UPC · Release
The Complete London Studio Recordings
Annie Fischer
825646341238
99 tracksReleased 2014-01-01Warner Classics
Last verified:
825646341238 is the Universal Product Code (UPC barcode) for the release “The Complete London Studio Recordings” by Annie Fischer, released 2014-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include GBAYC0400118, GBAYC2203100, GBAYC2203101.
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UPCThe Complete London Studio Recordings
ISRC7 recordings
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 20 in D minor, K466: I. Allegro | — | ||
| 2 | Piano Concerto no. 20 in D minor, K466: II. Romanze | — | ||
| 3 | Piano Concerto no. 20 in D minor, K466: III. Rondo: Allegro assai (cadenza: Beethoven) | — | ||
| 4 | Piano Concerto no. 23 in A, K488: I. Allegro | — | ||
| 5 | Piano Concerto no. 23 in A, K488: II. Adagio | — | ||
| 6 | Piano Concerto no. 23 in A, K488: III. Allegro assai | — | ||
| 2-1 | Piano Concerto no. 21 in C, K467: I. Allegro maestoso | — | ||
| 2-2 | Piano Concerto no. 21 in C, K467: II. Andante | — | ||
| 2-3 | Piano Concerto no. 21 in C, K467: III. Allegro vivace assai (cadenzas: Busoni) | — | ||
| 2-4 | Piano Concerto no. 22 in E-flat, K482: I. Allegro (cadenza: Hummel) | — | ||
| 2-5 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — | |
| 2-6 | Piano Concerto no. 22 in E-flat, K482: III. Rondo: Allegro | — | ||
| 3-1 | Piano Concerto no. 24 in C minor, K491: I. Allegro (cadenza: Hummel) | — | ||
| 3-2 | Piano Concerto no. 24 in C minor, K491: II. Larghetto | — | ||
| 3-3 | Piano Concerto no. 24 in C minor, K491: III. Allegretto | — | ||
| 3-4 | Piano Concerto no. 27 in B-flat, K595: I. Allegro | — | ||
| 3-5 | Piano Concerto no. 27 in B-flat, K595: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 27 in B-flat, K595: III. Allegro | — | ||
| 4-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 4-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 4-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro | — | ||
| 4-4 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 4-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 4-7 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro | — | ||
| 4-8 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo: Allegretto vivace | — | ||
| 4-9 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto: Moderato e grazioso | — | ||
| 4-10 | Piano Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 4-11 | Piano Sonata no. 24 in F-sharp minor, op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 4-12 | Piano Sonata no. 24 in F-sharp minor, op. 78: II. Allegro vivace | — | ||
| 5-1 | Piano Sonata no. 21 in C, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 5-2 | Piano Sonata no. 21 in C, op. 53 “Waldstein”: II. Introduzione: Adagio molto - | — | ||
| 5-3 | Piano Sonata no. 21 in C, op. 53 “Waldstein”: III. Rondo: Allegretto moderato - Prestissimo | — | ||
| 5-4 | Piano Sonata no. 30 in E, op. 109: I. Vivace ma non troppo | — | ||
| 5-5 | Piano Sonata no. 30 in E, op. 109: II. Prestissimo | — | ||
| 5-6 | Piano Sonata no. 30 in E, op. 109: III. Tema: Andante molto cantabile ed espressivo - Variazioni 1-6 | — | ||
| 5-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 5-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile - Variazioni | — | ||
| 6-1 | Impromptu in A-flat, D935 no. 2 | — | ||
| 6-2 | Impromptu in F minor, D935 no. 4 | — | ||
| 6-3 | Piano Sonata in B-flat, D960: I. Molto moderato | — | ||
| 6-4 | Piano Sonata in B-flat, D960: II. Andante sostenuto | — | ||
| 6-5 | Piano Sonata in B-flat, D960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 6-6 | Piano Sonata in B-flat, D960: IV. Allegro ma non troppo | — | ||
| 6-7 | Fantasy in C, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 6-8 | Fantasy in C, op. 17: II. Mässig - Durchaus energisch | — | ||
| 6-9 | Fantasy in C, op. 17: III. Langsam getrage - Durchweg zu halten | — | ||
| 7-1 | Carnaval, op. 9: Préambule | — | ||
| 7-2 | Carnaval, op. 9: Pierrot | — | ||
| 7-3 | Carnaval, op. 9: Arlequin | — | ||
| 7-4 | Carnaval, op. 9: Valse noble | — | ||
| 7-5 | Carnaval, op. 9: Eusebius | — | ||
| 7-6 | Carnaval, op. 9: Florestan | — | ||
| 7-7 | Carnaval, op. 9: Coquette | — | ||
| 7-8 | Carnaval, op. 9: Réplique | — | ||
| 7-9 | Carnaval, op. 9: Papillons | — | ||
| 7-10 | Carnaval, op. 9: A.S.C.H - S.C.H.A. - Lettres dansantes | — | ||
| 7-11 | Carnaval, op. 9: Chiarina | — | ||
| 7-12 | Carnaval, op. 9: Chopin | — | ||
| 7-13 | Carnaval, op. 9: Estrella | — | ||
| 7-14 | Carnaval, op. 9: Reconnaisance | — | ||
| 7-15 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 7-16 | Carnaval, op. 9: Valse allemande | — | ||
| 7-17 | Carnaval, op. 9: Paganini | — | ||
| 7-18 | Carnaval, op. 9: Aveu | — | ||
| 7-19 | Carnaval, op. 9: Promenade | — | ||
| 7-20 | Carnaval, op. 9: Pause | — | ||
| 7-21 | Carnaval, op. 9: XXI. Marche des "Davidsbündler" contre les Philistins | — | ||
| 7-22 | Kinderszenen, op. 15: Von fremden Ländern und Menschen | — | ||
| 7-23 | Kinderszenen, op. 15: Kuriose Geschichte | — | ||
| 7-24 | Kinderszenen, op. 15: Hasche-Mann | — | ||
| 7-25 | Kinderszenen, op. 15: Bittendes Kind | — | ||
| 7-26 | Kinderszenen, op. 15: Glückes genug | — | ||
| 7-27 | Kinderszenen, op. 15: Wichtige Begebenheit | — | ||
| 7-28 | Kinderszenen, op. 15: Träumerei | — | ||
| 7-29 | Kinderszenen, op. 15: Am Kamin | — | ||
| 7-30 | Kinderszenen, op. 15: Ritter vom Steckenpferd | — | ||
| 7-31 | Kinderszenen, op. 15: Fast zu ernst | — | ||
| 7-32 | Kinderszenen, op. 15: Fürchtenmachen | — | ||
| 7-33 | Kinderszenen, op. 15: Kind im Einschlummern | — | ||
| 7-34 | Kinderszenen, op. 15: Der Dichter spricht | — | ||
| 7-35 | Kreisleriana, op. 16: Äußerst bewegt | — | ||
| 7-36 | Kreisleriana, op. 16: Sehr innig und nicht zu rasch | — | ||
| 7-37 | Kreisleriana, op. 16: Sehr aufgeregt | — | ||
| 7-38 | Kreisleriana, op. 16: Sehr langsam | — | ||
| 7-39 | Kreisleriana, op. 16: Sehr lebhaft | — | ||
| 7-40 | Kreisleriana, op. 16: Sehr langsam | — | ||
| 7-41 | Kreisleriana, op. 16: Sehr rasch | — | ||
| 7-42 | Kreisleriana, op. 16: Schnell und spielend | — | ||
| 8-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso - Andante espressivo - Tempo I - Cadenza - Allegro molto | Annie Fischer, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-2 | Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso | Annie Fischer, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Annie Fischer, Philharmonia Orchestra, Otto Klemperer | — | |
| 8-4 | Piano Concerto no. 1 in E-flat: I. Allegro maestoso | — | ||
| 8-5 | Piano Concerto no. 1 in E-flat: II. Quasi adagio | — | ||
| 8-6 | Piano Concerto no. 1 in E-flat: III. Allegretto vivace | — | ||
| 8-7 | Piano Concerto no. 1 in E-flat: IV. Allegro marziale animato | — | ||
| 8-8 | Piano Concerto No. 3: I. Allegretto | Annie Fischer, London Symphony Orchestra, Igor Markevitch | — | |
| 8-9 | Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I | Annie Fischer, London Symphony Orchestra, Igor Markevitch | — | |
| 8-10 | Piano Concerto No. 3: III. Allegro vivace | Annie Fischer, London Symphony Orchestra, Igor Markevitch | — |
Piano Concerto no. 20 in D minor, K466: I. Allegro
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Piano Concerto no. 20 in D minor, K466: II. Romanze
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Piano Concerto no. 20 in D minor, K466: III. Rondo: Allegro assai (cadenza: Beethoven)
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Piano Concerto no. 23 in A, K488: I. Allegro
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Piano Concerto no. 23 in A, K488: II. Adagio
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Piano Concerto no. 23 in A, K488: III. Allegro assai
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Piano Concerto no. 21 in C, K467: I. Allegro maestoso
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Piano Concerto no. 21 in C, K467: II. Andante
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Piano Concerto no. 21 in C, K467: III. Allegro vivace assai (cadenzas: Busoni)
—
Piano Concerto no. 22 in E-flat, K482: I. Allegro (cadenza: Hummel)
—
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra
—
Piano Concerto no. 22 in E-flat, K482: III. Rondo: Allegro
—
Piano Concerto no. 24 in C minor, K491: I. Allegro (cadenza: Hummel)
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Piano Concerto no. 24 in C minor, K491: II. Larghetto
—
Piano Concerto no. 24 in C minor, K491: III. Allegretto
—
Piano Concerto no. 27 in B-flat, K595: I. Allegro
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Piano Concerto no. 27 in B-flat, K595: II. Larghetto
—
Piano Concerto no. 27 in B-flat, K595: III. Allegro
—
Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio
—
Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
—
Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
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Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato
—
Piano Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro
—
Piano Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo: Allegretto vivace
—
Piano Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto: Moderato e grazioso
—
Piano Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco
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Piano Sonata no. 24 in F-sharp minor, op. 78: I. Adagio cantabile - Allegro ma non troppo
—
Piano Sonata no. 24 in F-sharp minor, op. 78: II. Allegro vivace
—
Piano Sonata no. 21 in C, op. 53 “Waldstein”: I. Allegro con brio
—
Piano Sonata no. 21 in C, op. 53 “Waldstein”: II. Introduzione: Adagio molto -
—
Piano Sonata no. 21 in C, op. 53 “Waldstein”: III. Rondo: Allegretto moderato - Prestissimo
—
Piano Sonata no. 30 in E, op. 109: I. Vivace ma non troppo
—
Piano Sonata no. 30 in E, op. 109: II. Prestissimo
—
Piano Sonata no. 30 in E, op. 109: III. Tema: Andante molto cantabile ed espressivo - Variazioni 1-6
—
Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato
—
Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto, semplice e cantabile - Variazioni
—
Impromptu in A-flat, D935 no. 2
—
Impromptu in F minor, D935 no. 4
—
Piano Sonata in B-flat, D960: I. Molto moderato
—
Piano Sonata in B-flat, D960: II. Andante sostenuto
—
Piano Sonata in B-flat, D960: III. Scherzo: Allegro vivace con delicatezza
—
Piano Sonata in B-flat, D960: IV. Allegro ma non troppo
—
Fantasy in C, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen
—
Fantasy in C, op. 17: II. Mässig - Durchaus energisch
—
Fantasy in C, op. 17: III. Langsam getrage - Durchweg zu halten
—
Carnaval, op. 9: Préambule
—
Carnaval, op. 9: Pierrot
—
Carnaval, op. 9: Arlequin
—
Carnaval, op. 9: Valse noble
—
Carnaval, op. 9: Eusebius
—
Carnaval, op. 9: Florestan
—
Carnaval, op. 9: Coquette
—
Carnaval, op. 9: Réplique
—
Carnaval, op. 9: Papillons
—
Carnaval, op. 9: A.S.C.H - S.C.H.A. - Lettres dansantes
—
Carnaval, op. 9: Chiarina
—
Carnaval, op. 9: Chopin
—
Carnaval, op. 9: Estrella
—
Carnaval, op. 9: Reconnaisance
—
Carnaval, op. 9: Pantalon et Colombine
—
Carnaval, op. 9: Valse allemande
—
Carnaval, op. 9: Paganini
—
Carnaval, op. 9: Aveu
—
Carnaval, op. 9: Promenade
—
Carnaval, op. 9: Pause
—
Carnaval, op. 9: XXI. Marche des "Davidsbündler" contre les Philistins
—
Kinderszenen, op. 15: Von fremden Ländern und Menschen
—
Kinderszenen, op. 15: Kuriose Geschichte
—
Kinderszenen, op. 15: Hasche-Mann
—
Kinderszenen, op. 15: Bittendes Kind
—
Kinderszenen, op. 15: Glückes genug
—
Kinderszenen, op. 15: Wichtige Begebenheit
—
Kinderszenen, op. 15: Träumerei
—
Kinderszenen, op. 15: Am Kamin
—
Kinderszenen, op. 15: Ritter vom Steckenpferd
—
Kinderszenen, op. 15: Fast zu ernst
—
Kinderszenen, op. 15: Fürchtenmachen
—
Kinderszenen, op. 15: Kind im Einschlummern
—
Kinderszenen, op. 15: Der Dichter spricht
—
Kreisleriana, op. 16: Äußerst bewegt
—
Kreisleriana, op. 16: Sehr innig und nicht zu rasch
—
Kreisleriana, op. 16: Sehr aufgeregt
—
Kreisleriana, op. 16: Sehr langsam
—
Kreisleriana, op. 16: Sehr lebhaft
—
Kreisleriana, op. 16: Sehr langsam
—
Kreisleriana, op. 16: Sehr rasch
—
Kreisleriana, op. 16: Schnell und spielend
—
Piano Concerto in A minor, op. 54: I. Allegro affettuoso - Andante espressivo - Tempo I - Cadenza - Allegro molto
Annie Fischer, Philharmonia Orchestra, Otto Klemperer
—
Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso
Annie Fischer, Philharmonia Orchestra, Otto Klemperer
—
Piano Concerto in A minor, op. 54: III. Allegro vivace
Annie Fischer, Philharmonia Orchestra, Otto Klemperer
—
Piano Concerto no. 1 in E-flat: I. Allegro maestoso
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Piano Concerto no. 1 in E-flat: II. Quasi adagio
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Piano Concerto no. 1 in E-flat: III. Allegretto vivace
—
Piano Concerto no. 1 in E-flat: IV. Allegro marziale animato
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Piano Concerto No. 3: I. Allegretto
Annie Fischer, London Symphony Orchestra, Igor Markevitch
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Piano Concerto No. 3: II. Adagio religioso - Poco piu mosso - Tempo I
Annie Fischer, London Symphony Orchestra, Igor Markevitch
—
Piano Concerto No. 3: III. Allegro vivace
Annie Fischer, London Symphony Orchestra, Igor Markevitch
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra
—
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What is UPC 825646341238?
825646341238 is a Universal Product Code (UPC) assigned to The Complete London Studio Recordings by Annie Fischer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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