Valse brillante, op. 34, no. 1 in A-flat major | — | ||
| 3-15 | Scenes From Childhood, op. 15: Von fremden Ländern und Menschen | — | ||
| 3-16 | Scenes From Childhood, op. 15: Kuriose Geschichte | — | ||
| 3-17 | Scenes From Childhood, op. 15: Hasche-Mann | — | ||
| 3-18 | Scenes From Childhood, op. 15: Bittendes Kind | — | ||
| 3-19 | Scenes From Childhood, op. 15: Glückes genug | — | ||
| 3-20 | Scenes From Childhood, op. 15: Wichtige begebenheit | — | ||
| 3-21 | Scenes From Childhood, op. 15: Träumerei | — | ||
| 3-22 | Scenes From Childhood, op. 15: Am Kamin | — | ||
| 3-23 | Scenes From Childhood, op. 15: Ritter vom steckenpferd | — | ||
| 3-24 | Scenes From Childhood, op. 15: Fast zu ernst | — | ||
| 3-25 | Scenes From Childhood, op. 15: Fürchtenmachen | — | ||
| 3-26 | Scenes From Childhood, op. 15: Kind am Einschlummern | — | ||
| 3-27 | Scenes From Childhood, op. 15: Der Dichter spricht | — | ||
| 4-1 | Concerto No. 23 in A major, K. 488: I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-2 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Maria João Pires | — | |
| 4-3 | Concerto No. 23 in A major, K. 488: III. Allegro assai | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-4 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: I. Allegro | Maria João Pires | — | |
| 4-5 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-6 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: III. Rondeau. Presto | Maria João Pires | — | |
| 4-7 | Konzert-Rondo no. 28 in D major, K. 382: Allegretto grazioso | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-329.458.935-4 | |
| 5-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | — | ||
| 5-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | — | ||
| 5-3 | Piano Concerto no. 20 in D minor, K. 466: III. Allegro assai | — | ||
| 5-4 | Concerto no. 27 in B-flat major, KV 595: I. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-5 | Concerto no. 27 in B-flat major, KV 595: II. Larghetto | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-6 | Concerto no. 27 in B-flat major, KV 595: III. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
825646124824 is a Universal Product Code (UPC) assigned to Verdes anos 1976-1985 by Maria João Pires. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Verdes anos 1976-1985” by Maria João Pires is 825646124824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. Label: Erato. This release contains 60 tracks, each with its own ISRC. Tracks include FRZ207300702, FRZ207300701, FRZ207300703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto, BWV 1052: I. Allegro | — | ||
| 2 | Concerto, BWV 1052: II. Adagio | — | ||
| 3 | Concerto, BWV 1052: III. Allegro | — | ||
| 4 | Concerto, BWV 1055: I. Allegro | — | ||
| 5 | Concerto, BWV 1055: II. Larghetto | — | ||
| 6 | Concerto, BWV 1055: III. Allegro ma non tanto | — | ||
| 7 | Concerto, BWV 1056: I. Allegro | — | ||
| 8 | Concerto, BWV 1056: II. Largo | — | ||
| 9 | Concerto, BWV 1056: III. Presto | — | ||
| 2-1 | Sonata quasi una fantasia no. 14, op. 27 no. 2 "Moonlight" in C-sharp minor: I. Adagio sostenuto | — | ||
| 2-2 | Sonata quasi una fantasia no. 14, op. 27 no. 2 "Moonlight" in C-sharp minor: II. Allegretto | — | ||
| 2-3 | Sonata quasi una fantasia no. 14, op. 27 no. 2 "Moonlight" in C-sharp minor: III. Presto | — | ||
| 2-4 | Sonata no. 8, op. 13 "Pathétique" in C minor: I. Grave - Allegro di molto e con brio | — | ||
| 2-5 | Sonata no. 8, op. 13 "Pathétique" in C minor: II. Adagio cantabile | — | ||
