UPC · Release
Various Artists
Last verified:
825646438518 is the Universal Product Code (UPC barcode) for the release “Teldec - 50 CD Collection” by Various Artists, released 2013-01-01 on TELDEC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 644 tracks, each with its own ISRC. Tracks include DEA809612701, DEA809612702, DEA809612703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1, Sz 83: I. Allegro moderato - Allegro | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 2 | Piano Concerto no. 1, Sz 83: II. Andante | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 3 | Piano Concerto no. 1, Sz 83: III. Allegro - Allegro molto | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 4 | Piano Concerto no. 2, Sz 95: I. Allegro | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 5 | Piano Concerto no. 2, Sz 95: II. Adagio - Presto - Adagio | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 6 | Piano Concerto no. 2, Sz 95: III. Allegro molto | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 7 | Piano Concerto no. 3, Sz 119: I. Allegretto | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 8 | Piano Concerto no. 3, Sz 119: II. Adagio religioso | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 9 | Piano Concerto no. 3, Sz 119: III. [Allegro vivace] | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 2-1 | Symphony No. 6 in F major, op. 68 "Pastoral': I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro, ma non troppo | — | ||
| 2-2 | Symphony No. 6 in F major, op. 68 "Pastoral': II. Szene am Bach. Andante molto mosso | — | ||
| 2-3 | Symphony No. 6 in F major, op. 68 "Pastoral': III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 2-4 | Symphony No. 6 in F major, op. 68 "Pastoral': IV. Gewitter, Sturm. Allegro | — | ||
| 2-5 | Symphony No. 6 in F major, op. 68 "Pastoral': V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 2-6 | Symphony No. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 2-7 | Symphony No. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 2-8 | Symphony No. 8 in F major, op. 93: III. Tempo di minuetto | — | ||
| 2-9 | Symphony No. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 3-1 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: I. Allegro ma non troppo, un poco maestoso | — | ||
| 3-2 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: II. Molto vivace | — | ||
| 3-3 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: III. Adagio molto e cantabile | — | ||
| 3-4 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: IV. Presto - Allegro ma non troppo - Allegro assai | — | ||
| 4-1 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': I. Allegro | — | ||
| 4-2 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': II. Molto Adagio | — | ||
| 4-3 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': III. Allegretto | — | ||
| 4-4 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': IV. Presto | — | ||
| 4-5 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': I. Andante con moto - Allegro vivace | — | ||
| 4-6 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': II. Andante con moto quasi vivace | — | ||
| 4-7 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': III. Menuetto - Grazioso | — | ||
| 4-8 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': IV. Allegro molto | — | ||
| 5-1 | Pulse Shadows: I. Fantasia 1 | — | ||
| 5-2 | Pulse Shadows: II. Thread suns | — | ||
| 5-3 | Pulse Shadows: III. Frieze 1 | — | ||
| 5-4 | Pulse Shadows: IV. White and Light | — | ||
| 5-5 | Pulse Shadows: V. Fantasia 2 | — | ||
| 5-6 | Pulse Shadows: VI. Psalm | — | ||
| 5-7 | Pulse Shadows: VII. Fantasia 3 | — | ||
| 5-8 | Pulse Shadows: VIII. With Letter and Clock | — | ||
| 5-9 | Pulse Shadows: IX. Frieze 2 | — | ||
| 5-10 | Pulse Shadows: X. An Eye, Open | — | ||
| 5-11 | Pulse Shadows: XI. Fantasia 4 | — | ||
| 5-12 | Pulse Shadows: XII. Todtnauberg | — | ||
| 5-13 | Pulse Shadows: XIII. Frieze 3 | — | ||
| 5-14 | Pulse Shadows: XIV. Tenebrae | — | ||
| 5-15 | Pulse Shadows: XV. Fantasia 5 | — | ||
| 5-16 | Pulse Shadows: XVI. Night | — | ||
| 5-17 | Pulse Shadows: XVII. Todesfuge - Frieze 4 | — | ||
| 5-18 | Pulse Shadows: XVIII. Give the Word | — | ||
| 6-1 | Ein deutsches Requiem Op. 45: I. "Selig sind, die da Leid tragen" | — | ||
| 6-2 | Ein deutsches Requiem Op. 45: II. "Denn alles Fleisch, es ist wie Gras" | — | ||
| 6-3 | Ein deutsches Requiem Op. 45: III. "Herr, lehre doch mich" | — | ||
| 6-4 | Ein deutsches Requiem Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | — | ||
| 6-5 | Ein deutsches Requiem op. 45: V Ihr habt nun Traurigkeit | Royal Philharmonic Orchestra, André Previn | — | |
| 6-6 | Ein deutsches Requiem Op. 45: VI. "Denn wir haben hie keine bleibende Statt" | — | ||
| 6-7 | Ein deutsches Requiem Op. 45: VII. "Selig sind die Toten, die in dem Herren sterben" | — | ||
| 7-1 | Piano Trio No. 3 in C minor, Op. 101: I. Allegro energico | — | ||
| 7-2 | Piano Trio No. 3 in C minor, Op. 101: II. Presto non assai | — | ||
| 7-3 | Piano Trio No. 3 in C minor, Op. 101: III. Andante grazioso | — | ||
| 7-4 | Piano Trio No. 3 in C minor, Op. 101: IV. Allegro molto | — | ||
| 7-5 | Piano Trio No. 4 in A major, Op. posth.: I. Moderato | — | ||
| 7-6 | Piano Trio No. 4 in A major, Op. posth.: II. Vivace - Trio | — | ||
| 7-7 | Piano Trio No. 4 in A major, Op. posth.: III. Lento | — | ||
| 7-8 | Piano Trio No. 4 in A major, Op. posth.: IV. Presto | — | ||
| 8-1 | Symphony No. 3 in F major Op. 90: I. Allegro con brio | — | ||
| 8-2 | Symphony No. 3 in F major Op. 90: II. Andante | — | ||
| 8-3 | Symphony No. 3 in F major Op. 90: III. Poco allegretto | — | ||
| 8-4 | Symphony No. 3 in F major Op. 90: IV. Allegro | — | ||
| 8-5 | Violin Concerto in D major Op. 77: I. Allegro non troppo | — | ||
| 8-6 | Violin Concerto in D major Op. 77: II. Adagio | — | ||
| 8-7 | Violin Concerto in D major Op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 9-1 | Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato | — | ||
| 9-2 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 9-3 | Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico | — | ||
| 9-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Maxim Vengerov, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 9-5 | Violin Concerto in E minor, Op. 64: II. Andante | — | ||
| 9-6 | Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 10-1 | Symphony No. 4 in E flat major "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 10-2 | Symphony No. 4 in E flat major "Romantic": II. Andante quasi allegretto | — | ||
| 10-3 | Symphony No. 4 in E flat major "Romantic": III. Scherzo. Bewegt | — | ||
| 10-4 | Symphony No. 4 in E flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 11-1 | Symphony No. 9 in D minor: I. Feierlich, mistorioso | — | ||
| 11-2 | Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 11-3 | Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich | — | ||
| 11-4 | Symphony No. 9 in D minor: IV. Finale | — | ||
| 12-1 | Old American Songs First Set: I. The Boatmen's Dance (Minstrel Song) | — | ||
| 12-2 | Old American Songs First Set: II. The Dodger (Campaign Song) | — | ||
| 12-3 | Old American Songs First Set: III. Long Time Ago (Ballad) | — | ||
| 12-4 | Old American Songs First Set: IV. Simple Gifts (Shaker Song) | — | ||
| 12-5 | Old American Songs First Set: V. I Bought Me a Cat (Children's Song) | — | ||
| 12-6 | Old American Songs Second Set: I. The Little Horses (Lullaby) | — | ||
| 12-7 | Old American Songs Second Set: II. Zion's Walls (Revivalist Song) | — | ||
| 12-8 | Old American Songs Second Set: III. The Golden Willow Tree (Anglo-American Ballad) | — | ||
| 12-9 | Old American Songs Second Set: IV. At The River (Hymn Tune) | — | ||
| 12-10 | Old American Songs Second Set: V. Ching-a-Ring Chaw (Minstrel Song) | — | ||
| 12-11 | Down a Country Lane | — | ||
| 12-12 | 12 Poems of Emily Dickinson: I. Nature, the Gentlest Mother | — | ||
| 12-13 | 12 Poems of Emily Dickinson: II. There Came a Wind like a Bugle | — | ||
| 12-14 | 12 Poems of Emily Dickinson: IV. The World Feels Dusty | — | ||
| 12-15 | 12 Poems of Emily Dickinson: V. Heart, We Will Forget Him! | — | ||
| 12-16 | 12 Poems of Emily Dickinson: VI. Dear March, Come In! | — | ||
| 12-17 | 12 Poems of Emily Dickinson: VII. Sleep is Supposed to Be | — | ||
| 12-18 | 12 Poems of Emily Dickinson: XI. Going to Heaven | — | ||
| 12-19 | 12 Poems of Emily Dickinson: XII. The Chariot | — | ||
| 12-20 | Billy The Kid: VII. Waltz. Molto moderato | — | ||
| 12-21 | Billy The Kid: IV. Prairie Night. Molto moderato | — | ||
| 12-22 | Billy The Kid: VI. Celebration Dance. Allegro | — | ||
| 13-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-5 | The Water Goblin, op. 107 | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 14-1 | In the South (Alassio) Op. 50 | — | ||
| 14-2 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | BBC Symphony Orchestra, Andrew Davis | — | |
| 14-3 | Symphony No. 2 in E flat major Op. 63: II. Larghetto | — | ||
| 14-4 | Symphony No. 2 in E flat major Op. 63: III. Rondo - Presto | — | ||
| 14-5 | Symphony No. 2 in E flat major Op. 63: IV. Moderato e maestoso | — | ||
| 15-1 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: I. Adagio - Allegro con spirito | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-2 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: II. Andante più tosto - Allegretto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-3 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: III. Menuet | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-4 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: IV. Finale. Allegro con spirito | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-5 | Symphony no. 104 in D major, Hob I: 104 “London”: I. Adagio - Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | — | |
| 15-6 | Symphony no. 104 in D major, Hob I: 104 “London”: II. Andante | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | T-909.876.869-5 | |
| 15-7 | Symphony no. 104 in D major, Hob I: 104 “London”: III. Menuetto. Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | T-912.615.900-0 | |
| 15-8 | Symphony no. 104 in D major, Hob I: 104 “London”: IV. Finale. Spirituoso | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | T-909.876.870-8 | |
| 16-1 | Fantasia in C major, Hob.XVII:4: Presto | — | ||
| 16-2 | Piano Sonata No. 59 in E-flat major, Hob.XVI:49: I. Allegro | — | ||
| 16-3 | Piano Sonata No. 59 in E-flat major, Hob.XVI:49: II. Adagio e cantabile | — | ||
| 16-4 | Piano Sonata No. 59 in E-flat major, Hob.XVI:49: III. Finale: Tempo di Minuet | — | ||
| 16-5 | Piano Sonata No. 60 in C major, Hob.XVI:50: I. Allegro | — | ||
| 16-6 | Piano Sonata No. 60 in C major, Hob.XVI:50: II. Adagio | — | ||
| 16-7 | Piano Sonata No. 60 in C major, Hob.XVI:50: III. Allegro molto | — | ||
| 16-8 | Piano Sonata No. 61 in D major, Hob.XVI:51: I. Andante | — | ||
| 16-9 | Piano Sonata No. 61 in D major, Hob.XVI:51: II. Finale: Presto | — | ||
| 16-10 | Piano Sonata No. 62 in E-flat major, Hob.XVI:52: I. Allegro | — | ||
| 16-11 | Piano Sonata No. 62 in E-flat major, Hob.XVI:52: II. Adagio | — | ||
| 16-12 | Piano Sonata No. 62 in E-flat major, Hob.XVI:52: III. Finale: Presto | — | ||
| 17-1 | Lontano | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-2 | Atmosphères | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-3 | Apparitions: I. Lento | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-4 | Apparitions: II. Agitato | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-5 | San Francisco Polyphony | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-6 | Concert românesc: I. Andantino | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-7 | Concert românesc: II. Allegro vivace | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-8 | Concert românesc: III. Adagio ma non troppo | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-9 | Concert românesc: IV. Molto vivace | Berliner Philharmoniker, Jonathan Nott | — | |
| 18-1 | 12 Etudes d'exécution transcendante S. 139: I. Preludio | — | ||
| 18-2 | 12 Etudes d'exécution transcendante S. 139: II. Fusées | — | ||
| 18-3 | 12 Etudes d'exécution transcendante S. 139: III. Paysage | — | ||
| 18-4 | 12 Etudes d'exécution transcendante S. 139: IV. Mazeppa | — | ||
| 18-5 | 12 Etudes d'exécution transcendante S. 139: V. Feux follets | — | ||
| 18-6 | 12 Etudes d'exécution transcendante S. 139: VI. Vision | — | ||
| 18-7 | 12 Etudes d'exécution transcendante S. 139: VII. Eroica | — | ||
| 18-8 | 12 Etudes d'exécution transcendante S. 139: VIII. Wilde Jagd | — | ||
| 18-9 | 12 Etudes d'exécution transcendante S. 139: IX. Ricordanza | — | ||
| 18-10 | 12 Etudes d'exécution transcendante S. 139: X. Appassionata | — | ||
| 18-11 | 12 Etudes d'exécution transcendante S. 139: XI. Harmonies du soir | — | ||
| 18-12 | 12 Etudes d'exécution transcendante S. 139: XII. Chasse-neige | — | ||
| 19-1 | Symphony no. 5 in C-sharp minor, part 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Chicago Symphony Orchestra, Daniel Barenboim | T-926.359.926-4 | |
| 19-2 | Symphony no. 5 in C-sharp minor, part 1: II. Stürmisch bewegt. Mit größter Vehemenz | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 19-3 | Symphony no. 5 in C-sharp minor, part 2: III. Scherzo. Kräftig, nicht zu schnell | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 19-4 | Symphony no. 5 in C-sharp minor, part 3: IV. Adagietto. Sehr langsam | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 19-5 | Symphony no. 5 in C-sharp minor, part 3: V. Rondo-Finale: Allegro | Chicago Symphony Orchestra, Daniel Barenboim | T-926.359.930-0 | |
| 20-1 | 6 Songs Op. 34: No. 2 Auf Flügeln des Gesanges | — | ||
| 20-2 | 6 Songs Op. 86: III. Die Liebende schreibt | — | ||
| 20-3 | 12 Lieder Op. 9: IX. Ferne | — | ||
| 20-4 | 6 Songs Op. 99: VI. Es wei | — | ||
| 20-5 | Pagenlied WoO | — | ||
| 20-6 | 6 Songs Op. 34: IV. Suleika | — | ||
| 20-7 | 6 Lieder Op. 57: III. Suleika | — | ||
| 20-8 | 12 Lieder Op. 9: I. Frage | — | ||
| 20-9 | 6 Songs Op. 86: V. Der Mond | — | ||
| 20-10 | 6 Lieder Op. 71: II. 'Frühlingslied' | — | ||
| 20-11 | 6 Lieder Op. 34: III. 'Frühlingslied' | — | ||
| 20-12 | 12 Lieder Op. 9: X. Verlust | — | ||
| 20-13 | 12 Lieder Op. 9: XII. Die Nonne | — | ||
| 20-14 | 12 Lieder Op. 9: VII. Sehnsucht | — | ||
| 20-15 | 6 Songs Op. 47: V. Der Blumenstrau | — | ||
| 20-16 | 6 Songs Op. 47: III. 'Frühlingslied' | — | ||
| 20-17 | 12 Lieder, op. 9: V. Im Herbst | Barbara Bonney, Geoffrey Parsons | — | |
| 20-18 | 6 Songs Op. 19a: IV. Neue Liebe | — | ||
| 20-19 | 6 Songs Op. 34: V. Sonntagslied | — | ||
| 20-20 | 6 Songs Op. 99: V. Wenn sich zwei Herzen scheiden | — | ||
| 20-21 | 12 Songs Op. 8: X. Romanze | — | ||
| 20-22 | 12 Lieder Op. 9: VIII. Frühlingsglaube | — | ||
| 20-23 | 6 Songs Op. 19a: III. Winterlied | — | ||
| 20-24 | 6 Songs Op. 99: I. Erster Verlust | — | ||
| 20-25 | 6 Songs Op. 47: VI. Bei der Wiege | — | ||
| 20-26 | 6 Lieder Op. 71: VI. Nachtlied | — | ||
| 20-27 | 12 Lieder Op. 8: VIII. Andres Maienlied | — | ||
| 20-28 | 3 Lieder Op. 84: III. Jagdlied | — | ||
| 20-29 | 6 Lieder Op. 86: VI. Altdeutsches Frühlingslied | — | ||
| 21-1 | Ein Sommernachtstraum, op. 61: Overtüre, op. 21 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 21-2 | Ein Sommernachtstraum, Op. 61: Text: "Hier ist das Blatt" | — | ||
| 21-3 | Ein Sommernachtstraum, Op. 61: Nr. 1: Scherzo | — | ||
| 21-4 | Ein Sommernachtstraum, Op. 61: Nr. 2: Melodram. "Über Täler und Höh'n" | — | ||
| 21-5 | Ein Sommernachtstraum, Op. 61: Elfenmarsch | — | ||
| 21-6 | Ein Sommernachtstraum, Op. 61: Nr. 3: Lied mit Chor. "Kommt! Einen Ringel-, einen Feengesang!" | — | ||
| 21-7 | Ein Sommernachtstraum, Op. 61: Nr. 4: Melodram. "Was du wirst erwachend sehn" | — | ||
| 21-8 | Ein Sommernachtstraum, Op. 61: Nr. 5: Intermezzo | — | ||
| 21-9 | Ein Sommernachtstraum, Op. 61: Nr. 6: Melodram. "Welch hausgebackenes Volk" | — | ||
| 21-10 | A Midsummer Night's Dream, op. 61: Nr. 7 Notturno | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 21-11 | Ein Sommernachtstraum, Op. 61: Text: "Nun, toller Geist" - Nr.8: Melodram. "Sei, als wäre nichts geschehn!" | — | ||
| 21-12 | Ein Sommernachtstraum, Op. 61: Nr. 9: Hochzeitsmarsch | — | ||
| 21-13 | Ein Sommernachtstraum, Op. 61: Text: "Nun kommt!" - Nr. 10: Melodram. "Was dies bedeuten soll" | — | ||
| 21-14 | Ein Sommernachtstraum, Op. 61: Text: "Beliebt es Euer Hoheit" | — | ||
| 21-15 | Ein Sommernachtstraum, Op. 61: Nr. 11: Ein Tanz von Rüpeln | — | ||
| 21-16 | Ein Sommernachtstraum, Op. 61: Text: "Zu Bett, geliebte Freunde!" | — | ||
| 21-17 | Ein Sommernachtstraum, Op. 61: Nr. 12: Melodram. "Jetzt beheult der Wolf den Mond" | — | ||
| 21-18 | Ein Sommernachtstraum, Op. 61: Nr. 13: Finale. "Bei des Feuers mattem Flimmern" | — | ||
| 22-1 | Turangalîla-Symphonie: Introduction | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-2 | Turangalîla-Symphonie: Chant d'amour 1 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-3 | Turangalîla-Symphonie: Turangalîla 1 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-4 | Turangalîla-Symphonie: Chant d'amour 2 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-5 | Turangalîla-Symphonie: Joie du sang des étoiles | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-6 | Turangalîla-Symphonie: Jardin du sommeil d'amour | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-7 | Turangalîla-Symphonie: Turangalîla 2 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-8 | Turangalîla-Symphonie: Développement de l'amour | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-9 | Turangalîla-Symphonie: Turangalîla 3 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-10 | Turangalîla-Symphonie: Final | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 23-1 | Don Giovanni: "Or sai chi l'onore" | Edita Gruberová, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-929.613.726-3 | |
| 23-2 | Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni) | — | ||
| 23-3 | Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina) | — | ||
| 23-4 | Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro) | — | ||
| 23-5 | Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa) | — | ||
| 23-6 | Le nozze di Figaro, K. 492: Act 2 "Voi, che sapete che cosa è amor" (Cherubino) | — | ||
| 23-7 | Die Zauberflöte, K. 620: Act 1 "Dies Bildnis ist bezaubernd schön" (Tamino) | — | ||
| 23-8 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Edita Gruberová, Orchester der Oper Zürich, Nikolaus Harnoncourt | — | |
| 23-9 | Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando) | — | ||
| 23-10 | Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze) | — | ||
| 23-11 | Idomeneo, K. 366: Act 2 "Fuor del mar" (Idomeneo) | — | ||
| 23-12 | La clemenza di Tito, K. 621: Act 1 "Parto, ma tu ben mio" (Sesto) | — | ||
| 23-13 | La clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito) | — | ||
| 23-14 | La clemenza di Tito, K. 621: Act 2 "Non, più di fiori" (Vitellia) | — | ||
| 23-15 | Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio) | — | ||
| 24-1 | Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-2 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | T-920.112.434-7 | |
| 24-3 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-4 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-5 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-6 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-7 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Daniel Barenboim, Berliner Philharmoniker | — | |
| 25-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Philharmonic Choir, London Philharmonic Orchestra, Zubin Mehta | T-800.639.771-4 | |
| 25-2 | Carmina Burana: Fortuna imperatrix mundi - II. Fortune plango vulnera | — | ||
| 25-3 | Carmina Burana: Primo vere - III. Veris leta facies | — | ||
| 25-4 | Carmina Burana: Primo vere - IV. Omnia sol temperat | — | ||
| 25-5 | Carmina Burana: Primo vere - V. Ecce gratum | — | ||
| 25-6 | Carmina Burana: Uf dem anger - VI. Tanz | — | ||
| 25-7 | Carmina Burana: Uf dem anger - VII. Floret silva | — | ||
| 25-8 | Carmina Burana: Uf dem anger - VIII. Chramer, gip die varwe mir | — | ||
| 25-9 | Carmina Burana: Uf dem anger - IX. Reie - Swaz hie gat umbe - Chume, chum geselle min | — | ||
| 25-10 | Carmina Burana: Uf dem anger - X. Were diu werlt alle min | — | ||
| 25-11 | Carmina Burana: In Taberna - XI. Estuans interius | — | ||
| 25-12 | Carmina Burana: In Taberna - XII. Olim lacus colueram | — | ||
| 25-13 | Carmina Burana: In Taberna - XIII. Ego sum abbas | — | ||
| 25-14 | Carmina Burana: In Taberna - XIV. In taberna quando sumus | — | ||
| 25-15 | Carmina Burana: Cour d'amours - XV. Amor volat undique | — | ||
| 25-16 | Carmina Burana: Cour d'amours - XVI. Dies, nox et omnia | — | ||
| 25-17 | Carmina Burana: Cour d'amours - XVII. Stetit puella | — | ||
| 25-18 | Carmina Burana: Cour d'amours - XVIII. Circa mea pectora | — | ||
| 25-19 | Carmina Burana: Cour d'amours - XIX. Si puer cum puellula | — | ||
| 25-20 | Carmina Burana: Cour d'amours - XX. Veni, Veni, Venias | — | ||
| 25-21 | Carmina Burana: Cour d'amours - XXI. In trutina | — | ||
| 25-22 | Carmina Burana: Cour d'amours - XXII. Tempus est iocundum | — | ||
| 25-23 | Carmina Burana: Cour d'amours - XXIII. Dulcissime | — | ||
| 25-24 | Carmina Burana: Blanziflor et Helena - XXIV. Ave formosissima | — | ||
| 25-25 | Carmina Burana: Fortuna imperatrix mundi - XXV. O Fortuna | — | ||
| 26-1 | 24 Caprices Op. 1: No. 1 in E major | — | ||
| 26-2 | 24 Caprices Op. 1: No. 2 in B minor | — | ||
| 26-3 | 24 Caprices Op. 1: No. 3 in E minor | — | ||
| 26-4 | 24 Caprices Op. 1: No. 4 in C minor | — | ||
| 26-5 | 24 Caprices Op. 1: No. 5 in A minor | — | ||
| 26-6 | 24 Caprices Op. 1: No. 6 in G minor | — | ||
| 26-7 | 24 Caprices Op. 1: No. 7 in A minor | — | ||
| 26-8 | 24 Caprices Op. 1: No. 8 in E flat major | — | ||
| 26-9 | 24 Caprices Op. 1: No. 9 in E major | — | ||
| 26-10 | 24 Caprices Op. 1: No. 10 in G minor | — | ||
| 26-11 | 24 Caprices Op. 1: No. 11 in C major | — | ||
| 26-12 | 24 Caprices Op. 1: No. 12 in A flat major | — | ||
| 26-13 | 24 Caprices Op. 1: No. 13 in B flat major | — | ||
| 26-14 | 24 Caprices Op. 1: No. 14 in E flat major | — | ||
| 26-15 | 24 Caprices Op. 1: No. 15 in E minor | — | ||
| 26-16 | 24 Caprices Op. 1: No. 16 in G minor | — | ||
| 26-17 | 24 Caprices Op. 1: No. 17 in E flat major | — | ||
| 26-18 | 24 Caprices Op. 1: No. 18 in C major | — | ||
| 26-19 | 24 Caprices Op. 1: No. 19 in E flat major | — | ||
| 26-20 | 24 Caprices Op. 1: No. 20 in D major | — | ||
| 26-21 | 24 Caprices Op. 1: No. 21 in A major | — | ||
| 26-22 | 24 Caprices Op. 1: No. 22 in F major | — | ||
| 26-23 | 24 Caprices Op. 1: No. 23 in E flat major | — | ||
| 26-24 | 24 Caprices Op. 1: No. 24 in A minor | — | ||
| 27-1 | Le Carnaval des animaux: I. Introduction et marche royale du lion | — | ||
| 27-2 | Le Carnaval des animaux: II. Poules et coqs | — | ||
| 27-3 | Le Carnaval des animaux: III. Hèmiones | — | ||
| 27-4 | Le Carnaval des animaux: IV. Tortues | — | ||
| 27-5 | Le Carnaval des animaux: V. L'Éléphant | — | ||
| 27-6 | Le Carnaval des animaux: VI. Kangourous | — | ||
| 27-7 | Le Carnaval des animaux: VII. Aquarium | — | ||
| 27-8 | Le Carnaval des animaux: VIII. Personnages à longues oreilles | — | ||
| 27-9 | Le Carnaval des animaux: IX. Le Coucou au fond des bois | — | ||
| 27-10 | Le Carnaval des animaux: X. Volière | — | ||
| 27-11 | Le Carnaval des animaux: XI. Pianistes | — | ||
| 27-12 | Le Carnaval des animaux: XII. Fossiles | — | ||
| 27-13 | Le Carnaval des animaux: XIII. Le Cygne | — | ||
| 27-14 | Le Carnaval des animaux: XIV. Finale | — | ||
| 27-15 | Concerto for 2 Pianos in D minor: I. Allegro, ma non troppo | — | ||
| 27-16 | Concerto for 2 Pianos in D minor: II. Larghetto | — | ||
| 27-17 | Concerto for 2 Pianos in D minor: III. Finale. Allegro molto | — | ||
| 27-18 | 3 Danses andalouses: I. Ritmo | — | ||
| 27-19 | 3 Danses andalouses: II. Sentimiento | — | ||
| 27-20 | 3 Danses andalouses: III. Gracia | — | ||
| 27-21 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 27-22 | Rapsodie espagnole: II. Malagueña | — | ||
| 27-23 | Rapsodie espagnole: III. Habanera | — | ||
| 27-24 | Rapsodie espagnole: IV. Feria | — | ||
| 27-25 | La valse | — | ||
| 28-1 | Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto | — | ||
| 28-2 | Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo: Vivace | — | ||
| 28-3 | Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo: Allegro moderato | — | ||
| 28-4 | Piano Concerto No. 2 in G minor, Op. 16: IV. Finale: Allegro tempestoso | — | ||
| 28-5 | Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro | — | ||
| 28-6 | Piano Concerto No. 3 in C major, