UPC · Release
Symphonies / Concertos / Overtures / Creatures of Prometheus / Missa Solemnis
Beethoven, Chamber Orchestra of Europe, Harnoncourt
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825646377923 is the Universal Product Code (UPC barcode) for the release “Symphonies / Concertos / Overtures / Creatures of Prometheus / Missa Solemnis” by Beethoven, Chamber Orchestra of Europe, Harnoncourt, released 2006-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 95 tracks, each with its own ISRC. Tracks include DEA809105801, DEA809105802, DEA809105803.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Credit Chain
Track List (95)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - allegro con brio | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - allegro molto e vivace | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. allegro molto | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 2-1 | Symphony no. 6 in F major, op. 68 "Pastoral': I. Allegro, ma non troppo | — | ||
| 2-2 | Symphony no. 6 in F major, op. 68 "Pastoral': II.Andante molto mosso | — | ||
| 2-3 | Symphony no. 6 in F major, op. 68 "Pastoral': III. Allegro | — | ||
| 2-4 | Symphony no. 6 in F major, op. 68 "Pastoral': IV. Allegro | — | ||
| 2-5 | Symphony no. 6 in F major, op. 68 "Pastoral': V. Allegretto | — | ||
| 2-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 2-7 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 2-8 | Symphony no. 8 in F major, op. 93: III. Tempo di minuetto | — | ||
| 2-9 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 3-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 3-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 3-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 3-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 3-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 3-7 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 3-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - allegro vivace | — | ||
| 4-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 4-3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | — | ||
| 4-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro, ma non troppo | — | ||
| 4-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - vivace | — | ||
| 4-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 4-7 | Symphony no. 7 in A major, op. 92: III. Presto | — | ||
| 4-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Presto - Rezitativo - Allegro assai | — | ||
| 6-1 | Piano concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 6-2 | Piano concerto no. 2 in B-flat major, op. 19: II. Adagio | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 6-3 | Piano concerto no. 2 in B-flat major, op. 19: III. Rondo. Allegro molto | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 6-4 | Piano concerto no. 1 in C major, op. 15: I. Allegro con brio | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 6-5 | Piano concerto no. 1 in C major, op. 15: II. Largo | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 6-6 | Piano concerto no. 1 in C major, op. 15: III. Rondo. Allegro | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 7-1 | Piano concerto no. 3 in C minor, op. 37: I. Allegro con brio | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 7-2 | Piano concerto no. 3 in C minor, op. 37: II. Largo | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 7-3 | Piano concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8-1 | Piano concerto no. 4 in G major, op. 58: I. Allegro moderato | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8-2 | Piano concerto no. 4 in G major, op. 58: II. Andante con moto | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8-3 | Piano concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8-4 | Piano concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8-5 | Piano concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | Pierre-Laurent Aimard, The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 8-6 | Piano concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Pierre-Laurent Aimard, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 9-1 | Triple concerto in C major, op. 56: I. Allegro | — | ||
| 9-2 | Triple concerto in C major, op. 56: II. Largo | — | ||
| 9-3 | Triple concerto in C major, op. 56: III. Ronda alla polacca | — | ||
| 9-4 | Rondo in B-flat major, WoO6 | — | ||
| 9-5 | Fantasia in C minor, op. 80 "Choral Fantasy": I. Adagio | — | ||
| 9-6 | Fantasia in C minor, op. 80 "Choral Fantasy": II. Finale. Allegro | — | ||
| 10-1 | Violin concerto in D major, op. 61: I. Allegro, ma non troppo | — | ||
| 10-2 | Violin concerto in D major, op. 61: II. Larghetto | — | ||
| 10-3 | Violin concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 10-4 | Romance in G major, op. 40 | — | ||
| 10-5 | Romance in F major, op. 50 | — | ||
| 11-1 | Coriolan Overture, op. 62 | — | ||
| 11-2 | Die Geschöpfe des Prometheus (The Creatures of Prometheus) op. 43: Overture - Introduction (La tempesta) | — | ||
| 11-3 | Overture to die Ruinen von Athen (The Ruins of Athens), op. 113 | — | ||
| 11-4 | Overture to Fidelio, op. 72c | — | ||
| 11-5 | Leonore Overture no. 1, op. 138 | — | ||
| 11-6 | Leonore Overture no. 2, op. 72a | — | ||
| 11-7 | Leonore Overture no. 3, op. 72b | — | ||
| 11-8 | Overture to Egmont, op. 84 | — | ||
| 12-1 | The Creatures of Prometheus, op. 43: Overture | — | ||
| 12-2 | The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo (La tempesta) | — | ||
| 12-3 | The Creatures of Prometheus, op. 43: I. Poco adagio | — | ||
| 12-4 | The Creatures of Prometheus, op. 43: II. Adagio - allegro con brio | — | ||
| 12-5 | The Creatures of Prometheus, op. 43: III. Allegro vivace | — | ||
| 12-6 | The Creatures of Prometheus, op. 43: IV. Maestoso - andante | — | ||
| 12-7 | The Creatures of Prometheus, op. 43: V. Adagio - andante quasi allegretto | — | ||
| 12-8 | The Creatures of Prometheus, op. 43: VI. Un poco adagio - allegro | — | ||
| 12-9 | The Creatures of Prometheus, op. 43: VII. Grave | — | ||
| 12-10 | The Creatures of Prometheus, op. 43: VIII. Allegro con brio | — | ||
| 12-11 | The Creatures of Prometheus, op. 43: IX. Adagio | — | ||
| 12-12 | The Creatures of Prometheus, op. 43: X. Pastorale. Allegro | — | ||
| 12-13 | The Creatures of Prometheus, op. 43: XI. Andante (Coro di gioja) | — | ||
| 12-14 | The Creatures of Prometheus, op. 43: XII. Maestoso (Solo di gioja) | — | ||
| 12-15 | The Creatures of Prometheus, op. 43: XIII. Allegro (Terzettino "Grotteschi") | — | ||
| 12-16 | The Creatures of Prometheus, op. 43: XIV. Andante (Solo della casentini) | — | ||
| 12-17 | The Creatures of Prometheus, op. 43: XV. Andantino (Solo di viganò) | — | ||
| 12-18 | The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto (Danze festive) | — | ||
| 13-1 | Mass in D major, op. 123 "Missa Solemnis": I. Kyrie | — | ||
| 13-2 | Mass in D major, op. 123 "Missa Solemnis": II. Gloria | — | ||
| 13-3 | Mass in D major, op. 123 "Missa Solemnis": III. Credo | — | ||
| 14-1 | Mass in D major, op. 123 "Missa Solemnis": IV. Sanctus | — | ||
| 14-2 | Mass in D major, op. 123 "Missa Solemnis": V. Benedictus | — | ||
| 14-3 | Mass in D major, op. 123 "Missa Solemnis": VI. Agnus Dei | — |
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What is UPC 825646377923?
825646377923 is a Universal Product Code (UPC) assigned to Symphonies / Concertos / Overtures / Creatures of Prometheus / Missa Solemnis by Beethoven, Chamber Orchestra of Europe, Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 95 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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