| 2-6 | Sonata no. 8, op. 13 "Pathétique" in C minor: III. Rondo | — | ||
| 2-7 | Sonata no. 17 op. 31 no. 2 "Tempest" in D minor: I. Largo - Allegro | — | ||
| 2-8 | Sonata no. 17 op. 31 no. 2 "Tempest" in D minor: II. Adagio | — | ||
| 2-9 | Sonata no. 17 op. 31 no. 2 "Tempest" in D minor: III. Allegretto | — | ||
| 2-10 | Sonata no. 23, op. 57 "Appassionata" in F minor: I. Allegro assai | — | ||
| 2-11 | Sonata no. 23, op. 57 "Appassionata" in F minor: II. Andante con moto-Allegro ma non troppo | — | ||
| 3-1 | Valse brillante, op. 34, no. 3 in F major | — | ||
| 3-2 | Grande valse, op. 42 in A-flat major | — | ||
| 3-3 | Valse, op. 64, no. 1 in D-flat major | — | ||
| 3-4 | Valse, op. 69, no. 1 (op. posth.) in A-flat major | — | ||
| 3-5 | Valse, op. 64, no. 2 in C-sharp minor | — | ||
| 3-6 | Valse, op. 70, no. 1 (op. posth.) in G-flat major | — | ||
| 3-7 | Valse, op. 69, no. 2 (op. posth.) in B minor | — | ||
| 3-8 | KK IVa, no. 15 (op. posth.) in E minor | — | ||
| 3-9 | Valse brillante, op. 34, no. 2 in A minor | — | ||
| 3-10 | Valse, op. 64, no. 3 in A-flat major | — | ||
| 3-11 | Valse, op. 70, no. 2 (op. posth.) in F minor | — | ||
| 3-12 | Valse, op. 70, no. 3 (op. posth.) in D-flat major | — | ||
| 3-13 | Grande valse brillante, op. 18 in E-flat minor | — | ||
| 3-14 | Valse brillante, op. 34, no. 1 in A-flat major | — | ||
| 3-15 | Scenes From Childhood, op. 15: Von fremden Ländern und Menschen | — | ||
| 3-16 | Scenes From Childhood, op. 15: Kuriose Geschichte | — | ||
| 3-17 | Scenes From Childhood, op. 15: Hasche-Mann | — | ||
| 3-18 | Scenes From Childhood, op. 15: Bittendes Kind | — | ||
| 3-19 | Scenes From Childhood, op. 15: Glückes genug | — | ||
| 3-20 | Scenes From Childhood, op. 15: Wichtige begebenheit | — | ||
| 3-21 | Scenes From Childhood, op. 15: Träumerei | — | ||
| 3-22 | Scenes From Childhood, op. 15: Am Kamin | — | ||
| 3-23 | Scenes From Childhood, op. 15: Ritter vom steckenpferd | — | ||
| 3-24 | Scenes From Childhood, op. 15: Fast zu ernst | — | ||
| 3-25 | Scenes From Childhood, op. 15: Fürchtenmachen | — | ||
| 3-26 | Scenes From Childhood, op. 15: Kind am Einschlummern | — | ||
| 3-27 | Scenes From Childhood, op. 15: Der Dichter spricht | — | ||
| 4-1 | Concerto No. 23 in A major, K. 488: I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-2 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Maria João Pires | — | |
| 4-3 | Concerto No. 23 in A major, K. 488: III. Allegro assai | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-4 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: I. Allegro | Maria João Pires | — | |
| 4-5 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-6 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: III. Rondeau. Presto | Maria João Pires | — | |
| 4-7 | Konzert-Rondo no. 28 in D major, K. 382: Allegretto grazioso | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-329.458.935-4 | |
| 5-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | — | ||
| 5-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | — | ||
| 5-3 | Piano Concerto no. 20 in D minor, K. 466: III. Allegro assai | — | ||
| 5-4 | Concerto no. 27 in B-flat major, KV 595: I. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-5 | Concerto no. 27 in B-flat major, KV 595: II. Larghetto | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-6 | Concerto no. 27 in B-flat major, KV 595: III. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — |
