UPC · Release
Bach, Beethoven, Chopin, Mozart, Schubert, Schumann, Maria João Pires
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825646310654 is the Universal Product Code (UPC barcode) for the release “The Complete Erato Recordings” by Bach, Beethoven, Chopin, Mozart, Schubert, Schumann, Maria João Pires, released 2014-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 174 tracks, each with its own ISRC. Tracks include FRZ207200201, FRZ207200202, FRZ207200203.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keyboard Concerto in D minor, BWV 1052: I. Allegro | — | ||
| 2 | Keyboard Concerto in D minor, BWV 1052: II. Adagio | — | ||
| 3 | Keyboard Concerto in D minor, BWV 1052: III. Allegro | — | ||
| 4 | Keyboard Concerto in A major, BWV 1055: I. Allegro | — | ||
| 5 | Keyboard Concerto in A major, BWV 1055: II. Larghetto | — | ||
| 6 | Keyboard Concerto in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 7 | Keyboard Concerto in F minor, BWV 1056: I. Allegro | — | ||
| 8 | Keyboard Concerto in F minor, BWV 1056: II. Largo | — | ||
| 9 | Keyboard Concerto in F minor, BWV 1056: III. Presto | — | ||
| 2-1 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: I. Allegro | Maria João Pires | — | |
| 2-2 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-3 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: III. Rondeau. Presto | Maria João Pires | — | |
| 2-4 | Concerto no. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-5 | Concerto no. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-6 | Concerto no. 17 in G major for Piano, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-7 | Konzert-Rondo no. 28 in D major, K. 382: Allegretto grazioso | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-329.458.935-4 | |
| 3-1 | Piano Concerto no. 21 in C major, K467: I. Allegro | — | ||
| 3-2 | Piano Concerto no. 21 in C major, K467: II. Andante | — | ||
| 3-3 | Piano Concerto no. 21 in C major, K467: III. Allegro Vivace assai | — | ||
| 3-4 | Piano Concerto no. 26 in D major, K537 “Coronation”: I. Allegro | — | ||
| 3-5 | Piano Concerto no. 26 in D major, K537 “Coronation”: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 26 in D major, K537 “Coronation”: III. Allegretto | — | ||
| 3-7 | Rondo for Piano & Orchestra in A major, K. 386 (Badura-Skoda & Charles Mackerras reconstruction): Allegretto | Maria João Pires, Orchestre de la Fondation Gulbenkian de Lisbonne, Theodor Guschlbauer | T-905.312.114-5 | |
| 4-1 | Concerto No. 23 in A major, K. 488: I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-2 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Maria João Pires | — | |
| 4-3 | Concerto No. 23 in A major, K. 488: III. Allegro assai | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-4 | Piano Concerto No. 13 in C major, K. 415: I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-5 | Piano Concerto No. 13 in C major, K. 415: II. Andante | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-6 | Piano Concerto no. 13 in C major, K. 415: III. Rondo allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-7 | Piano Concerto No. 14 in E-flat major, K. 449: I. Allegro vivace | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-8 | Piano Concerto No. 14 in E-flat major, K. 449: II. Andantino | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-9 | Piano Concerto No. 14 in E-flat major, K. 449: III. Allegro ma non troppo | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 5-1 | Piano Concerto no. 19 in F major, K459: I. Allegro | — | ||
| 5-2 | Piano Concerto no. 19 in F major, K459: II. Allegretto | — | ||
| 5-3 | Piano Concerto no. 19 in F major, K459: III. Allegro assai | — | ||
| 5-4 | Piano Concerto No. 12 in A major, K. 414: I. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-5 | Piano Concerto No. 12 in A major, K. 414: II. Andante | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-6 | Piano Concerto No. 12 in A major, K. 414: III. Rondo allegretto | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-7 | Rondo in A minor, K. 511: Andante | Maria João Pires | — | |
| 6-1 | Piano Concerto no. 20 in D minor, K466: I. Allegro | — | ||
| 6-2 | Piano Concerto no. 20 in D minor, K466: II. Romance | — | ||
| 6-3 | Piano Concerto no. 20 in D minor, K466: III. Allegro assai | — | ||
| 6-4 | Concerto no. 27 in B-flat major, KV 595: I. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 6-5 | Concerto no. 27 in B-flat major, KV 595: II. Larghetto | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 6-6 | Concerto no. 27 in B-flat major, KV 595: III. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 7-1 | Piano Concerto no. 8 in C major, K246 “Lützow”: I. Allegro aperto | — | ||
| 7-2 | Piano Concerto no. 8 in C major, K246 “Lützow”: II. Andante | — | ||
| 7-3 | Piano Concerto no. 8 in C major, K246 “Lützow”: III. Rondeau: Tempo di menuetto | — | ||
| 7-4 | Piano Concerto no. 27 in B‐flat major, K595: I. Allegro | — | ||
| 7-5 | Piano Concerto no. 27 in B‐flat major, K595: II. Larghetto | — | ||
| 7-6 | Piano Concerto no. 27 in B‐flat major, K595: III. Allegro | — | ||
| 8-1 | Piano Sonata no. 6 in D major, K284: I. Allegro | — | ||
| 8-2 | Piano Sonata no. 6 in D major, K284: II. Rondeau en Polonaise: Andante | — | ||
| 8-3 | Piano Sonata no. 6 in D major, K284: III. Theme and variations | — | ||
| 8-4 | Fantasia in C minor, K475 | — | ||
| 8-5 | Piano Sonata no. 14 in C minor, K457: I. Molto allegro | — | ||
| 8-6 | Piano Sonata no. 14 in C minor, K457: II. Adagio | — | ||
| 8-7 | Piano Sonata no. 14 in C minor, K457: III. Allegro assai | — | ||
| 9-1 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 9-2 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 9-3 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro, ma non troppo | — | ||
| 9-4 | Piano Sonata no. 17 in D minor, op. 31, no. 2 “Tempest”: I. Largo - Allegro | — | ||
| 9-5 | Piano Sonata no. 17 in D minor, op. 31, no. 2 “Tempest”: II. Adagio | — | ||
| 9-6 | Piano Sonata no. 17 in D minor, op. 31, no. 2 “Tempest”: III. Allegretto | — | ||
| 9-7 | Piano Sonata no. 14 in C‐sharp minor, op. 27, no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 9-8 | Piano Sonata no. 14 in C‐sharp minor, op. 27, no. 2 “Moonlight”: II. Allegretto | — | ||
| 9-9 | Piano Sonata no. 14 in C‐sharp minor, op. 27, no. 2 “Moonlight”: III. Presto agitato | — | ||
| 10-1 | Piano Sonata no. 31 in A‐flat major, op. 110: I. Molto cantabile, molto espressivo | — | ||
| 10-2 | Piano Sonata no. 31 in A‐flat major, op. 110: II. Allegro molto | — | ||
| 10-3 | Piano Sonata no. 31 in A‐flat major, op. 110: III. Adagio ma non troppo - Fuga - L’istesso tempo dell’arioso - L’istesso tempo della fuga, poi a poi di nuovo vivente | — | ||
| 10-4 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 10-5 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 10-6 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo | — | ||
