UPC · Release
Seiji Ozawa
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825646139514 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Recordings” by Seiji Ozawa, released 2015-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 202 tracks, each with its own ISRC. Tracks include GBAYC8602558, GBAYC8602559, GBAYC8602560.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2 | Scheherazade, op. 35: II. The Kalendar Prince | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks against a Cliff Surmounted by a Bronze Horseman | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 5 | Prince Igor: Act II. Dance of the Polovtsian maidens | — | ||
| 2-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo | Chicago Symphony Orchestra, Seiji Ozawa | T-312.542.566-9 | |
| 2-2 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Dances of Galánta | — | ||
| 3-1 | Concerto for Orchestra: I. Intrada. Allegro maestoso | — | ||
| 3-2 | Concerto for Orchestra: II. Capriccio, notturno e arioso. Vivace | — | ||
| 3-3 | Concerto for Orchestra: III. (a) Passacaglia. Andante con moto | — | ||
| 3-4 | Concerto for Orchestra: III. (b) Toccata. Allegro giusto - Corale. Poco calmando | — | ||
| 3-5 | Sinfonietta "Sokol Festival": I. Fanfare. Allegretto - Allegro maestoso | — | ||
| 3-6 | Sinfonietta "Sokol Festival": II. The Castle, Brno. Andante - Allegretto | — | ||
| 3-7 | Sinfonietta "Sokol Festival": III. The Queen's Monastery, Brno. Moderato | — | ||
| 3-8 | Sinfonietta "Sokol Festival": IV. The Street Leading to the Castle. Allegretto | — | ||
| 3-9 | Sinfonietta "Sokol Festival": V. The Town Hall, Brno. Andante con moto | — | ||
| 4-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro - Andante | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 4-2 | Piano Concerto no. 3 in C major, op. 26: II. Theme: Andantino and Variations 1-5 | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 4-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 4-4 | Piano Concerto in G major: I. Allegramente - Andante - Maurice Ravel | — | ||
| 4-5 | Piano Concerto in G major: II. Adagio assai - Maurice Ravel | — | ||
| 4-6 | Piano Concerto in G major: III. Presto - Maurice Ravel | — | ||
| 5-1 | Symphony No. 4 in F minor, Op. 36: I. Andante Sostenuto - Moderato Con Anima | — | ||
| 5-2 | Symphony No. 4 in F minor, Op. 36: II. Andantino in Modo di Canzone | — | ||
| 5-3 | Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato Ostinato, Allegro | — | ||
| 5-4 | Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro Con Fuoco | — | ||
| 6-1 | Capriccio, for Piano & Orchestra: I. Presto | — | ||
| 6-2 | Capriccio, for Piano & Orchestra: II. Andante rapsodico | — | ||
| 6-3 | Capriccio, for Piano & Orchestra: III. Allegro capriccioso, ma tempo giusto | — | ||
| 6-4 | Concerto for Piano & Wind Instruments: I. Largo – Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 6-5 | Concerto for Piano & Wind Instruments: II. Largo – Cadenza: Poco rubato | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 6-6 | Concerto for Piano & Wind Instruments: III. Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 6-7 | Movements for Piano & Orchestra: I. ♪ = 110 | — | ||
| 6-8 | Movements for Piano & Orchestra: II. ♪ = 52 | — | ||
| 6-9 | Movements for Piano & Orchestra: III. ♪ = 72 | — | ||
| 6-10 | Movements for Piano & Orchestra: IV. ♪ = 80 | — | ||
| 6-11 | Movements for Piano & Orchestra: V. ♪ = 104 | — | ||
| 7-1 | Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma no tanto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | — | ||
| 7-5 | Violin Concerto no. 1 in G minor, op.26: II. Adagio | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-6 | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | — | ||
| 8-1 | Sō-Gū II | Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 8-2 | Cassiopeia | Stomu Yamashita, Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 9-1 | Violin Concerto no. 1 in F-sharp minor, op. 14: I. Allegro moderato | — | ||
| 9-2 | Violin Concerto no. 1 in F-sharp minor, op. 14: II. Preghiera (Larghetto) | — | ||
| 9-3 | Violin Concerto no. 1 in F-sharp minor, op. 14: III. Rondo (Allegro giocoso) | — | ||
| 9-4 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 9-5 | Violin Concerto no. 2 in D minor, op. 22: II. Romance (Allegro non troppo) | — | ||
| 9-6 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la Zingara) | — | ||
| 10-1 | The Firebird: Introduction | Orchestre de Paris, Seiji Ozawa | — | |
| 10-2 | The Firebird, Tableau 1: Kashchei's Enchanted Garden | Orchestre de Paris, Seiji Ozawa | — | |
| 10-3 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan | Orchestre de Paris, Seiji Ozawa | — | |
| 10-4 | The Firebird, Tableau 1: Dance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-5 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-6 | The Firebird, Tableau 1: Supplication of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-7 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 10-8 | The Firebird, Tableau 1: The Princesses' Game with the Golden Apples | Orchestre de Paris, Seiji Ozawa | — | |
| 10-9 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 10-10 | The Firebird, Tableau 1: The Princesses' Khorovod | Orchestre de Paris, Seiji Ozawa | — | |
| 10-11 | The Firebird, Tableau 1: Daybreak | Orchestre de Paris, Seiji Ozawa | — | |
| 10-12 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei's Palace | Orchestre de Paris, Seiji Ozawa | — | |
| 10-13 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei's Guardian Monsters | Orchestre de Paris, Seiji Ozawa | — | |
| 10-14 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Orchestre de Paris, Seiji Ozawa | — | |
| 10-15 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 10-16 | The Firebird, Tableau 1: The Intercession of the Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 10-17 | The Firebird, Tableau 1: Appearance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-18 | The Firebird, Tableau 1: Dance of Kashchei's Retinue Under the Firebird's Spell | Orchestre de Paris, Seiji Ozawa | — | |
| 10-19 | The Firebird, Tableau 1: Infernal Dance of all Kashchei's Subjects | Orchestre de Paris, Seiji Ozawa | — | |
| 10-20 | The Firebird, Tableau 1: Lullaby | Orchestre de Paris, Seiji Ozawa | — | |
| 10-21 | The Firebird, Tableau 1: Kashchei Awakes | Orchestre de Paris, Seiji Ozawa | — | |
| 10-22 | The Firebird, Tableau 1: Death of Kashchei | Orchestre de Paris, Seiji Ozawa | — | |
| 10-23 | The Firebird, Tableau 1: Complete Darkness | Orchestre de Paris, Seiji Ozawa | — | |
| 10-24 | The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving | Orchestre de Paris, Seiji Ozawa | — | |
| 11-1 | Violin Concerto in D, Op 35: I: Allegro moderato | — | ||
| 11-2 | Violin Concerto in D, Op 35: II: Canzonetta (Andante) | — | ||
| 11-3 | Violin Concerto in D, Op 35: III: Allegro vivacissimo | — | ||
| 11-4 | Capriccio Italien, p. 45 | Philharmonia Orchestra, Seiji Ozawa | T-304.396.368-0 | |
| 12-1 | Symphony in C major, WD 33: I. Allegro vivo | Orchestre national de France, Seiji Ozawa | — | |
| 12-2 | Symphony in C major, WD 33: II. Adagio | Orchestre national de France, Seiji Ozawa | T-070.275.805-1 | |
| 12-3 | Symphony in C major, WD 33: III. Scherzo. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 12-4 | Symphony in C major, WD 33: IV. Finale. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 12-5 | Patrie, ouverture dramatique, op. 19, WD 41 | Orchestre national de France, Seiji Ozawa | — | |
| 12-6 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: I. Marche “Trompette et tambour” | Orchestre national de France, Seiji Ozawa | — | |
| 12-7 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: II. Berceuse “La poupée” | Orchestre national de France, Seiji Ozawa | — | |
| 12-8 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: III. Impromptu “La toupie” | Orchestre national de France, Seiji Ozawa | — | |
| 12-9 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: IV. Duo “Petit mari, petite femme” | Orchestre national de France, Seiji Ozawa | — | |
| 12-10 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: V. Galop “Le bal” | Orchestre national de France, Seiji Ozawa | — | |
| 13-1 | L'Arlésienne-Suite No. 1: I: Prélude | Orchestre National de France, Seiji Ozawa | — | |
| 13-2 | L'Arlésienne-Suite No. 1: II: Minuetto | Orchestre National de France, Seiji Ozawa | — | |
| 13-3 | L'Arlésienne-Suite No. 1: III: Adagietto | Orchestre National de France, Seiji Ozawa | — | |
| 13-4 | L'Arlésienne-Suite No. 1: IV: Carillon | Orchestre National de France, Seiji Ozawa | — | |
| 13-5 | L'Arlésienne-Suite No. 2: I: Pastorale | — | ||
| 13-6 | L'Arlésienne-Suite No. 2: II: Intermezzo | — | ||
| 13-7 | L'Arlésienne-Suite No. 2: III: Menuet | — | ||
| 13-8 | L'Arlésienne-Suite No. 2: IV: Farandole | — | ||
| 13-9 | Carmen-Suite No. 1: V: Prélude | — | ||
| 13-10 | Carmen-Suite No. 1: I: Prélude | — | ||
| 13-11 | Carmen-Suite No. 1: II: Entr'acte | — | ||
| 13-12 | Carmen-Suite No. 1: III: Entr'acte | — | ||
| 13-13 | Carmen-Suite No. 2: II: Habanera | — | ||
| 13-14 | Carmen-Suite No. 2: V: Danse bohème | — | ||
| 14-1 | The Firebird: Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-2 | The Firebird, Tableau 1: Kashchei’s Enchanted Garden | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-3 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-4 | The Firebird, Tableau 1: Dance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-5 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-6 | The Firebird, Tableau 1: Supplication of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-7 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-8 | The Firebird, Tableau 1: The Princesses’ Game with the Golden Apples | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-9 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-10 | The Firebird, Tableau 1: The Princesses’ Khorovod | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-11 | The Firebird, Tableau 1: Daybreak | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-12 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei’s Palace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-13 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei’s Guardian Monsters - Capture of Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-14 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-15 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-16 | The Firebird, Tableau 1: The Intercession of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-17 | The Firebird, Tableau 1: Appearance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-18 | The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-19 | The Firebird, Tableau 1: Infernal Dance of All Kashchei’s Subjects | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-20 | The Firebird, Tableau 1: Lullaby | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-21 | The Firebird, Tableau 1: Kashchei Awakes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-22 | The Firebird, Tableau 1: Death of Kashchei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-23 | The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei’s Enchantments, Animation of the Petrified Warriors, General Thanksgiving | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 15-1 | Rhapsody in Blue | Alexis Weissenberg, Berliner Philharmoniker, Seiji Ozawa | T-010.244.926-2 | |
| 15-2 | Variations on "I Got Rhythm" | Alexis Weissenberg, Berliner Philharmoniker, Seiji Ozawa | — | |
| 15-3 | Catfish Row: Catfish Row | — | ||
| 15-4 | Catfish Row: Porgy Sings | — | ||
| 15-5 | Catfish Row: Fugue | — | ||
| 15-6 | Catfish Row: Hurricane | — | ||
| 15-7 | Catfish Row: Good Mornin' Sistuh | — | ||
| 16-1 | Violin Concerto: Part 1 - Part 2 | — | ||
| 16-2 | Violin Concerto: I. Allegro | — | ||
| 16-3 | Violin Concerto: II. Lento - Andante - Allegro | — | ||
| 16-4 | Violin Concerto: III. Allegro moderato - Presto leggiero | — | ||
| 17-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando (Allegro molto) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegro non troppo) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-5 | Symphonie espagnole in D minor, op. 21: V. Rondo (Allegro) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-6 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 18-1 | Ouverture solennelle 1812, Op. 49 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 18-2 | March Slave, op. 31 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 18-3 | Polonaise - "Eugene Onegin" (Act III), Op. 24 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 18-4 | Francesca da Rimini, op. 32 | Berliner Philharmoniker, Seiji Ozawa | T-010.194.429-9 | |
| 19-1 | Symphonie no. 6, op. 74, “Pathétique” : I. Adagio - allegro non troppo | — | ||
| 19-2 | Symphonie no. 6, op. 74, “Pathétique” : II. Allegro con grazia | — | ||
| 19-3 | Symphonie no. 6, op. 74, “Pathétique” : III. Allegro molto vivace | — | ||
| 19-4 | Symphonie no. 6, op. 74, “Pathétique” : IV. Finale (Adagio lamentoso - andante) | — | ||
| 20-1 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Adagio - Allegro moderato | Orchestre national de France, Seiji Ozawa | — | |
| 20-2 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Poco adagio | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 20-3 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Allegro moderato - Presto | Orchestre national de France, Seiji Ozawa | — | |
| 20-4 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Maestoso - Allegro | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 20-5 | Phaéton, Op. 39 | — | ||
| 20-6 | Le Rouet d'Omphale, Op. 31 | — | ||
| 21-1 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-2 | Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-3 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-4 | Variations on a Rococo Theme, op. 33: Introduction & Thema | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-5 | Variations on a Rococo Theme, Op. 33: Variation I. Tempo della thema | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-6 | Variations on a Rococo Theme, Op. 33: Variation II. Tempo della thema | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-7 | Variations on a Rococo Theme, Op. 33: Variation III. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-8 | Variations on a Rococo Theme, Op. 33: Variation IV. Andante grazioso | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-9 | Variations on a Rococo Theme, Op. 33: Variation V. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-10 | Variations on a Rococo Theme, op. 33: Variation VI – Andante | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-11 | Variations on a Rococo Theme, Op. 33: Variation VII - Coda. Allegro vivo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 22-1 | Symphonie concertante en Mi mineur, op. 125: I. Andante | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-2 | Symphonie concertante en Mi mineur, op. 125: II. Allegro giusto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-3 | Symphonie concertante en Mi mineur, op. 125: III. Andante con moto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-4 | Cello Concerto no. 1 in E flat major, op. 107: I. Allegretto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-5 | Cello Concerto no. 1 in E flat major, op. 107: II. Moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-6 | Cello Concerto no. 1 in E flat major, op. 107: III. Cadenza | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-7 | Cello Concerto no. 1 in E flat major, op. 107: IV. Allegro con moto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 23-1 | Serenade after Plato's "Symposium": I. Phaedrus: Pausanias (Lento - Allegro marcato) | — | ||
| 23-2 | Serenade after Plato's "Symposium": II. Aristophanes (Allegretto) | — | ||
| 23-3 | Serenade after Plato's "Symposium": III. Eryximachus (Presto) | — | ||
| 23-4 | Serenade after Plato's "Symposium": IV. Agathon (Adagio) | — | ||
| 23-5 | Serenade after Plato's "Symposium": V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace) | — | ||
| 23-6 | Violin Concerto, op. 14: I. Allegro | — | ||
| 23-7 | Violin Concerto, op. 14: II. Andante | — | ||
| 23-8 | Violin Concerto, op. 14: III. Presto in moto perpetuo | — | ||
| 23-9 | Three American Pieces: Early Song (Andante) | — | ||
| 23-10 | Three American Pieces: Dedication (Lento) | — | ||
| 23-11 | Three American Pieces: Composer's Holiday (Allegro) | — | ||
| 24-1 | Triptyque: I. Premier mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-2 | Triptyque: II. Deuxième mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-3 | Triptyque: III. Troisième mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-4 | Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-5 | Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-6 | Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-7 | Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 25-1 | The Shadows of Time: Les Heures | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-2 | The Shadows of Time: Ariel Maléfique | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-3 | The Shadows of Time: Mémoire des Ombres | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-4 | The Shadows of Time: Vague de Lumière | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-5 | The Shadows of Time: Dominante Bleu ? | Boston Symphony Orchestra, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
Musical Works (ISWC)
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825646139514 is a Universal Product Code (UPC) assigned to The Complete Warner Recordings by Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 202 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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825646139514 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Recordings” by Seiji Ozawa, released 2015-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 202 tracks, each with its own ISRC. Tracks include GBAYC8602558, GBAYC8602559, GBAYC8602560.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2 | Scheherazade, op. 35: II. The Kalendar Prince | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks against a Cliff Surmounted by a Bronze Horseman | Victor Aitay, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 5 | Prince Igor: Act II. Dance of the Polovtsian maidens | — | ||
| 2-1 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo | Chicago Symphony Orchestra, Seiji Ozawa | T-312.542.566-9 | |
| 2-2 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-3 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Dances of Galánta | — | ||
| 3-1 | Concerto for Orchestra: I. Intrada. Allegro maestoso | — | ||
| 3-2 | Concerto for Orchestra: II. Capriccio, notturno e arioso. Vivace | — | ||
| 3-3 | Concerto for Orchestra: III. (a) Passacaglia. Andante con moto | — | ||
| 3-4 | Concerto for Orchestra: III. (b) Toccata. Allegro giusto - Corale. Poco calmando | — | ||
| 3-5 | Sinfonietta "Sokol Festival": I. Fanfare. Allegretto - Allegro maestoso | — | ||
| 3-6 | Sinfonietta "Sokol Festival": II. The Castle, Brno. Andante - Allegretto | — | ||
| 3-7 | Sinfonietta "Sokol Festival": III. The Queen's Monastery, Brno. Moderato | — | ||
| 3-8 | Sinfonietta "Sokol Festival": IV. The Street Leading to the Castle. Allegretto | — | ||
| 3-9 | Sinfonietta "Sokol Festival": V. The Town Hall, Brno. Andante con moto | — | ||
| 4-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro - Andante | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 4-2 | Piano Concerto no. 3 in C major, op. 26: II. Theme: Andantino and Variations 1-5 | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 4-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Alexis Weissenberg, Orchestre de Paris, Seiji Ozawa | — | |
| 4-4 | Piano Concerto in G major: I. Allegramente - Andante - Maurice Ravel | — | ||
| 4-5 | Piano Concerto in G major: II. Adagio assai - Maurice Ravel | — | ||
| 4-6 | Piano Concerto in G major: III. Presto - Maurice Ravel | — | ||
| 5-1 | Symphony No. 4 in F minor, Op. 36: I. Andante Sostenuto - Moderato Con Anima | — | ||
| 5-2 | Symphony No. 4 in F minor, Op. 36: II. Andantino in Modo di Canzone | — | ||
| 5-3 | Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato Ostinato, Allegro | — | ||
| 5-4 | Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro Con Fuoco | — | ||
| 6-1 | Capriccio, for Piano & Orchestra: I. Presto | — | ||
| 6-2 | Capriccio, for Piano & Orchestra: II. Andante rapsodico | — | ||
| 6-3 | Capriccio, for Piano & Orchestra: III. Allegro capriccioso, ma tempo giusto | — | ||
| 6-4 | Concerto for Piano & Wind Instruments: I. Largo – Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 6-5 | Concerto for Piano & Wind Instruments: II. Largo – Cadenza: Poco rubato | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 6-6 | Concerto for Piano & Wind Instruments: III. Allegro | Michel Béroff, Orchestre de Paris, Seiji Ozawa | — | |
| 6-7 | Movements for Piano & Orchestra: I. ♪ = 110 | — | ||
| 6-8 | Movements for Piano & Orchestra: II. ♪ = 52 | — | ||
| 6-9 | Movements for Piano & Orchestra: III. ♪ = 72 | — | ||
| 6-10 | Movements for Piano & Orchestra: IV. ♪ = 80 | — | ||
| 6-11 | Movements for Piano & Orchestra: V. ♪ = 104 | — | ||
| 7-1 | Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma no tanto | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | — | ||
| 7-5 | Violin Concerto no. 1 in G minor, op.26: II. Adagio | Masuko Ushioda, Japan Philharmonic Symphony Orchestra, Seiji Ozawa | — | |
| 7-6 | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | — | ||
| 8-1 | Sō-Gū II | Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 8-2 | Cassiopeia | Stomu Yamashita, Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 9-1 | Violin Concerto no. 1 in F-sharp minor, op. 14: I. Allegro moderato | — | ||
| 9-2 | Violin Concerto no. 1 in F-sharp minor, op. 14: II. Preghiera (Larghetto) | — | ||
| 9-3 | Violin Concerto no. 1 in F-sharp minor, op. 14: III. Rondo (Allegro giocoso) | — | ||
| 9-4 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 9-5 | Violin Concerto no. 2 in D minor, op. 22: II. Romance (Allegro non troppo) | — | ||
| 9-6 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la Zingara) | — | ||
| 10-1 | The Firebird: Introduction | Orchestre de Paris, Seiji Ozawa | — | |
| 10-2 | The Firebird, Tableau 1: Kashchei's Enchanted Garden | Orchestre de Paris, Seiji Ozawa | — | |
| 10-3 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan | Orchestre de Paris, Seiji Ozawa | — | |
| 10-4 | The Firebird, Tableau 1: Dance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-5 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-6 | The Firebird, Tableau 1: Supplication of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-7 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 10-8 | The Firebird, Tableau 1: The Princesses' Game with the Golden Apples | Orchestre de Paris, Seiji Ozawa | — | |
| 10-9 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 10-10 | The Firebird, Tableau 1: The Princesses' Khorovod | Orchestre de Paris, Seiji Ozawa | — | |
| 10-11 | The Firebird, Tableau 1: Daybreak | Orchestre de Paris, Seiji Ozawa | — | |
| 10-12 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei's Palace | Orchestre de Paris, Seiji Ozawa | — | |
| 10-13 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei's Guardian Monsters | Orchestre de Paris, Seiji Ozawa | — | |
| 10-14 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Orchestre de Paris, Seiji Ozawa | — | |
| 10-15 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Orchestre de Paris, Seiji Ozawa | — | |
| 10-16 | The Firebird, Tableau 1: The Intercession of the Princesses | Orchestre de Paris, Seiji Ozawa | — | |
| 10-17 | The Firebird, Tableau 1: Appearance of the Firebird | Orchestre de Paris, Seiji Ozawa | — | |
| 10-18 | The Firebird, Tableau 1: Dance of Kashchei's Retinue Under the Firebird's Spell | Orchestre de Paris, Seiji Ozawa | — | |
| 10-19 | The Firebird, Tableau 1: Infernal Dance of all Kashchei's Subjects | Orchestre de Paris, Seiji Ozawa | — | |
| 10-20 | The Firebird, Tableau 1: Lullaby | Orchestre de Paris, Seiji Ozawa | — | |
| 10-21 | The Firebird, Tableau 1: Kashchei Awakes | Orchestre de Paris, Seiji Ozawa | — | |
| 10-22 | The Firebird, Tableau 1: Death of Kashchei | Orchestre de Paris, Seiji Ozawa | — | |
| 10-23 | The Firebird, Tableau 1: Complete Darkness | Orchestre de Paris, Seiji Ozawa | — | |
| 10-24 | The Firebird (1910 version) (1998 Remastered Version), 2nd Tableau: Disappearance of the palace and dissolution of Kashchei's enchantments; animation of the petrified warriors. General thanksgiving | Orchestre de Paris, Seiji Ozawa | — | |
| 11-1 | Violin Concerto in D, Op 35: I: Allegro moderato | — | ||
| 11-2 | Violin Concerto in D, Op 35: II: Canzonetta (Andante) | — | ||
| 11-3 | Violin Concerto in D, Op 35: III: Allegro vivacissimo | — | ||
| 11-4 | Capriccio Italien, p. 45 | Philharmonia Orchestra, Seiji Ozawa | T-304.396.368-0 | |
| 12-1 | Symphony in C major, WD 33: I. Allegro vivo | Orchestre national de France, Seiji Ozawa | — | |
| 12-2 | Symphony in C major, WD 33: II. Adagio | Orchestre national de France, Seiji Ozawa | T-070.275.805-1 | |
| 12-3 | Symphony in C major, WD 33: III. Scherzo. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 12-4 | Symphony in C major, WD 33: IV. Finale. Allegro vivace | Orchestre national de France, Seiji Ozawa | — | |
| 12-5 | Patrie, ouverture dramatique, op. 19, WD 41 | Orchestre national de France, Seiji Ozawa | — | |
| 12-6 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: I. Marche “Trompette et tambour” | Orchestre national de France, Seiji Ozawa | — | |
| 12-7 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: II. Berceuse “La poupée” | Orchestre national de France, Seiji Ozawa | — | |
| 12-8 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: III. Impromptu “La toupie” | Orchestre national de France, Seiji Ozawa | — | |
| 12-9 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: IV. Duo “Petit mari, petite femme” | Orchestre national de France, Seiji Ozawa | — | |
| 12-10 | Petite suite from “Jeux d’enfants”, op. 22, WD 39: V. Galop “Le bal” | Orchestre national de France, Seiji Ozawa | — | |
| 13-1 | L'Arlésienne-Suite No. 1: I: Prélude | Orchestre National de France, Seiji Ozawa | — | |
| 13-2 | L'Arlésienne-Suite No. 1: II: Minuetto | Orchestre National de France, Seiji Ozawa | — | |
| 13-3 | L'Arlésienne-Suite No. 1: III: Adagietto | Orchestre National de France, Seiji Ozawa | — | |
| 13-4 | L'Arlésienne-Suite No. 1: IV: Carillon | Orchestre National de France, Seiji Ozawa | — | |
| 13-5 | L'Arlésienne-Suite No. 2: I: Pastorale | — | ||
| 13-6 | L'Arlésienne-Suite No. 2: II: Intermezzo | — | ||
| 13-7 | L'Arlésienne-Suite No. 2: III: Menuet | — | ||
| 13-8 | L'Arlésienne-Suite No. 2: IV: Farandole | — | ||
| 13-9 | Carmen-Suite No. 1: V: Prélude | — | ||
| 13-10 | Carmen-Suite No. 1: I: Prélude | — | ||
| 13-11 | Carmen-Suite No. 1: II: Entr'acte | — | ||
| 13-12 | Carmen-Suite No. 1: III: Entr'acte | — | ||
| 13-13 | Carmen-Suite No. 2: II: Habanera | — | ||
| 13-14 | Carmen-Suite No. 2: V: Danse bohème | — | ||
| 14-1 | The Firebird: Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-2 | The Firebird, Tableau 1: Kashchei’s Enchanted Garden | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-3 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-4 | The Firebird, Tableau 1: Dance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-5 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-6 | The Firebird, Tableau 1: Supplication of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-7 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-8 | The Firebird, Tableau 1: The Princesses’ Game with the Golden Apples | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-9 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-10 | The Firebird, Tableau 1: The Princesses’ Khorovod | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-11 | The Firebird, Tableau 1: Daybreak | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-12 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei’s Palace | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-13 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei’s Guardian Monsters - Capture of Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-14 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-15 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-16 | The Firebird, Tableau 1: The Intercession of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-17 | The Firebird, Tableau 1: Appearance of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-18 | The Firebird, Tableau 1: Dance of Kashchei’s Retinue Under the Firebird’s Spell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-19 | The Firebird, Tableau 1: Infernal Dance of All Kashchei’s Subjects | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-20 | The Firebird, Tableau 1: Lullaby | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-21 | The Firebird, Tableau 1: Kashchei Awakes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-22 | The Firebird, Tableau 1: Death of Kashchei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14-23 | The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei’s Enchantments, Animation of the Petrified Warriors, General Thanksgiving | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 15-1 | Rhapsody in Blue | Alexis Weissenberg, Berliner Philharmoniker, Seiji Ozawa | T-010.244.926-2 | |
| 15-2 | Variations on "I Got Rhythm" | Alexis Weissenberg, Berliner Philharmoniker, Seiji Ozawa | — | |
| 15-3 | Catfish Row: Catfish Row | — | ||
| 15-4 | Catfish Row: Porgy Sings | — | ||
| 15-5 | Catfish Row: Fugue | — | ||
| 15-6 | Catfish Row: Hurricane | — | ||
| 15-7 | Catfish Row: Good Mornin' Sistuh | — | ||
| 16-1 | Violin Concerto: Part 1 - Part 2 | — | ||
| 16-2 | Violin Concerto: I. Allegro | — | ||
| 16-3 | Violin Concerto: II. Lento - Andante - Allegro | — | ||
| 16-4 | Violin Concerto: III. Allegro moderato - Presto leggiero | — | ||
| 17-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando (Allegro molto) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegro non troppo) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-5 | Symphonie espagnole in D minor, op. 21: V. Rondo (Allegro) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 17-6 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 18-1 | Ouverture solennelle 1812, Op. 49 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 18-2 | March Slave, op. 31 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 18-3 | Polonaise - "Eugene Onegin" (Act III), Op. 24 | Berlin Philharmonic Orchestra, Seiji Ozawa | — | |
| 18-4 | Francesca da Rimini, op. 32 | Berliner Philharmoniker, Seiji Ozawa | T-010.194.429-9 | |
| 19-1 | Symphonie no. 6, op. 74, “Pathétique” : I. Adagio - allegro non troppo | — | ||
| 19-2 | Symphonie no. 6, op. 74, “Pathétique” : II. Allegro con grazia | — | ||
| 19-3 | Symphonie no. 6, op. 74, “Pathétique” : III. Allegro molto vivace | — | ||
| 19-4 | Symphonie no. 6, op. 74, “Pathétique” : IV. Finale (Adagio lamentoso - andante) | — | ||
| 20-1 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Adagio - Allegro moderato | Orchestre national de France, Seiji Ozawa | — | |
| 20-2 | Symphony No. 3 in C minor, Op. 78 "Organ": I. Poco adagio | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 20-3 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Allegro moderato - Presto | Orchestre national de France, Seiji Ozawa | — | |
| 20-4 | Symphony No. 3 in C minor, Op. 78 "Organ": II. Maestoso - Allegro | Philippe Lefebvre, Orchestre national de France, Seiji Ozawa | — | |
| 20-5 | Phaéton, Op. 39 | — | ||
| 20-6 | Le Rouet d'Omphale, Op. 31 | — | ||
| 21-1 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-2 | Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-3 | Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-4 | Variations on a Rococo Theme, op. 33: Introduction & Thema | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-5 | Variations on a Rococo Theme, Op. 33: Variation I. Tempo della thema | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-6 | Variations on a Rococo Theme, Op. 33: Variation II. Tempo della thema | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-7 | Variations on a Rococo Theme, Op. 33: Variation III. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-8 | Variations on a Rococo Theme, Op. 33: Variation IV. Andante grazioso | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-9 | Variations on a Rococo Theme, Op. 33: Variation V. Allegro moderato | Boston Symphony Orchestra, Seiji Ozawa, Mstislav Rostropovich | — | |
| 21-10 | Variations on a Rococo Theme, op. 33: Variation VI – Andante | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-11 | Variations on a Rococo Theme, Op. 33: Variation VII - Coda. Allegro vivo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 22-1 | Symphonie concertante en Mi mineur, op. 125: I. Andante | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-2 | Symphonie concertante en Mi mineur, op. 125: II. Allegro giusto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-3 | Symphonie concertante en Mi mineur, op. 125: III. Andante con moto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-4 | Cello Concerto no. 1 in E flat major, op. 107: I. Allegretto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-5 | Cello Concerto no. 1 in E flat major, op. 107: II. Moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-6 | Cello Concerto no. 1 in E flat major, op. 107: III. Cadenza | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 22-7 | Cello Concerto no. 1 in E flat major, op. 107: IV. Allegro con moto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 23-1 | Serenade after Plato's "Symposium": I. Phaedrus: Pausanias (Lento - Allegro marcato) | — | ||
| 23-2 | Serenade after Plato's "Symposium": II. Aristophanes (Allegretto) | — | ||
| 23-3 | Serenade after Plato's "Symposium": III. Eryximachus (Presto) | — | ||
| 23-4 | Serenade after Plato's "Symposium": IV. Agathon (Adagio) | — | ||
| 23-5 | Serenade after Plato's "Symposium": V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace) | — | ||
| 23-6 | Violin Concerto, op. 14: I. Allegro | — | ||
| 23-7 | Violin Concerto, op. 14: II. Andante | — | ||
| 23-8 | Violin Concerto, op. 14: III. Presto in moto perpetuo | — | ||
| 23-9 | Three American Pieces: Early Song (Andante) | — | ||
| 23-10 | Three American Pieces: Dedication (Lento) | — | ||
| 23-11 | Three American Pieces: Composer's Holiday (Allegro) | — | ||
| 24-1 | Triptyque: I. Premier mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-2 | Triptyque: II. Deuxième mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-3 | Triptyque: III. Troisième mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-4 | Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-5 | Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-6 | Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 24-7 | Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 25-1 | The Shadows of Time: Les Heures | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-2 | The Shadows of Time: Ariel Maléfique | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-3 | The Shadows of Time: Mémoire des Ombres | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-4 | The Shadows of Time: Vague de Lumière | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-5 | The Shadows of Time: Dominante Bleu ? | Boston Symphony Orchestra, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
