UPC · Release
Choral Music (1947-1958)
J. S. Bach, Beethoven, Brahms, Herbert von Karajan
825646336296
57 tracksReleased 2017-01-01Warner Classics
Last verified:
825646336296 is the Universal Product Code (UPC barcode) for the release “Choral Music (1947-1958)” by J. S. Bach, Beethoven, Brahms, Herbert von Karajan, released 2017-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC9901105, GBAYC9901106, GBAYC1401322.
Format
8Number system
25646Manufacturer
33629Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCChoral Music (1947-1958)
ISRC3 recordings
ISWC3 works
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus) | — | ||
| 2 | Mass in B minor, BWV 232: Kyrie. Christe eleison (soprano/contralto) | — | ||
| 3 | Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus) | — | ||
| 4 | Mass in B minor, BWV 232: Gloria. Gloria in excelsis (chorus) | — | ||
| 5 | Mass in B minor, BWV 232: Gloria. Laudamus te (soprano) | — | ||
| 6 | Mass in B minor, BWV 232: Gloria. Gratias agimus (chorus) | — | ||
| 7 | Mass in B minor, BWV 232: Gloria. Domine Deus (soprano/tenor) | — | ||
| 8 | Mass in B minor, BWV 232: Gloria. Qui tollis (chorus) | — | ||
| 9 | Mass in B minor, BWV 232: Gloria. Qui sedes (contralto) | — | ||
| 10 | Mass in B minor, BWV 232: Gloria. Quoniam (bass) | — | ||
| 11 | Mass in B minor, BWV 232: Gloria. Cum sancto spiritu (chorus) | — | ||
| 12 | Mass in B minor, BWV 232: Symbolum Nicenum. Credo in unum Deum (chorus) | — | ||
| 13 | Mass in B minor, BWV 232: Symbolum Nicenum. Patrem omnipotentum | — | ||
| 14 | Mass in B minor, BWV 232: Symbolum Nicenum. Et in unum Dominum (soprano/contralto) | — | ||
| 2-1 | Mass in B minor, BWV 232: Symbolum Nicenum. Et incarnatus est (chorus) | — | ||
| 2-2 | Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus “Crucifixus” | Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan | T-070.059.022-2 | |
| 2-3 | Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus “Et resurrexit” | Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Mass in B minor, BWV 232: Symbolum Nicenum. Et in Spiritum Sanctum Dominum (bass) | — | ||
| 2-5 | Mass in B minor, BWV 232: Symbolum Nicenum. Confiteor (chorus) | — | ||
| 2-6 | Mass in B minor, BWV 232: Symbolum Nicenum. Et exspecto (chorus) | — | ||
| 2-7 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Sanctus (chorus) | — | ||
| 2-8 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus) | — | ||
| 2-9 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Benedictus (tenor) | — | ||
| 2-10 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus) | — | ||
| 2-11 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Agnus Dei (contralto) | — | ||
| 2-12 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Dona nobis pacem (chorus) | — | ||
| 2-13 | Mass in B minor, BWV 232: Appendix. Christe eleison (soprano/contralto) | — | ||
| 2-14 | Mass in B minor, BWV 232: Appendix. Laudamus te (soprano) | — | ||
| 2-15 | Mass in B minor, BWV 232: Appendix. Qui sedes (contralto) | — | ||
| 2-16 | Mass in B minor, BWV 232: Appendix. Et in unum Dominum (soprano/contralto) | — | ||
| 2-17 | Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto) | — | ||
| 3-1 | Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | — | ||
| 3-2 | Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 3-3 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich | — | ||
| 3-4 | Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen | — | ||
| 3-5 | Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 3-6 | Ein deutsches Requiem, op. 45: VI. Denn wir haben hier keine bleibende Statt | — | ||
| 3-7 | Ein deutsches Requiem, op. 45: VII. Selig sind die Toten | — | ||
| 4-1 | Missa solemnis, op. 123: Kyrie | — | ||
| 4-2 | Missa solemnis, op. 123: Gloria. Gloria in excelsis Deo | — | ||
| 4-3 | Missa solemnis, op. 123: Gloria. Qui tollis | — | ||
| 4-4 | Missa solemnis, op. 123: Gloria. Quoniam tu solus Sanctus | — | ||
| 4-5 | Missa solemnis, op. 123: Credo. Credo in unum Deum | — | ||
| 4-6 | Missa solemnis, op. 123: Credo. Et incarnatus est | — | ||
| 4-7 | Missa solemnis, op. 123: Credo. Et resurrexit | — | ||
| 4-8 | Missa solemnis, op. 123: Sanctus. Sanctus | — | ||
| 4-9 | Missa solemnis, op. 123: Sanctus. Praeludium - Benedictus | — | ||
| 5-1 | Missa solemnis, op. 123: Agnus Dei. Agnus Dei | — | ||
| 5-2 | Missa solemnis, op. 123: Agnus Dei. Dona nobis pacem | — | ||
| 5-3 | Ah! perfido, op. 65 | — | ||
| 5-4 | Fidelio: “Abscheulicher!” | — | ||
| 5-5 | Fidelio: “Komm, Hoffnung” | — | ||
| 5-6 | Ave verum corpus, K. 618 | Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan | T-323.252.117-0 | |
| 5-7 | Vier letze Lieder: I. Frühling | — | ||
| 5-8 | Vier letze Lieder: III. Beim Schlafengehen | — | ||
| 5-9 | Vier letze Lieder: IV. Im Abendrot | — | ||
| 5-10 | Vier letze Lieder: II. September | — |
Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus)
—
Mass in B minor, BWV 232: Kyrie. Christe eleison (soprano/contralto)
—
Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus)
—
Mass in B minor, BWV 232: Gloria. Gloria in excelsis (chorus)
—
Mass in B minor, BWV 232: Gloria. Laudamus te (soprano)
—
Mass in B minor, BWV 232: Gloria. Gratias agimus (chorus)
—
Mass in B minor, BWV 232: Gloria. Domine Deus (soprano/tenor)
—
Mass in B minor, BWV 232: Gloria. Qui tollis (chorus)
—
Mass in B minor, BWV 232: Gloria. Qui sedes (contralto)
—
Mass in B minor, BWV 232: Gloria. Quoniam (bass)
—
Mass in B minor, BWV 232: Gloria. Cum sancto spiritu (chorus)
—
Mass in B minor, BWV 232: Symbolum Nicenum. Credo in unum Deum (chorus)
—
Mass in B minor, BWV 232: Symbolum Nicenum. Patrem omnipotentum
—
Mass in B minor, BWV 232: Symbolum Nicenum. Et in unum Dominum (soprano/contralto)
—
Mass in B minor, BWV 232: Symbolum Nicenum. Et incarnatus est (chorus)
—
Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan
Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus “Et resurrexit”
Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan
—
Mass in B minor, BWV 232: Symbolum Nicenum. Et in Spiritum Sanctum Dominum (bass)
—
Mass in B minor, BWV 232: Symbolum Nicenum. Confiteor (chorus)
—
Mass in B minor, BWV 232: Symbolum Nicenum. Et exspecto (chorus)
—
Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Sanctus (chorus)
—
Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus)
—
Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Benedictus (tenor)
—
Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus)
—
Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Agnus Dei (contralto)
—
Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Dona nobis pacem (chorus)
—
Mass in B minor, BWV 232: Appendix. Christe eleison (soprano/contralto)
—
Mass in B minor, BWV 232: Appendix. Laudamus te (soprano)
—
Mass in B minor, BWV 232: Appendix. Qui sedes (contralto)
—
Mass in B minor, BWV 232: Appendix. Et in unum Dominum (soprano/contralto)
—
Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto)
—
Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen
—
Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras
—
Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich
—
Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
—
Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
—
Ein deutsches Requiem, op. 45: VI. Denn wir haben hier keine bleibende Statt
—
Ein deutsches Requiem, op. 45: VII. Selig sind die Toten
—
Missa solemnis, op. 123: Kyrie
—
Missa solemnis, op. 123: Gloria. Gloria in excelsis Deo
—
Missa solemnis, op. 123: Gloria. Qui tollis
—
Missa solemnis, op. 123: Gloria. Quoniam tu solus Sanctus
—
Missa solemnis, op. 123: Credo. Credo in unum Deum
—
Missa solemnis, op. 123: Credo. Et incarnatus est
—
Missa solemnis, op. 123: Credo. Et resurrexit
—
Missa solemnis, op. 123: Sanctus. Sanctus
—
Missa solemnis, op. 123: Sanctus. Praeludium - Benedictus
—
Missa solemnis, op. 123: Agnus Dei. Agnus Dei
—
Missa solemnis, op. 123: Agnus Dei. Dona nobis pacem
—
Ah! perfido, op. 65
—
Fidelio: “Abscheulicher!”
—
Fidelio: “Komm, Hoffnung”
—
Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan
Vier letze Lieder: I. Frühling
—
Vier letze Lieder: III. Beim Schlafengehen
—
Vier letze Lieder: IV. Im Abendrot
—
Vier letze Lieder: II. September
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ave verum corpus, K. 618 | Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan | T-011.552.099-4 |
Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 825646336296?
825646336296 is a Universal Product Code (UPC) assigned to Choral Music (1947-1958) by J. S. Bach, Beethoven, Brahms, Herbert von Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm