UPC · Release
The Collected Recordings of Vadim Repin
Vadim Repin
825646326365
108 tracksReleased 2006-08-22
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825646326365 is the Universal Product Code (UPC barcode) for the release “The Collected Recordings of Vadim Repin” by Vadim Repin, released 2006-08-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 108 tracks, each with its own ISRC. Tracks include FRZ209407201, FRZ209407202, FRZ209407203.
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UPCThe Collected Recordings of Vadim Repin
ISRC6 recordings
IPI1 songwriter
Track List (108)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Capriccio on “Nel cor più non mi sento”, Op. 38 | — | ||
| 2 | Souvenir d’un lieu cher, Op. 42: III. Mélodie | — | ||
| 3 | La Ronde des lutins, Op. 25 | — | ||
| 4 | Polonaise brillante No.1 in D minor | — | ||
| 5 | 24 Caprices, Op. 1: No. 24 in A Minor | — | ||
| 6 | Sonata a preghiera, MS 23 “Mosè Fantasia” | — | ||
| 7 | Variations on an original theme Op.15 | — | ||
| 8 | Spanish Dances, Op. 23: II. Zapateado | — | ||
| 9 | Estrellita | — | ||
| 11 | Grand Caprice on “Der Erlkönig”, Op. 26 (After Schubert) [Arr. Ernst] | — | ||
| 12 | Violin Sonata in G Minor, CD 148, L. 140: I. Allegro Vivo | — | ||
| 13 | Violin Sonata in G Minor, CD 148, L. 140: II. Intermède. Fantasque et léger | — | ||
| 14 | Violin Sonata in G Minor, CD 148, L. 140: III. Finale. Très animé | — | ||
| 15 | Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: I. Allegro moderato | — | ||
| 16 | Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: II. Scherzo. Presto - Trio | — | ||
| 17 | Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: III. Andantino | — | ||
| 18 | Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: IV. Allegro vivace | — | ||
| 19 | Sonata for Two Violins in C Major, Op. 56: I. Andante cantabile | — | ||
| 20 | Sonata for Two Violins in C Major, Op. 56: II. Allegro | — | ||
| 21 | Sonata for Two Violins in C Major, Op. 56: III. Commodo quasi allegretto | — | ||
| 22 | Sonata for Two Violins in C Major, Op. 56: IV. Allegro con brio | — | ||
| 23 | Violin Sonata No. 2 in G Major, M. 77: II. Blues (Moderato) | — | ||
| 24 | Hora di Mars | — | ||
| 25 | Violin Sonata in E‐Flat Major, Op. 18: I. Allegro, ma non troppo | — | ||
| 26 | Violin Sonata in E‐Flat Major, Op. 18: II. Improvisation. Andante cantabile | — | ||
| 27 | Violin Sonata in E‐Flat Major, Op. 18: III. Finale. Andante - Allegro | — | ||
| 28 | Divertimento from the Fairy’s Kiss: I. Sinfonia | — | ||
| 29 | Divertimento from the Fairy’s Kiss: II. Danses suisses | — | ||
| 30 | Divertimento from the Fairy’s Kiss: III. Scherzo | — | ||
| 31 | Divertimento from the Fairy’s Kiss: IV. (a) Pas de deux. Adagio | — | ||
| 32 | Divertimento from the Fairy’s Kiss: IV. (b) Pas de deux. Variation | — | ||
| 33 | Divertimento from the Fairy’s Kiss: IV. (c) Pas de deux. Coda | — | ||
| 34 | 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă | — | ||
| 35 | 6 Romanian Folk Dances, Sz. 56: No. 2, Brâul | — | ||
| 36 | 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc | — | ||
| 37 | 6 Romanian Folk Dances, Sz. 56: No. 4, Buciumeana | — | ||
| 38 | 6 Romanian Folk Dances, Sz. 56: No. 5, Poarga românească | — | ||
| 39 | 6 Romanian Folk Dances, Sz. 56: No. 6, Măruntel | — | ||
| 40 | Violin Sonata No. 1 in F Minor, Op. 80: I. Andante assai | — | ||
| 41 | Violin Sonata No. 1 in F Minor, Op. 80: II. Allegro brusco | — | ||
| 42 | Violin Sonata No. 1 in F Minor, Op. 80: III. Andante | — | ||
| 43 | Violin Sonata No. 1 in F Minor, Op. 80: IV. Allegrissimo | — | ||
| 44 | Violin Sonata No. 2 in D Major, Op. 94bis: I. Moderato | — | ||
| 45 | Violin Sonata No. 2 in D Major, Op. 94bis: II. Scherzo. Presto - Poco più mosso | — | ||
| 46 | Violin Sonata No. 2 in D Major, Op. 94bis: III. Andante | — | ||
| 47 | Violin Sonata No. 2 in D Major, Op. 94bis: IV. Allegro con brio - Poco meno mosso | — | ||
| 48 | 5 Mélodies, Op. 35bis: No. 1, Andante (Arr. for Violin and Piano) | — | ||
| 49 | 5 Mélodies, Op. 35bis: No. 2, Lento, ma non troppo (Arr. for Violin and Piano) | — | ||
| 50 | 5 Mélodies, Op. 35bis: No. 3, Animato, ma non allegro (Arr. for Violin and Piano) | — | ||
| 51 | 5 Mélodies, Op. 35bis: No. 4, Allegretto leggero e scherzando (Arr. for Violin and Piano) | — | ||
| 52 | 5 Mélodies, Op. 35bis: No. 5, Andante non troppo (Arr. for Violin and Piano) | — | ||
| 53 | Violin Sonata No. 2 in G Major, M. 77: I. Allegretto | — | ||
| 54 | Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato | — | ||
| 55 | Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | — | ||
| 56 | Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: I. Introduzione | — | ||
| 57 | Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: II. Scherzo | — | ||
| 58 | Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: III. Andante con moto | — | ||
| 59 | Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: IV. Finale. Allegro molto | — | ||
| 60 | Piano Trio in A Minor, Op. 50: I. (a) Pezzo elegiaco. Moderato assai | — | ||
| 61 | Piano Trio in A Minor, Op. 50: I. (b) Pezzo elegiaco. Adagio con duolo e ben sostenuto | — | ||
| 62 | Piano Trio in A Minor, Op. 50: II. (a) Tema. Andante con moto | — | ||
| 63 | Piano Trio in A Minor, Op. 50: II. (b) Variazione I. Cantabile | — | ||
| 64 | Piano Trio in A Minor, Op. 50: II. (c) Variazione II. Più mosso | — | ||
| 65 | Piano Trio in A Minor, Op. 50: II. (d) Variazione III. Allegro moderato | — | ||
| 66 | Piano Trio in A Minor, Op. 50: II. (e) Variazione IV. L’istesso tempo | — | ||
| 67 | Piano Trio in A Minor, Op. 50: II. (f) Variazione V. L’istesso tempo | — | ||
| 68 | Piano Trio in A Minor, Op. 50: II. (g) Variazione VI. Tempo di valse | — | ||
| 69 | Piano Trio in A Minor, Op. 50: II. (h) Variazione VII. Allegro moderato | — | ||
| 70 | Piano Trio in A Minor, Op. 50: II. (i) Variazione VIII. Fuga. Allegro moderato | — | ||
| 71 | Piano Trio in A Minor, Op. 50: II. (j) Variazione IX. Andante flebile, ma non tanto | — | ||
| 72 | Piano Trio in A Minor, Op. 50: II. (k) Variazione X. Tempo di mazurka | — | ||
| 73 | Piano Trio in A Minor, Op. 50: II. (l) Variazione XI. Moderato | — | ||
| 74 | Piano Trio in A Minor, Op. 50: II. (m) Variation XII - Finale | — | ||
| 75 | Piano Trio in A Minor, Op. 50: II. (n) Coda | — | ||
| 76 | Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato | — | ||
| 77 | Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio | — | ||
| 78 | Piano Trio No. 2 in E Minor, Op. 67: III. Largo | — | ||
| 79 | Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto | — | ||
| 80 | Violin Concerto No. 3 in G Major, K. 216: I. Allegro | — | ||
| 81 | Violin Concerto No. 3 in G Major, K. 216: II. Adagio | — | ||
| 82 | Violin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro | — | ||
| 83 | Violin Concerto No. 2 in D Major, K. 211: I. Allegro moderato | — | ||
| 84 | Violin Concerto No. 2 in D Major, K. 211: II. Andante | — | ||
| 85 | Violin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro | — | ||
| 86 | Violin Concerto No. 5 in A Major, K. 219 “Turkish”: I. Allegro aperto | — | ||
| 87 | Violin Concerto No. 5 in A Major, K. 219 “Turkish”: II. Adagio | — | ||
| 88 | Violin Concerto No. 5 in A Major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto | — | ||
| 89 | Violin Concerto in D major, op. 35: I. Allegro Moderato | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 90 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 91 | Violin Concerto in D major, op. 35: III. Finale: Allegro Vivacissimo | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 92 | Violin Concerto in D minor, op. 47: I. Allegro Moderato | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 93 | Violin Concerto in D minor, op. 47: II. Adagio Di Molto | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 94 | Violin Concerto in D minor, op. 47: III. Allegro | Vadim Repin, London Symphony Orchestra, Emmanuel Krivine | — | |
| 95 | Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato | — | ||
| 96 | Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro | — | ||
| 97 | Violin Concerto No. 1 in A Minor, Op. 77: III. Passacaglia. Andante | — | ||
| 98 | Violin Concerto No. 1 in A Minor, Op. 77: IV. Cadenza | — | ||
| 99 | Violin Concerto No. 1 in A Minor, Op. 77: V. Burlesque. Allegro con brio - Presto | — | ||
| 100 | Violin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato | — | ||
| 101 | Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | — | ||
| 102 | Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | — | ||
| 103 | Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo | — | ||
| 104 | Symphonie espagnole in D Minor, Op. 21: II. Scherzando. Allegro molto | — | ||
| 105 | Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo | — | ||
| 106 | Symphonie espagnole in D Minor, Op. 21: IV. Andante | — | ||
| 107 | Symphonie espagnole in D Minor, Op. 21: V. Rondo | — | ||
| 108 | Poème, Op. 25 | — | ||
| 109 | Tzigane, M. 76 | — |
Capriccio on “Nel cor più non mi sento”, Op. 38
—
Souvenir d’un lieu cher, Op. 42: III. Mélodie
—
La Ronde des lutins, Op. 25
—
Polonaise brillante No.1 in D minor
—
24 Caprices, Op. 1: No. 24 in A Minor
—
Sonata a preghiera, MS 23 “Mosè Fantasia”
—
Variations on an original theme Op.15
—
Spanish Dances, Op. 23: II. Zapateado
—
Estrellita
—
Grand Caprice on “Der Erlkönig”, Op. 26 (After Schubert) [Arr. Ernst]
—
Violin Sonata in G Minor, CD 148, L. 140: I. Allegro Vivo
—
Violin Sonata in G Minor, CD 148, L. 140: II. Intermède. Fantasque et léger
—
Violin Sonata in G Minor, CD 148, L. 140: III. Finale. Très animé
—
Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: I. Allegro moderato
—
Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: II. Scherzo. Presto - Trio
