UPC · Release
Die 12 Cellisten der Berliner Philharmoniker
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825646207497 is the Universal Product Code (UPC barcode) for the release “Die 12 Cellisten der Berliner Philharmoniker (Recordings 1978-2010)” by Die 12 Cellisten der Berliner Philharmoniker, released 2015-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 103 tracks, each with its own ISRC. Tracks include GBAYC0401103, GBAYC0202299, GBAYC0202302.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sous le ponts de Paris | — | ||
| 2 | Pavane | — | ||
| 3 | Pigalle | — | ||
| 4 | Que reste-t-il de nos amours? | — | ||
| 5 | Pavane pour une infante défunte | — | ||
| 6 | Une femme est une femme | — | ||
| 7 | Fleur de Paris | — | ||
| 8 | Claire de lune | — | ||
| 9 | La Vie en rose | — | ||
| 10 | Sous le ciel de Paris | — | ||
| 11 | Gymnopédie No.1 | — | ||
| 12 | Figure humaine: De tous les printemps du monde | — | ||
| 13 | Figure humaine: En chantant les servantes s'élancent | — | ||
| 14 | Figure humaine: Aussi bas que le silence | — | ||
| 15 | Figure humaine: Toi ma patiente ma patience ma parente | — | ||
| 16 | Figure humaine: Riant du ciel et des planètes | — | ||
| 17 | Figure humaine: Le jour m'étonne et la nuit me fait peur | — | ||
| 18 | Figure humaine: La menace sous le ciel rouge | — | ||
| 19 | Figure humaine: Liberté | — | ||
| 2-1 | La muerte del Ángel | — | ||
| 2-2 | Milonga del Ángel | — | ||
| 2-3 | La resurrección del Ángel | — | ||
| 2-4 | Let us praise him | — | ||
| 2-5 | Plorate | — | ||
| 2-6 | La cathédrale engloutie | — | ||
| 2-7 | Fratres | — | ||
| 2-8 | A solis ortus cardine | — | ||
| 2-9 | Ave Maria | — | ||
| 2-10 | Jesus bleibet meine Freude | — | ||
| 2-11 | Trio and Double Quartet from Elijah | — | ||
| 2-12 | Miniatur (einer Seelenreise) | — | ||
| 3-1 | Diamonds Are a Girl’s Best Friend | — | ||
| 3-2 | Main Theme (Basic Instinct) | — | ||
| 3-3 | The Man with the Harmonica (Once Upon a Time in the West) | — | ||
| 3-4 | La Strada | — | ||
| 3-5 | Tea for Two | — | ||
| 3-6 | Lullaby of Birdland (The Fabulous Baker Boys) | — | ||
| 3-7 | As Time Goes By (Casablanca) | — | ||
| 3-8 | Family Portrait (Harry Potter) | — | ||
| 3-9 | Poverty/Deborahs Theme | — | ||
| 3-10 | Catch Me If You Can | — | ||
| 3-11 | Main Theme From Titanic | Die 12 Cellisten der Berliner Philharmoniker, Esko Laine | T-042.107.751-1 | |
| 3-12 | I Could Have Done More (Schindlers List) | — | ||
| 3-13 | The Windmills of Your Mind | — | ||
| 3-14 | The Bare Necessities | — | ||
| 3-15 | Love Me Tender | — | ||
| 3-16 | Love Scene (Vertigo) | — | ||
| 4-1 | Caravan | — | ||
| 4-2 | America | — | ||
| 4-3 | Nobody Knows the Trouble I’ve Seen | Die 12 Cellisten der Berliner Philharmoniker | T-700.048.818-8 | |
| 4-4 | Clap Yo’ Hands | — | ||
| 4-5 | Theme from “The Pink Panther” | — | ||
| 4-6 | Moonlight Serenade | Die 12 Cellisten der Berliner Philharmoniker, Janne Saksala | T-803.516.771-7 | |
| 4-7 | The Flower Is a Key (A Rap for Mozart) | — | ||
| 4-8 | Prelude no. 2 | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 4-9 | America 2002, In Memoriam 1 | — | ||
| 4-10 | America 2002, In Memoriam 2 | — | ||
| 4-11 | Deep River | — | ||
| 4-12 | Ragtime | — | ||
| 4-13 | Spain | — | ||
| 4-14 | ’Round Midnight | — | ||
| 5-1 | Bachianas Brasileiras no. 1: I. Introdução (Embolada) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-2 | Bachianas Brasileiras no. 1: II. Prelúdio (Modinha) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-3 | Bachianas Brasileiras no. 1: III. Fuga (Conversa) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-4 | Fuga y misterio | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-5 | “Die 12” in Bossa-nova (Variações Brasileiras) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-6 | La Flor de la Canela | Die 12 Cellisten der Berliner Philharmoniker | T-037.041.121-4 | |
| 5-7 | Bachianas Brasileiras no. 5: I. Ária (Cantilena) | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | T-905.380.384-2 | |
| 5-8 | Bachianas Brasileiras no. 5: II. Dança (Martelo) | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-9 | Mãs que nada | Die 12 Cellisten der Berliner Philharmoniker | T-004.022.003-8 | |
| 5-10 | Adiós Nonino | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-11 | Chiquilín de Bachín | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | T-037.095.306-2 | |
| 5-12 | A fuego lento | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-13 | South American Getaway | Die 12 Cellisten der Berliner Philharmoniker | T-070.142.391-7 | |
| 6-1 | Yellow Submarine | Die 12 Cellisten der Berliner Philharmoniker | T-010.434.240-6 | |
| 6-2 | Let It Be | Die 12 Cellisten der Berliner Philharmoniker | T-900.010.376-4 | |
| 6-3 | Something | Die 12 Cellisten der Berliner Philharmoniker | T-010.098.696-6 | |
| 6-4 | The Fool on the Hill | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.455-5 | |
| 6-5 | Help | Die 12 Cellisten der Berliner Philharmoniker | T-010.140.359-1 | |
| 6-6 | Yesterday | Die 12 Cellisten der Berliner Philharmoniker | T-010.162.986-0 | |
| 6-7 | Michelle | Die 12 Cellisten der Berliner Philharmoniker | T-010.162.984-8 | |
| 6-8 | A Hard Day’s Night | Die 12 Cellisten der Berliner Philharmoniker | T-010.147.507-3 | |
| 6-9 | Norwegian Wood | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.936-7 | |
| 6-10 | Here, There and Everywhere | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.456-6 | |
| 6-11 | Can't Buy Me Love | Die 12 Cellisten der Berliner Philharmoniker | T-011.235.504-0 | |
| 6-12 | Hey Jude | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.495-3 | |
| 7-1 | Bachianas Brasileiras No. 5: I. Ária (Cantilena) | — | ||
| 7-2 | Bachianas Brasileiras No. 5: II. Dança (Martelo) | — | ||
| 7-3 | Kontrapunctus I | — | ||
| 7-4 | Canon XIVa | — | ||
| 7-5 | Kontrapunctus V | — | ||
| 7-6 | Sonata a due Chori | — | ||
| 7-7 | Tre’y Assar | — | ||
| 7-8 | Maria | — | ||
| 8-1 | Bachianas Brasileiras No. 1: I. Introdução (Embolada) | — | ||
| 8-2 | Bachianas Brasileiras No. 1: II. Prelúdio (Modinha) | — | ||
| 8-3 | Bachianas Brasileiras No. 1: III. Fugua (Conversa) | — | ||
| 8-4 | Windungen | — | ||
| 8-5 | Melodia — Ritmica op. 59 no. 1: I. Melodia | — | ||
| 8-6 | Melodia — Ritmica op. 59 no. 1: II. Ritmica | — | ||
| 8-7 | Gospel Train | — | ||
| 8-8 | Yesterday | — | ||
| 8-9 | St. Louis Blues | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
825646207497 is a Universal Product Code (UPC) assigned to Die 12 Cellisten der Berliner Philharmoniker (Recordings 1978-2010) by Die 12 Cellisten der Berliner Philharmoniker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 103 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
825646207497 is the Universal Product Code (UPC barcode) for the release “Die 12 Cellisten der Berliner Philharmoniker (Recordings 1978-2010)” by Die 12 Cellisten der Berliner Philharmoniker, released 2015-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 103 tracks, each with its own ISRC. Tracks include GBAYC0401103, GBAYC0202299, GBAYC0202302.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sous le ponts de Paris | — | ||
| 2 | Pavane | — | ||
| 3 | Pigalle | — | ||
| 4 | Que reste-t-il de nos amours? | — | ||
| 5 | Pavane pour une infante défunte | — | ||
| 6 | Une femme est une femme | — | ||
| 7 | Fleur de Paris | — | ||
| 8 | Claire de lune | — | ||
| 9 | La Vie en rose | — | ||
| 10 | Sous le ciel de Paris | — | ||
| 11 | Gymnopédie No.1 | — | ||
| 12 | Figure humaine: De tous les printemps du monde | — | ||
| 13 | Figure humaine: En chantant les servantes s'élancent | — | ||
| 14 | Figure humaine: Aussi bas que le silence | — | ||
| 15 | Figure humaine: Toi ma patiente ma patience ma parente | — | ||
| 16 | Figure humaine: Riant du ciel et des planètes | — | ||
| 17 | Figure humaine: Le jour m'étonne et la nuit me fait peur | — | ||
| 18 | Figure humaine: La menace sous le ciel rouge | — | ||
| 19 | Figure humaine: Liberté | — | ||
| 2-1 | La muerte del Ángel | — | ||
| 2-2 | Milonga del Ángel | — | ||
| 2-3 | La resurrección del Ángel | — | ||
| 2-4 | Let us praise him | — | ||
| 2-5 | Plorate | — | ||
| 2-6 | La cathédrale engloutie | — | ||
| 2-7 | Fratres | — | ||
| 2-8 | A solis ortus cardine | — | ||
| 2-9 | Ave Maria | — | ||
| 2-10 | Jesus bleibet meine Freude | — | ||
| 2-11 | Trio and Double Quartet from Elijah | — | ||
| 2-12 | Miniatur (einer Seelenreise) | — | ||
| 3-1 | Diamonds Are a Girl’s Best Friend | — | ||
| 3-2 | Main Theme (Basic Instinct) | — | ||
| 3-3 | The Man with the Harmonica (Once Upon a Time in the West) | — | ||
| 3-4 | La Strada | — | ||
| 3-5 | Tea for Two | — | ||
| 3-6 | Lullaby of Birdland (The Fabulous Baker Boys) | — | ||
| 3-7 | As Time Goes By (Casablanca) | — | ||
| 3-8 | Family Portrait (Harry Potter) | — | ||
| 3-9 | Poverty/Deborahs Theme | — | ||
| 3-10 | Catch Me If You Can | — | ||
| 3-11 | Main Theme From Titanic | Die 12 Cellisten der Berliner Philharmoniker, Esko Laine | T-042.107.751-1 | |
| 3-12 | I Could Have Done More (Schindlers List) | — | ||
| 3-13 | The Windmills of Your Mind | — | ||
| 3-14 | The Bare Necessities | — | ||
| 3-15 | Love Me Tender | — | ||
| 3-16 | Love Scene (Vertigo) | — | ||
| 4-1 | Caravan | — | ||
| 4-2 | America | — | ||
| 4-3 | Nobody Knows the Trouble I’ve Seen | Die 12 Cellisten der Berliner Philharmoniker | T-700.048.818-8 | |
| 4-4 | Clap Yo’ Hands | — | ||
| 4-5 | Theme from “The Pink Panther” | — | ||
| 4-6 | Moonlight Serenade | Die 12 Cellisten der Berliner Philharmoniker, Janne Saksala | T-803.516.771-7 | |
| 4-7 | The Flower Is a Key (A Rap for Mozart) | — | ||
| 4-8 | Prelude no. 2 | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 4-9 | America 2002, In Memoriam 1 | — | ||
| 4-10 | America 2002, In Memoriam 2 | — | ||
| 4-11 | Deep River | — | ||
| 4-12 | Ragtime | — | ||
| 4-13 | Spain | — | ||
| 4-14 | ’Round Midnight | — | ||
| 5-1 | Bachianas Brasileiras no. 1: I. Introdução (Embolada) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-2 | Bachianas Brasileiras no. 1: II. Prelúdio (Modinha) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-3 | Bachianas Brasileiras no. 1: III. Fuga (Conversa) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-4 | Fuga y misterio | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-5 | “Die 12” in Bossa-nova (Variações Brasileiras) | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-6 | La Flor de la Canela | Die 12 Cellisten der Berliner Philharmoniker | T-037.041.121-4 | |
| 5-7 | Bachianas Brasileiras no. 5: I. Ária (Cantilena) | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | T-905.380.384-2 | |
| 5-8 | Bachianas Brasileiras no. 5: II. Dança (Martelo) | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-9 | Mãs que nada | Die 12 Cellisten der Berliner Philharmoniker | T-004.022.003-8 | |
| 5-10 | Adiós Nonino | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-11 | Chiquilín de Bachín | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | T-037.095.306-2 | |
| 5-12 | A fuego lento | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 5-13 | South American Getaway | Die 12 Cellisten der Berliner Philharmoniker | T-070.142.391-7 | |
| 6-1 | Yellow Submarine | Die 12 Cellisten der Berliner Philharmoniker | T-010.434.240-6 | |
| 6-2 | Let It Be | Die 12 Cellisten der Berliner Philharmoniker | T-900.010.376-4 | |
| 6-3 | Something | Die 12 Cellisten der Berliner Philharmoniker | T-010.098.696-6 | |
| 6-4 | The Fool on the Hill | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.455-5 | |
| 6-5 | Help | Die 12 Cellisten der Berliner Philharmoniker | T-010.140.359-1 | |
| 6-6 | Yesterday | Die 12 Cellisten der Berliner Philharmoniker | T-010.162.986-0 | |
| 6-7 | Michelle | Die 12 Cellisten der Berliner Philharmoniker | T-010.162.984-8 | |
| 6-8 | A Hard Day’s Night | Die 12 Cellisten der Berliner Philharmoniker | T-010.147.507-3 | |
| 6-9 | Norwegian Wood | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.936-7 | |
| 6-10 | Here, There and Everywhere | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.456-6 | |
| 6-11 | Can't Buy Me Love | Die 12 Cellisten der Berliner Philharmoniker | T-011.235.504-0 | |
| 6-12 | Hey Jude | Die 12 Cellisten der Berliner Philharmoniker | T-010.433.495-3 | |
| 7-1 | Bachianas Brasileiras No. 5: I. Ária (Cantilena) | — | ||
| 7-2 | Bachianas Brasileiras No. 5: II. Dança (Martelo) | — | ||
| 7-3 | Kontrapunctus I | — | ||
| 7-4 | Canon XIVa | — | ||
| 7-5 | Kontrapunctus V | — | ||
| 7-6 | Sonata a due Chori | — | ||
| 7-7 | Tre’y Assar | — | ||
| 7-8 | Maria | — | ||
| 8-1 | Bachianas Brasileiras No. 1: I. Introdução (Embolada) | — | ||
| 8-2 | Bachianas Brasileiras No. 1: II. Prelúdio (Modinha) | — | ||
| 8-3 | Bachianas Brasileiras No. 1: III. Fugua (Conversa) | — | ||
| 8-4 | Windungen | — | ||
| 8-5 | Melodia — Ritmica op. 59 no. 1: I. Melodia | — | ||
| 8-6 | Melodia — Ritmica op. 59 no. 1: II. Ritmica | — | ||
| 8-7 | Gospel Train | — | ||
| 8-8 | Yesterday | — | ||
| 8-9 | St. Louis Blues | — |
