UPC · Release
J. S. Bach, Beethoven, Brahms, Herbert von Karajan
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The UPC for “Choral Music (1947-1958)” by J. S. Bach, Beethoven, Brahms, Herbert von Karajan is 825646336296. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Warner Classics. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC9901105, GBAYC9901106, GBAYC1401322.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus) | — | ||
| 2 | Mass in B minor, BWV 232: Kyrie. Christe eleison (soprano/contralto) | — | ||
| 3 | Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus) | — | ||
| 4 | Mass in B minor, BWV 232: Gloria. Gloria in excelsis (chorus) | — | ||
| 5 | Mass in B minor, BWV 232: Gloria. Laudamus te (soprano) | — | ||
| 6 | Mass in B minor, BWV 232: Gloria. Gratias agimus (chorus) | — | ||
| 7 | Mass in B minor, BWV 232: Gloria. Domine Deus (soprano/tenor) | — | ||
| 8 | Mass in B minor, BWV 232: Gloria. Qui tollis (chorus) | — | ||
| 9 | Mass in B minor, BWV 232: Gloria. Qui sedes (contralto) | — | ||
| 10 | Mass in B minor, BWV 232: Gloria. Quoniam (bass) | — | ||
| 11 | Mass in B minor, BWV 232: Gloria. Cum sancto spiritu (chorus) | — | ||
| 12 | Mass in B minor, BWV 232: Symbolum Nicenum. Credo in unum Deum (chorus) | — | ||
| 13 | Mass in B minor, BWV 232: Symbolum Nicenum. Patrem omnipotentum | — | ||
| 14 | Mass in B minor, BWV 232: Symbolum Nicenum. Et in unum Dominum (soprano/contralto) | — | ||
| 2-1 | Mass in B minor, BWV 232: Symbolum Nicenum. Et incarnatus est (chorus) | — | ||
| 2-2 | Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus “Crucifixus” | Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan | T-070.059.022-2 | |
| 2-3 | Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus “Et resurrexit” | Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Mass in B minor, BWV 232: Symbolum Nicenum. Et in Spiritum Sanctum Dominum (bass) | — | ||
| 2-5 | Mass in B minor, BWV 232: Symbolum Nicenum. Confiteor (chorus) | — | ||
| 2-6 | Mass in B minor, BWV 232: Symbolum Nicenum. Et exspecto (chorus) | — | ||
| 2-7 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Sanctus (chorus) | — | ||
| 2-8 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus) | — | ||
| 2-9 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Benedictus (tenor) | — | ||
| 2-10 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus) | — | ||
| 2-11 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Agnus Dei (contralto) | — | ||
| 2-12 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Dona nobis pacem (chorus) | — | ||
| 2-13 | Mass in B minor, BWV 232: Appendix. Christe eleison (soprano/contralto) | — | ||
| 2-14 | Mass in B minor, BWV 232: Appendix. Laudamus te (soprano) | — | ||
| 2-15 | Mass in B minor, BWV 232: Appendix. Qui sedes (contralto) | — | ||
| 2-16 | Mass in B minor, BWV 232: Appendix. Et in unum Dominum (soprano/contralto) | — | ||
| 2-17 | Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto) | — | ||
| 3-1 | Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | — | ||
| 3-2 | Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 3-3 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich | — | ||
| 3-4 | Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen | — | ||
| 3-5 | Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 3-6 | Ein deutsches Requiem, op. 45: VI. Denn wir haben hier keine bleibende Statt | — | ||
| 3-7 | Ein deutsches Requiem, op. 45: VII. Selig sind die Toten | — | ||
| 4-1 | Missa solemnis, op. 123: Kyrie | — | ||
| 4-2 | Missa solemnis, op. 123: Gloria. Gloria in excelsis Deo | — | ||
| 4-3 | Missa solemnis, op. 123: Gloria. Qui tollis | — | ||
| 4-4 | Missa solemnis, op. 123: Gloria. Quoniam tu solus Sanctus | — | ||
| 4-5 | Missa solemnis, op. 123: Credo. Credo in unum Deum | — | ||
| 4-6 | Missa solemnis, op. 123: Credo. Et incarnatus est | — | ||
| 4-7 | Missa solemnis, op. 123: Credo. Et resurrexit | — | ||
| 4-8 | Missa solemnis, op. 123: Sanctus. Sanctus | — | ||
| 4-9 | Missa solemnis, op. 123: Sanctus. Praeludium - Benedictus | — | ||
| 5-1 | Missa solemnis, op. 123: Agnus Dei. Agnus Dei | — | ||
| 5-2 | Missa solemnis, op. 123: Agnus Dei. Dona nobis pacem | — | ||
| 5-3 | Ah! perfido, op. 65 | — | ||
| 5-4 | Fidelio: “Abscheulicher!” | — | ||
| 5-5 | Fidelio: “Komm, Hoffnung” | — | ||
| 5-6 | Ave verum corpus, K. 618 | Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan | T-323.252.117-0 | |
| 5-7 | Vier letze Lieder: I. Frühling | — | ||
| 5-8 | Vier letze Lieder: III. Beim Schlafengehen | — | ||
| 5-9 | Vier letze Lieder: IV. Im Abendrot | — | ||
| 5-10 | Vier letze Lieder: II. September | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ave verum corpus, K. 618 | Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan | T-011.552.099-4 |
Musical Works (ISWC)
Identifier Graph
825646336296 is a Universal Product Code (UPC) assigned to Choral Music (1947-1958) by J. S. Bach, Beethoven, Brahms, Herbert von Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Choral Music (1947-1958)” by J. S. Bach, Beethoven, Brahms, Herbert von Karajan is 825646336296. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Warner Classics. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC9901105, GBAYC9901106, GBAYC1401322.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus) | — | ||
| 2 | Mass in B minor, BWV 232: Kyrie. Christe eleison (soprano/contralto) | — | ||
| 3 | Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus) | — | ||
| 4 | Mass in B minor, BWV 232: Gloria. Gloria in excelsis (chorus) | — | ||
| 5 | Mass in B minor, BWV 232: Gloria. Laudamus te (soprano) | — | ||
| 6 | Mass in B minor, BWV 232: Gloria. Gratias agimus (chorus) | — | ||
| 7 | Mass in B minor, BWV 232: Gloria. Domine Deus (soprano/tenor) | — | ||
| 8 | Mass in B minor, BWV 232: Gloria. Qui tollis (chorus) | — | ||
| 9 | Mass in B minor, BWV 232: Gloria. Qui sedes (contralto) | — | ||
| 10 | Mass in B minor, BWV 232: Gloria. Quoniam (bass) | — | ||
| 11 | Mass in B minor, BWV 232: Gloria. Cum sancto spiritu (chorus) | — | ||
| 12 | Mass in B minor, BWV 232: Symbolum Nicenum. Credo in unum Deum (chorus) | — | ||
| 13 | Mass in B minor, BWV 232: Symbolum Nicenum. Patrem omnipotentum | — | ||
| 14 | Mass in B minor, BWV 232: Symbolum Nicenum. Et in unum Dominum (soprano/contralto) | — | ||
| 2-1 | Mass in B minor, BWV 232: Symbolum Nicenum. Et incarnatus est (chorus) | — | ||
| 2-2 | Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus “Crucifixus” | Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan | T-070.059.022-2 | |
| 2-3 | Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus “Et resurrexit” | Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Mass in B minor, BWV 232: Symbolum Nicenum. Et in Spiritum Sanctum Dominum (bass) | — | ||
| 2-5 | Mass in B minor, BWV 232: Symbolum Nicenum. Confiteor (chorus) | — | ||
| 2-6 | Mass in B minor, BWV 232: Symbolum Nicenum. Et exspecto (chorus) | — | ||
| 2-7 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Sanctus (chorus) | — | ||
| 2-8 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus) | — | ||
| 2-9 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Benedictus (tenor) | — | ||
| 2-10 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus) | — | ||
| 2-11 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Agnus Dei (contralto) | — | ||
| 2-12 | Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Dona nobis pacem (chorus) | — | ||
| 2-13 | Mass in B minor, BWV 232: Appendix. Christe eleison (soprano/contralto) | — | ||
| 2-14 | Mass in B minor, BWV 232: Appendix. Laudamus te (soprano) | — | ||
| 2-15 | Mass in B minor, BWV 232: Appendix. Qui sedes (contralto) | — | ||
| 2-16 | Mass in B minor, BWV 232: Appendix. Et in unum Dominum (soprano/contralto) | — | ||
| 2-17 | Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto) | — | ||
| 3-1 | Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | — | ||
| 3-2 | Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras | — | ||
| 3-3 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich | — | ||
| 3-4 | Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen | — | ||
| 3-5 | Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit | — | ||
| 3-6 | Ein deutsches Requiem, op. 45: VI. Denn wir haben hier keine bleibende Statt | — | ||
| 3-7 | Ein deutsches Requiem, op. 45: VII. Selig sind die Toten | — | ||
| 4-1 | Missa solemnis, op. 123: Kyrie | — | ||
| 4-2 | Missa solemnis, op. 123: Gloria. Gloria in excelsis Deo | — | ||
| 4-3 | Missa solemnis, op. 123: Gloria. Qui tollis | — | ||
| 4-4 | Missa solemnis, op. 123: Gloria. Quoniam tu solus Sanctus | — | ||
| 4-5 | Missa solemnis, op. 123: Credo. Credo in unum Deum | — | ||
| 4-6 | Missa solemnis, op. 123: Credo. Et incarnatus est | — | ||
| 4-7 | Missa solemnis, op. 123: Credo. Et resurrexit | — | ||
| 4-8 | Missa solemnis, op. 123: Sanctus. Sanctus | — | ||
| 4-9 | Missa solemnis, op. 123: Sanctus. Praeludium - Benedictus | — | ||
| 5-1 | Missa solemnis, op. 123: Agnus Dei. Agnus Dei | — | ||
| 5-2 | Missa solemnis, op. 123: Agnus Dei. Dona nobis pacem | — | ||
| 5-3 | Ah! perfido, op. 65 | — | ||
| 5-4 | Fidelio: “Abscheulicher!” | — | ||
| 5-5 | Fidelio: “Komm, Hoffnung” | — | ||
| 5-6 | Ave verum corpus, K. 618 | Singverein der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra, Herbert von Karajan | T-323.252.117-0 | |
| 5-7 | Vier letze Lieder: I. Frühling | — | ||
| 5-8 | Vier letze Lieder: III. Beim Schlafengehen | — | ||
| 5-9 | Vier letze Lieder: IV. Im Abendrot | — | ||
| 5-10 | Vier letze Lieder: II. September | — |