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Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: III. Andantino
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Violin Sonata in A Major, Op. Posth. 162, D. 574 “Grand Duo”: IV. Allegro vivace
—
Sonata for Two Violins in C Major, Op. 56: I. Andante cantabile
—
Sonata for Two Violins in C Major, Op. 56: II. Allegro
—
Sonata for Two Violins in C Major, Op. 56: III. Commodo quasi allegretto
—
Sonata for Two Violins in C Major, Op. 56: IV. Allegro con brio
—
Violin Sonata No. 2 in G Major, M. 77: II. Blues (Moderato)
—
Hora di Mars
—
Violin Sonata in E‐Flat Major, Op. 18: I. Allegro, ma non troppo
—
Violin Sonata in E‐Flat Major, Op. 18: II. Improvisation. Andante cantabile
—
Violin Sonata in E‐Flat Major, Op. 18: III. Finale. Andante - Allegro
—
Divertimento from the Fairy’s Kiss: I. Sinfonia
—
Divertimento from the Fairy’s Kiss: II. Danses suisses
—
Divertimento from the Fairy’s Kiss: III. Scherzo
—
Divertimento from the Fairy’s Kiss: IV. (a) Pas de deux. Adagio
—
Divertimento from the Fairy’s Kiss: IV. (b) Pas de deux. Variation
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Divertimento from the Fairy’s Kiss: IV. (c) Pas de deux. Coda
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6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă
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6 Romanian Folk Dances, Sz. 56: No. 2, Brâul
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6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc
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6 Romanian Folk Dances, Sz. 56: No. 4, Buciumeana
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6 Romanian Folk Dances, Sz. 56: No. 5, Poarga românească
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6 Romanian Folk Dances, Sz. 56: No. 6, Măruntel
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Violin Sonata No. 1 in F Minor, Op. 80: I. Andante assai
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Violin Sonata No. 1 in F Minor, Op. 80: II. Allegro brusco
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Violin Sonata No. 1 in F Minor, Op. 80: III. Andante
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Violin Sonata No. 1 in F Minor, Op. 80: IV. Allegrissimo
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Violin Sonata No. 2 in D Major, Op. 94bis: I. Moderato
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Violin Sonata No. 2 in D Major, Op. 94bis: II. Scherzo. Presto - Poco più mosso
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Violin Sonata No. 2 in D Major, Op. 94bis: III. Andante
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Violin Sonata No. 2 in D Major, Op. 94bis: IV. Allegro con brio - Poco meno mosso
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5 Mélodies, Op. 35bis: No. 1, Andante (Arr. for Violin and Piano)
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5 Mélodies, Op. 35bis: No. 2, Lento, ma non troppo (Arr. for Violin and Piano)
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5 Mélodies, Op. 35bis: No. 3, Animato, ma non allegro (Arr. for Violin and Piano)
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5 Mélodies, Op. 35bis: No. 4, Allegretto leggero e scherzando (Arr. for Violin and Piano)
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5 Mélodies, Op. 35bis: No. 5, Andante non troppo (Arr. for Violin and Piano)
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Violin Sonata No. 2 in G Major, M. 77: I. Allegretto
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Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato
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Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro
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Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: I. Introduzione
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Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: II. Scherzo
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Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: III. Andante con moto
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Violin Sonata No. 3 in E Minor, Op. 57 “Epica”: IV. Finale. Allegro molto
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Piano Trio in A Minor, Op. 50: I. (a) Pezzo elegiaco. Moderato assai
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Piano Trio in A Minor, Op. 50: I. (b) Pezzo elegiaco. Adagio con duolo e ben sostenuto
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Piano Trio in A Minor, Op. 50: II. (a) Tema. Andante con moto
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Piano Trio in A Minor, Op. 50: II. (b) Variazione I. Cantabile
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Piano Trio in A Minor, Op. 50: II. (c) Variazione II. Più mosso
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Piano Trio in A Minor, Op. 50: II. (d) Variazione III. Allegro moderato
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Piano Trio in A Minor, Op. 50: II. (e) Variazione IV. L’istesso tempo
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Piano Trio in A Minor, Op. 50: II. (f) Variazione V. L’istesso tempo
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Piano Trio in A Minor, Op. 50: II. (g) Variazione VI. Tempo di valse
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Piano Trio in A Minor, Op. 50: II. (h) Variazione VII. Allegro moderato
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Piano Trio in A Minor, Op. 50: II. (i) Variazione VIII. Fuga. Allegro moderato
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Piano Trio in A Minor, Op. 50: II. (j) Variazione IX. Andante flebile, ma non tanto
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Piano Trio in A Minor, Op. 50: II. (k) Variazione X. Tempo di mazurka
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Piano Trio in A Minor, Op. 50: II. (l) Variazione XI. Moderato
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Piano Trio in A Minor, Op. 50: II. (m) Variation XII - Finale
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Piano Trio in A Minor, Op. 50: II. (n) Coda
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Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato
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Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio
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Piano Trio No. 2 in E Minor, Op. 67: III. Largo
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Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto
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Violin Concerto No. 3 in G Major, K. 216: I. Allegro
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Violin Concerto No. 3 in G Major, K. 216: II. Adagio
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Violin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro
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Violin Concerto No. 2 in D Major, K. 211: I. Allegro moderato
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Violin Concerto No. 2 in D Major, K. 211: II. Andante
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Violin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro
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Violin Concerto No. 5 in A Major, K. 219 “Turkish”: I. Allegro aperto
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Violin Concerto No. 5 in A Major, K. 219 “Turkish”: II. Adagio
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Violin Concerto No. 5 in A Major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto
—
Violin Concerto in D major, op. 35: I. Allegro Moderato
Vadim Repin, London Symphony Orchestra, Emmanuel Krivine
—
Violin Concerto in D major, op. 35: II. Canzonetta: Andante
Vadim Repin, London Symphony Orchestra, Emmanuel Krivine
—
Violin Concerto in D major, op. 35: III. Finale: Allegro Vivacissimo
Vadim Repin, London Symphony Orchestra, Emmanuel Krivine
—
Violin Concerto in D minor, op. 47: I. Allegro Moderato
Vadim Repin, London Symphony Orchestra, Emmanuel Krivine
—
Violin Concerto in D minor, op. 47: II. Adagio Di Molto
Vadim Repin, London Symphony Orchestra, Emmanuel Krivine
—
Violin Concerto in D minor, op. 47: III. Allegro
Vadim Repin, London Symphony Orchestra, Emmanuel Krivine
—
Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato
—
Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro
—
Violin Concerto No. 1 in A Minor, Op. 77: III. Passacaglia. Andante
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Violin Concerto No. 1 in A Minor, Op. 77: IV. Cadenza
—
Violin Concerto No. 1 in A Minor, Op. 77: V. Burlesque. Allegro con brio - Presto
—
Violin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato
—
Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai
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Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato
—
Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo
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Symphonie espagnole in D Minor, Op. 21: II. Scherzando. Allegro molto
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Symphonie espagnole in D Minor, Op. 21: III. Intermezzo. Allegretto non troppo
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Symphonie espagnole in D Minor, Op. 21: IV. Andante
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Symphonie espagnole in D Minor, Op. 21: V. Rondo
—
Poème, Op. 25
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Tzigane, M. 76
—
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What is UPC 825646326365?
825646326365 is a Universal Product Code (UPC) assigned to The Collected Recordings of Vadim Repin by Vadim Repin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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