UPC · Release
Itzhak Perlman
Last verified:
The UPC for “The Complete Warner Recordings” by Itzhak Perlman is 825646150694. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Warner Classics. This release contains 808 tracks, each with its own ISRC. Tracks include GBAYC1500685, GBAYC1500687, GBAYC1500688.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 2 | Concerto no. 1 in D for violin and orchestra, op. 6: II. Adagio espressivo | Itzhak Perlman, Royal Philharmonic Orchestra, Lawrence Foster | — | |
| 3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | — | ||
| 4 | Carmen-Fantasie, op. 25 | Itzhak Perlman, Royal Philharmonic Orchestra, Lawrence Foster | — | |
| 2-1 | Concerto (2 Violins) in D minor, BWV 1043: I. Vivace | Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-2 | Concerto (2 Violins) in D minor, BWV 1043: II. Largo ma non tanto | Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-3 | Concerto (2 Violins) in D minor, BWV 1043: III. Allegro | Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-4 | Concerto in E, BWV 1042: I. Allegro | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-5 | Concerto in E, BWV 1042: II. Adagio | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | T-917.755.866-6 | |
| 2-6 | Concerto in E, BWV 1042: III. Allegro assai | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-7 | BACH JS VIOLIN CONCERTO IN G MINOR BWV 1056 I ALLEGRO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-8 | VIOLIN CONCERTO IN G MINOR, BWV 1056: II. LARGO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-9 | BACH JS VIOLIN CONCERTO IN G MINOR BWV 1056 III PRESTO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-1 | I. ALLEGRO | Neil Black, Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | T-914.323.771-2 | |
| 3-2 | II. ADAGIO | Neil Black, Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | T-917.755.866-6 | |
| 3-3 | CONCERTO FOR VIOLIN AND OBOE IN C MINOR, BWV 1060: III. ALLEGRO | Neil Black, Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-4 | Concerto in A minor, BWV 1041: I. Allegro | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-5 | Violin Concerto in A minor, BWV 1041: II. Andante | — | ||
| 3-6 | Violin Concerto in A minor, BWV 1041: III. Allegro assai | — | ||
| 3-7 | VIOLIN CONCERTO IN D MINOR (AFTER HARPSICHORD CONCERTO, BWV 1052): I. ALLEGRO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-8 | VIOLIN CONCERTO IN D MINOR (AFTER HARPSICHORD CONCERTO, BWV 1052): II. ADAGIO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-9 | VIOLIN CONCERTO IN D MINOR (AFTER HARPSICHORD CONCERTO, BWV 1052): III. ALLEGRO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 4-1 | Caprices for Solo Violin, op. 1: No. 1 in E major | Itzhak Perlman | — | |
| 4-2 | Caprices for Solo Violin, op. 1: No. 2 in B minor | Itzhak Perlman | — | |
| 4-3 | Caprices for Solo Violin, op. 1: No. 3 in E minor | Itzhak Perlman | — | |
| 4-4 | Caprices for Solo Violin, op. 1: No. 4 in C minor | Itzhak Perlman | — | |
| 4-5 | Caprices for Solo Violin, op. 1: No. 5 in A minor | Itzhak Perlman | — | |
| 4-6 | Caprices for Solo Violin, op. 1: No. 6 in G minor | Itzhak Perlman | — | |
| 4-7 | Caprices for Solo Violin, op. 1: No. 7 in A minor | Itzhak Perlman | — | |
| 4-8 | Caprices for Solo Violin, op. 1: No. 8 in E-flat major | Itzhak Perlman | — | |
| 4-9 | Caprices for Solo Violin, op. 1: No. 9 in E major | Itzhak Perlman | — | |
| 4-10 | Caprices for Solo Violin, op. 1: No. 10 in G minor | Itzhak Perlman | — | |
| 4-11 | Caprices for Solo Violin, op. 1: No. 11 in C major | Itzhak Perlman | — | |
| 4-12 | Caprices for Solo Violin, op. 1: No. 12 in A-flat major | Itzhak Perlman | — | |
| 4-13 | Caprices for Solo Violin, op. 1: No. 13 in B-flat major | Itzhak Perlman | — | |
| 4-14 | Caprices for Solo Violin, op. 1: No. 14 in E-flat major | Itzhak Perlman | — | |
| 4-15 | Caprices for Solo Violin, op. 1: No. 15 in E minor | Itzhak Perlman | — | |
| 4-16 | Caprices for Solo Violin, op. 1: No. 16 in G minor | Itzhak Perlman | — | |
| 4-17 | Caprices for Solo Violin, op. 1: No. 17 in E-flat major | Itzhak Perlman | — | |
| 4-18 | Caprices for Solo Violin, op. 1: No. 18 in C major | Itzhak Perlman | — | |
| 4-19 | Caprices for Solo Violin, op. 1: No. 19 in E-flat major | Itzhak Perlman | — | |
| 4-20 | Caprices for Solo Violin, op. 1: No. 20 in D major | Itzhak Perlman | — | |
| 4-21 | Caprices for Solo Violin, op. 1: No. 21 in A major | Itzhak Perlman | — | |
| 4-22 | Caprices for Solo Violin, op. 1: No. 22 in F major | Itzhak Perlman | — | |
| 4-23 | Caprices for Solo Violin, op. 1: No. 23 in E-flat major | Itzhak Perlman | — | |
| 4-24 | Caprices for Solo Violin, op. 1: No. 24 in A minor | Itzhak Perlman | — | |
| 5-1 | Violin Concerto no. 1 in F-sharp minor, op. 14: I. Allegro moderato | — | ||
| 5-2 | Violin Concerto no. 1 in F-sharp minor, op. 14: II. Preghiera: Larghetto | — | ||
| 5-3 | Violin Concerto no. 1 in F-sharp minor, op. 14: III. Rondo: Allegro giocoso | — | ||
| 5-4 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 5-5 | Violin Concerto no. 2 in D minor, op. 22: II. Romance: Andante non troppo | — | ||
| 5-6 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la Zingara”) | — | ||
| 6-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 6-2 | Violin Concerto in E minor, op. 64: II. Andante | Itzhak Perlman, London Symphony Orchestra, André Previn | T-802.189.778-0 | |
| 6-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Itzhak Perlman, London Symphony Orchestra, André Previn | T-031.629.298-4 | |
| 6-4 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: allegro moderato - | — | ||
| 6-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio - | — | ||
| 6-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | — | ||
| 7-1 | Violin Concerto no. 2, BB 117: I. Allegro non troppo | — | ||
| 7-2 | Violin Concerto no. 2, BB 117: II. Andante tranquillo | — | ||
| 7-3 | Violin Concerto no. 2, BB 117: III. Allegro molto | — | ||
| 8-1 | Prelude & Allegro (In the Style of Pugnani) | Itzhak Perlman, Samuel Sanders | — | |
| 8-2 | Romanza andaluza, op. 22 no. 1 | Itzhak Perlman, Samuel Sanders | T-322.635.906-0 | |
| 8-3 | Perpetuum mobile, op. 5 no. 4 | Itzhak Perlman, Samuel Sanders | T-910.405.802-8 | |
| 8-4 | Berceuse sfaradite | Itzhak Perlman, Samuel Sanders | T-002.091.342-1 | |
| 8-5 | Polonaise de concert no. 1, op. 4 | Itzhak Perlman, Samuel Sanders | — | |
| 8-6 | La fille aux cheveux de lin | Itzhak Perlman, Samuel Sanders | T-900.084.290-0 | |
| 8-7 | Variations on a Theme by Corelli | Itzhak Perlman, Samuel Sanders | — | |
| 8-8 | Ao pé da fogueira (Prelude XV) | — | ||
| 8-9 | Vocalise, op. 34 no. 14 | Itzhak Perlman, Samuel Sanders | — | |
| 8-10 | Scherzo tarantelle, op. 16 | Itzhak Perlman, Samuel Sanders | — | |
| 8-11 | Romance, op. 94 no. 2 | — | ||
| 8-12 | Sonata no. 12 in E minor, op. 3 no. 6 | — | ||
| 8-13 | Zapateado, op. 23 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 9-1 | Polonaise brillante no. 2 in A, op. 21 | — | ||
| 9-2 | Obertass-Mazurka, op. 19 | — | ||
| 9-3 | Jeanie with the light brown hair | — | ||
| 9-4 | Souvenir d'Amérique | — | ||
| 9-5 | Deep River | — | ||
| 9-6 | La Ronde des Lutins | Itzhak Perlman, Samuel Sanders | T-909.417.026-0 | |
| 9-7 | Sicilienne | — | ||
| 9-8 | Chanson russe | — | ||
| 9-9 | Cavatina in A-flat, op. 85 no. 3 | — | ||
| 9-10 | Melodie, op. 42 no. 3 | — | ||
| 9-11 | Alt-Wien | — | ||
| 9-12 | Tango | — | ||
| 9-13 | En Bateau | Itzhak Perlman, Samuel Sanders | — | |
| 10-1 | Concerto for Violin and Orchestra in A minor, op. 53: I. Allegro ma non troppo | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 10-2 | Concerto for Violin and Orchestra in A minor, op. 53: II. Adagio ma non troppo | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 10-3 | Concerto for Violin and Orchestra in A minor, op. 53: III. Finale (Allegro giocoso) | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 10-4 | Romance in F minor, op. 11 | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 11-1 | Introduction & Rondo capriccioso, op. 28 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — | |
| 11-2 | Poème, op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — | |
| 11-3 | Havanaise, Op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | T-927.989.124-6 | |
| 11-4 | Tzigane (Rapsodie de concert) | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — | |
| 12-1 | The Ragtime Dance | — | ||
| 12-2 | The Easy Winners | — | ||
| 12-3 | Bethena (a concert waltz) | — | ||
| 12-4 | Magnetic Rag | — | ||
| 12-5 | The Strenuous Life (a ragtime two-step) | — | ||
| 12-6 | The Entertainer | Itzhak Perlman, André Previn | T-307.274.394-9 | |
| 12-7 | Elite Syncopations | — | ||
| 12-8 | Solace (a Mexican serenade) | — | ||
| 12-9 | Pine Apple Rag | — | ||
| 12-10 | Sugar Cane (a ragtime classic two-step) | — | ||
| 13-1 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): I. Sinfonia | — | ||
| 13-2 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): II. Danses suisses | — | ||
| 13-3 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): III. Scherzo | — | ||
| 13-4 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): IV. Pas deux: Adagio | — | ||
| 13-5 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): IV. Variation | — | ||
| 13-6 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): IV. Coda | — | ||
| 13-7 | Suite Italienne (from Pulcinella, arr. Stravinsky): I. Introduzione | — | ||
| 13-8 | Suite Italienne (from Pulcinella, arr. Stravinsky): II. Serenata | Itzhak Perlman, Bruno Canino | — | |
| 13-9 | Suite Italienne (from Pulcinella, arr. Stravinsky): III. Taratella | — | ||
| 13-10 | Suite Italienne (from Pulcinella, arr. Stravinsky): IV. Favotta con due variazioni | — | ||
| 13-11 | Suite Italienne (from Pulcinella, arr. Stravinsky): V. Scherzino | — | ||
| 13-12 | Suite Italienne (from Pulcinella, arr. Stravinsky): VI. Menuetto e Finale | — | ||
| 13-13 | Duo concertant: I. Cantilène | — | ||
| 13-14 | Duo concertant: II. Églogue I | — | ||
| 13-15 | Duo concertant: III. Églogue II | — | ||
| 13-16 | Duo concertant: IV. Gigue | — | ||
| 13-17 | Duo concertant: V. Dithyrambe | — | ||
| 14-1 | Caprice viennois, op. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 14-2 | Andantino (in the Style of Martini) | Itzhak Perlman, Samuel Sanders | — | |
| 14-3 | Allegretto in the style of Boccherini | — | ||
| 14-4 | La gitana | — | ||
| 14-5 | Slavonic Dance, op. 72 no. 8 (Dvořák, arr. Kreisler) | — | ||
| 14-6 | Chanson Louis XIII & Pavane in the style of Couperin | — | ||
| 14-7 | Schön Rosmarin | — | ||
| 14-8 | Liebesfreud | — | ||
| 14-9 | La vida breve: Danse Espagnole No. 1 | Itzhak Perlman, Samuel Sanders | — | |
| 14-10 | Liebeslied | Itzhak Perlman, Samuel Sanders | — | |
| 14-11 | Recitativo & Scherzo capriccio, op. 6 | — | ||
| 14-12 | Tango (Albéniz, arr. Kreisler) | — | ||
| 14-13 | Rondino on a theme by Beethoven | — | ||
| 14-14 | Tambourin chinois, op. 3 | — | ||
| 15-1 | Violin Sonata in G minor “Devil's Trill” | Itzhak Perlman, Samuel Sanders | T-900.034.363-5 | |
| 15-2 | Dancing Doll | — | ||
| 15-3 | Caprice | — | ||
| 15-4 | Londonderry Air | — | ||
| 15-5 | Serenade in D, K250 “Haffner”: Rondo | — | ||
| 15-6 | Sarabande & Allegretto | — | ||
| 15-7 | Malagueña, op. 165 no. 3 | — | ||
| 15-8 | Midnight Bells (from Der Opernball) | — | ||
| 15-9 | Hungarian Dance in F minor | — | ||
| 15-10 | Song Without Words, op. 62 no. 1 | — | ||
| 16-1 | La Précieuse in the style of Couperin | — | ||
| 16-2 | Siciliano & Rigaudon in the style of Francœur | — | ||
| 16-3 | Sérénade espagnole | Itzhak Perlman, Samuel Sanders | — | |
| 16-4 | Aubade provençale in the style of Couperin | — | ||
| 16-5 | Menuet in the style of Porpora | — | ||
| 16-6 | Serenade (from Frasquita) (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | T-802.018.662-4 | |
| 16-7 | Melody, op. 16 no. 2 (arr. Kreisler) | — | ||
| 16-8 | Toy Soldiers' March | — | ||
| 16-9 | Andante cantabile (arr. Kreisler) | — | ||
| 16-10 | Chanson sans paroles (arr. Kreisler) | — | ||
| 16-11 | Scherzo in the style of Dittersdorf | — | ||
| 16-12 | Slavonic Dance, op. 46 no. 2 (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | — | |
| 16-13 | Caprice no. 20 (arr. Kreisler) | — | ||
| 16-14 | Syncopation | — | ||
| 16-15 | Molly on the Shore (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | — | |
| 17-1 | Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-2 | Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-3 | Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": III. Danza Pastorale | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-4 | Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-5 | Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": II. Adagio | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-6 | Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": III. Presto | Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-7 | Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-8 | Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": II. Adagio molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-9 | Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-10 | Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-11 | Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-12 | Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 18-1 | Scottish Fantasy, op. 46: Einleitung: Grave - | — | ||
| 18-2 | Scottish Fantasy, op. 46: I. Adagio cantabile | — | ||
| 18-3 | Scottish Fantasy, op. 46: II. Allegro - | — | ||
| 18-4 | Scottish Fantasy, op. 46: III. Andante sostenuto | — | ||
| 18-5 | Scottish Fantasy, op. 46: IV. Finale: Allegro guerriero | — | ||
| 18-6 | Violin Concerto no. 2 in D minor, op. 44: I. Adagio ma non troppo | — | ||
| 18-7 | Violin Concerto no. 2 in D minor, op. 44: II. Recitative: Allegro moderato - | — | ||
| 18-8 | Violin Concerto no. 2 in D minor, op. 44: III. Finale: Allegro molto | — | ||
| 19-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 19-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 19-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 20-1 | Sonata no. 5 in E minor, op. 3 no. 5 for two violins: I. Allegro ma poco | — | ||
| 20-2 | Sonata no. 5 in E minor, op. 3 no. 5 for two violins: II. Gavotte: Andante grazioso | — | ||
| 20-3 | Sonata no. 5 in E minor, op. 3 no. 5 for two violins: III. Presto | — | ||
| 20-4 | Études-Caprices, op. 18: No. 1 in G minor | — | ||
| 20-5 | Études-Caprices, op. 18: No. 2 in E-flat major | — | ||
| 20-6 | Études-Caprices, op. 18: No. 3 in A minor | — | ||
| 20-7 | Passacaglia | Itzhak Perlman, Pinchas Zukerman | — | |
| 20-8 | Duo concertante in D major, op. 67 no. 2: I. Allegro | — | ||
| 20-9 | Duo concertante in D major, op. 67 no. 2: II. Larghetto | — | ||
| 20-10 | Duo concertante in D major, op. 67 no. 2: III. Rondo: Vivace | — | ||
| 21-1 | Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato | — | ||
| 21-2 | Violin Concerto no. 1 in A minor, op. 28: II. Andante | — | ||
| 21-3 | Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto | — | ||
| 21-4 | Zigeunerweisen, op. 20 | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | T-921.161.772-0 | |
| 22-1 | Violin Concerto no. 4 in D minor, op. 31: I. Andante - Cadenza | — | ||
| 22-2 | Violin Concerto no. 4 in D minor, op. 31: II. Adagio religioso | — | ||
| 22-3 | Violin Concerto no. 4 in D minor, op. 31: III. Scherzo: Vivace - Trio: Meno mosso - Vivace da capo | — | ||
| 22-4 | Violin Concerto no. 4 in D minor, op. 31: IV. Finale marciale: Andante - Allegro | — | ||
| 22-5 | Violin Concerto no. 5 in A minor, op. 37: I. Allegro non troppo - Cadenza - Moderato | — | ||
| 22-6 | Violin Concerto no. 5 in A minor, op. 37: II. Adagio | — | ||
| 22-7 | Violin Concerto no. 5 in A minor, op. 37: III. Allegro con fuoco | — | ||
| 23-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Itzhak Perlman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 23-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante - | — | ||
| 23-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | — | ||
| 23-4 | Sérénade mélancolique, op. 26 | — | ||
| 24-1 | Suite for Two Violins & Piano, op. 71: I. Allegro energico | — | ||
| 24-2 | Suite for Two Violins & Piano, op. 71: II. Allegro moderato | — | ||
| 24-3 | Suite for Two Violins & Piano, op. 71: III. Lento assai | — | ||
| 24-4 | Suite for Two Violins & Piano, op. 71: IV. Molto vivace | — | ||
| 24-5 | 3 Violin Duets: I. Praeludium (Molto moderato) | Itzhak Perlman, Samuel Sanders, Pinchas Zukerman | — | |
| 24-6 | Three Violin Duets, op. 97d: II. Gavotte | — | ||
| 24-7 | Three Violin Duets, op. 97d: III. Waltzes | — | ||
| 24-8 | Sonata for Two Violins, op. 56: I. Andante cantabile | — | ||
| 24-9 | Sonata for Two Violins, op. 56: II. Allegro | — | ||
| 24-10 | Sonata for Two Violins, op. 56: III. Comodo (quasi allegretto) | — | ||
| 24-11 | Sonata for Two Violins, op. 56: IV. Allegro con brio | — | ||
| 25-1 | 44 Duos: No. 1 Párosító (Teasing Song) | — | ||
| 25-2 | 44 Duos: No. 2 Kalamajkó (Maypole Dance) | — | ||
| 25-3 | 44 Duos: No. 3 Menuetto | — | ||
| 25-4 | 44 Duos: No. 4 Szentivánéji (Midsummer Night Song) | — | ||
| 25-5 | 44 Duos: No. 5 Tót Nóta (1) (Slovak Song no. 1) | — | ||
| 25-6 | 44 Duos: No. 6 Magyar Nóta (Hungarian Song no. 1) | — | ||
| 25-7 | 44 Duos: No. 7 Oláh Nóta (Rumanian Song) | — | ||
| 25-8 | 44 Duos: No. 8 Tót Nóta (2) (Slovak Song no. 2) | — | ||
| 25-9 | 44 Duos: No. 9 Játék (Play) | — | ||
| 25-10 | 44 Duos: No. 10 Rutén Nóta (Ruthenian Song) | — | ||
| 25-11 | 44 Duos: No. 11 Gyermekrengetéskor (Lullaby) | — | ||
| 25-12 | 44 Duos: No. 12 Szénagyütéskor (Hay-Harvesting Song) | — | ||
| 25-13 | 44 Duos: No. 13 Lakodalmas (Wedding Song) | — | ||
| 25-14 | 44 Duos: No. 14 Párnás-Tánc (Cushion Dance) | — | ||
| 25-15 | 44 Duos: No. 15 Katonanóta (Soldier's Song) | — | ||
| 25-16 | 44 Duos: No. 16 Burleszk (Burlesque) | — | ||
| 25-17 | 44 Duos: No. 17 Menetelő Nóta (1) (Marching Song no. 1) | — | ||
| 25-18 | 44 Duos: No. 18 Menetelő Nóta (2) (Marching Song no. 2) | — | ||
| 25-19 | 44 Duos: No. 19 Mese (Fairy Tale) | — | ||
| 25-20 | 44 Duos: No. 20 Dal (Song) | — | ||
| 25-21 | 44 Duos: No. 21 Ujévköszöntő (1) (New Year's Greeting no. 1) | — | ||
| 25-22 | 44 Duos: No. 22 Szunyoktánc (Mosquito Dance) | — | ||
| 25-23 | 44 Duos: No. 23 Menyasszonybúcsúztató (Bride's Farewell) | — | ||
| 25-24 | 44 Duos: No. 24 Tréfás Nóta (Gay Song) | — | ||
| 25-25 | 44 Duos: No. 25 Magyar Nóta (2) (Hungarian Song no. 2) | — | ||
| 25-26 | 44 Duos: No. 26 Ugyan édes komámasszony (Teasing Song) | — | ||
| 25-27 | 44 Duos: No. 27 Sántá-Tánc (Limping Dance) | — | ||
| 25-28 | 44 Duos: No. 28 Bánkódás (Sorrow) | — | ||
| 25-29 | 44 Duos: No. 29 Ujévköszöntő (2) (New Year's Greeting no. 2) | — | ||
| 25-30 | 44 Duos: No. 30 Ujévköszöntő (3) (New Year's Greeting no. 3) | — | ||
| 25-31 | 44 Duos: No. 31 Ujévköszöntő (4) (New Year's Greeting no. 4) | — | ||
| 25-32 | 44 Duos: No. 32 Máramarosi Tánc (Dance from Maramaros) | — | ||
| 25-33 | 44 Duos: No. 33 Aratáskar (Harvest Song) | — | ||
| 25-34 | 44 Duos: No. 34 Számláló Nóta (Counting Song) | — | ||
| 25-35 | 44 Duos: No. 35 Rutén kolomejka (Ruthenian Kolomejka) | — | ||
| 25-36 | 44 Duos: No. 36 Szól a duda (Bagpipes) | — | ||
| 25-37 | 44 Duos: No. 36a A 36 sz. változata (Variant to no. 36) | — | ||
| 25-38 | 44 Duos: No. 37 Preludium és kánon (Prelude and Canon) | — | ||
| 25-39 | 44 Duos: No. 38 Forgatós (Rumanian Whirling Dance) | — | ||
| 25-40 | 44 Duos: No. 39 Szerb Tánc (Serbian Dance) | — | ||
| 25-41 | 44 Duos: No. 40 Oláh Tánc (Rumanian Dance) | — | ||
| 25-42 | 44 Duos: No. 41 Scherzo | — | ||
| 25-43 | 44 Duos: No. 42 Arab Dal (Arabian Song) | — | ||
| 25-44 | 44 Duos: No. 43 Pizzicato | — | ||
| 25-45 | 44 Duos: No. 44 “Erdélyi” Tánc (Transylvanian Dance) | — | ||
| 26-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | — | ||
| 26-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | — | ||
| 26-3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 27-1 | Double Concerto in A minor, op. 102: I. Allegro | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — | |
| 27-2 | Double Concerto in A minor, op. 102: II. Andante | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — | |
| 27-3 | Double Concerto in A minor, op. 102: III. Vivace non troppo | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — | |
| 28-1 | Suite populaire espagnole: I. El pano moruno | Itzhak Perlman, Samuel Sanders | — | |
| 28-2 | Suite populaire espagnole: Nana | Itzhak Perlman, Samuel Sanders | — | |
| 28-3 | Suite populaire espagnole: III. Cancion | Itzhak Perlman, Samuel Sanders | — | |
| 28-4 | Suite populaire espagnole: Polo | Itzhak Perlman, Samuel Sanders | — | |
| 28-5 | Suite populaire espagnole: Asturiana | Itzhak Perlman, Samuel Sanders | — | |
| 28-6 | Suite populaire espagnole (Siete canciones populares españolas): VI. Jota | — | ||
| 28-7 | 12 Danzas españolas: No. 5 Andaluza | — | ||
| 28-8 | 2 Danzas: No. 2 La gitana | — | ||
| 28-9 | Spanische Tänze, op. 21 no. 2: Habañera | — | ||
| 28-10 | Playera, op. 23 no. 5 | — | ||
| 28-11 | Habañera, op. 26 no. 8 | — | ||
| 28-12 | Malagueña, op. 21 no. 1 | Itzhak Perlman, Samuel Sanders | — | |
| 28-13 | Caprice basque, op. 24 | Itzhak Perlman, Samuel Sanders | T-321.286.605-8 | |
| 29-1 | Look At Him Go | — | ||
| 29-2 | Little Face | — | ||
| 29-3 | Who Reads Reviews | Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn | — | |
| 29-4 | Night Thoughts | — | ||
| 29-5 | A Different Kind of Blues | — | ||
| 29-6 | Chocolate Apricot | — | ||
| 29-7 | The Five of Us | — | ||
| 29-8 | Make Up Your Mind | — | ||
| 30-1 | It's a Breeze | — | ||
| 30-2 | Rain In My Head | — | ||
| 30-3 | Catgut Your Tongue | — | ||
| 30-4 | It's About Time | — | ||
| 30-5 | Quiet Diddling | — | ||
| 30-6 | A Tune for Heather | — | ||
| 30-7 | Bowing and Scraping | — | ||
| 30-8 | The Red Bar | — | ||
| 31-1 | Quartet in F major, K370: I. Allegro | — | ||
| 31-2 | Quartet in F major, K370: II. Adagio | — | ||
| 31-3 | Quartet in F major, K370: III. Rondo: Allegro | — | ||
| 31-4 | Quartet in E-flat major, op. 8 no. 4: I. Allegro | — | ||
| 31-5 | Quartet in E-flat major, op. 8 no. 4: II. Andante | — | ||
| 31-6 | Quartet in E-flat major, op. 8 no. 4: III. Rondo: Allegro | — | ||
| 31-7 | Quartet in B-flat major, T.305: I. Allegro | — | ||
| 31-8 | Quartet in B-flat major, T.305: II. Rondo: Tempo di minuetto | — | ||
| 31-9 | Quartet in F major, op. 7 no. 1: I. Allegro moderato | — | ||
| 31-10 | Quartet in F major, op. 7 no. 1: II. Cantabile: Adagio | — | ||
| 31-11 | Quartet in F major, op. 7 no. 1: III. Menuetto | — | ||
| 31-12 | Quartet in F major, op. 7 no. 1: IV. Presto | — | ||
| 32-1 | Trio Sonata in G major, Wq. 157: I. Allegretto | — | ||
| 32-2 | Trio Sonata in G major, Wq. 157: II. Andantino | — | ||
| 32-3 | Trio Sonata in G major, Wq. 157: III. Allegro | — | ||
| 32-4 | Trio Sonata in B-flat major, T.320: I. Allegro | — | ||
| 32-5 | Trio Sonata in B-flat major, T.320: II. Adagio | — | ||
| 32-6 | Trio Sonata in B-flat major, T.320: III. Vivace | — | ||
| 32-7 | Trio Sonata in C major: I. Adagio | — | ||
| 32-8 | Trio Sonata in C major: II. Allegro moderato | — | ||
| 32-9 | Trio Sonata in C major: III. Largo | — | ||
| 32-10 | Trio Sonata in C major: IV. Gigue | — | ||
| 33-1 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: I. Pezzo elegiaco: Moderato assai - Allegro giusto - Adagio con duolo e ben sostenuto - Allegro giusto / II. Tema con variazioni | — | ||
| 33-2 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Tema: Andante con moto - | — | ||
| 33-3 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. I: L'istesso tempo - | — | ||
| 33-4 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. II: Più mosso - | — | ||
| 33-5 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. III: Allegro moderato | — | ||
| 33-6 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. IV: L'istesso tempo - | — | ||
| 33-7 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. V: L'istesso tempo - | — | ||
| 33-8 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. VI: Tempo di valse - | — | ||
| 33-9 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. VII: Allegro moderato - | — | ||
| 33-10 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. VIII: Fuga: Allegro moderato - | — | ||
| 33-11 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. IX: Andante flebile, ma non tanto - | — | ||
| 33-12 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. X: Tempo di mazurka - | — | ||
| 33-13 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. XI: Moderato - | — | ||
| 33-14 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Variazione finale e coda: Allegro risoluto e con fuoco - Andante con moto | — | ||
| 34-1 | Violin Concerto in D major, op. 35: I. Moderato nobile | — | ||
| 34-2 | Violin Concerto in D, op. 35: II. Romance | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 34-3 | Violin Concerto in D major, op. 35: III. Finale (Allegro assai vivace) | — | ||
| 34-4 | Violin Concerto in E minor: I. Allegro molto - Andante espressivo | — | ||
| 34-5 | Violin Concerto in E minor: II. Adagio | — | ||
| 34-6 | Violin Concerto in E minor: III. Cadenza - Allegro subito | — | ||
| 35-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 35-2 | Violin Concerto in D major, op. 61: II. Larghetto | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | T-310.235.444-5 | |
| 35-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 36-1 | Violin Concerto no. 1 in D major, op. 19: I. Andantino | — | ||
| 36-2 | Violin Concerto no. 1 in D major, op. 19: II. Scherzo: vivacissim | — | ||
| 36-3 | Violin Concerto no. 1 in D major, op. 19: III. Moderato | — | ||
| 36-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | — | ||
| 36-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Itzhak Perlman, BBC Symphony Orchestra, Gennadi Rozhdestvensky | — | |
| 36-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | — | ||
| 37-1 | Violin Concerto in D minor: I. Allegro con fermezza | — | ||
| 37-2 | Violin Concerto in D minor: II. Andante sostenuto | — | ||
| 37-3 | Violin Concerto in D minor: III. Allegro vivace | — | ||
| 37-4 | Souvenir d'un lieu cher, op. 42: No. 1 Méditation (orch. Giazunov) | — | ||
| 38-1 | Violin Concerto in D minor, BWV 1052R (trans. for violin): I. Allegro | — | ||
| 38-2 | Violin Concerto in D minor, BWV 1052R (trans. for violin): II. Adagio | — | ||
| 38-3 | Violin Concerto in D minor, BWV 1052R (trans. for violin): III. Allegro | — | ||
| 38-4 | Concerto for Violin & Oboe in C minor, BWV 1060: I. Allegro | — | ||
| 38-5 | Concerto for Violin & Oboe in C minor, BWV 1060: II. Adagio | — | ||
| 38-6 | Concerto for Violin & Oboe in C minor, BWV 1060: III. Allegr | — | ||
| 38-7 | Violin Concerto in G minor, BWV 1056: I. [Allegro] | — | ||
| 38-8 | Violin Concerto in G minor, BWV 1056: II. Largo | — | ||
| 38-9 | Violin Concerto in G minor, BWV 1056: III. Presto | — | ||
| 39-1 | Concerto in C minor "Il sospetto", RV 199: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-2 | Concerto in C minor "Il sospetto", RV 199: II. Andante | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-3 | Concerto in C minor "Il sospetto", RV 199: III. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-4 | Concerto in G minor, RV 317: I. Allegro | — | ||
| 39-5 | Concerto in G minor, RV 317: II. Largo | — | ||
| 39-6 | Concerto in G minor, RV 317: III. Allegro | — | ||
| 39-7 | Concerto in A minor, RV 356: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-8 | Concerto in A minor, RV 356: II. Largo | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-9 | Concerto in A minor, RV 356: III. Presto | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-10 | Violin Concerto in A major, RV 347: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-11 | Violin Concerto in A major, RV 347: II. Largo | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-12 | Violin Concerto in A major, RV 347: III. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 40-1 | Concerto no. 1 in E major, RV 269 “La primavera” (“Spring”): I. Allegro | — | ||
| 40-2 | Concerto no. 1 in E major, RV 269 “La primavera” (“Spring”): II. Largo | — | ||
| 40-3 | Concerto no. 1 in E major, RV 269 “La primavera” (“Spring”): III. Allegro | — | ||
| 40-4 | Concerto no. 2 in G minor, RV 315 “L'estate” (“Summer”): I. Allegro non molto | — | ||
| 40-5 | Concerto no. 2 in G minor, RV 315 “L'estate” (“Summer”): II. Adagio | — | ||
| 40-6 | Concerto no. 2 in G minor, RV 315 “L'estate” (“Summer”): III. Presto | — | ||
| 40-7 | Concerto no. 3 in F major, RV 293 “L'autunno” (“Autumn”): I. Allegro | — | ||
| 40-8 | Concerto no. 3 in F major, RV 293 “L'autunno” (“Autumn”): II. Adagio molto | — | ||
| 40-9 | Concerto no. 3 in F major, RV 293 “L'autunno” (“Autumn”): III. Allegro | — | ||
| 40-10 | Concerto no. 4 in F minor, RV 297 “L'inverno” (“Winter”): I. Allegro non molto | — | ||
| 40-11 | Concerto no. 4 in F minor, RV 297 “L'inverno” (“Winter”): II. Largo | — | ||
| 40-12 | Concerto no. 4 in F minor, RV 297 “L'inverno” (“Winter”): III. Allegro | — | ||
| 41-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Itzhak Perlman, Concertgebouw Orchestra, Bernard Haitink | — | |
| 41-2 | Violin Concerto in E minor, op. 64: II. Andante - | — | ||
| 41-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 41-4 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato - | — | ||
| 41-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio - | — | ||
| 41-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Itzhak Perlman, Concertgebouw Orchestra, Bernard Haitink | — | |
| 42-1 | Violin Concerto: I. Adagio molto sostenuto / I. Variation I: Con forza - / I. Variation II: Poco scherzando - / I. Episode I: Lento assai, cantabile e tranquillo - / I. Episode II (Cadenza): Allegro / II. Introduction: Andante - / II. Episode: Adagio non troppo, con affeto - / II. Finale: Allegro molto | — | ||
| 42-2 | Violin Concerto: I. Allegro | — | ||
| 42-3 | Violin Concerto: II. Lento - Andante - Lento | — | ||
| 42-4 | Violin Concerto: III. Allegro moderato - Presto leggiero | — | ||
| 43-1 | Violin Sonata no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 43-2 | Violin Sonata no. 1 in G major, op. 78: II. Adagio | — | ||
| 43-3 | Violin Sonata no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 43-4 | Violin Sonata no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 43-5 | Violin Sonata no. 2 in A major, op. 100: II. Andante tranquillo - Vivace | — | ||
| 43-6 | Violin Sonata no. 2 in A major, op. 100: III. Allegro grazioso (quasi Andante) | — | ||
| 44-1 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | — | ||
| 44-2 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | — | ||
| 44-3 | Violin Sonata №3, op. 108: III. Un poco presto e con sentimento | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 44-4 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 44-5 | Violin Sonata, ‘F-A-E’: III. Scherzo in C Minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 44-6 | Hungarian Dances, WoO 1: №1 in G minor | Vladimir Ashkenazy, Itzhak Perlman | T-902.753.155-1 | |
| 44-7 | Hungarian Dances, WoO 1: №2 in D minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 44-8 | Hungarian Dances, WoO 1: №7 in A major | Vladimir Ashkenazy, Itzhak Perlman | T-312.524.872-4 | |
| 44-9 | Hungarian Dances, WoO 1: №9 in E minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 45-1 | Sonatina in G major, op. 100: I. Allegro risoluto | — | ||
| 45-2 | Sonatina in G major, op. 100: II. Larghetto | — | ||
| 45-3 | Sonatina in G, op. 100: III. Scherzo (Molto vivace) | Itzhak Perlman, Samuel Sanders | — | |
| 45-4 | Sonatina in G major, op. 100: IV. Finale (Allegro) | — | ||
| 45-5 | Z domoviny (From My Homeland): No. 1 Moderato | — | ||
| 45-6 | Z domoviny (From My Homeland): No. 2 Andantino - Moderato | — | ||
| 45-7 | 4 Romantic Pieces, op. 75: I. Allegro moderato | Itzhak Perlman, Samuel Sanders | — | |
| 45-8 | 4 Romantic Pieces, op. 75: II. Allegro maestoso | Itzhak Perlman, Samuel Sanders | — | |
| 45-9 | 4 Romantic Pieces, op. 75: III. Allegro appassionato | Itzhak Perlman, Samuel Sanders | — | |
| 45-10 | 4 Romantic Pieces, op. 75: IV. Larghetto | Itzhak Perlman, Samuel Sanders | — | |
| 46-1 | Piano Trio no.1 in E-flat major, op. 1 no. 1: I. Allegro | — | ||
| 46-2 | Piano Trio no.1 in E-flat major, op. 1 no. 1: II. Adagio cantabile | — | ||
| 46-3 | Piano Trio no.1 in E-flat major, op. 1 no. 1: III. Scherzo: Allegro assai | — | ||
| 46-4 | Piano Trio no.1 in E-flat major, op. 1 no. 1: IV. Finale: Presto | — | ||
| 46-5 | Piano Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 46-6 | Piano Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 46-7 | Piano Trio no. 2 in G major, op. 1 no. 2: III. Scherzo: Allegro | — | ||
| 46-8 | Piano Trio no. 2 in G major, op. 1 no. 2: IV. Finale: Presto | — | ||
| 47-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 47-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 47-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto: Quasi allegro | — | ||
| 47-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale: Prestissimo | — | ||
| 47-5 | Piano Trio no. 8 in One Movement in B-flat major, WoO 39: Allegretto | — | ||
| 47-6 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Introduzione: Adagio assai - | — | ||
| 47-7 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Tema: Allegretto | — | ||
| 47-8 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. I: L'istesso tempo - | — | ||
| 47-9 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. II: L'istesso tempo - | — | ||
| 47-10 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. III: L'istesso tempo - | — | ||
| 47-11 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. IV: L'istesso tempo - | — | ||
| 47-12 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. V: L'istesso tempo - | — | ||
| 47-13 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. VI: L'istesso tempo - | — | ||
| 47-14 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. VII: L'istesso tempo - | — | ||
| 47-15 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. VIII: L'istesso tempo - | — | ||
| 47-16 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. IX: Adagio espressivo - | — | ||
| 47-17 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. X: Presto - Allegretto | — | ||
| 47-18 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: I. Allegro con brio | — | ||
| 47-19 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio | — | ||
| 47-20 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: III. Tema con variazioni (“Pria ch'io l'impegno”): Allegretto - Allegro | — | ||
| 48-1 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace con brio | — | ||
| 48-2 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo | — | ||
| 48-3 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 48-4 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Tema (“Ja, ich muss mich von ihr scheiden”/Dittersdorf): Andante | — | ||
| 48-5 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. I | — | ||
| 48-6 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. II | — | ||
| 48-7 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. III | — | ||
| 48-8 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. IV | — | ||
| 48-9 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. V | — | ||
| 48-10 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. VI | — | ||
| 48-11 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. VII | — | ||
| 48-12 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. VIII | — | ||
| 48-13 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. IX | — | ||
| 48-14 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. X | — | ||
| 48-15 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XI | — | ||
| 48-16 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XII | — | ||
| 48-17 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XIII | — | ||
| 48-18 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XIV | — | ||
| 48-19 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo - Tempo I - Tempo II | — | ||
| 48-20 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: II. Allegretto | — | ||
| 48-21 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 48-22 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: IV. Finale: Allegro | — | ||
| 48-23 | Trio Movement in E-flat major, Hess 48: Allegretto | — | ||
| 49-1 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 49-2 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: II. Scherzo: Allegro | — | ||
| 49-3 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: III. Andante cantabile ma però con moto - Poco più adagio - Tempo I - | — | ||
| 49-4 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: IV. Allegro moderato - Presto | — | ||
| 49-5 | Piano Trio no. 9 in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 49-6 | Piano Trio no. 9 in E-flat major, WoO 38: II. Scherzo: Allegro ma non troppo | — | ||
| 49-7 | Piano Trio no. 9 in E-flat major, WoO 38: III. Rondo: Allegretto | — | ||
| 50-1 | The Jewish Mother (A Yiddishe Mamme) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-2 | When the Rebbe Elimelech Becomes So Very Merry... (As Der Rebbe Elimelech Is Gevoyrn Asoi Freylach) | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-3 | Reyzele | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | T-002.065.821-2 | |
| 50-4 | At the Fireplace (Oif'n Pripetchik Brennt a Feier'l) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-5 | Doyna | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-6 | Raisins and Almonds (Rozhinkes mit Mandelen) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | T-312.630.683-6 | |
| 50-7 | By the Wayside Stands a Tree (Oif'n Weyg Steyt a Boim) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-8 | A Dudele | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | T-002.018.880-0 | |
| 50-9 | Where Shall I Go? (VI Ahin Soll Ich Geyn?) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | T-002.545.085-4 | |
| 51-1 | Reb Itzik’s nign | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Brave Old World | T-802.089.528-8 | |
| 51-2 | Simkhes toyre time | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-3 | Flatbush Waltz | Alan Bern, Stuart Brotman, David Licht, Itzhak Perlman, Andy Statman, The Andy Statman Klezmer Orchestra | T-916.271.676-9 | |
| 51-4 | Wedding Medley | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | T-071.193.816-7 | |
| 51-5 | Dybbuk shers | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-6 | Basarabye | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Simcha Polski, Brave Old World | — | |
| 51-7 | Firn di mekhutonim aheym | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | — | |
| 51-8 | Tati un mama tants | Alan Bern, Stuart Brotman, David Licht, Itzhak Perlman, Andy Statman, The Andy Statman Klezmer Orchestra | — | |
| 51-9 | Fisherlid | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-10 | Der alter bulgar | Alan Bern, Stuart Brotman, David Licht, Itzhak Perlman, Andy Statman, The Andy Statman Klezmer Orchestra | — | |
| 51-11 | Ale brider | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | — | |
| 51-12 | Honga | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-13 | Doyna & Skotshna | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Brave Old World | — | |
| 51-14 | Der heyser bulgar | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | — | |
| 51-15 | Di gayster | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | T-071.577.851-0 | |
| 52-1 | Bukovina 212 | Brave Old World | T-800.841.888-1 | |
| 52-2 | Lekho Neraneno | Brave Old World | — | |
| 52-3 | Doina Naftule | Brave Old World | — | |
| 52-4 | A Hora mit Branfn | Brave Old World | — | |
| 52-5 | Healthy Baby Girl Hora | The Klezmatics | — | |
| 52-6 | Golem Tants | The Klezmatics | — | |
| 52-7 | Honga Encore | The Klezmatics | — | |
| 52-8 | Nign | The Klezmatics | — | |
| 52-9 | Bulgars / The Kiss | The Klezmatics | T-900.259.008-1 | |
| 52-10 | Meron Nign / In the Sukke | The Andy Statman Klezmer Orchestra | — | |
| 52-11 | Sholom Aleykhem | The Andy Statman Klezmer Orchestra | — | |
| 52-12 | Khaiterma | The Andy Statman Klezmer Orchestra | — | |
| 52-13 | Andy's Ride | The Andy Statman Klezmer Orchestra | — | |
| 52-14 | A Heymisher Bulgar / Wedding Dance | Klezmer Conservatory Band | — | |
| 52-15 | Kale Bazetsn (Seating the Bride) / Khusidl (Khasidic Dance) | Klezmer Conservatory Band | — | |
| 52-16 | Fun Tashlikh | Klezmer Conservatory Band | — | |
| 52-17 | A yingele fun Poyln (A Young Man From Poland) / Di mame iz gegangen in mark arayn (Mother Went to the Market) | Klezmer Conservatory Band | — | |
| 52-18 | Finale: Processional / Klezmer Suite / Ale Brider (We Are All Brothers) | Itzhak Perlman, Brave Old World, The Klezmatics, The Andy Statman Klezmer Orchestra, The Klezmer Conservatory Band | — | |
| 53-1 | Caprice viennois, op. 2 | — | ||
| 53-2 | Schön Rosmarin | Itzhak Perlman, Samuel Sanders | — | |
| 53-3 | Slavonic Dance in E minor, op. 46 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 53-4 | Romance, op. 4 | Itzhak Perlman, Samuel Sanders | — | |
| 53-5 | Songs My Mother Taught Me, op. 55 no. 4 (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | T-900.240.382-9 | |
| 53-6 | Moto perpetuo for Violin and Orchestra in C major, Op. 11: Allegro vivace | Itzhak Perlman, Samuel Sanders | — | |
| 53-7 | Tempo di Minuetto (in the Style of Pugnani) | Itzhak Perlman, Samuel Sanders | — | |
| 53-8 | Fugue in A | Itzhak Perlman, Samuel Sanders | — | |
| 53-9 | La Chasse (Caprice in the style of Cartier) | Itzhak Perlman, Samuel Sanders | — | |
| 53-10 | Preghiera (in the style of Martini) | Itzhak Perlman, Samuel Sanders | — | |
| 53-11 | Marguerite (Daises), Op. 38 No. 3 | Itzhak Perlman, Samuel Sanders | — | |
| 53-12 | Liebesleid | Itzhak Perlman, Samuel Sanders | — | |
| 53-13 | Melodie, Dance of the Blessed Spirits | Itzhak Perlman, Samuel Sanders | — | |
| 53-14 | Viennese Melody | Itzhak Perlman, Samuel Sanders | — | |
| 53-15 | Mazurka in A minor, op. 67 no. 4 | — | ||
| 53-16 | Liebesfreud | — | ||
| 54-1 | Scottish Fantasy, op. 46: Einleitung: Grave | — | ||
| 54-2 | Scottish Fantasy, op. 46: I. Adagio cantabile | — | ||
| 54-3 | Scottish Fantasy, op. 46: II. Allegro - Adagio | — | ||
| 54-4 | Scottish Fantasy, op. 46: III. Andante sostenuto | — | ||
| 54-5 | Scottish Fantasy, op. 46: IV. Finale: Allegro guerriero | — | ||
| 54-6 | Violin Concerto no. 2 in D minor, op. 44: I. Adagio ma non troppo | — | ||
| 54-7 | Violin Concerto no. 2 in D minor, op. 44: II. Recitativo: Allegro moderato - | — | ||
| 54-8 | Violin Concerto no. 2 in D minor, op. 44: III. Finale: Allegro molto | — | ||
| 55-1 | Sonata №1 in G minor, BWV 1001: I. Adagio | Itzhak Perlman | — | |
| 55-2 | Sonata №1 in G minor, BWV 1001: II. Fuga (Allegro) | Itzhak Perlman | T-905.386.501-3 | |
| 55-3 | Sonata №1 in G minor, BWV 1001: III. Siciliana | Itzhak Perlman | — | |
| 55-4 | Sonata №1 in G minor, BWV 1001: IV. Presto | Itzhak Perlman | — | |
| 55-5 | Partita №1 in B minor, BWV 1002: I. Allemande | Itzhak Perlman | — | |
| 55-6 | Partita №1 in B minor, BWV 1002: I.a. - Double | Itzhak Perlman | T-920.218.518-0 | |
| 55-7 | Partita №1 in B minor, BWV 1002: II. Corrente | Itzhak Perlman | — | |
| 55-8 | Partita №1 in B minor, BWV 1002: II.a. - Double (Presto) | Itzhak Perlman | T-920.218.518-0 | |
| 55-9 | Partita №1 in B minor, BWV 1002: III. Sarabande | Itzhak Perlman | — | |
| 55-10 | Partita №1 in B minor, BWV 1002: III.a. - Double | Itzhak Perlman | T-920.218.518-0 | |
| 55-11 | Partita №1 in B minor, BWV 1002: IV. Bourrée | Itzhak Perlman | — | |
| 55-12 | Partita №1 in B minor, BWV 1002: IV.a. - Double | Itzhak Perlman | T-920.218.518-0 | |
| 55-13 | Sonata №2 in A minor, BWV 1003: I. Grave | Itzhak Perlman | T-903.514.416-2 | |
| 55-14 | Sonata №2 in A minor, BWV 1003: II. Fuga | Itzhak Perlman | — | |
| 55-15 | Sonata №2 in A minor, BWV 1003: III. Andante | Itzhak Perlman | — | |
| 55-16 | Sonata №2 in A minor, BWV 1003: IV. Allegro | Itzhak Perlman | — | |
| 56-1 | Partita №2 in D minor, BWV 1004: I. Allemande | Itzhak Perlman | — | |
| 56-2 | Partita №2 in D minor, BWV 1004: II. Corrente | Itzhak Perlman | — | |
| 56-3 | Partita №2 in D minor, BWV 1004: III. Sarabanda | Itzhak Perlman | — | |
| 56-4 | Partita №2 in D minor, BWV 1004: IV. Giga | Itzhak Perlman | — | |
| 56-5 | Partita №2 in D minor, BWV 1004: V. Ciaccona | Itzhak Perlman | — | |
| 56-6 | Sonata №3 in C major, BWV 1005: I. Adagio | Itzhak Perlman | — | |
| 56-7 | Sonata №3 in C major, BWV 1005: II. Fuga | Itzhak Perlman | — | |
| 56-8 | Sonata №3 in C major, BWV 1005: III. Largo | Itzhak Perlman | — | |
| 56-9 | Sonata №3 in C major, BWV 1005: IV. Allegro assai | Itzhak Perlman | — | |
| 56-10 | Partita №3 in E major, BWV 1006: I. Preludio | Itzhak Perlman | — | |
| 56-11 | Partita №3 in E major, BWV 1006: II. Loure | Itzhak Perlman | — | |
| 56-12 | Partita №3 in E major, BWV 1006: III. Gavotte en rondo | Itzhak Perlman | — | |
| 56-13 | Partita №3 in E major, BWV 1006: IV. Menuet I | Itzhak Perlman | — | |
| 56-14 | Partita №3 in E major, BWV 1006: IV. Menuet II | Itzhak Perlman | — | |
| 56-15 | Partita №3 in E major, BWV 1006: V. Bourrée | Itzhak Perlman | — | |
| 56-16 | Partita №3 in E major, BWV 1006: VI. Gigue | Itzhak Perlman | — | |
| 57-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza: Kreisler) | — | ||
| 57-2 | Violin Concerto in D major, op. 61: II. Larghetto | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | T-310.235.444-5 | |
| 57-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Kreisler) | — | ||
| 57-4 | Romance no. 1 in G major, op. 40 | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — | |
| 57-5 | Romance no. 2 in F major, op. 50 | — | ||
| 58-1 | Estrellita | Itzhak Perlman, Samuel Sanders | — | |
| 58-2 | Guitarre, op. 45 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 58-3 | Valse bluette | — | ||
| 58-4 | It's Peaceful Here, Op.21 No. 7 | Itzhak Perlman, Samuel Sanders | — | |
| 58-5 | Valses nobles et sentimentales, nos. 6 & 7 | — | ||
| 58-6 | Nocturne no. 16 in E-flat major, op. 55 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 58-7 | Presto in B-flat major | Itzhak Perlman, Samuel Sanders | — | |
| 58-8 | Le Carnaval des animaux: XIII. Le Cygne | Itzhak Perlman, Samuel Sanders | T-317.671.333-6 | |
| 58-9 | Three Preludes: No. 1 Allegro ben ritmato e deciso | — | ||
| 58-10 | Three Preludes: No. 2 Andante con moto e poco rubato | — | ||
| 58-11 | Three Preludes: No. 3 Allegro ben ritmato e deciso | — | ||
| 58-12 | Suite espagnole, op. 47: No. 3 Sevilla | — | ||
| 58-13 | Waldszenen, op. 82: No. 7 Vogel als Prophet | — | ||
| 58-14 | Rigaudon | — | ||
| 58-15 | Hebrew Melody, op. 33 | — | ||
| 58-16 | Toccata | Itzhak Perlman, Samuel Sanders | — | |
| 58-17 | La capricieuse, op. 17 | Itzhak Perlman, Samuel Sanders | — | |
| 58-18 | Children's Corner: Golliwogg's Cakewalk | Itzhak Perlman, Samuel Sanders | — | |
| 58-19 | Old Folks at Home | Itzhak Perlman, Samuel Sanders | T-902.253.339-7 | |
| 59-1 | Violin Concerto no. 1 in A minor, op. 77: I. Nocturne (Moderato) | — | ||
| 59-2 | Violin Concerto no. 1 in A minor, op. 77: II. Scherzo (Allegro) | — | ||
| 59-3 | Violin Concerto no. 1 in A minor, op. 77: III. Passacaglia (Andante) - | — | ||
| 59-4 | Violin Concerto no. 1 in A minor, op. 77: III. Cadenza - | — | ||
| 59-5 | Violin Concerto no. 1 in A minor, op. 77: IV. Burlesque (Allegro con brio) | — | ||
| 59-6 | Violin Concerto in A minor, op. 82: Moderato - Animato - Calando | — | ||
| 59-7 | Violin Concerto in A minor, op. 82: Tranquillo - Animando - Calando - Animando - Più mosso - Calando - Tranquillo - | — | ||
| 59-8 | Violin Concerto in A minor, op. 82: Andante - Agitato - Calando - | — | ||
| 59-9 | Violin Concerto in A minor, op. 82: Tempo I - Più animato - Pesante - Animato - Tranquillo - Animando - | — | ||
| 59-10 | Violin Concerto in A minor, op. 82: Cadenza - | — | ||
| 59-11 | Violin Concerto in A minor, op. 82: Animando - Allegro - Quasi allegretto - Animato poco - Animando poco a poco - Sempre animando - Più animato - Sempre più animando - Sempre animando | — | ||
| 60-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 60-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | — | ||
| 60-3 | Violin Concerto in D major, Op. 35: III. Allegro vivacissimo | Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 60-4 | Violin Sonata in G minor “Devil's Trill” (Cadenza: Kreisler) | — | ||
| 60-5 | Liebesleid | Itzhak Perlman, Samuel Sanders | — | |
| 60-6 | The Love for Three Oranges, op. 33: March | — | ||
| 60-7 | Baal Shem: No. 2 Nigun | — | ||
| 60-8 | Caprice in A minor | — | ||
| 60-9 | String Quartet no. 1 in D major, op. 11: Andante cantabile | — | ||
| 60-10 | La Ronde des lutins, op. 25 | — | ||
| 61-1 | Serenata (“Come un sogno d'or”), op. 6 no. 1 | — | ||
| 61-2 | Estrellita (“Estrellita del lejano cielo”) | — | ||
| 61-3 | Élégie (Gallet) in French | Plácido Domingo, Itzhak Perlman, New York Studio Orchestra, Jonathan Tunick | T-071.423.331-4 | |
| 61-4 | Die Csárdásfürstin: “Weißt du es noch?” | — | ||
| 61-5 | The Old Refrain (“What Shall Remain”) | — | ||
| 61-6 | “V molchan'i nochi taynoy” (“In the silence of the secret night”), op. 4 no. 3 | — | ||
| 61-7 | Les Contes d'Hoffman: Barcarolle (“Belle nuit, ô nuit d'amour”) | — | ||
| 61-8 | Ideale (“Io ti seguii come iride di pace”) | — | ||
| 61-9 | Danny Boy | — | ||
| 61-10 | Serse: Ombra mai fu | — | ||
| 61-11 | The Student Prince: Serenade (“Overhead the moon is beaming”) | — | ||
| 61-12 | Jocelyn: Berceuse (“Oh! ne t'éveille pas encore”) | — | ||
| 61-13 | “None but the lonely heart”, op. 6 no. 6 | — | ||
| 61-14 | Morgen, op. 27 no. 4 | — | ||
| 61-15 | “Ne poy, krasavitsa, pri mne” (“Sing not to me, beautiful maiden”), op. 4 no. 4 | — | ||
| 62-1 | Violin Concerto no. 2, op. 66 “I profeti” (“The Prophets”): I. Isaiah: Grave e meditativo - Allegro appassionato | — | ||
| 62-2 | Violin Concerto no. 2, op. 66 “I profeti” (“The Prophets”): II. Jeremiah: Espressivo e dolente | — | ||
| 62-3 | Violin Concerto no. 2, op. 66 “I profeti” (“The Prophets”): III. Elijah: Fiero ed impetuoso (ma sostenuto e ben marcato il ritmo) | — | ||
| 62-4 | Violin Concerto: I. Allegro | — | ||
| 62-5 | Violin Concerto: II. Andante affettuoso | — | ||
| 62-6 | Violin Concerto: III. Vivo | — | ||
| 63-1 | String Trio no. 1 in E-flat major, op. 3: I. Allegro con brio | — | ||
| 63-2 | String Trio no. 1 in E-flat major, op. 3: II. Andante | — | ||
| 63-3 | String Trio no. 1 in E-flat major, op. 3: III. Menuetto: Allegro & Trio | — | ||
| 63-4 | String Trio no. 1 in E-flat major, op. 3: IV. Adagio | — | ||
| 63-5 | String Trio no. 1 in E-flat major, op. 3: V. Menuetto: Moderato & Trio | — | ||
| 63-6 | String Trio no. 1 in E-flat major, op. 3: VI. Finale: Allegro | — | ||
| 63-7 | String Trio no. 2 in D major, op. 8 “Serenade”: I. Marcia: Allegro - | — | ||
| 63-8 | String Trio no. 2 in D major, op. 8 “Serenade”: I. Adagio | — | ||
| 63-9 | String Trio no. 2 in D major, op. 8 “Serenade”: II. Menuetto: Allegretto & Trio | — | ||
| 63-10 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Adagio - | — | ||
| 63-11 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Scherzo: Allegro molto - | — | ||
| 63-12 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Adagio: Tempo I - | — | ||
| 63-13 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Allegro molto - | — | ||
| 63-14 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Adagio | — | ||
| 63-15 | String Trio no. 2 in D major, op. 8 “Serenade”: IV. Allegretto alla Polacca | — | ||
| 63-16 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Andante quasi allegretto | — | ||
| 63-17 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation I - | — | ||
| 63-18 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation II - | — | ||
| 63-19 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation III - | — | ||
| 63-20 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation IV - | — | ||
| 63-21 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Allegro - | — | ||
| 63-22 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Tempo I - | — | ||
| 63-23 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Marcia: Allegro | — | ||
| 64-1 | String Trio no. 3 in G major, op. 9 no. 1: I. Adagio - | — | ||
| 64-2 | String Trio no. 3 in G major, op. 9 no. 1: I. Allegro con brio | — | ||
| 64-3 | String Trio no. 3 in G major, op. 9 no. 1: II. Adagio, ma non troppo e cantabile | — | ||
| 64-4 | String Trio no. 3 in G major, op. 9 no. 1: III. Scherzo: Allegro - | — | ||
| 64-5 | String Trio no. 3 in G major, op. 9 no. 1: III. Trio I - | — | ||
| 64-6 | String Trio no. 3 in G major, op. 9 no. 1: III. Trio II - | — | ||
| 64-7 | String Trio no. 3 in G major, op. 9 no. 1: III. Scherzo | — | ||
| 64-8 | String Trio no. 3 in G major, op. 9 no. 1: IV. Presto | — | ||
| 64-9 | String Trio no. 4 in D major, op. 9 no. 2: I. Allegretto | — | ||
| 64-10 | String Trio no. 4 in D major, op. 9 no. 2: II. Andante quasi Allegretto | — | ||
| 64-11 | String Trio no. 4 in D major, op. 9 no. 2: III. Menuetto: Allegro | — | ||
| 64-12 | String Trio no. 4 in D major, op. 9 no. 2: IV. Rondo: Allegro | — | ||
| 64-13 | String Trio no. 5 in C minor, op. 9 no. 3: I. Allegro con spirito | — | ||
| 64-14 | String Trio no. 5 in C minor, op. 9 no. 3: II. Adagio con espressione | — | ||
| 64-15 | String Trio no. 5 in C minor, op. 9 no. 3: III. Scherzo: Allegro molto e vivace | — | ||
| 64-16 | String Trio no. 5 in C minor, op. 9 no. 3: IV. Finale: Presto | — | ||
| 65-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — | |
| 65-2 | Violin Concerto in D, op. 77: II. Adagio | Itzhak Perlman, Hansjörg Schellenberger, Berliner Philharmoniker, Daniel Barenboim | — | |
| 65-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — | |
| 66-1 | La Folia | Itzhak Perlman, Samuel Sanders | — | |
| 66-2 | Salut d'amour, op. 12 | Itzhak Perlman, Samuel Sanders | — | |
| 66-3 | Un poco triste, op. 17 no. 3 | — | ||
| 66-4 | Burleska, op. 17 no. 4 | — | ||
| 66-5 | Humoresque | — | ||
| 66-6 | Spanish Dance | — | ||
| 66-7 | Prelude no. 5 | — | ||
| 66-8 | Songs Without Words, op. 19 no. 1: Sweet Remembrance | — | ||
| 66-9 | Allegro | — | ||
| 66-10 | La Plus Que Lente | Itzhak Perlman, Samuel Sanders | — | |
| 66-11 | Spanish Dances, op. 22 no. 2: Jota Navarra | — | ||
| 66-12 | Berceuse for Violin and Piano in D major, Op. 16 | Itzhak Perlman, Samuel Sanders | — | |
| 66-13 | Porgy and Bess: It ain't necessarily so | Itzhak Perlman, Samuel Sanders | T-900.757.862-3 | |
| 66-14 | Serenade, op. 30 no. 2 | — | ||
| 66-15 | Wellenspiel | — | ||
| 66-16 | Melody, op. 21 no. 9 | — | ||
| 66-17 | Tale of Tsar Saltan Suite, Op. 57: Flight of the bumblebee | Itzhak Perlman, Samuel Sanders | — | |
| 66-18 | Petite suite for Piano 4 hands: no 3, Menuet | Itzhak Perlman, Samuel Sanders | — | |
| 67-1 | Piano Trio no. 1 in B major, op. 8: I. Allegro con brio | — | ||
| 67-2 | Piano Trio no. 1 in B major, op. 8: II. Scherzo: Allegro molto | — | ||
| 67-3 | Piano Trio no. 1 in B major, op. 8: III. Adagio | — | ||
| 67-4 | Piano Trio no. 1 in B major, op. 8: IV. Allegro | — | ||
| 67-5 | Piano Trio no. 2 in C major, op. 87: I. Allegro | — | ||
| 67-6 | Piano Trio no. 2 in C major, op. 87: II. Andante con moto | — | ||
| 67-7 | Piano Trio no. 2 in C major, op. 87: III. Scherzo: Presto | — | ||
| 67-8 | Piano Trio no. 2 in C major, op. 87: IV. Finale: Allegro giocoso | — | ||
| 68-1 | Piano Trio no. 3 in C minor, op. 101: I. Allegro energico | — | ||
| 68-2 | Piano Trio no. 3 in C minor, op. 101: II. Presto non assai | — | ||
| 68-3 | Piano Trio no. 3 in C minor, op. 101: III. Andante grazioso | — | ||
| 68-4 | Piano Trio no. 3 in C minor, op. 101: IV. Allegro molto | — | ||
| 68-5 | Piano Trio in A major, op. posth.: I. Moderato | — | ||
| 68-6 | Piano Trio in A major, op. posth.: II. Vivace | — | ||
| 68-7 | Piano Trio in A major, op. posth.: III. Lento | — | ||
| 68-8 | Piano Trio in A major, op. posth.: IV. Presto | — | ||
| 69-1 | Serenade (after Plato's “Symposium”): Phaedrus: Pausanias (Lento - Allegro marcato) | — | ||
| 69-2 | Serenade (after Plato's “Symposium”): Aristophanes (Allegretto) | — | ||
| 69-3 | Serenade (after Plato's “Symposium”): Eryximachus (Presto) | — | ||
| 69-4 | Serenade (after Plato's “Symposium”): Agathon (Adagio) | — | ||
| 69-5 | Serenade (after Plato's “Symposium”): Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace) | — | ||
| 69-6 | Violin Concerto, op. 14: I. Allegro | — | ||
| 69-7 | Violin Concerto, op. 14: II. Andante | — | ||
| 69-8 | Violin Concerto, op. 14: III. Presto in moto perpetuo | — | ||
| 69-9 | Three American Pieces: I. Early Song (Andante) | — | ||
| 69-10 | Three American Pieces: II. Dedication (Lento) | — | ||
| 69-11 | Three American Pieces: III. Composer's Holiday (Allegro) | — | ||
| 70-1 | Méditation (from "Thaïs") | Itzhak Perlman, The Abbey Road Ensemble, Lawrence Foster | T-913.534.220-0 | |
| 70-2 | Mazurka-Obéreque | — | ||
| 70-3 | Vocalise, op. 34 no. 14 | — | ||
| 70-4 | Zigeunerweisen, op. 20 | — | ||
| 70-5 | Fantasy on Russian Themes (after Rimsky-Korsakov) | — | ||
| 70-6 | Meditation, op. 32 | — | ||
| 70-7 | Scherzo in C minor, op. 42. no. 2 | — | ||
| 70-8 | Légende, op. 17 | — | ||
| 70-9 | The Old Refrain | — | ||
| 70-10 | Introduction & Tarantella, op. 43 | — | ||
| 70-11 | Schön Rosmarin | — | ||
| 71-1 | Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: I. Allegro | — | ||
| 71-2 | Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | Daniel Barenboim, Yo-Yo Ma, Itzhak Perlman, Berliner Philharmoniker | — | |
| 71-3 | Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: III. Rondo alla polacca | — | ||
| 71-4 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: I. Adagio | — | ||
| 71-5 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Finale: Allegro - Menu allegro - | — | ||
| 71-6 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Allegro molto - | — | ||
| 71-7 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Adagio, ma non troppo - | — | ||
| 71-8 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Marcia, assai vivace - Allegro - | — | ||
| 71-9 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Allegretto, ma non troppo (quasi Andante con moto) - Presto | — | ||
| 72-1 | Concerto for Violin and Cello in A minor, op. 102: I. Allegro | — | ||
| 72-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | — | ||
| 72-3 | Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo | — | ||
| 72-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 72-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 72-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 73-1 | Violin Concerto in D: I. Toccata | — | ||
| 73-2 | Violin Concerto in D: II. Aria I | — | ||
| 73-3 | Violin Concerto in D: III. Aria II | — | ||
| 73-4 | Violin Concerto in D: IV. Capriccio | — | ||
| 73-5 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | — | ||
| 73-6 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | — | ||
| 73-7 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato | — | ||
| 74-1 | Violin Concerto in B minor, op. 35: I. Allegro moderato | — | ||
| 74-2 | Violin Concerto in B minor, op. 35: II. Andante | — | ||
| 74-3 | Violin Concerto in B minor, op. 35: III. Allegro moderato | — | ||
| 74-4 | Schüler-Konzert no. 2, op. 13: I. Allegro non troppo | — | ||
| 74-5 | Schüler-Konzert no. 2, op. 13: II. Adagio | — | ||
| 74-6 | Schüler-Konzert no. 2, op. 13: III. Allegretto moderato | — | ||
| 74-7 | Violin Concerto no. 1 in A minor: Allegro moderato - Allegro | — | ||
| 74-8 | Scène de ballet, op. 100 | — | ||
| 74-9 | Violin Concerto no. 22 in A minor: I. Moderato | — | ||
| 74-10 | Violin Concerto no. 22 in A minor: II. Adagio | — | ||
| 74-11 | Violin Concerto no. 22 in A minor: III. Agitato assai | — | ||
| 75-1 | Violin Sonata no. 9 in A major “Kreutzer”, op. 47: I. Adagio sostenuto - Presto | — | ||
| 75-2 | Violin Sonata no. 9 in A major “Kreutzer”, op. 47: II. Andante con variazioni | — | ||
| 75-3 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — | |
| 75-4 | Violin Sonata in A major: I. Allegretto ben moderato | — | ||
| 75-5 | Violin Sonata in A major: II. Allegro | — | ||
| 75-6 | Violin Sonata in A major: III. Recitativo-Fantasia: Ben moderato - molto lento | — | ||
| 75-7 | Violin Sonata in A major: IV. Allegretto poco mosso | — | ||
| 76-1 | Violin Concerto no. 3 in G major, K216: I. Allegro | Itzhak Perlman, Berliner Philharmoniker | T-312.542.566-9 | |
| 76-2 | Violin Concerto no. 3 in G major, K216: II. Adagio | — | ||
| 76-3 | Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) | Itzhak Perlman, Berliner Philharmoniker | T-312.542.566-9 | |
| 76-4 | Adagio and Fugue in C minor, K546: I. Adagio - | — | ||
| 76-5 | Adagio and Fugue in C minor, K546: II. Fuga: Allegro | — | ||
| 76-6 | Symphony no. 41 in C major, K551 “Jupiter”: I. Allegro vivace | — | ||
| 76-7 | Symphony no. 41 in C major, K551 “Jupiter”: II. Andante cantabile | — | ||
| 76-8 | Symphony no. 41 in C major, K551 “Jupiter”: III. Menuetto: Allegretto - Trio | — | ||
| 76-9 | Symphony no. 41 in C major, K551 “Jupiter”: IV. Molto allegro | — | ||
| 77-1 | Peter and the Wolf, op. 67 | — | ||
| 77-2 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | — | ||
| 77-3 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | — | ||
| 77-4 | Carnival of the Animals: III. Wild Asses: Presto furioso | — | ||
| 77-5 | Carnival of the Animals: IV. Tortoises: Andante maestoso | — | ||
| 77-6 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | — | ||
| 77-7 | Carnival of the Animals: VI. Kangaroos: Moderato | — | ||
| 77-8 | Carnival of the Animals: VII. Aquariam: Andantino | — | ||
| 77-9 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | — | ||
| 77-10 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | — | ||
| 77-11 | Carnival of the Animals: X. Aviary: Moderato grazioso | — | ||
| 77-12 | Carnival of the Animals: XI. Pianists: Allegro moderato | — | ||
| 77-13 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | — | ||
| 77-14 | Carnival of the Animals: XIII. The Swan: Andantino grazioso | — | ||
| 77-15 | Carnival of the Animals: XIV. Finale: Molto vivace | — | ||
| 77-16 | Tosca: Atto III. “Mario Cavaradossi?” | — |
Identifier Graph
825646150694 is a Universal Product Code (UPC) assigned to The Complete Warner Recordings by Itzhak Perlman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 808 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Prelude & Allegro (In the Style of Pugnani) | Itzhak Perlman, Samuel Sanders | — |
| Liebesleid | Itzhak Perlman, Samuel Sanders | — |
| Double Concerto in A minor, op. 102: III. Vivace non troppo | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Sonatina in G, op. 100: III. Scherzo (Molto vivace) | Itzhak Perlman, Samuel Sanders | — |
| 4 Romantic Pieces, op. 75: IV. Larghetto | Itzhak Perlman, Samuel Sanders | — |
| Marguerite (Daises), Op. 38 No. 3 | Itzhak Perlman, Samuel Sanders | — |
| The Jewish Mother (A Yiddishe Mamme) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — |
| Sonata №1 in G minor, BWV 1001: I. Adagio | Itzhak Perlman | — |
| Sonata №1 in G minor, BWV 1001: IV. Presto | Itzhak Perlman | — |
| Partita №2 in D minor, BWV 1004: V. Ciaccona | Itzhak Perlman | — |
| Partita №3 in E major, BWV 1006: I. Preludio | Itzhak Perlman | — |
| Tzigane (Rapsodie de concert) | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — |
| Zapateado, op. 23 no. 2 | Itzhak Perlman, Samuel Sanders | — |
| La fille aux cheveux de lin | Itzhak Perlman, Samuel Sanders | T-324.161.447-7 |
| Introduction & Rondo capriccioso, op. 28 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | T-314.835.347-9 |
| Poème, op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — |
| Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": III. Danza Pastorale | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": II. Adagio | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": III. Presto | Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": II. Adagio molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Presto in B-flat major | Itzhak Perlman, Samuel Sanders | — |
| Malagueña, op. 21 no. 1 | Itzhak Perlman, Samuel Sanders | — |
| Suite populaire espagnole: I. El pano moruno | Itzhak Perlman, Samuel Sanders | — |
| Basarabye | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Simcha Polski, Brave Old World | — |
| Slavonic Dance in E minor, op. 46 no. 2 | Itzhak Perlman, Samuel Sanders | — |
| Melodie, Dance of the Blessed Spirits | Itzhak Perlman, Samuel Sanders | T-910.090.445-8 |
| Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Warner Recordings” by Itzhak Perlman is 825646150694. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Warner Classics. This release contains 808 tracks, each with its own ISRC. Tracks include GBAYC1500685, GBAYC1500687, GBAYC1500688.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | — | ||
| 2 | Concerto no. 1 in D for violin and orchestra, op. 6: II. Adagio espressivo | Itzhak Perlman, Royal Philharmonic Orchestra, Lawrence Foster | — | |
| 3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | — | ||
| 4 | Carmen-Fantasie, op. 25 | Itzhak Perlman, Royal Philharmonic Orchestra, Lawrence Foster | — | |
| 2-1 | Concerto (2 Violins) in D minor, BWV 1043: I. Vivace | Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-2 | Concerto (2 Violins) in D minor, BWV 1043: II. Largo ma non tanto | Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-3 | Concerto (2 Violins) in D minor, BWV 1043: III. Allegro | Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-4 | Concerto in E, BWV 1042: I. Allegro | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-5 | Concerto in E, BWV 1042: II. Adagio | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | T-917.755.866-6 | |
| 2-6 | Concerto in E, BWV 1042: III. Allegro assai | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-7 | BACH JS VIOLIN CONCERTO IN G MINOR BWV 1056 I ALLEGRO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-8 | VIOLIN CONCERTO IN G MINOR, BWV 1056: II. LARGO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 2-9 | BACH JS VIOLIN CONCERTO IN G MINOR BWV 1056 III PRESTO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-1 | I. ALLEGRO | Neil Black, Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | T-914.323.771-2 | |
| 3-2 | II. ADAGIO | Neil Black, Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | T-917.755.866-6 | |
| 3-3 | CONCERTO FOR VIOLIN AND OBOE IN C MINOR, BWV 1060: III. ALLEGRO | Neil Black, Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-4 | Concerto in A minor, BWV 1041: I. Allegro | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-5 | Violin Concerto in A minor, BWV 1041: II. Andante | — | ||
| 3-6 | Violin Concerto in A minor, BWV 1041: III. Allegro assai | — | ||
| 3-7 | VIOLIN CONCERTO IN D MINOR (AFTER HARPSICHORD CONCERTO, BWV 1052): I. ALLEGRO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-8 | VIOLIN CONCERTO IN D MINOR (AFTER HARPSICHORD CONCERTO, BWV 1052): II. ADAGIO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 3-9 | VIOLIN CONCERTO IN D MINOR (AFTER HARPSICHORD CONCERTO, BWV 1052): III. ALLEGRO | Itzhak Perlman, English Chamber Orchestra, Daniel Barenboim | — | |
| 4-1 | Caprices for Solo Violin, op. 1: No. 1 in E major | Itzhak Perlman | — | |
| 4-2 | Caprices for Solo Violin, op. 1: No. 2 in B minor | Itzhak Perlman | — | |
| 4-3 | Caprices for Solo Violin, op. 1: No. 3 in E minor | Itzhak Perlman | — | |
| 4-4 | Caprices for Solo Violin, op. 1: No. 4 in C minor | Itzhak Perlman | — | |
| 4-5 | Caprices for Solo Violin, op. 1: No. 5 in A minor | Itzhak Perlman | — | |
| 4-6 | Caprices for Solo Violin, op. 1: No. 6 in G minor | Itzhak Perlman | — | |
| 4-7 | Caprices for Solo Violin, op. 1: No. 7 in A minor | Itzhak Perlman | — | |
| 4-8 | Caprices for Solo Violin, op. 1: No. 8 in E-flat major | Itzhak Perlman | — | |
| 4-9 | Caprices for Solo Violin, op. 1: No. 9 in E major | Itzhak Perlman | — | |
| 4-10 | Caprices for Solo Violin, op. 1: No. 10 in G minor | Itzhak Perlman | — | |
| 4-11 | Caprices for Solo Violin, op. 1: No. 11 in C major | Itzhak Perlman | — | |
| 4-12 | Caprices for Solo Violin, op. 1: No. 12 in A-flat major | Itzhak Perlman | — | |
| 4-13 | Caprices for Solo Violin, op. 1: No. 13 in B-flat major | Itzhak Perlman | — | |
| 4-14 | Caprices for Solo Violin, op. 1: No. 14 in E-flat major | Itzhak Perlman | — | |
| 4-15 | Caprices for Solo Violin, op. 1: No. 15 in E minor | Itzhak Perlman | — | |
| 4-16 | Caprices for Solo Violin, op. 1: No. 16 in G minor | Itzhak Perlman | — | |
| 4-17 | Caprices for Solo Violin, op. 1: No. 17 in E-flat major | Itzhak Perlman | — | |
| 4-18 | Caprices for Solo Violin, op. 1: No. 18 in C major | Itzhak Perlman | — | |
| 4-19 | Caprices for Solo Violin, op. 1: No. 19 in E-flat major | Itzhak Perlman | — | |
| 4-20 | Caprices for Solo Violin, op. 1: No. 20 in D major | Itzhak Perlman | — | |
| 4-21 | Caprices for Solo Violin, op. 1: No. 21 in A major | Itzhak Perlman | — | |
| 4-22 | Caprices for Solo Violin, op. 1: No. 22 in F major | Itzhak Perlman | — | |
| 4-23 | Caprices for Solo Violin, op. 1: No. 23 in E-flat major | Itzhak Perlman | — | |
| 4-24 | Caprices for Solo Violin, op. 1: No. 24 in A minor | Itzhak Perlman | — | |
| 5-1 | Violin Concerto no. 1 in F-sharp minor, op. 14: I. Allegro moderato | — | ||
| 5-2 | Violin Concerto no. 1 in F-sharp minor, op. 14: II. Preghiera: Larghetto | — | ||
| 5-3 | Violin Concerto no. 1 in F-sharp minor, op. 14: III. Rondo: Allegro giocoso | — | ||
| 5-4 | Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato | — | ||
| 5-5 | Violin Concerto no. 2 in D minor, op. 22: II. Romance: Andante non troppo | — | ||
| 5-6 | Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la Zingara”) | — | ||
| 6-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 6-2 | Violin Concerto in E minor, op. 64: II. Andante | Itzhak Perlman, London Symphony Orchestra, André Previn | T-802.189.778-0 | |
| 6-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Itzhak Perlman, London Symphony Orchestra, André Previn | T-031.629.298-4 | |
| 6-4 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: allegro moderato - | — | ||
| 6-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio - | — | ||
| 6-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | — | ||
| 7-1 | Violin Concerto no. 2, BB 117: I. Allegro non troppo | — | ||
| 7-2 | Violin Concerto no. 2, BB 117: II. Andante tranquillo | — | ||
| 7-3 | Violin Concerto no. 2, BB 117: III. Allegro molto | — | ||
| 8-1 | Prelude & Allegro (In the Style of Pugnani) | Itzhak Perlman, Samuel Sanders | — | |
| 8-2 | Romanza andaluza, op. 22 no. 1 | Itzhak Perlman, Samuel Sanders | T-322.635.906-0 | |
| 8-3 | Perpetuum mobile, op. 5 no. 4 | Itzhak Perlman, Samuel Sanders | T-910.405.802-8 | |
| 8-4 | Berceuse sfaradite | Itzhak Perlman, Samuel Sanders | T-002.091.342-1 | |
| 8-5 | Polonaise de concert no. 1, op. 4 | Itzhak Perlman, Samuel Sanders | — | |
| 8-6 | La fille aux cheveux de lin | Itzhak Perlman, Samuel Sanders | T-900.084.290-0 | |
| 8-7 | Variations on a Theme by Corelli | Itzhak Perlman, Samuel Sanders | — | |
| 8-8 | Ao pé da fogueira (Prelude XV) | — | ||
| 8-9 | Vocalise, op. 34 no. 14 | Itzhak Perlman, Samuel Sanders | — | |
| 8-10 | Scherzo tarantelle, op. 16 | Itzhak Perlman, Samuel Sanders | — | |
| 8-11 | Romance, op. 94 no. 2 | — | ||
| 8-12 | Sonata no. 12 in E minor, op. 3 no. 6 | — | ||
| 8-13 | Zapateado, op. 23 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 9-1 | Polonaise brillante no. 2 in A, op. 21 | — | ||
| 9-2 | Obertass-Mazurka, op. 19 | — | ||
| 9-3 | Jeanie with the light brown hair | — | ||
| 9-4 | Souvenir d'Amérique | — | ||
| 9-5 | Deep River | — | ||
| 9-6 | La Ronde des Lutins | Itzhak Perlman, Samuel Sanders | T-909.417.026-0 | |
| 9-7 | Sicilienne | — | ||
| 9-8 | Chanson russe | — | ||
| 9-9 | Cavatina in A-flat, op. 85 no. 3 | — | ||
| 9-10 | Melodie, op. 42 no. 3 | — | ||
| 9-11 | Alt-Wien | — | ||
| 9-12 | Tango | — | ||
| 9-13 | En Bateau | Itzhak Perlman, Samuel Sanders | — | |
| 10-1 | Concerto for Violin and Orchestra in A minor, op. 53: I. Allegro ma non troppo | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 10-2 | Concerto for Violin and Orchestra in A minor, op. 53: II. Adagio ma non troppo | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 10-3 | Concerto for Violin and Orchestra in A minor, op. 53: III. Finale (Allegro giocoso) | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 10-4 | Romance in F minor, op. 11 | Itzhak Perlman, London Philharmonic Orchestra, Daniel Barenboim | — | |
| 11-1 | Introduction & Rondo capriccioso, op. 28 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — | |
| 11-2 | Poème, op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — | |
| 11-3 | Havanaise, Op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | T-927.989.124-6 | |
| 11-4 | Tzigane (Rapsodie de concert) | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — | |
| 12-1 | The Ragtime Dance | — | ||
| 12-2 | The Easy Winners | — | ||
| 12-3 | Bethena (a concert waltz) | — | ||
| 12-4 | Magnetic Rag | — | ||
| 12-5 | The Strenuous Life (a ragtime two-step) | — | ||
| 12-6 | The Entertainer | Itzhak Perlman, André Previn | T-307.274.394-9 | |
| 12-7 | Elite Syncopations | — | ||
| 12-8 | Solace (a Mexican serenade) | — | ||
| 12-9 | Pine Apple Rag | — | ||
| 12-10 | Sugar Cane (a ragtime classic two-step) | — | ||
| 13-1 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): I. Sinfonia | — | ||
| 13-2 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): II. Danses suisses | — | ||
| 13-3 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): III. Scherzo | — | ||
| 13-4 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): IV. Pas deux: Adagio | — | ||
| 13-5 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): IV. Variation | — | ||
| 13-6 | Divertimento (from Le Baiser de la fée, arr. Stravinsky): IV. Coda | — | ||
| 13-7 | Suite Italienne (from Pulcinella, arr. Stravinsky): I. Introduzione | — | ||
| 13-8 | Suite Italienne (from Pulcinella, arr. Stravinsky): II. Serenata | Itzhak Perlman, Bruno Canino | — | |
| 13-9 | Suite Italienne (from Pulcinella, arr. Stravinsky): III. Taratella | — | ||
| 13-10 | Suite Italienne (from Pulcinella, arr. Stravinsky): IV. Favotta con due variazioni | — | ||
| 13-11 | Suite Italienne (from Pulcinella, arr. Stravinsky): V. Scherzino | — | ||
| 13-12 | Suite Italienne (from Pulcinella, arr. Stravinsky): VI. Menuetto e Finale | — | ||
| 13-13 | Duo concertant: I. Cantilène | — | ||
| 13-14 | Duo concertant: II. Églogue I | — | ||
| 13-15 | Duo concertant: III. Églogue II | — | ||
| 13-16 | Duo concertant: IV. Gigue | — | ||
| 13-17 | Duo concertant: V. Dithyrambe | — | ||
| 14-1 | Caprice viennois, op. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 14-2 | Andantino (in the Style of Martini) | Itzhak Perlman, Samuel Sanders | — | |
| 14-3 | Allegretto in the style of Boccherini | — | ||
| 14-4 | La gitana | — | ||
| 14-5 | Slavonic Dance, op. 72 no. 8 (Dvořák, arr. Kreisler) | — | ||
| 14-6 | Chanson Louis XIII & Pavane in the style of Couperin | — | ||
| 14-7 | Schön Rosmarin | — | ||
| 14-8 | Liebesfreud | — | ||
| 14-9 | La vida breve: Danse Espagnole No. 1 | Itzhak Perlman, Samuel Sanders | — | |
| 14-10 | Liebeslied | Itzhak Perlman, Samuel Sanders | — | |
| 14-11 | Recitativo & Scherzo capriccio, op. 6 | — | ||
| 14-12 | Tango (Albéniz, arr. Kreisler) | — | ||
| 14-13 | Rondino on a theme by Beethoven | — | ||
| 14-14 | Tambourin chinois, op. 3 | — | ||
| 15-1 | Violin Sonata in G minor “Devil's Trill” | Itzhak Perlman, Samuel Sanders | T-900.034.363-5 | |
| 15-2 | Dancing Doll | — | ||
| 15-3 | Caprice | — | ||
| 15-4 | Londonderry Air | — | ||
| 15-5 | Serenade in D, K250 “Haffner”: Rondo | — | ||
| 15-6 | Sarabande & Allegretto | — | ||
| 15-7 | Malagueña, op. 165 no. 3 | — | ||
| 15-8 | Midnight Bells (from Der Opernball) | — | ||
| 15-9 | Hungarian Dance in F minor | — | ||
| 15-10 | Song Without Words, op. 62 no. 1 | — | ||
| 16-1 | La Précieuse in the style of Couperin | — | ||
| 16-2 | Siciliano & Rigaudon in the style of Francœur | — | ||
| 16-3 | Sérénade espagnole | Itzhak Perlman, Samuel Sanders | — | |
| 16-4 | Aubade provençale in the style of Couperin | — | ||
| 16-5 | Menuet in the style of Porpora | — | ||
| 16-6 | Serenade (from Frasquita) (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | T-802.018.662-4 | |
| 16-7 | Melody, op. 16 no. 2 (arr. Kreisler) | — | ||
| 16-8 | Toy Soldiers' March | — | ||
| 16-9 | Andante cantabile (arr. Kreisler) | — | ||
| 16-10 | Chanson sans paroles (arr. Kreisler) | — | ||
| 16-11 | Scherzo in the style of Dittersdorf | — | ||
| 16-12 | Slavonic Dance, op. 46 no. 2 (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | — | |
| 16-13 | Caprice no. 20 (arr. Kreisler) | — | ||
| 16-14 | Syncopation | — | ||
| 16-15 | Molly on the Shore (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | — | |
| 17-1 | Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-2 | Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-3 | Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": III. Danza Pastorale | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-4 | Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-5 | Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": II. Adagio | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-6 | Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": III. Presto | Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-7 | Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-8 | Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": II. Adagio molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-9 | Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | T-904.202.792-9 | |
| 17-10 | Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-11 | Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 17-12 | Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — | |
| 18-1 | Scottish Fantasy, op. 46: Einleitung: Grave - | — | ||
| 18-2 | Scottish Fantasy, op. 46: I. Adagio cantabile | — | ||
| 18-3 | Scottish Fantasy, op. 46: II. Allegro - | — | ||
| 18-4 | Scottish Fantasy, op. 46: III. Andante sostenuto | — | ||
| 18-5 | Scottish Fantasy, op. 46: IV. Finale: Allegro guerriero | — | ||
| 18-6 | Violin Concerto no. 2 in D minor, op. 44: I. Adagio ma non troppo | — | ||
| 18-7 | Violin Concerto no. 2 in D minor, op. 44: II. Recitative: Allegro moderato - | — | ||
| 18-8 | Violin Concerto no. 2 in D minor, op. 44: III. Finale: Allegro molto | — | ||
| 19-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 19-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 19-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 20-1 | Sonata no. 5 in E minor, op. 3 no. 5 for two violins: I. Allegro ma poco | — | ||
| 20-2 | Sonata no. 5 in E minor, op. 3 no. 5 for two violins: II. Gavotte: Andante grazioso | — | ||
| 20-3 | Sonata no. 5 in E minor, op. 3 no. 5 for two violins: III. Presto | — | ||
| 20-4 | Études-Caprices, op. 18: No. 1 in G minor | — | ||
| 20-5 | Études-Caprices, op. 18: No. 2 in E-flat major | — | ||
| 20-6 | Études-Caprices, op. 18: No. 3 in A minor | — | ||
| 20-7 | Passacaglia | Itzhak Perlman, Pinchas Zukerman | — | |
| 20-8 | Duo concertante in D major, op. 67 no. 2: I. Allegro | — | ||
| 20-9 | Duo concertante in D major, op. 67 no. 2: II. Larghetto | — | ||
| 20-10 | Duo concertante in D major, op. 67 no. 2: III. Rondo: Vivace | — | ||
| 21-1 | Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato | — | ||
| 21-2 | Violin Concerto no. 1 in A minor, op. 28: II. Andante | — | ||
| 21-3 | Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto | — | ||
| 21-4 | Zigeunerweisen, op. 20 | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | T-921.161.772-0 | |
| 22-1 | Violin Concerto no. 4 in D minor, op. 31: I. Andante - Cadenza | — | ||
| 22-2 | Violin Concerto no. 4 in D minor, op. 31: II. Adagio religioso | — | ||
| 22-3 | Violin Concerto no. 4 in D minor, op. 31: III. Scherzo: Vivace - Trio: Meno mosso - Vivace da capo | — | ||
| 22-4 | Violin Concerto no. 4 in D minor, op. 31: IV. Finale marciale: Andante - Allegro | — | ||
| 22-5 | Violin Concerto no. 5 in A minor, op. 37: I. Allegro non troppo - Cadenza - Moderato | — | ||
| 22-6 | Violin Concerto no. 5 in A minor, op. 37: II. Adagio | — | ||
| 22-7 | Violin Concerto no. 5 in A minor, op. 37: III. Allegro con fuoco | — | ||
| 23-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Itzhak Perlman, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 23-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante - | — | ||
| 23-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | — | ||
| 23-4 | Sérénade mélancolique, op. 26 | — | ||
| 24-1 | Suite for Two Violins & Piano, op. 71: I. Allegro energico | — | ||
| 24-2 | Suite for Two Violins & Piano, op. 71: II. Allegro moderato | — | ||
| 24-3 | Suite for Two Violins & Piano, op. 71: III. Lento assai | — | ||
| 24-4 | Suite for Two Violins & Piano, op. 71: IV. Molto vivace | — | ||
| 24-5 | 3 Violin Duets: I. Praeludium (Molto moderato) | Itzhak Perlman, Samuel Sanders, Pinchas Zukerman | — | |
| 24-6 | Three Violin Duets, op. 97d: II. Gavotte | — | ||
| 24-7 | Three Violin Duets, op. 97d: III. Waltzes | — | ||
| 24-8 | Sonata for Two Violins, op. 56: I. Andante cantabile | — | ||
| 24-9 | Sonata for Two Violins, op. 56: II. Allegro | — | ||
| 24-10 | Sonata for Two Violins, op. 56: III. Comodo (quasi allegretto) | — | ||
| 24-11 | Sonata for Two Violins, op. 56: IV. Allegro con brio | — | ||
| 25-1 | 44 Duos: No. 1 Párosító (Teasing Song) | — | ||
| 25-2 | 44 Duos: No. 2 Kalamajkó (Maypole Dance) | — | ||
| 25-3 | 44 Duos: No. 3 Menuetto | — | ||
| 25-4 | 44 Duos: No. 4 Szentivánéji (Midsummer Night Song) | — | ||
| 25-5 | 44 Duos: No. 5 Tót Nóta (1) (Slovak Song no. 1) | — | ||
| 25-6 | 44 Duos: No. 6 Magyar Nóta (Hungarian Song no. 1) | — | ||
| 25-7 | 44 Duos: No. 7 Oláh Nóta (Rumanian Song) | — | ||
| 25-8 | 44 Duos: No. 8 Tót Nóta (2) (Slovak Song no. 2) | — | ||
| 25-9 | 44 Duos: No. 9 Játék (Play) | — | ||
| 25-10 | 44 Duos: No. 10 Rutén Nóta (Ruthenian Song) | — | ||
| 25-11 | 44 Duos: No. 11 Gyermekrengetéskor (Lullaby) | — | ||
| 25-12 | 44 Duos: No. 12 Szénagyütéskor (Hay-Harvesting Song) | — | ||
| 25-13 | 44 Duos: No. 13 Lakodalmas (Wedding Song) | — | ||
| 25-14 | 44 Duos: No. 14 Párnás-Tánc (Cushion Dance) | — | ||
| 25-15 | 44 Duos: No. 15 Katonanóta (Soldier's Song) | — | ||
| 25-16 | 44 Duos: No. 16 Burleszk (Burlesque) | — | ||
| 25-17 | 44 Duos: No. 17 Menetelő Nóta (1) (Marching Song no. 1) | — | ||
| 25-18 | 44 Duos: No. 18 Menetelő Nóta (2) (Marching Song no. 2) | — | ||
| 25-19 | 44 Duos: No. 19 Mese (Fairy Tale) | — | ||
| 25-20 | 44 Duos: No. 20 Dal (Song) | — | ||
| 25-21 | 44 Duos: No. 21 Ujévköszöntő (1) (New Year's Greeting no. 1) | — | ||
| 25-22 | 44 Duos: No. 22 Szunyoktánc (Mosquito Dance) | — | ||
| 25-23 | 44 Duos: No. 23 Menyasszonybúcsúztató (Bride's Farewell) | — | ||
| 25-24 | 44 Duos: No. 24 Tréfás Nóta (Gay Song) | — | ||
| 25-25 | 44 Duos: No. 25 Magyar Nóta (2) (Hungarian Song no. 2) | — | ||
| 25-26 | 44 Duos: No. 26 Ugyan édes komámasszony (Teasing Song) | — | ||
| 25-27 | 44 Duos: No. 27 Sántá-Tánc (Limping Dance) | — | ||
| 25-28 | 44 Duos: No. 28 Bánkódás (Sorrow) | — | ||
| 25-29 | 44 Duos: No. 29 Ujévköszöntő (2) (New Year's Greeting no. 2) | — | ||
| 25-30 | 44 Duos: No. 30 Ujévköszöntő (3) (New Year's Greeting no. 3) | — | ||
| 25-31 | 44 Duos: No. 31 Ujévköszöntő (4) (New Year's Greeting no. 4) | — | ||
| 25-32 | 44 Duos: No. 32 Máramarosi Tánc (Dance from Maramaros) | — | ||
| 25-33 | 44 Duos: No. 33 Aratáskar (Harvest Song) | — | ||
| 25-34 | 44 Duos: No. 34 Számláló Nóta (Counting Song) | — | ||
| 25-35 | 44 Duos: No. 35 Rutén kolomejka (Ruthenian Kolomejka) | — | ||
| 25-36 | 44 Duos: No. 36 Szól a duda (Bagpipes) | — | ||
| 25-37 | 44 Duos: No. 36a A 36 sz. változata (Variant to no. 36) | — | ||
| 25-38 | 44 Duos: No. 37 Preludium és kánon (Prelude and Canon) | — | ||
| 25-39 | 44 Duos: No. 38 Forgatós (Rumanian Whirling Dance) | — | ||
| 25-40 | 44 Duos: No. 39 Szerb Tánc (Serbian Dance) | — | ||
| 25-41 | 44 Duos: No. 40 Oláh Tánc (Rumanian Dance) | — | ||
| 25-42 | 44 Duos: No. 41 Scherzo | — | ||
| 25-43 | 44 Duos: No. 42 Arab Dal (Arabian Song) | — | ||
| 25-44 | 44 Duos: No. 43 Pizzicato | — | ||
| 25-45 | 44 Duos: No. 44 “Erdélyi” Tánc (Transylvanian Dance) | — | ||
| 26-1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | — | ||
| 26-2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | — | ||
| 26-3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 27-1 | Double Concerto in A minor, op. 102: I. Allegro | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — | |
| 27-2 | Double Concerto in A minor, op. 102: II. Andante | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — | |
| 27-3 | Double Concerto in A minor, op. 102: III. Vivace non troppo | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — | |
| 28-1 | Suite populaire espagnole: I. El pano moruno | Itzhak Perlman, Samuel Sanders | — | |
| 28-2 | Suite populaire espagnole: Nana | Itzhak Perlman, Samuel Sanders | — | |
| 28-3 | Suite populaire espagnole: III. Cancion | Itzhak Perlman, Samuel Sanders | — | |
| 28-4 | Suite populaire espagnole: Polo | Itzhak Perlman, Samuel Sanders | — | |
| 28-5 | Suite populaire espagnole: Asturiana | Itzhak Perlman, Samuel Sanders | — | |
| 28-6 | Suite populaire espagnole (Siete canciones populares españolas): VI. Jota | — | ||
| 28-7 | 12 Danzas españolas: No. 5 Andaluza | — | ||
| 28-8 | 2 Danzas: No. 2 La gitana | — | ||
| 28-9 | Spanische Tänze, op. 21 no. 2: Habañera | — | ||
| 28-10 | Playera, op. 23 no. 5 | — | ||
| 28-11 | Habañera, op. 26 no. 8 | — | ||
| 28-12 | Malagueña, op. 21 no. 1 | Itzhak Perlman, Samuel Sanders | — | |
| 28-13 | Caprice basque, op. 24 | Itzhak Perlman, Samuel Sanders | T-321.286.605-8 | |
| 29-1 | Look At Him Go | — | ||
| 29-2 | Little Face | — | ||
| 29-3 | Who Reads Reviews | Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn | — | |
| 29-4 | Night Thoughts | — | ||
| 29-5 | A Different Kind of Blues | — | ||
| 29-6 | Chocolate Apricot | — | ||
| 29-7 | The Five of Us | — | ||
| 29-8 | Make Up Your Mind | — | ||
| 30-1 | It's a Breeze | — | ||
| 30-2 | Rain In My Head | — | ||
| 30-3 | Catgut Your Tongue | — | ||
| 30-4 | It's About Time | — | ||
| 30-5 | Quiet Diddling | — | ||
| 30-6 | A Tune for Heather | — | ||
| 30-7 | Bowing and Scraping | — | ||
| 30-8 | The Red Bar | — | ||
| 31-1 | Quartet in F major, K370: I. Allegro | — | ||
| 31-2 | Quartet in F major, K370: II. Adagio | — | ||
| 31-3 | Quartet in F major, K370: III. Rondo: Allegro | — | ||
| 31-4 | Quartet in E-flat major, op. 8 no. 4: I. Allegro | — | ||
| 31-5 | Quartet in E-flat major, op. 8 no. 4: II. Andante | — | ||
| 31-6 | Quartet in E-flat major, op. 8 no. 4: III. Rondo: Allegro | — | ||
| 31-7 | Quartet in B-flat major, T.305: I. Allegro | — | ||
| 31-8 | Quartet in B-flat major, T.305: II. Rondo: Tempo di minuetto | — | ||
| 31-9 | Quartet in F major, op. 7 no. 1: I. Allegro moderato | — | ||
| 31-10 | Quartet in F major, op. 7 no. 1: II. Cantabile: Adagio | — | ||
| 31-11 | Quartet in F major, op. 7 no. 1: III. Menuetto | — | ||
| 31-12 | Quartet in F major, op. 7 no. 1: IV. Presto | — | ||
| 32-1 | Trio Sonata in G major, Wq. 157: I. Allegretto | — | ||
| 32-2 | Trio Sonata in G major, Wq. 157: II. Andantino | — | ||
| 32-3 | Trio Sonata in G major, Wq. 157: III. Allegro | — | ||
| 32-4 | Trio Sonata in B-flat major, T.320: I. Allegro | — | ||
| 32-5 | Trio Sonata in B-flat major, T.320: II. Adagio | — | ||
| 32-6 | Trio Sonata in B-flat major, T.320: III. Vivace | — | ||
| 32-7 | Trio Sonata in C major: I. Adagio | — | ||
| 32-8 | Trio Sonata in C major: II. Allegro moderato | — | ||
| 32-9 | Trio Sonata in C major: III. Largo | — | ||
| 32-10 | Trio Sonata in C major: IV. Gigue | — | ||
| 33-1 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: I. Pezzo elegiaco: Moderato assai - Allegro giusto - Adagio con duolo e ben sostenuto - Allegro giusto / II. Tema con variazioni | — | ||
| 33-2 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Tema: Andante con moto - | — | ||
| 33-3 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. I: L'istesso tempo - | — | ||
| 33-4 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. II: Più mosso - | — | ||
| 33-5 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. III: Allegro moderato | — | ||
| 33-6 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. IV: L'istesso tempo - | — | ||
| 33-7 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. V: L'istesso tempo - | — | ||
| 33-8 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. VI: Tempo di valse - | — | ||
| 33-9 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. VII: Allegro moderato - | — | ||
| 33-10 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. VIII: Fuga: Allegro moderato - | — | ||
| 33-11 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. IX: Andante flebile, ma non tanto - | — | ||
| 33-12 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. X: Tempo di mazurka - | — | ||
| 33-13 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Var. XI: Moderato - | — | ||
| 33-14 | Piano Trio in A minor, op, 50 “À la mémoire d'un grand artiste”: II. Variazione finale e coda: Allegro risoluto e con fuoco - Andante con moto | — | ||
| 34-1 | Violin Concerto in D major, op. 35: I. Moderato nobile | — | ||
| 34-2 | Violin Concerto in D, op. 35: II. Romance | Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn | — | |
| 34-3 | Violin Concerto in D major, op. 35: III. Finale (Allegro assai vivace) | — | ||
| 34-4 | Violin Concerto in E minor: I. Allegro molto - Andante espressivo | — | ||
| 34-5 | Violin Concerto in E minor: II. Adagio | — | ||
| 34-6 | Violin Concerto in E minor: III. Cadenza - Allegro subito | — | ||
| 35-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 35-2 | Violin Concerto in D major, op. 61: II. Larghetto | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | T-310.235.444-5 | |
| 35-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 36-1 | Violin Concerto no. 1 in D major, op. 19: I. Andantino | — | ||
| 36-2 | Violin Concerto no. 1 in D major, op. 19: II. Scherzo: vivacissim | — | ||
| 36-3 | Violin Concerto no. 1 in D major, op. 19: III. Moderato | — | ||
| 36-4 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | — | ||
| 36-5 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | Itzhak Perlman, BBC Symphony Orchestra, Gennadi Rozhdestvensky | — | |
| 36-6 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato | — | ||
| 37-1 | Violin Concerto in D minor: I. Allegro con fermezza | — | ||
| 37-2 | Violin Concerto in D minor: II. Andante sostenuto | — | ||
| 37-3 | Violin Concerto in D minor: III. Allegro vivace | — | ||
| 37-4 | Souvenir d'un lieu cher, op. 42: No. 1 Méditation (orch. Giazunov) | — | ||
| 38-1 | Violin Concerto in D minor, BWV 1052R (trans. for violin): I. Allegro | — | ||
| 38-2 | Violin Concerto in D minor, BWV 1052R (trans. for violin): II. Adagio | — | ||
| 38-3 | Violin Concerto in D minor, BWV 1052R (trans. for violin): III. Allegro | — | ||
| 38-4 | Concerto for Violin & Oboe in C minor, BWV 1060: I. Allegro | — | ||
| 38-5 | Concerto for Violin & Oboe in C minor, BWV 1060: II. Adagio | — | ||
| 38-6 | Concerto for Violin & Oboe in C minor, BWV 1060: III. Allegr | — | ||
| 38-7 | Violin Concerto in G minor, BWV 1056: I. [Allegro] | — | ||
| 38-8 | Violin Concerto in G minor, BWV 1056: II. Largo | — | ||
| 38-9 | Violin Concerto in G minor, BWV 1056: III. Presto | — | ||
| 39-1 | Concerto in C minor "Il sospetto", RV 199: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-2 | Concerto in C minor "Il sospetto", RV 199: II. Andante | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-3 | Concerto in C minor "Il sospetto", RV 199: III. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-4 | Concerto in G minor, RV 317: I. Allegro | — | ||
| 39-5 | Concerto in G minor, RV 317: II. Largo | — | ||
| 39-6 | Concerto in G minor, RV 317: III. Allegro | — | ||
| 39-7 | Concerto in A minor, RV 356: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-8 | Concerto in A minor, RV 356: II. Largo | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-9 | Concerto in A minor, RV 356: III. Presto | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-10 | Violin Concerto in A major, RV 347: I. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-11 | Violin Concerto in A major, RV 347: II. Largo | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 39-12 | Violin Concerto in A major, RV 347: III. Allegro | Itzhak Perlman, Israel Philharmonic Orchestra | — | |
| 40-1 | Concerto no. 1 in E major, RV 269 “La primavera” (“Spring”): I. Allegro | — | ||
| 40-2 | Concerto no. 1 in E major, RV 269 “La primavera” (“Spring”): II. Largo | — | ||
| 40-3 | Concerto no. 1 in E major, RV 269 “La primavera” (“Spring”): III. Allegro | — | ||
| 40-4 | Concerto no. 2 in G minor, RV 315 “L'estate” (“Summer”): I. Allegro non molto | — | ||
| 40-5 | Concerto no. 2 in G minor, RV 315 “L'estate” (“Summer”): II. Adagio | — | ||
| 40-6 | Concerto no. 2 in G minor, RV 315 “L'estate” (“Summer”): III. Presto | — | ||
| 40-7 | Concerto no. 3 in F major, RV 293 “L'autunno” (“Autumn”): I. Allegro | — | ||
| 40-8 | Concerto no. 3 in F major, RV 293 “L'autunno” (“Autumn”): II. Adagio molto | — | ||
| 40-9 | Concerto no. 3 in F major, RV 293 “L'autunno” (“Autumn”): III. Allegro | — | ||
| 40-10 | Concerto no. 4 in F minor, RV 297 “L'inverno” (“Winter”): I. Allegro non molto | — | ||
| 40-11 | Concerto no. 4 in F minor, RV 297 “L'inverno” (“Winter”): II. Largo | — | ||
| 40-12 | Concerto no. 4 in F minor, RV 297 “L'inverno” (“Winter”): III. Allegro | — | ||
| 41-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Itzhak Perlman, Concertgebouw Orchestra, Bernard Haitink | — | |
| 41-2 | Violin Concerto in E minor, op. 64: II. Andante - | — | ||
| 41-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 41-4 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato - | — | ||
| 41-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio - | — | ||
| 41-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Itzhak Perlman, Concertgebouw Orchestra, Bernard Haitink | — | |
| 42-1 | Violin Concerto: I. Adagio molto sostenuto / I. Variation I: Con forza - / I. Variation II: Poco scherzando - / I. Episode I: Lento assai, cantabile e tranquillo - / I. Episode II (Cadenza): Allegro / II. Introduction: Andante - / II. Episode: Adagio non troppo, con affeto - / II. Finale: Allegro molto | — | ||
| 42-2 | Violin Concerto: I. Allegro | — | ||
| 42-3 | Violin Concerto: II. Lento - Andante - Lento | — | ||
| 42-4 | Violin Concerto: III. Allegro moderato - Presto leggiero | — | ||
| 43-1 | Violin Sonata no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 43-2 | Violin Sonata no. 1 in G major, op. 78: II. Adagio | — | ||
| 43-3 | Violin Sonata no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 43-4 | Violin Sonata no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 43-5 | Violin Sonata no. 2 in A major, op. 100: II. Andante tranquillo - Vivace | — | ||
| 43-6 | Violin Sonata no. 2 in A major, op. 100: III. Allegro grazioso (quasi Andante) | — | ||
| 44-1 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | — | ||
| 44-2 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | — | ||
| 44-3 | Violin Sonata №3, op. 108: III. Un poco presto e con sentimento | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 44-4 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 44-5 | Violin Sonata, ‘F-A-E’: III. Scherzo in C Minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 44-6 | Hungarian Dances, WoO 1: №1 in G minor | Vladimir Ashkenazy, Itzhak Perlman | T-902.753.155-1 | |
| 44-7 | Hungarian Dances, WoO 1: №2 in D minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 44-8 | Hungarian Dances, WoO 1: №7 in A major | Vladimir Ashkenazy, Itzhak Perlman | T-312.524.872-4 | |
| 44-9 | Hungarian Dances, WoO 1: №9 in E minor | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 45-1 | Sonatina in G major, op. 100: I. Allegro risoluto | — | ||
| 45-2 | Sonatina in G major, op. 100: II. Larghetto | — | ||
| 45-3 | Sonatina in G, op. 100: III. Scherzo (Molto vivace) | Itzhak Perlman, Samuel Sanders | — | |
| 45-4 | Sonatina in G major, op. 100: IV. Finale (Allegro) | — | ||
| 45-5 | Z domoviny (From My Homeland): No. 1 Moderato | — | ||
| 45-6 | Z domoviny (From My Homeland): No. 2 Andantino - Moderato | — | ||
| 45-7 | 4 Romantic Pieces, op. 75: I. Allegro moderato | Itzhak Perlman, Samuel Sanders | — | |
| 45-8 | 4 Romantic Pieces, op. 75: II. Allegro maestoso | Itzhak Perlman, Samuel Sanders | — | |
| 45-9 | 4 Romantic Pieces, op. 75: III. Allegro appassionato | Itzhak Perlman, Samuel Sanders | — | |
| 45-10 | 4 Romantic Pieces, op. 75: IV. Larghetto | Itzhak Perlman, Samuel Sanders | — | |
| 46-1 | Piano Trio no.1 in E-flat major, op. 1 no. 1: I. Allegro | — | ||
| 46-2 | Piano Trio no.1 in E-flat major, op. 1 no. 1: II. Adagio cantabile | — | ||
| 46-3 | Piano Trio no.1 in E-flat major, op. 1 no. 1: III. Scherzo: Allegro assai | — | ||
| 46-4 | Piano Trio no.1 in E-flat major, op. 1 no. 1: IV. Finale: Presto | — | ||
| 46-5 | Piano Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace | — | ||
| 46-6 | Piano Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione | — | ||
| 46-7 | Piano Trio no. 2 in G major, op. 1 no. 2: III. Scherzo: Allegro | — | ||
| 46-8 | Piano Trio no. 2 in G major, op. 1 no. 2: IV. Finale: Presto | — | ||
| 47-1 | Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | — | ||
| 47-2 | Piano Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni | — | ||
| 47-3 | Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto: Quasi allegro | — | ||
| 47-4 | Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale: Prestissimo | — | ||
| 47-5 | Piano Trio no. 8 in One Movement in B-flat major, WoO 39: Allegretto | — | ||
| 47-6 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Introduzione: Adagio assai - | — | ||
| 47-7 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Tema: Allegretto | — | ||
| 47-8 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. I: L'istesso tempo - | — | ||
| 47-9 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. II: L'istesso tempo - | — | ||
| 47-10 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. III: L'istesso tempo - | — | ||
| 47-11 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. IV: L'istesso tempo - | — | ||
| 47-12 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. V: L'istesso tempo - | — | ||
| 47-13 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. VI: L'istesso tempo - | — | ||
| 47-14 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. VII: L'istesso tempo - | — | ||
| 47-15 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. VIII: L'istesso tempo - | — | ||
| 47-16 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. IX: Adagio espressivo - | — | ||
| 47-17 | 10 Variations on Wenzel Müller's Song “Ich bein der Schneider Kakadu”, op. 121a (Piano Trio no. 11 in G major): Var. X: Presto - Allegretto | — | ||
| 47-18 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: I. Allegro con brio | — | ||
| 47-19 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: II. Adagio | — | ||
| 47-20 | Piano Trio no. 4 in B-flat major, op. 11 “Gassenhauer”: III. Tema con variazioni (“Pria ch'io l'impegno”): Allegretto - Allegro | — | ||
| 48-1 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace con brio | — | ||
| 48-2 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo | — | ||
| 48-3 | Piano Trio no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | — | ||
| 48-4 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Tema (“Ja, ich muss mich von ihr scheiden”/Dittersdorf): Andante | — | ||
| 48-5 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. I | — | ||
| 48-6 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. II | — | ||
| 48-7 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. III | — | ||
| 48-8 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. IV | — | ||
| 48-9 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. V | — | ||
| 48-10 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. VI | — | ||
| 48-11 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. VII | — | ||
| 48-12 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. VIII | — | ||
| 48-13 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. IX | — | ||
| 48-14 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. X | — | ||
| 48-15 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XI | — | ||
| 48-16 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XII | — | ||
| 48-17 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XIII | — | ||
| 48-18 | 14 Variations on an Original Theme, op. 44 (Trio no. 10 in E-flat major): Var. XIV | — | ||
| 48-19 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo - Tempo I - Tempo II | — | ||
| 48-20 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: II. Allegretto | — | ||
| 48-21 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo | — | ||
| 48-22 | Piano Trio no. 6 in E-flat major, op. 70 no. 2: IV. Finale: Allegro | — | ||
| 48-23 | Trio Movement in E-flat major, Hess 48: Allegretto | — | ||
| 49-1 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 49-2 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: II. Scherzo: Allegro | — | ||
| 49-3 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: III. Andante cantabile ma però con moto - Poco più adagio - Tempo I - | — | ||
| 49-4 | Piano Trio no. 7 in B-flat major, op. 97 “Archduke”: IV. Allegro moderato - Presto | — | ||
| 49-5 | Piano Trio no. 9 in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 49-6 | Piano Trio no. 9 in E-flat major, WoO 38: II. Scherzo: Allegro ma non troppo | — | ||
| 49-7 | Piano Trio no. 9 in E-flat major, WoO 38: III. Rondo: Allegretto | — | ||
| 50-1 | The Jewish Mother (A Yiddishe Mamme) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-2 | When the Rebbe Elimelech Becomes So Very Merry... (As Der Rebbe Elimelech Is Gevoyrn Asoi Freylach) | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-3 | Reyzele | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | T-002.065.821-2 | |
| 50-4 | At the Fireplace (Oif'n Pripetchik Brennt a Feier'l) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-5 | Doyna | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-6 | Raisins and Almonds (Rozhinkes mit Mandelen) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | T-312.630.683-6 | |
| 50-7 | By the Wayside Stands a Tree (Oif'n Weyg Steyt a Boim) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — | |
| 50-8 | A Dudele | Itzhak Perlman, Israel Zohar, Israel Philharmonic Orchestra, Dov Seltzer | T-002.018.880-0 | |
| 50-9 | Where Shall I Go? (VI Ahin Soll Ich Geyn?) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | T-002.545.085-4 | |
| 51-1 | Reb Itzik’s nign | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Brave Old World | T-802.089.528-8 | |
| 51-2 | Simkhes toyre time | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-3 | Flatbush Waltz | Alan Bern, Stuart Brotman, David Licht, Itzhak Perlman, Andy Statman, The Andy Statman Klezmer Orchestra | T-916.271.676-9 | |
| 51-4 | Wedding Medley | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | T-071.193.816-7 | |
| 51-5 | Dybbuk shers | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-6 | Basarabye | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Simcha Polski, Brave Old World | — | |
| 51-7 | Firn di mekhutonim aheym | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | — | |
| 51-8 | Tati un mama tants | Alan Bern, Stuart Brotman, David Licht, Itzhak Perlman, Andy Statman, The Andy Statman Klezmer Orchestra | — | |
| 51-9 | Fisherlid | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-10 | Der alter bulgar | Alan Bern, Stuart Brotman, David Licht, Itzhak Perlman, Andy Statman, The Andy Statman Klezmer Orchestra | — | |
| 51-11 | Ale brider | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | — | |
| 51-12 | Honga | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | — | |
| 51-13 | Doyna & Skotshna | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Brave Old World | — | |
| 51-14 | Der heyser bulgar | Gary Bohan, Judy Bressler, James Guttman, Mark Hamilton, Robin Miller, Hankus Netsky, Javier Perez-Saco, Itzhak Perlman, Miriam Rabson, Grant Smith, Ilene Stahl, Jeff Warschauer, Klezmer Conservatory Band | — | |
| 51-15 | Di gayster | David Krakauer, David Licht, Frank London, Paul Morrissett, Itzhak Perlman, Lorin Sklamberg, Alicia Svigals, The Klezmatics | T-071.577.851-0 | |
| 52-1 | Bukovina 212 | Brave Old World | T-800.841.888-1 | |
| 52-2 | Lekho Neraneno | Brave Old World | — | |
| 52-3 | Doina Naftule | Brave Old World | — | |
| 52-4 | A Hora mit Branfn | Brave Old World | — | |
| 52-5 | Healthy Baby Girl Hora | The Klezmatics | — | |
| 52-6 | Golem Tants | The Klezmatics | — | |
| 52-7 | Honga Encore | The Klezmatics | — | |
| 52-8 | Nign | The Klezmatics | — | |
| 52-9 | Bulgars / The Kiss | The Klezmatics | T-900.259.008-1 | |
| 52-10 | Meron Nign / In the Sukke | The Andy Statman Klezmer Orchestra | — | |
| 52-11 | Sholom Aleykhem | The Andy Statman Klezmer Orchestra | — | |
| 52-12 | Khaiterma | The Andy Statman Klezmer Orchestra | — | |
| 52-13 | Andy's Ride | The Andy Statman Klezmer Orchestra | — | |
| 52-14 | A Heymisher Bulgar / Wedding Dance | Klezmer Conservatory Band | — | |
| 52-15 | Kale Bazetsn (Seating the Bride) / Khusidl (Khasidic Dance) | Klezmer Conservatory Band | — | |
| 52-16 | Fun Tashlikh | Klezmer Conservatory Band | — | |
| 52-17 | A yingele fun Poyln (A Young Man From Poland) / Di mame iz gegangen in mark arayn (Mother Went to the Market) | Klezmer Conservatory Band | — | |
| 52-18 | Finale: Processional / Klezmer Suite / Ale Brider (We Are All Brothers) | Itzhak Perlman, Brave Old World, The Klezmatics, The Andy Statman Klezmer Orchestra, The Klezmer Conservatory Band | — | |
| 53-1 | Caprice viennois, op. 2 | — | ||
| 53-2 | Schön Rosmarin | Itzhak Perlman, Samuel Sanders | — | |
| 53-3 | Slavonic Dance in E minor, op. 46 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 53-4 | Romance, op. 4 | Itzhak Perlman, Samuel Sanders | — | |
| 53-5 | Songs My Mother Taught Me, op. 55 no. 4 (arr. Kreisler) | Itzhak Perlman, Samuel Sanders | T-900.240.382-9 | |
| 53-6 | Moto perpetuo for Violin and Orchestra in C major, Op. 11: Allegro vivace | Itzhak Perlman, Samuel Sanders | — | |
| 53-7 | Tempo di Minuetto (in the Style of Pugnani) | Itzhak Perlman, Samuel Sanders | — | |
| 53-8 | Fugue in A | Itzhak Perlman, Samuel Sanders | — | |
| 53-9 | La Chasse (Caprice in the style of Cartier) | Itzhak Perlman, Samuel Sanders | — | |
| 53-10 | Preghiera (in the style of Martini) | Itzhak Perlman, Samuel Sanders | — | |
| 53-11 | Marguerite (Daises), Op. 38 No. 3 | Itzhak Perlman, Samuel Sanders | — | |
| 53-12 | Liebesleid | Itzhak Perlman, Samuel Sanders | — | |
| 53-13 | Melodie, Dance of the Blessed Spirits | Itzhak Perlman, Samuel Sanders | — | |
| 53-14 | Viennese Melody | Itzhak Perlman, Samuel Sanders | — | |
| 53-15 | Mazurka in A minor, op. 67 no. 4 | — | ||
| 53-16 | Liebesfreud | — | ||
| 54-1 | Scottish Fantasy, op. 46: Einleitung: Grave | — | ||
| 54-2 | Scottish Fantasy, op. 46: I. Adagio cantabile | — | ||
| 54-3 | Scottish Fantasy, op. 46: II. Allegro - Adagio | — | ||
| 54-4 | Scottish Fantasy, op. 46: III. Andante sostenuto | — | ||
| 54-5 | Scottish Fantasy, op. 46: IV. Finale: Allegro guerriero | — | ||
| 54-6 | Violin Concerto no. 2 in D minor, op. 44: I. Adagio ma non troppo | — | ||
| 54-7 | Violin Concerto no. 2 in D minor, op. 44: II. Recitativo: Allegro moderato - | — | ||
| 54-8 | Violin Concerto no. 2 in D minor, op. 44: III. Finale: Allegro molto | — | ||
| 55-1 | Sonata №1 in G minor, BWV 1001: I. Adagio | Itzhak Perlman | — | |
| 55-2 | Sonata №1 in G minor, BWV 1001: II. Fuga (Allegro) | Itzhak Perlman | T-905.386.501-3 | |
| 55-3 | Sonata №1 in G minor, BWV 1001: III. Siciliana | Itzhak Perlman | — | |
| 55-4 | Sonata №1 in G minor, BWV 1001: IV. Presto | Itzhak Perlman | — | |
| 55-5 | Partita №1 in B minor, BWV 1002: I. Allemande | Itzhak Perlman | — | |
| 55-6 | Partita №1 in B minor, BWV 1002: I.a. - Double | Itzhak Perlman | T-920.218.518-0 | |
| 55-7 | Partita №1 in B minor, BWV 1002: II. Corrente | Itzhak Perlman | — | |
| 55-8 | Partita №1 in B minor, BWV 1002: II.a. - Double (Presto) | Itzhak Perlman | T-920.218.518-0 | |
| 55-9 | Partita №1 in B minor, BWV 1002: III. Sarabande | Itzhak Perlman | — | |
| 55-10 | Partita №1 in B minor, BWV 1002: III.a. - Double | Itzhak Perlman | T-920.218.518-0 | |
| 55-11 | Partita №1 in B minor, BWV 1002: IV. Bourrée | Itzhak Perlman | — | |
| 55-12 | Partita №1 in B minor, BWV 1002: IV.a. - Double | Itzhak Perlman | T-920.218.518-0 | |
| 55-13 | Sonata №2 in A minor, BWV 1003: I. Grave | Itzhak Perlman | T-903.514.416-2 | |
| 55-14 | Sonata №2 in A minor, BWV 1003: II. Fuga | Itzhak Perlman | — | |
| 55-15 | Sonata №2 in A minor, BWV 1003: III. Andante | Itzhak Perlman | — | |
| 55-16 | Sonata №2 in A minor, BWV 1003: IV. Allegro | Itzhak Perlman | — | |
| 56-1 | Partita №2 in D minor, BWV 1004: I. Allemande | Itzhak Perlman | — | |
| 56-2 | Partita №2 in D minor, BWV 1004: II. Corrente | Itzhak Perlman | — | |
| 56-3 | Partita №2 in D minor, BWV 1004: III. Sarabanda | Itzhak Perlman | — | |
| 56-4 | Partita №2 in D minor, BWV 1004: IV. Giga | Itzhak Perlman | — | |
| 56-5 | Partita №2 in D minor, BWV 1004: V. Ciaccona | Itzhak Perlman | — | |
| 56-6 | Sonata №3 in C major, BWV 1005: I. Adagio | Itzhak Perlman | — | |
| 56-7 | Sonata №3 in C major, BWV 1005: II. Fuga | Itzhak Perlman | — | |
| 56-8 | Sonata №3 in C major, BWV 1005: III. Largo | Itzhak Perlman | — | |
| 56-9 | Sonata №3 in C major, BWV 1005: IV. Allegro assai | Itzhak Perlman | — | |
| 56-10 | Partita №3 in E major, BWV 1006: I. Preludio | Itzhak Perlman | — | |
| 56-11 | Partita №3 in E major, BWV 1006: II. Loure | Itzhak Perlman | — | |
| 56-12 | Partita №3 in E major, BWV 1006: III. Gavotte en rondo | Itzhak Perlman | — | |
| 56-13 | Partita №3 in E major, BWV 1006: IV. Menuet I | Itzhak Perlman | — | |
| 56-14 | Partita №3 in E major, BWV 1006: IV. Menuet II | Itzhak Perlman | — | |
| 56-15 | Partita №3 in E major, BWV 1006: V. Bourrée | Itzhak Perlman | — | |
| 56-16 | Partita №3 in E major, BWV 1006: VI. Gigue | Itzhak Perlman | — | |
| 57-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza: Kreisler) | — | ||
| 57-2 | Violin Concerto in D major, op. 61: II. Larghetto | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | T-310.235.444-5 | |
| 57-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Kreisler) | — | ||
| 57-4 | Romance no. 1 in G major, op. 40 | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — | |
| 57-5 | Romance no. 2 in F major, op. 50 | — | ||
| 58-1 | Estrellita | Itzhak Perlman, Samuel Sanders | — | |
| 58-2 | Guitarre, op. 45 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 58-3 | Valse bluette | — | ||
| 58-4 | It's Peaceful Here, Op.21 No. 7 | Itzhak Perlman, Samuel Sanders | — | |
| 58-5 | Valses nobles et sentimentales, nos. 6 & 7 | — | ||
| 58-6 | Nocturne no. 16 in E-flat major, op. 55 no. 2 | Itzhak Perlman, Samuel Sanders | — | |
| 58-7 | Presto in B-flat major | Itzhak Perlman, Samuel Sanders | — | |
| 58-8 | Le Carnaval des animaux: XIII. Le Cygne | Itzhak Perlman, Samuel Sanders | T-317.671.333-6 | |
| 58-9 | Three Preludes: No. 1 Allegro ben ritmato e deciso | — | ||
| 58-10 | Three Preludes: No. 2 Andante con moto e poco rubato | — | ||
| 58-11 | Three Preludes: No. 3 Allegro ben ritmato e deciso | — | ||
| 58-12 | Suite espagnole, op. 47: No. 3 Sevilla | — | ||
| 58-13 | Waldszenen, op. 82: No. 7 Vogel als Prophet | — | ||
| 58-14 | Rigaudon | — | ||
| 58-15 | Hebrew Melody, op. 33 | — | ||
| 58-16 | Toccata | Itzhak Perlman, Samuel Sanders | — | |
| 58-17 | La capricieuse, op. 17 | Itzhak Perlman, Samuel Sanders | — | |
| 58-18 | Children's Corner: Golliwogg's Cakewalk | Itzhak Perlman, Samuel Sanders | — | |
| 58-19 | Old Folks at Home | Itzhak Perlman, Samuel Sanders | T-902.253.339-7 | |
| 59-1 | Violin Concerto no. 1 in A minor, op. 77: I. Nocturne (Moderato) | — | ||
| 59-2 | Violin Concerto no. 1 in A minor, op. 77: II. Scherzo (Allegro) | — | ||
| 59-3 | Violin Concerto no. 1 in A minor, op. 77: III. Passacaglia (Andante) - | — | ||
| 59-4 | Violin Concerto no. 1 in A minor, op. 77: III. Cadenza - | — | ||
| 59-5 | Violin Concerto no. 1 in A minor, op. 77: IV. Burlesque (Allegro con brio) | — | ||
| 59-6 | Violin Concerto in A minor, op. 82: Moderato - Animato - Calando | — | ||
| 59-7 | Violin Concerto in A minor, op. 82: Tranquillo - Animando - Calando - Animando - Più mosso - Calando - Tranquillo - | — | ||
| 59-8 | Violin Concerto in A minor, op. 82: Andante - Agitato - Calando - | — | ||
| 59-9 | Violin Concerto in A minor, op. 82: Tempo I - Più animato - Pesante - Animato - Tranquillo - Animando - | — | ||
| 59-10 | Violin Concerto in A minor, op. 82: Cadenza - | — | ||
| 59-11 | Violin Concerto in A minor, op. 82: Animando - Allegro - Quasi allegretto - Animato poco - Animando poco a poco - Sempre animando - Più animato - Sempre più animando - Sempre animando | — | ||
| 60-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 60-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | — | ||
| 60-3 | Violin Concerto in D major, Op. 35: III. Allegro vivacissimo | Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 60-4 | Violin Sonata in G minor “Devil's Trill” (Cadenza: Kreisler) | — | ||
| 60-5 | Liebesleid | Itzhak Perlman, Samuel Sanders | — | |
| 60-6 | The Love for Three Oranges, op. 33: March | — | ||
| 60-7 | Baal Shem: No. 2 Nigun | — | ||
| 60-8 | Caprice in A minor | — | ||
| 60-9 | String Quartet no. 1 in D major, op. 11: Andante cantabile | — | ||
| 60-10 | La Ronde des lutins, op. 25 | — | ||
| 61-1 | Serenata (“Come un sogno d'or”), op. 6 no. 1 | — | ||
| 61-2 | Estrellita (“Estrellita del lejano cielo”) | — | ||
| 61-3 | Élégie (Gallet) in French | Plácido Domingo, Itzhak Perlman, New York Studio Orchestra, Jonathan Tunick | T-071.423.331-4 | |
| 61-4 | Die Csárdásfürstin: “Weißt du es noch?” | — | ||
| 61-5 | The Old Refrain (“What Shall Remain”) | — | ||
| 61-6 | “V molchan'i nochi taynoy” (“In the silence of the secret night”), op. 4 no. 3 | — | ||
| 61-7 | Les Contes d'Hoffman: Barcarolle (“Belle nuit, ô nuit d'amour”) | — | ||
| 61-8 | Ideale (“Io ti seguii come iride di pace”) | — | ||
| 61-9 | Danny Boy | — | ||
| 61-10 | Serse: Ombra mai fu | — | ||
| 61-11 | The Student Prince: Serenade (“Overhead the moon is beaming”) | — | ||
| 61-12 | Jocelyn: Berceuse (“Oh! ne t'éveille pas encore”) | — | ||
| 61-13 | “None but the lonely heart”, op. 6 no. 6 | — | ||
| 61-14 | Morgen, op. 27 no. 4 | — | ||
| 61-15 | “Ne poy, krasavitsa, pri mne” (“Sing not to me, beautiful maiden”), op. 4 no. 4 | — | ||
| 62-1 | Violin Concerto no. 2, op. 66 “I profeti” (“The Prophets”): I. Isaiah: Grave e meditativo - Allegro appassionato | — | ||
| 62-2 | Violin Concerto no. 2, op. 66 “I profeti” (“The Prophets”): II. Jeremiah: Espressivo e dolente | — | ||
| 62-3 | Violin Concerto no. 2, op. 66 “I profeti” (“The Prophets”): III. Elijah: Fiero ed impetuoso (ma sostenuto e ben marcato il ritmo) | — | ||
| 62-4 | Violin Concerto: I. Allegro | — | ||
| 62-5 | Violin Concerto: II. Andante affettuoso | — | ||
| 62-6 | Violin Concerto: III. Vivo | — | ||
| 63-1 | String Trio no. 1 in E-flat major, op. 3: I. Allegro con brio | — | ||
| 63-2 | String Trio no. 1 in E-flat major, op. 3: II. Andante | — | ||
| 63-3 | String Trio no. 1 in E-flat major, op. 3: III. Menuetto: Allegro & Trio | — | ||
| 63-4 | String Trio no. 1 in E-flat major, op. 3: IV. Adagio | — | ||
| 63-5 | String Trio no. 1 in E-flat major, op. 3: V. Menuetto: Moderato & Trio | — | ||
| 63-6 | String Trio no. 1 in E-flat major, op. 3: VI. Finale: Allegro | — | ||
| 63-7 | String Trio no. 2 in D major, op. 8 “Serenade”: I. Marcia: Allegro - | — | ||
| 63-8 | String Trio no. 2 in D major, op. 8 “Serenade”: I. Adagio | — | ||
| 63-9 | String Trio no. 2 in D major, op. 8 “Serenade”: II. Menuetto: Allegretto & Trio | — | ||
| 63-10 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Adagio - | — | ||
| 63-11 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Scherzo: Allegro molto - | — | ||
| 63-12 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Adagio: Tempo I - | — | ||
| 63-13 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Allegro molto - | — | ||
| 63-14 | String Trio no. 2 in D major, op. 8 “Serenade”: III. Adagio | — | ||
| 63-15 | String Trio no. 2 in D major, op. 8 “Serenade”: IV. Allegretto alla Polacca | — | ||
| 63-16 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Andante quasi allegretto | — | ||
| 63-17 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation I - | — | ||
| 63-18 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation II - | — | ||
| 63-19 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation III - | — | ||
| 63-20 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Variation IV - | — | ||
| 63-21 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Allegro - | — | ||
| 63-22 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Tempo I - | — | ||
| 63-23 | String Trio no. 2 in D major, op. 8 “Serenade”: V. Marcia: Allegro | — | ||
| 64-1 | String Trio no. 3 in G major, op. 9 no. 1: I. Adagio - | — | ||
| 64-2 | String Trio no. 3 in G major, op. 9 no. 1: I. Allegro con brio | — | ||
| 64-3 | String Trio no. 3 in G major, op. 9 no. 1: II. Adagio, ma non troppo e cantabile | — | ||
| 64-4 | String Trio no. 3 in G major, op. 9 no. 1: III. Scherzo: Allegro - | — | ||
| 64-5 | String Trio no. 3 in G major, op. 9 no. 1: III. Trio I - | — | ||
| 64-6 | String Trio no. 3 in G major, op. 9 no. 1: III. Trio II - | — | ||
| 64-7 | String Trio no. 3 in G major, op. 9 no. 1: III. Scherzo | — | ||
| 64-8 | String Trio no. 3 in G major, op. 9 no. 1: IV. Presto | — | ||
| 64-9 | String Trio no. 4 in D major, op. 9 no. 2: I. Allegretto | — | ||
| 64-10 | String Trio no. 4 in D major, op. 9 no. 2: II. Andante quasi Allegretto | — | ||
| 64-11 | String Trio no. 4 in D major, op. 9 no. 2: III. Menuetto: Allegro | — | ||
| 64-12 | String Trio no. 4 in D major, op. 9 no. 2: IV. Rondo: Allegro | — | ||
| 64-13 | String Trio no. 5 in C minor, op. 9 no. 3: I. Allegro con spirito | — | ||
| 64-14 | String Trio no. 5 in C minor, op. 9 no. 3: II. Adagio con espressione | — | ||
| 64-15 | String Trio no. 5 in C minor, op. 9 no. 3: III. Scherzo: Allegro molto e vivace | — | ||
| 64-16 | String Trio no. 5 in C minor, op. 9 no. 3: IV. Finale: Presto | — | ||
| 65-1 | Violin Concerto in D, op. 77: I. Allegro non troppo | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — | |
| 65-2 | Violin Concerto in D, op. 77: II. Adagio | Itzhak Perlman, Hansjörg Schellenberger, Berliner Philharmoniker, Daniel Barenboim | — | |
| 65-3 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — | |
| 66-1 | La Folia | Itzhak Perlman, Samuel Sanders | — | |
| 66-2 | Salut d'amour, op. 12 | Itzhak Perlman, Samuel Sanders | — | |
| 66-3 | Un poco triste, op. 17 no. 3 | — | ||
| 66-4 | Burleska, op. 17 no. 4 | — | ||
| 66-5 | Humoresque | — | ||
| 66-6 | Spanish Dance | — | ||
| 66-7 | Prelude no. 5 | — | ||
| 66-8 | Songs Without Words, op. 19 no. 1: Sweet Remembrance | — | ||
| 66-9 | Allegro | — | ||
| 66-10 | La Plus Que Lente | Itzhak Perlman, Samuel Sanders | — | |
| 66-11 | Spanish Dances, op. 22 no. 2: Jota Navarra | — | ||
| 66-12 | Berceuse for Violin and Piano in D major, Op. 16 | Itzhak Perlman, Samuel Sanders | — | |
| 66-13 | Porgy and Bess: It ain't necessarily so | Itzhak Perlman, Samuel Sanders | T-900.757.862-3 | |
| 66-14 | Serenade, op. 30 no. 2 | — | ||
| 66-15 | Wellenspiel | — | ||
| 66-16 | Melody, op. 21 no. 9 | — | ||
| 66-17 | Tale of Tsar Saltan Suite, Op. 57: Flight of the bumblebee | Itzhak Perlman, Samuel Sanders | — | |
| 66-18 | Petite suite for Piano 4 hands: no 3, Menuet | Itzhak Perlman, Samuel Sanders | — | |
| 67-1 | Piano Trio no. 1 in B major, op. 8: I. Allegro con brio | — | ||
| 67-2 | Piano Trio no. 1 in B major, op. 8: II. Scherzo: Allegro molto | — | ||
| 67-3 | Piano Trio no. 1 in B major, op. 8: III. Adagio | — | ||
| 67-4 | Piano Trio no. 1 in B major, op. 8: IV. Allegro | — | ||
| 67-5 | Piano Trio no. 2 in C major, op. 87: I. Allegro | — | ||
| 67-6 | Piano Trio no. 2 in C major, op. 87: II. Andante con moto | — | ||
| 67-7 | Piano Trio no. 2 in C major, op. 87: III. Scherzo: Presto | — | ||
| 67-8 | Piano Trio no. 2 in C major, op. 87: IV. Finale: Allegro giocoso | — | ||
| 68-1 | Piano Trio no. 3 in C minor, op. 101: I. Allegro energico | — | ||
| 68-2 | Piano Trio no. 3 in C minor, op. 101: II. Presto non assai | — | ||
| 68-3 | Piano Trio no. 3 in C minor, op. 101: III. Andante grazioso | — | ||
| 68-4 | Piano Trio no. 3 in C minor, op. 101: IV. Allegro molto | — | ||
| 68-5 | Piano Trio in A major, op. posth.: I. Moderato | — | ||
| 68-6 | Piano Trio in A major, op. posth.: II. Vivace | — | ||
| 68-7 | Piano Trio in A major, op. posth.: III. Lento | — | ||
| 68-8 | Piano Trio in A major, op. posth.: IV. Presto | — | ||
| 69-1 | Serenade (after Plato's “Symposium”): Phaedrus: Pausanias (Lento - Allegro marcato) | — | ||
| 69-2 | Serenade (after Plato's “Symposium”): Aristophanes (Allegretto) | — | ||
| 69-3 | Serenade (after Plato's “Symposium”): Eryximachus (Presto) | — | ||
| 69-4 | Serenade (after Plato's “Symposium”): Agathon (Adagio) | — | ||
| 69-5 | Serenade (after Plato's “Symposium”): Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace) | — | ||
| 69-6 | Violin Concerto, op. 14: I. Allegro | — | ||
| 69-7 | Violin Concerto, op. 14: II. Andante | — | ||
| 69-8 | Violin Concerto, op. 14: III. Presto in moto perpetuo | — | ||
| 69-9 | Three American Pieces: I. Early Song (Andante) | — | ||
| 69-10 | Three American Pieces: II. Dedication (Lento) | — | ||
| 69-11 | Three American Pieces: III. Composer's Holiday (Allegro) | — | ||
| 70-1 | Méditation (from "Thaïs") | Itzhak Perlman, The Abbey Road Ensemble, Lawrence Foster | T-913.534.220-0 | |
| 70-2 | Mazurka-Obéreque | — | ||
| 70-3 | Vocalise, op. 34 no. 14 | — | ||
| 70-4 | Zigeunerweisen, op. 20 | — | ||
| 70-5 | Fantasy on Russian Themes (after Rimsky-Korsakov) | — | ||
| 70-6 | Meditation, op. 32 | — | ||
| 70-7 | Scherzo in C minor, op. 42. no. 2 | — | ||
| 70-8 | Légende, op. 17 | — | ||
| 70-9 | The Old Refrain | — | ||
| 70-10 | Introduction & Tarantella, op. 43 | — | ||
| 70-11 | Schön Rosmarin | — | ||
| 71-1 | Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: I. Allegro | — | ||
| 71-2 | Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | Daniel Barenboim, Yo-Yo Ma, Itzhak Perlman, Berliner Philharmoniker | — | |
| 71-3 | Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: III. Rondo alla polacca | — | ||
| 71-4 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: I. Adagio | — | ||
| 71-5 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Finale: Allegro - Menu allegro - | — | ||
| 71-6 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Allegro molto - | — | ||
| 71-7 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Adagio, ma non troppo - | — | ||
| 71-8 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Marcia, assai vivace - Allegro - | — | ||
| 71-9 | Fantasy for Piano, Chorus and Orchestra in C major, op. 80: II. Allegretto, ma non troppo (quasi Andante con moto) - Presto | — | ||
| 72-1 | Concerto for Violin and Cello in A minor, op. 102: I. Allegro | — | ||
| 72-2 | Concerto for Violin and Cello in A minor, op. 102: II. Andante | — | ||
| 72-3 | Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo | — | ||
| 72-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 72-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 72-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 73-1 | Violin Concerto in D: I. Toccata | — | ||
| 73-2 | Violin Concerto in D: II. Aria I | — | ||
| 73-3 | Violin Concerto in D: III. Aria II | — | ||
| 73-4 | Violin Concerto in D: IV. Capriccio | — | ||
| 73-5 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato | — | ||
| 73-6 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai | — | ||
| 73-7 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato | — | ||
| 74-1 | Violin Concerto in B minor, op. 35: I. Allegro moderato | — | ||
| 74-2 | Violin Concerto in B minor, op. 35: II. Andante | — | ||
| 74-3 | Violin Concerto in B minor, op. 35: III. Allegro moderato | — | ||
| 74-4 | Schüler-Konzert no. 2, op. 13: I. Allegro non troppo | — | ||
| 74-5 | Schüler-Konzert no. 2, op. 13: II. Adagio | — | ||
| 74-6 | Schüler-Konzert no. 2, op. 13: III. Allegretto moderato | — | ||
| 74-7 | Violin Concerto no. 1 in A minor: Allegro moderato - Allegro | — | ||
| 74-8 | Scène de ballet, op. 100 | — | ||
| 74-9 | Violin Concerto no. 22 in A minor: I. Moderato | — | ||
| 74-10 | Violin Concerto no. 22 in A minor: II. Adagio | — | ||
| 74-11 | Violin Concerto no. 22 in A minor: III. Agitato assai | — | ||
| 75-1 | Violin Sonata no. 9 in A major “Kreutzer”, op. 47: I. Adagio sostenuto - Presto | — | ||
| 75-2 | Violin Sonata no. 9 in A major “Kreutzer”, op. 47: II. Andante con variazioni | — | ||
| 75-3 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — | |
| 75-4 | Violin Sonata in A major: I. Allegretto ben moderato | — | ||
| 75-5 | Violin Sonata in A major: II. Allegro | — | ||
| 75-6 | Violin Sonata in A major: III. Recitativo-Fantasia: Ben moderato - molto lento | — | ||
| 75-7 | Violin Sonata in A major: IV. Allegretto poco mosso | — | ||
| 76-1 | Violin Concerto no. 3 in G major, K216: I. Allegro | Itzhak Perlman, Berliner Philharmoniker | T-312.542.566-9 | |
| 76-2 | Violin Concerto no. 3 in G major, K216: II. Adagio | — | ||
| 76-3 | Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) | Itzhak Perlman, Berliner Philharmoniker | T-312.542.566-9 | |
| 76-4 | Adagio and Fugue in C minor, K546: I. Adagio - | — | ||
| 76-5 | Adagio and Fugue in C minor, K546: II. Fuga: Allegro | — | ||
| 76-6 | Symphony no. 41 in C major, K551 “Jupiter”: I. Allegro vivace | — | ||
| 76-7 | Symphony no. 41 in C major, K551 “Jupiter”: II. Andante cantabile | — | ||
| 76-8 | Symphony no. 41 in C major, K551 “Jupiter”: III. Menuetto: Allegretto - Trio | — | ||
| 76-9 | Symphony no. 41 in C major, K551 “Jupiter”: IV. Molto allegro | — | ||
| 77-1 | Peter and the Wolf, op. 67 | — | ||
| 77-2 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | — | ||
| 77-3 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | — | ||
| 77-4 | Carnival of the Animals: III. Wild Asses: Presto furioso | — | ||
| 77-5 | Carnival of the Animals: IV. Tortoises: Andante maestoso | — | ||
| 77-6 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | — | ||
| 77-7 | Carnival of the Animals: VI. Kangaroos: Moderato | — | ||
| 77-8 | Carnival of the Animals: VII. Aquariam: Andantino | — | ||
| 77-9 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | — | ||
| 77-10 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | — | ||
| 77-11 | Carnival of the Animals: X. Aviary: Moderato grazioso | — | ||
| 77-12 | Carnival of the Animals: XI. Pianists: Allegro moderato | — | ||
| 77-13 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | — | ||
| 77-14 | Carnival of the Animals: XIII. The Swan: Andantino grazioso | — | ||
| 77-15 | Carnival of the Animals: XIV. Finale: Molto vivace | — | ||
| 77-16 | Tosca: Atto III. “Mario Cavaradossi?” | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Prelude & Allegro (In the Style of Pugnani) | Itzhak Perlman, Samuel Sanders | — |
| Liebesleid | Itzhak Perlman, Samuel Sanders | — |
| Double Concerto in A minor, op. 102: III. Vivace non troppo | Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Sonatina in G, op. 100: III. Scherzo (Molto vivace) | Itzhak Perlman, Samuel Sanders | — |
| 4 Romantic Pieces, op. 75: IV. Larghetto | Itzhak Perlman, Samuel Sanders | — |
| Marguerite (Daises), Op. 38 No. 3 | Itzhak Perlman, Samuel Sanders | — |
| The Jewish Mother (A Yiddishe Mamme) | Itzhak Perlman, Israel Philharmonic Orchestra, Dov Seltzer | — |
| Sonata №1 in G minor, BWV 1001: I. Adagio | Itzhak Perlman | — |
| Sonata №1 in G minor, BWV 1001: IV. Presto | Itzhak Perlman | — |
| Partita №2 in D minor, BWV 1004: V. Ciaccona | Itzhak Perlman | — |
| Partita №3 in E major, BWV 1006: I. Preludio | Itzhak Perlman | — |
| Tzigane (Rapsodie de concert) | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — |
| Zapateado, op. 23 no. 2 | Itzhak Perlman, Samuel Sanders | — |
| La fille aux cheveux de lin | Itzhak Perlman, Samuel Sanders | T-324.161.447-7 |
| Introduction & Rondo capriccioso, op. 28 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | T-314.835.347-9 |
| Poème, op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | — |
| Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in E, op. 8/1, RV 269, "The Four Seasons (Spring)": III. Danza Pastorale | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": II. Adagio | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in G minor, op. 8/2, RV 315, "The Four Seasons (Summer)": III. Presto | Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": I. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": II. Adagio molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F, op. 8/3, RV 293, "The Four Seasons (Autumn)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": I. Allegro non molto | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": II. Largo | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Violin Concerto in F minor, op. 8/4, RV 297, "The Four Seasons (Winter)": III. Allegro | Rodney Friend, Itzhak Perlman, London Philharmonic Orchestra | — |
| Presto in B-flat major | Itzhak Perlman, Samuel Sanders | — |
| Malagueña, op. 21 no. 1 | Itzhak Perlman, Samuel Sanders | — |
| Suite populaire espagnole: I. El pano moruno | Itzhak Perlman, Samuel Sanders | — |
| Basarabye | Michael Alpert, Kurt Bjorling, Stuart Brotman, Itzhak Perlman, Simcha Polski, Brave Old World | — |
| Slavonic Dance in E minor, op. 46 no. 2 | Itzhak Perlman, Samuel Sanders | — |
| Melodie, Dance of the Blessed Spirits | Itzhak Perlman, Samuel Sanders | T-910.090.445-8 |
| Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Itzhak Perlman, Chicago Symphony Orchestra, Carlo Maria Giulini | — |