| 10-7 | Piano Sonata no. 30 in e Major, op. 109: I. Vivace ma non troppo | — | ||
| 10-8 | Piano Sonata no. 30 in e Major, op. 109: II. Prestissimo | — | ||
| 10-9 | Piano Sonata no. 30 in e Major, op. 109: III. Andante molto cantabile ed espressivo | — | ||
| 11-1 | Piano Sonata no. 21 in B‐flat major, D960: I. Molto moderato | — | ||
| 11-2 | Piano Sonata no. 21 in B‐flat major, D960: II. Andante sostenuto | — | ||
| 11-3 | Piano Sonata no. 21 in B‐flat major, D960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 11-4 | Piano Sonata no. 21 in B‐flat major, D960: IV. Allegro ma non troppo | — | ||
| 11-5 | 4 Impromptus, D899 no. 3 in G‐flat major: Andate | — | ||
| 11-6 | 4 Impromptus, D899 no. 4 in A‐flat major: Allegretto | — | ||
| 12-1 | Piano Sonata no. 18 in G major, D894: I. Molto moderato e cantabile | — | ||
| 12-2 | Piano Sonata no. 18 in G major, D894: II. Andante | — | ||
| 12-3 | Piano Sonata no. 18 in G major, D894: III. Menuetto: Allegro moderato | — | ||
| 12-4 | Piano Sonata no. 18 in G major, D894: IV. Allegretto | — | ||
| 12-5 | 4 Impromptus, D899: no. 1 in C minor: Allegro molto moderato | — | ||
| 12-6 | 4 Impromptus, D899: no. 2 in E‐flat major: Allegro | — | ||
| 13-1 | Fantasy in F minor, D940: I. Allegro molto moderato | — | ||
| 13-2 | Fantasy in F minor, D940: II. Largo | — | ||
| 13-3 | Fantasy in F minor, D940: III. Allegro vivace - Tempo I | — | ||
| 13-4 | 3 Marches Militaires, D733 no. 1 in D major: Allegro vivace | — | ||
| 13-5 | 3 Marches Militaires, D733 no. 2 in G major: Allegro molto moderato | — | ||
| 13-6 | 3 Marches Militaires, D733 no. 3 in E‐flat major: Allegro moderato | — | ||
| 13-7 | Rondo, D608 in D major: Allegretto | — | ||
| 13-8 | Rondo, D951 in A major: Allegretto quasi andantino | — | ||
| 13-9 | Deutscher mit zwei Trios und swei Ländler, D618: no. 1 in G major, no. 2 in E major, no. 3 in E major | — | ||
| 14-1 | 24 Préludes, op. 28, no. 1 in C major | — | ||
| 14-2 | 24 Préludes, op. 28, no. 2 in A minor | — | ||
| 14-3 | 24 Préludes, op. 28, no. 3 in G major | — | ||
| 14-4 | 24 Préludes, op. 28, no. 4 in E minor | — | ||
| 14-5 | 24 Préludes, op. 28, no. 5 in D major | — | ||
| 14-6 | 24 Préludes, op. 28, no. 6 in B minor | — | ||
| 14-7 | 24 Préludes, op. 28, no. 7 in A major | — | ||
| 14-8 | 24 Préludes, op. 28, no. 8 in F‐sharp minor | — | ||
| 14-9 | 24 Préludes, op. 28, no. 9 in E major | — | ||
| 14-10 | 24 Préludes, op. 28, no. 10 in C‐sharp minor | — | ||
| 14-11 | 24 Préludes, op. 28, no. 11 in B major | — | ||
| 14-12 | 24 Préludes, op. 28, no. 12 in G‐sharp minor | — | ||
| 14-13 | 24 Préludes, op. 28, no. 13 in F‐sharp major | — | ||
| 14-14 | 24 Préludes, op. 28, no. 14 in E‐flat minor | — | ||
| 14-15 | 24 Préludes, op. 28, no. 15 in D‐flat major “Raindrop” | — | ||
| 14-16 | 24 Préludes, op. 28, no. 16 in B‐flat minor | — | ||
| 14-17 | 24 Préludes, op. 28, no. 17 in A‐flat major | — | ||
| 14-18 | 24 Préludes, op. 28, no. 18 in F minor | — | ||
| 14-19 | 24 Préludes, op. 28, no. 19 in E‐flat major | — | ||
| 14-20 | 24 Préludes, op. 28, no. 20 in C minor | — | ||
| 14-21 | 24 Préludes, op. 28, no. 21 in C‐flat major | — | ||
| 14-22 | 24 Préludes, op. 28, no. 22 in G minor | — | ||
| 14-23 | 24 Préludes, op. 28, no. 23 in F major | — | ||
| 14-24 | 24 Préludes, op. 28, no. 24 in D minor | — | ||
| 14-25 | Prelude in C‐sharp minor, op. 45: Sostenuto | — | ||
| 14-26 | Krakowial in F major, op. 14: Grand rondo de concert (Introduction et rondo) | — | ||
| 15-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 15-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanze: Largetto | — | ||
| 15-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | — | ||
| 15-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 15-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 15-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 16-1 | Waltz no. 4 in F major, op. 34, no. 3 “Valse Brillante” | — | ||
| 16-2 | Waltz no. 5 in A‐flat major, op. 42 “Grand Valse” | — | ||
| 16-3 | Waltz no. 6 in D‐flat major, op. 64, no. 1 | — | ||
| 16-4 | Waltz no. 9 in A‐flat major, op. 69, no. 1 | — | ||
| 16-5 | Waltz no. 7 in C‐sharp minor, op. 64, no. 2 | — | ||
| 16-6 | Waltz no. 11 in G‐flat major, op. 70, no. 1 | — | ||
| 16-7 | Waltz no. 10 in B minor, op. 69, no. 2 | — | ||
| 16-8 | Waltz no. 14 in E minor, op. posth. | — | ||
| 16-9 | Waltz no. 3 in A minor, op. 34, no. 2 | — | ||
| 16-10 | Waltz no. 8 in A‐flat major, op. 64, no. 3 | — | ||
| 16-11 | Waltz no. 12 in F minor, op. 70, no. 2 | — | ||
| 16-12 | Waltz no. 13 in D‐flat major, op. 70, no. 3 | — | ||
| 16-13 | Waltz no. 1 in E‐flat major, op. 18 “Grande Valse Brillante” | — | ||
| 16-14 | Waltz no. 2 in A‐flat major, op. 34, no. 1 “Valse Brillante” | — | ||
| 17-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 17-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 17-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 17-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 17-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 17-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 17-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 17-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 17-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 17-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 17-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 17-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 17-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 17-14 | Waldszenen, op. 82 no. 1: Eintritt | — | ||
| 17-15 | Waldszenen, op. 82 no. 2: Jäger auf der Lauer | — | ||
| 17-16 | Waldszenen, op. 82 no. 3: Einsame Blumen | — | ||
| 17-17 | Waldszenen, op. 82 no. 4: Verrufene Stelle | — | ||
| 17-18 | Waldszenen, op. 82 no. 5: Freundliche Landschaft | — | ||
| 17-19 | Waldszenen, op. 82 no. 6: Herberge | — | ||
| 17-20 | Waldszenen, op. 82 no. 7: Vogel als Prophet | Maria João Pires | — | |
| 17-21 | Waldszenen, op. 82 no. 8: Jagdlied | — | ||
| 17-22 | Waldszenen, op. 82 no. 9: Abschied | — | ||
| 17-23 | Bunte Blätter, op. 99: Stücke I: Nicht schnell, mit Innigkeit | — | ||
| 17-24 | Bunte Blätter, op. 99: Stücke II: Sehr rasch | — | ||
| 17-25 | Bunte Blätter, op. 99: Stücke III: Frisch | — | ||
| 17-26 | Bunte Blätter, op. 99: Albumblätter I: Ziemlich langsam | — | ||
| 17-27 | Bunte Blätter, op. 99: Albumblätter II: Schnell | — | ||
| 17-28 | Bunte Blätter, op. 99: Albumblätter III: Ziemlich langsam, sehr gesangvoll | — | ||
| 17-29 | Bunte Blätter, op. 99: Albumblätter IV: Sehr langsam | — | ||
| 17-30 | Bunte Blätter, op. 99: Albumblätter V: Langsam | — | ||
| 17-31 | Bunte Blätter, op. 99: Präludium | — |
Musical Works (ISWC)
Identifier Graph
825646310654 is a Universal Product Code (UPC) assigned to The Complete Erato Recordings by Bach, Beethoven, Chopin, Mozart, Schubert, Schumann, Maria João Pires. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 174 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
825646310654 is the Universal Product Code (UPC barcode) for the release “The Complete Erato Recordings” by Bach, Beethoven, Chopin, Mozart, Schubert, Schumann, Maria João Pires, released 2014-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 174 tracks, each with its own ISRC. Tracks include FRZ207200201, FRZ207200202, FRZ207200203.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keyboard Concerto in D minor, BWV 1052: I. Allegro | — | ||
| 2 | Keyboard Concerto in D minor, BWV 1052: II. Adagio | — | ||
| 3 | Keyboard Concerto in D minor, BWV 1052: III. Allegro | — | ||
| 4 | Keyboard Concerto in A major, BWV 1055: I. Allegro | — | ||
| 5 | Keyboard Concerto in A major, BWV 1055: II. Larghetto | — | ||
| 6 | Keyboard Concerto in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 7 | Keyboard Concerto in F minor, BWV 1056: I. Allegro | — | ||
| 8 | Keyboard Concerto in F minor, BWV 1056: II. Largo | — | ||
| 9 | Keyboard Concerto in F minor, BWV 1056: III. Presto | — | ||
| 2-1 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: I. Allegro | Maria João Pires | — | |
| 2-2 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-3 | Piano Concerto no. 9 in E‐flat major, K. 271 “Jeunehomme”: III. Rondeau. Presto | Maria João Pires | — | |
| 2-4 | Concerto no. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-5 | Concerto no. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-6 | Concerto no. 17 in G major for Piano, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 2-7 | Konzert-Rondo no. 28 in D major, K. 382: Allegretto grazioso | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-329.458.935-4 | |
| 3-1 | Piano Concerto no. 21 in C major, K467: I. Allegro | — | ||
| 3-2 | Piano Concerto no. 21 in C major, K467: II. Andante | — | ||
| 3-3 | Piano Concerto no. 21 in C major, K467: III. Allegro Vivace assai | — | ||
| 3-4 | Piano Concerto no. 26 in D major, K537 “Coronation”: I. Allegro | — | ||
| 3-5 | Piano Concerto no. 26 in D major, K537 “Coronation”: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 26 in D major, K537 “Coronation”: III. Allegretto | — | ||
| 3-7 | Rondo for Piano & Orchestra in A major, K. 386 (Badura-Skoda & Charles Mackerras reconstruction): Allegretto | Maria João Pires, Orchestre de la Fondation Gulbenkian de Lisbonne, Theodor Guschlbauer | T-905.312.114-5 | |
| 4-1 | Concerto No. 23 in A major, K. 488: I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-2 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Maria João Pires | — | |
| 4-3 | Concerto No. 23 in A major, K. 488: III. Allegro assai | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | T-915.711.586-1 | |
| 4-4 | Piano Concerto No. 13 in C major, K. 415: I. Allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-5 | Piano Concerto No. 13 in C major, K. 415: II. Andante | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-6 | Piano Concerto no. 13 in C major, K. 415: III. Rondo allegro | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-7 | Piano Concerto No. 14 in E-flat major, K. 449: I. Allegro vivace | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-8 | Piano Concerto No. 14 in E-flat major, K. 449: II. Andantino | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 4-9 | Piano Concerto No. 14 in E-flat major, K. 449: III. Allegro ma non troppo | Maria João Pires, Orquestra Gulbenkian, Theodor Guschlbauer | — | |
| 5-1 | Piano Concerto no. 19 in F major, K459: I. Allegro | — | ||
| 5-2 | Piano Concerto no. 19 in F major, K459: II. Allegretto | — | ||
| 5-3 | Piano Concerto no. 19 in F major, K459: III. Allegro assai | — | ||
| 5-4 | Piano Concerto No. 12 in A major, K. 414: I. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-5 | Piano Concerto No. 12 in A major, K. 414: II. Andante | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-6 | Piano Concerto No. 12 in A major, K. 414: III. Rondo allegretto | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 5-7 | Rondo in A minor, K. 511: Andante | Maria João Pires | — | |
| 6-1 | Piano Concerto no. 20 in D minor, K466: I. Allegro | — | ||
| 6-2 | Piano Concerto no. 20 in D minor, K466: II. Romance | — | ||
| 6-3 | Piano Concerto no. 20 in D minor, K466: III. Allegro assai | — | ||
| 6-4 | Concerto no. 27 in B-flat major, KV 595: I. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 6-5 | Concerto no. 27 in B-flat major, KV 595: II. Larghetto | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 6-6 | Concerto no. 27 in B-flat major, KV 595: III. Allegro | Maria João Pires, Orchestre de Chambre de Lausanne, Armin Jordan | — | |
| 7-1 | Piano Concerto no. 8 in C major, K246 “Lützow”: I. Allegro aperto | — | ||
| 7-2 | Piano Concerto no. 8 in C major, K246 “Lützow”: II. Andante | — | ||
| 7-3 | Piano Concerto no. 8 in C major, K246 “Lützow”: III. Rondeau: Tempo di menuetto | — | ||
| 7-4 | Piano Concerto no. 27 in B‐flat major, K595: I. Allegro | — | ||
| 7-5 | Piano Concerto no. 27 in B‐flat major, K595: II. Larghetto | — | ||
| 7-6 | Piano Concerto no. 27 in B‐flat major, K595: III. Allegro | — | ||
| 8-1 | Piano Sonata no. 6 in D major, K284: I. Allegro | — | ||
| 8-2 | Piano Sonata no. 6 in D major, K284: II. Rondeau en Polonaise: Andante | — | ||
| 8-3 | Piano Sonata no. 6 in D major, K284: III. Theme and variations | — | ||
| 8-4 | Fantasia in C minor, K475 | — | ||
| 8-5 | Piano Sonata no. 14 in C minor, K457: I. Molto allegro | — | ||
| 8-6 | Piano Sonata no. 14 in C minor, K457: II. Adagio | — | ||
| 8-7 | Piano Sonata no. 14 in C minor, K457: III. Allegro assai | — | ||
| 9-1 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 9-2 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 9-3 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro, ma non troppo | — | ||
| 9-4 | Piano Sonata no. 17 in D minor, op. 31, no. 2 “Tempest”: I. Largo - Allegro | — | ||
| 9-5 | Piano Sonata no. 17 in D minor, op. 31, no. 2 “Tempest”: II. Adagio | — | ||
| 9-6 | Piano Sonata no. 17 in D minor, op. 31, no. 2 “Tempest”: III. Allegretto | — | ||
| 9-7 | Piano Sonata no. 14 in C‐sharp minor, op. 27, no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 9-8 | Piano Sonata no. 14 in C‐sharp minor, op. 27, no. 2 “Moonlight”: II. Allegretto | — | ||
| 9-9 | Piano Sonata no. 14 in C‐sharp minor, op. 27, no. 2 “Moonlight”: III. Presto agitato | — | ||
| 10-1 | Piano Sonata no. 31 in A‐flat major, op. 110: I. Molto cantabile, molto espressivo | — | ||
| 10-2 | Piano Sonata no. 31 in A‐flat major, op. 110: II. Allegro molto | — | ||
| 10-3 | Piano Sonata no. 31 in A‐flat major, op. 110: III. Adagio ma non troppo - Fuga - L’istesso tempo dell’arioso - L’istesso tempo della fuga, poi a poi di nuovo vivente | — | ||
| 10-4 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 10-5 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 10-6 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo | — | ||
| 10-7 | Piano Sonata no. 30 in e Major, op. 109: I. Vivace ma non troppo | — | ||
| 10-8 | Piano Sonata no. 30 in e Major, op. 109: II. Prestissimo | — | ||
| 10-9 | Piano Sonata no. 30 in e Major, op. 109: III. Andante molto cantabile ed espressivo | — | ||
| 11-1 | Piano Sonata no. 21 in B‐flat major, D960: I. Molto moderato | — | ||
| 11-2 | Piano Sonata no. 21 in B‐flat major, D960: II. Andante sostenuto | — | ||
| 11-3 | Piano Sonata no. 21 in B‐flat major, D960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 11-4 | Piano Sonata no. 21 in B‐flat major, D960: IV. Allegro ma non troppo | — | ||
| 11-5 | 4 Impromptus, D899 no. 3 in G‐flat major: Andate | — | ||
| 11-6 | 4 Impromptus, D899 no. 4 in A‐flat major: Allegretto | — | ||
| 12-1 | Piano Sonata no. 18 in G major, D894: I. Molto moderato e cantabile | — | ||
| 12-2 | Piano Sonata no. 18 in G major, D894: II. Andante | — | ||
| 12-3 | Piano Sonata no. 18 in G major, D894: III. Menuetto: Allegro moderato | — | ||
| 12-4 | Piano Sonata no. 18 in G major, D894: IV. Allegretto | — | ||
| 12-5 | 4 Impromptus, D899: no. 1 in C minor: Allegro molto moderato | — | ||
| 12-6 | 4 Impromptus, D899: no. 2 in E‐flat major: Allegro | — | ||
| 13-1 | Fantasy in F minor, D940: I. Allegro molto moderato | — | ||
| 13-2 | Fantasy in F minor, D940: II. Largo | — | ||
| 13-3 | Fantasy in F minor, D940: III. Allegro vivace - Tempo I | — | ||
| 13-4 | 3 Marches Militaires, D733 no. 1 in D major: Allegro vivace | — | ||
| 13-5 | 3 Marches Militaires, D733 no. 2 in G major: Allegro molto moderato | — | ||
| 13-6 | 3 Marches Militaires, D733 no. 3 in E‐flat major: Allegro moderato | — | ||
| 13-7 | Rondo, D608 in D major: Allegretto | — | ||
| 13-8 | Rondo, D951 in A major: Allegretto quasi andantino | — | ||
| 13-9 | Deutscher mit zwei Trios und swei Ländler, D618: no. 1 in G major, no. 2 in E major, no. 3 in E major | — | ||
| 14-1 | 24 Préludes, op. 28, no. 1 in C major | — | ||
| 14-2 | 24 Préludes, op. 28, no. 2 in A minor | — | ||
| 14-3 | 24 Préludes, op. 28, no. 3 in G major | — | ||
| 14-4 | 24 Préludes, op. 28, no. 4 in E minor | — | ||
| 14-5 | 24 Préludes, op. 28, no. 5 in D major | — | ||
| 14-6 | 24 Préludes, op. 28, no. 6 in B minor | — | ||
| 14-7 | 24 Préludes, op. 28, no. 7 in A major | — | ||
| 14-8 | 24 Préludes, op. 28, no. 8 in F‐sharp minor | — | ||
| 14-9 | 24 Préludes, op. 28, no. 9 in E major | — | ||
| 14-10 | 24 Préludes, op. 28, no. 10 in C‐sharp minor | — | ||
| 14-11 | 24 Préludes, op. 28, no. 11 in B major | — | ||
| 14-12 | 24 Préludes, op. 28, no. 12 in G‐sharp minor | — | ||
| 14-13 | 24 Préludes, op. 28, no. 13 in F‐sharp major | — | ||
| 14-14 | 24 Préludes, op. 28, no. 14 in E‐flat minor | — | ||
| 14-15 | 24 Préludes, op. 28, no. 15 in D‐flat major “Raindrop” | — | ||
| 14-16 | 24 Préludes, op. 28, no. 16 in B‐flat minor | — | ||
| 14-17 | 24 Préludes, op. 28, no. 17 in A‐flat major | — | ||
| 14-18 | 24 Préludes, op. 28, no. 18 in F minor | — | ||
| 14-19 | 24 Préludes, op. 28, no. 19 in E‐flat major | — | ||
| 14-20 | 24 Préludes, op. 28, no. 20 in C minor | — | ||
| 14-21 | 24 Préludes, op. 28, no. 21 in C‐flat major | — | ||
| 14-22 | 24 Préludes, op. 28, no. 22 in G minor | — | ||
| 14-23 | 24 Préludes, op. 28, no. 23 in F major | — | ||
| 14-24 | 24 Préludes, op. 28, no. 24 in D minor | — | ||
| 14-25 | Prelude in C‐sharp minor, op. 45: Sostenuto | — | ||
| 14-26 | Krakowial in F major, op. 14: Grand rondo de concert (Introduction et rondo) | — | ||
| 15-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 15-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanze: Largetto | — | ||
| 15-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | — | ||
| 15-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 15-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 15-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 16-1 | Waltz no. 4 in F major, op. 34, no. 3 “Valse Brillante” | — | ||
| 16-2 | Waltz no. 5 in A‐flat major, op. 42 “Grand Valse” | — | ||
| 16-3 | Waltz no. 6 in D‐flat major, op. 64, no. 1 | — | ||
| 16-4 | Waltz no. 9 in A‐flat major, op. 69, no. 1 | — | ||
| 16-5 | Waltz no. 7 in C‐sharp minor, op. 64, no. 2 | — | ||
| 16-6 | Waltz no. 11 in G‐flat major, op. 70, no. 1 | — | ||
| 16-7 | Waltz no. 10 in B minor, op. 69, no. 2 | — | ||
| 16-8 | Waltz no. 14 in E minor, op. posth. | — | ||
| 16-9 | Waltz no. 3 in A minor, op. 34, no. 2 | — | ||
| 16-10 | Waltz no. 8 in A‐flat major, op. 64, no. 3 | — | ||
| 16-11 | Waltz no. 12 in F minor, op. 70, no. 2 | — | ||
| 16-12 | Waltz no. 13 in D‐flat major, op. 70, no. 3 | — | ||
| 16-13 | Waltz no. 1 in E‐flat major, op. 18 “Grande Valse Brillante” | — | ||
| 16-14 | Waltz no. 2 in A‐flat major, op. 34, no. 1 “Valse Brillante” | — | ||
| 17-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 17-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 17-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 17-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 17-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 17-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 17-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 17-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 17-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 17-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 17-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 17-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 17-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 17-14 | Waldszenen, op. 82 no. 1: Eintritt | — | ||
| 17-15 | Waldszenen, op. 82 no. 2: Jäger auf der Lauer | — | ||
| 17-16 | Waldszenen, op. 82 no. 3: Einsame Blumen | — | ||
| 17-17 | Waldszenen, op. 82 no. 4: Verrufene Stelle | — | ||
| 17-18 | Waldszenen, op. 82 no. 5: Freundliche Landschaft | — | ||
| 17-19 | Waldszenen, op. 82 no. 6: Herberge | — | ||
| 17-20 | Waldszenen, op. 82 no. 7: Vogel als Prophet | Maria João Pires | — | |
| 17-21 | Waldszenen, op. 82 no. 8: Jagdlied | — | ||
| 17-22 | Waldszenen, op. 82 no. 9: Abschied | — | ||
| 17-23 | Bunte Blätter, op. 99: Stücke I: Nicht schnell, mit Innigkeit | — | ||
| 17-24 | Bunte Blätter, op. 99: Stücke II: Sehr rasch | — | ||
| 17-25 | Bunte Blätter, op. 99: Stücke III: Frisch | — | ||
| 17-26 | Bunte Blätter, op. 99: Albumblätter I: Ziemlich langsam | — | ||
| 17-27 | Bunte Blätter, op. 99: Albumblätter II: Schnell | — | ||
| 17-28 | Bunte Blätter, op. 99: Albumblätter III: Ziemlich langsam, sehr gesangvoll | — | ||
| 17-29 | Bunte Blätter, op. 99: Albumblätter IV: Sehr langsam | — | ||
| 17-30 | Bunte Blätter, op. 99: Albumblätter V: Langsam | — | ||
| 17-31 | Bunte Blätter, op. 99: Präludium | — |
