UPC · Release
Pierre Boulez
Last verified:
825646190485 is the Universal Product Code (UPC barcode) for the release “The Complete Erato Recordings” by Pierre Boulez, released 2015-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 128 tracks, each with its own ISRC. Tracks include FRZ200300119, FRZ206602301, FRZ206602302.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pulcinella: Ouverture | — | ||
| 2 | Pulcinella: Serenata; Scherzino | — | ||
| 3 | Pulcinella: Tarantella | — | ||
| 4 | Pulcinella: Gavotta con Due Varizioni | — | ||
| 5 | The Song of the Nightingale: Marche Chinoise | — | ||
| 6 | The Song of the Nightingale: Chant du Rossignol | — | ||
| 7 | The Song of the Nightingal: Jeu du rossignol mécanique | — | ||
| 2-1 | The Nightingale: Act 1: Introduction | — | ||
| 2-2 | The Nightingale: Act 1: The Fisherman | — | ||
| 2-3 | The Nightingale: Act 1: The Nightingale | — | ||
| 2-4 | The Nightingale: Act 1: The Cook | — | ||
| 2-5 | The Nightingale: Act 1: The Nightingale | — | ||
| 2-6 | The Nightingale: Act 2: Entr'acte, Chorus | — | ||
| 2-7 | The Nightingale: Act 2: Chinese March | — | ||
| 2-8 | The Nightingale: Act 2: Song of the Nightingale | — | ||
| 2-9 | The Nightingale: Act 2: Performance of the Mechanical Nightingale | — | ||
| 2-10 | The Nightingale: Act 3: Introduction | — | ||
| 2-11 | The Nightingale: Act 3: Death | — | ||
| 2-12 | The Nightingale: Act 3: Solemn procession | — | ||
| 2-13 | Four Russian Peasant Songs: On Saint's Days in Chigisakh | — | ||
| 2-14 | Four Russian Peasant Songs: Ovsen | — | ||
| 2-15 | Four Russian Peasant Songs: The Pike | — | ||
| 2-16 | Four Russian Peasant Songs: Master Portly | — | ||
| 2-17 | Three Pieces for String Quartet: Con moto | — | ||
| 2-18 | Three Pieces for String Quartet: Moderato | — | ||
| 2-19 | Three Pieces for String Quartet: Largo | — | ||
| 2-20 | “Madrid”, study for pianola | — | ||
| 2-21 | Four Studies for Orchestra: Danse (Con moto) | — | ||
| 2-22 | Four Studies for Orchestra: Excentrique (Moderato) | — | ||
| 2-23 | Four Studies for Orchestra: Cantique (Largo) | — | ||
| 2-24 | Four Studies for Orchestra: Madrid (Allegro con moto) | — | ||
| 3-1 | L'histoire du soldat: 1re partie: Marche du soldat | — | ||
| 3-2 | L'histoire du soldat: 1re partie: Musique de la 1re scène | — | ||
| 3-3 | L'histoire du soldat: 1re partie: Musique de la 2e scène | — | ||
| 3-4 | L'histoire du soldat: 1re partie: Musique de la 3e scène | — | ||
| 3-5 | L'histoire du soldat: 2e partie: Introduction | — | ||
| 3-6 | L'histoire du soldat: 2e partie: Marche royal | — | ||
| 3-7 | L'histoire du soldat: 2e partie: Petit concert | — | ||
| 3-8 | L'histoire du soldat: 2e partie: Trois danses | — | ||
| 3-9 | L'histoire du soldat: 2e partie: Danse du diable | — | ||
| 3-10 | L'histoire du soldat: 2e partie: Petit choral | — | ||
| 3-11 | L'histoire du soldat: 2e partie: Couplets du Diable | — | ||
| 3-12 | L'histoire du soldat: 2e partie: Grand choral | — | ||
| 3-13 | L'histoire du soldat: 2e partie: Marche triomphale du Diable | — | ||
| 3-14 | Concertino pour 12 instruments (1952) | — | ||
| 4-1 | Pelleas und Melisande, Op. 5 | — | ||
| 4-2 | Variations for Orchestra, Op. 31: I. Introduction | — | ||
| 4-3 | Variations for Orchestra, Op. 31: II. Theme | — | ||
| 4-4 | Variations for Orchestra, Op. 31: III. Variation I | — | ||
| 4-5 | Variations for Orchestra, Op. 31: IV. Variation II | — | ||
| 4-6 | Variations for Orchestra, Op. 31: V. Variation III | — | ||
| 4-7 | Variations for Orchestra, Op. 31: VI. Variation IV | — | ||
| 4-8 | Variations for Orchestra, Op. 31: VII. Variation V | — | ||
| 4-9 | Variations for Orchestra, Op. 31: VIII. Variation VI | — | ||
| 4-10 | Variations for Orchestra, Op. 31: IX. Variation VII | — | ||
| 4-11 | Variations for Orchestra, Op. 31: X. Variation VIII | — | ||
| 4-12 | Variations for Orchestra, Op. 31: XI. Variation IX | — | ||
| 4-13 | Variations for Orchestra, Op. 31: XII. Finale | — | ||
| 5-1 | Violin Concerto, Op. 36: I. Poco allegro - Vivace | — | ||
| 5-2 | Violin Concerto, Op. 36: II. Andante grazioso | — | ||
| 5-3 | Violin Concerto, Op. 36: III. Finale: Allegro | — | ||
| 5-4 | Piano Concerto, Op. 42: Andante - Molto allegro - Adagio - Giocoso (Moderato) - Commodo grazioso - Stretto | — | ||
| 6-1 | Couleurs de la cité céleste | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-702.379.390-2 | |
| 6-2 | Et exspecto resurrectionem mortuorum: I. "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix !" (Psaume CXXX, 1, 2) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-3 | Et exspecto resurrectionem mortuorum: II. "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire" (Épître de saint Paul aux Romains, VI, 9) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-4 | Et exspecto resurrectionem mortuorum: III. "L'heure vient où les morts entendront la voix du fils de Dieu" (Évangile selon saint Jean, V, 25) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-5 | Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-6 | Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-7 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 6-8 | L'Ascension: II. Alléluias sereins d'une âme qui désire le ciel | — | ||
| 6-9 | L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 6-10 | L'Ascension: IV. Prière du Christ montant vers son Père | — | ||
| 7-1 | Sinfonia: I. | — | ||
| 7-2 | Sinfonia: II. O King | — | ||
| 7-3 | Sinfonia: III. In ruhig fliessender Bewegung | — | ||
| 7-4 | Sinfonia: IV. | — | ||
| 7-5 | Sinfonia: V. | — | ||
| 7-6 | Eindrücke | — | ||
| 7-7 | Jalons | — | ||
| 8-1 | Tema | — | ||
| 8-2 | Cadeau | — | ||
| 8-3 | Etudes pour piano: I. Désordre | — | ||
| 8-4 | Etudes pour piano: II. Cordes vides | — | ||
| 8-5 | Etudes pour piano: III. Touches Bloqués | — | ||
| 8-6 | Etudes pour piano: IV. Fanfares | — | ||
| 8-7 | Etudes pour piano: V. Arc-en-ciel | — | ||
| 8-8 | Etudes pour piano: VI. Automne à Varsovie | — | ||
| 8-9 | Trio pour violon, cor et piano: I. Andante con tenerezza | — | ||
| 8-10 | Trio pour violon, cor et piano: II. Vivacissimo molto ritmico | — | ||
| 8-11 | Trio pour violon, cor et piano: III. Alla marcia | — | ||
| 8-12 | Trio pour violon, cor et piano: IV. Lamento. Adagio | — | ||
| 9-1 | Messages de Feu Demoiselle R. V. Troussova | — | ||
| 9-2 | ...AGM... | — | ||
| 9-3 | Modulations | — | ||
| 10-1 | Concerto for Oboe | — | ||
| 10-2 | Esprit Rude - Esprit Doux | — | ||
| 10-3 | A Mirror on Which to Dwell: I. Anaphora | — | ||
| 10-4 | A Mirror on Which to Dwell: II. Argument | — | ||
| 10-5 | A Mirror on Which to Dwell: III. Sandpiper | — | ||
| 10-6 | A Mirror on Which to Dwell: IV. Insomnia | — | ||
| 10-7 | A Mirror on Which to Dwell: V. View of the Capitol from the Library of Congress | — | ||
| 10-8 | A Mirror on Which to Dwell: VI. O Breath | — | ||
| 10-9 | Penthode | — | ||
| 11-1 | Antiphysis | — | ||
| 11-2 | Funérailles I | — | ||
| 11-3 | Funérailles II | — | ||
| 11-4 | Mortuos plango, vivos voco | — | ||
| 11-5 | Arcus | — | ||
| 12-1 | Pli selon pli: Don | — | ||
| 12-2 | Pli selon pli: Improvisation I.Sur Mallarmé | — | ||
| 12-3 | Pli selon pli: Improvisation: II.Sur Mallarmé | — | ||
| 12-4 | Pli selon pli: Improvisation: III.Sur Mallarmé | — | ||
| 12-5 | Pli selon pli: Tombeau | — | ||
| 13-1 | Le Visage Nuptial: Conduite | BBC Symphony Orchestra, Pierre Boulez | — | |
| 13-2 | Le Visage Nuptial: Gravité (L'emmuré) | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-3 | Le Visage Nuptial: Le Visage nuptial | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-4 | Le Visage Nuptial: Evadne | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-5 | Le Visage Nuptial: Post-Scriptum | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-6 | Le Soleil des eaux: Complainte du lizard amoureaux | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 13-7 | Le Soleil des eaux: La Sorgue (Chanson pour Yvonne) | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 13-8 | Figures, Doubles, Prismes, 2ème version 1968 | BBC Symphony Orchestra, Pierre Boulez | — | |
| 14-1 | Sonatine | Pierre-Laurent Aimard, Sophie Cherrier | — | |
| 14-2 | Première Sonate - Lent | Pierre-Laurent Aimard | — | |
| 14-3 | Première Sonate - Assez Large | Pierre-Laurent Aimard | — | |
| 14-4 | Dérive | — | ||
| 14-5 | Mémoriale (...explosante-fixe...Originel) | Sophie Cherrier, Ensemble intercontemporain, Pierre Boulez | — | |
| 14-6 | Dialogue de l'ombre double | — | ||
| 14-7 | Cummings ist der Dichter | BBC Singers, Ensemble intercontemporain, Pierre Boulez | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
825646190485 is a Universal Product Code (UPC) assigned to The Complete Erato Recordings by Pierre Boulez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 128 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
825646190485 is the Universal Product Code (UPC barcode) for the release “The Complete Erato Recordings” by Pierre Boulez, released 2015-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 128 tracks, each with its own ISRC. Tracks include FRZ200300119, FRZ206602301, FRZ206602302.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pulcinella: Ouverture | — | ||
| 2 | Pulcinella: Serenata; Scherzino | — | ||
| 3 | Pulcinella: Tarantella | — | ||
| 4 | Pulcinella: Gavotta con Due Varizioni | — | ||
| 5 | The Song of the Nightingale: Marche Chinoise | — | ||
| 6 | The Song of the Nightingale: Chant du Rossignol | — | ||
| 7 | The Song of the Nightingal: Jeu du rossignol mécanique | — | ||
| 2-1 | The Nightingale: Act 1: Introduction | — | ||
| 2-2 | The Nightingale: Act 1: The Fisherman | — | ||
| 2-3 | The Nightingale: Act 1: The Nightingale | — | ||
| 2-4 | The Nightingale: Act 1: The Cook | — | ||
| 2-5 | The Nightingale: Act 1: The Nightingale | — | ||
| 2-6 | The Nightingale: Act 2: Entr'acte, Chorus | — | ||
| 2-7 | The Nightingale: Act 2: Chinese March | — | ||
| 2-8 | The Nightingale: Act 2: Song of the Nightingale | — | ||
| 2-9 | The Nightingale: Act 2: Performance of the Mechanical Nightingale | — | ||
| 2-10 | The Nightingale: Act 3: Introduction | — | ||
| 2-11 | The Nightingale: Act 3: Death | — | ||
| 2-12 | The Nightingale: Act 3: Solemn procession | — | ||
| 2-13 | Four Russian Peasant Songs: On Saint's Days in Chigisakh | — | ||
| 2-14 | Four Russian Peasant Songs: Ovsen | — | ||
| 2-15 | Four Russian Peasant Songs: The Pike | — | ||
| 2-16 | Four Russian Peasant Songs: Master Portly | — | ||
| 2-17 | Three Pieces for String Quartet: Con moto | — | ||
| 2-18 | Three Pieces for String Quartet: Moderato | — | ||
| 2-19 | Three Pieces for String Quartet: Largo | — | ||
| 2-20 | “Madrid”, study for pianola | — | ||
| 2-21 | Four Studies for Orchestra: Danse (Con moto) | — | ||
| 2-22 | Four Studies for Orchestra: Excentrique (Moderato) | — | ||
| 2-23 | Four Studies for Orchestra: Cantique (Largo) | — | ||
| 2-24 | Four Studies for Orchestra: Madrid (Allegro con moto) | — | ||
| 3-1 | L'histoire du soldat: 1re partie: Marche du soldat | — | ||
| 3-2 | L'histoire du soldat: 1re partie: Musique de la 1re scène | — | ||
| 3-3 | L'histoire du soldat: 1re partie: Musique de la 2e scène | — | ||
| 3-4 | L'histoire du soldat: 1re partie: Musique de la 3e scène | — | ||
| 3-5 | L'histoire du soldat: 2e partie: Introduction | — | ||
| 3-6 | L'histoire du soldat: 2e partie: Marche royal | — | ||
| 3-7 | L'histoire du soldat: 2e partie: Petit concert | — | ||
| 3-8 | L'histoire du soldat: 2e partie: Trois danses | — | ||
| 3-9 | L'histoire du soldat: 2e partie: Danse du diable | — | ||
| 3-10 | L'histoire du soldat: 2e partie: Petit choral | — | ||
| 3-11 | L'histoire du soldat: 2e partie: Couplets du Diable | — | ||
| 3-12 | L'histoire du soldat: 2e partie: Grand choral | — | ||
| 3-13 | L'histoire du soldat: 2e partie: Marche triomphale du Diable | — | ||
| 3-14 | Concertino pour 12 instruments (1952) | — | ||
| 4-1 | Pelleas und Melisande, Op. 5 | — | ||
| 4-2 | Variations for Orchestra, Op. 31: I. Introduction | — | ||
| 4-3 | Variations for Orchestra, Op. 31: II. Theme | — | ||
| 4-4 | Variations for Orchestra, Op. 31: III. Variation I | — | ||
| 4-5 | Variations for Orchestra, Op. 31: IV. Variation II | — | ||
| 4-6 | Variations for Orchestra, Op. 31: V. Variation III | — | ||
| 4-7 | Variations for Orchestra, Op. 31: VI. Variation IV | — | ||
| 4-8 | Variations for Orchestra, Op. 31: VII. Variation V | — | ||
| 4-9 | Variations for Orchestra, Op. 31: VIII. Variation VI | — | ||
| 4-10 | Variations for Orchestra, Op. 31: IX. Variation VII | — | ||
| 4-11 | Variations for Orchestra, Op. 31: X. Variation VIII | — | ||
| 4-12 | Variations for Orchestra, Op. 31: XI. Variation IX | — | ||
| 4-13 | Variations for Orchestra, Op. 31: XII. Finale | — | ||
| 5-1 | Violin Concerto, Op. 36: I. Poco allegro - Vivace | — | ||
| 5-2 | Violin Concerto, Op. 36: II. Andante grazioso | — | ||
| 5-3 | Violin Concerto, Op. 36: III. Finale: Allegro | — | ||
| 5-4 | Piano Concerto, Op. 42: Andante - Molto allegro - Adagio - Giocoso (Moderato) - Commodo grazioso - Stretto | — | ||
| 6-1 | Couleurs de la cité céleste | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-702.379.390-2 | |
| 6-2 | Et exspecto resurrectionem mortuorum: I. "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix !" (Psaume CXXX, 1, 2) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-3 | Et exspecto resurrectionem mortuorum: II. "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire" (Épître de saint Paul aux Romains, VI, 9) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-4 | Et exspecto resurrectionem mortuorum: III. "L'heure vient où les morts entendront la voix du fils de Dieu" (Évangile selon saint Jean, V, 25) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-5 | Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-6 | Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) | Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez, Yvonne Loriod | T-003.009.229-5 | |
| 6-7 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 6-8 | L'Ascension: II. Alléluias sereins d'une âme qui désire le ciel | — | ||
| 6-9 | L'Ascension: III. Alléluia sur la trompette, alléluia sur la cymbale | — | ||
| 6-10 | L'Ascension: IV. Prière du Christ montant vers son Père | — | ||
| 7-1 | Sinfonia: I. | — | ||
| 7-2 | Sinfonia: II. O King | — | ||
| 7-3 | Sinfonia: III. In ruhig fliessender Bewegung | — | ||
| 7-4 | Sinfonia: IV. | — | ||
| 7-5 | Sinfonia: V. | — | ||
| 7-6 | Eindrücke | — | ||
| 7-7 | Jalons | — | ||
| 8-1 | Tema | — | ||
| 8-2 | Cadeau | — | ||
| 8-3 | Etudes pour piano: I. Désordre | — | ||
| 8-4 | Etudes pour piano: II. Cordes vides | — | ||
| 8-5 | Etudes pour piano: III. Touches Bloqués | — | ||
| 8-6 | Etudes pour piano: IV. Fanfares | — | ||
| 8-7 | Etudes pour piano: V. Arc-en-ciel | — | ||
| 8-8 | Etudes pour piano: VI. Automne à Varsovie | — | ||
| 8-9 | Trio pour violon, cor et piano: I. Andante con tenerezza | — | ||
| 8-10 | Trio pour violon, cor et piano: II. Vivacissimo molto ritmico | — | ||
| 8-11 | Trio pour violon, cor et piano: III. Alla marcia | — | ||
| 8-12 | Trio pour violon, cor et piano: IV. Lamento. Adagio | — | ||
| 9-1 | Messages de Feu Demoiselle R. V. Troussova | — | ||
| 9-2 | ...AGM... | — | ||
| 9-3 | Modulations | — | ||
| 10-1 | Concerto for Oboe | — | ||
| 10-2 | Esprit Rude - Esprit Doux | — | ||
| 10-3 | A Mirror on Which to Dwell: I. Anaphora | — | ||
| 10-4 | A Mirror on Which to Dwell: II. Argument | — | ||
| 10-5 | A Mirror on Which to Dwell: III. Sandpiper | — | ||
| 10-6 | A Mirror on Which to Dwell: IV. Insomnia | — | ||
| 10-7 | A Mirror on Which to Dwell: V. View of the Capitol from the Library of Congress | — | ||
| 10-8 | A Mirror on Which to Dwell: VI. O Breath | — | ||
| 10-9 | Penthode | — | ||
| 11-1 | Antiphysis | — | ||
| 11-2 | Funérailles I | — | ||
| 11-3 | Funérailles II | — | ||
| 11-4 | Mortuos plango, vivos voco | — | ||
| 11-5 | Arcus | — | ||
| 12-1 | Pli selon pli: Don | — | ||
| 12-2 | Pli selon pli: Improvisation I.Sur Mallarmé | — | ||
| 12-3 | Pli selon pli: Improvisation: II.Sur Mallarmé | — | ||
| 12-4 | Pli selon pli: Improvisation: III.Sur Mallarmé | — | ||
| 12-5 | Pli selon pli: Tombeau | — | ||
| 13-1 | Le Visage Nuptial: Conduite | BBC Symphony Orchestra, Pierre Boulez | — | |
| 13-2 | Le Visage Nuptial: Gravité (L'emmuré) | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-3 | Le Visage Nuptial: Le Visage nuptial | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-4 | Le Visage Nuptial: Evadne | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-5 | Le Visage Nuptial: Post-Scriptum | BBC Symphony Orchestra, Pierre Boulez | T-800.568.789-9 | |
| 13-6 | Le Soleil des eaux: Complainte du lizard amoureaux | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 13-7 | Le Soleil des eaux: La Sorgue (Chanson pour Yvonne) | BBC Singers, Phyllis Bryn-Julson, BBC Symphony Orchestra, Pierre Boulez | T-800.171.064-2 | |
| 13-8 | Figures, Doubles, Prismes, 2ème version 1968 | BBC Symphony Orchestra, Pierre Boulez | — | |
| 14-1 | Sonatine | Pierre-Laurent Aimard, Sophie Cherrier | — | |
| 14-2 | Première Sonate - Lent | Pierre-Laurent Aimard | — | |
| 14-3 | Première Sonate - Assez Large | Pierre-Laurent Aimard | — | |
| 14-4 | Dérive | — | ||
| 14-5 | Mémoriale (...explosante-fixe...Originel) | Sophie Cherrier, Ensemble intercontemporain, Pierre Boulez | — | |
| 14-6 | Dialogue de l'ombre double | — | ||
| 14-7 | Cummings ist der Dichter | BBC Singers, Ensemble intercontemporain, Pierre Boulez | — |
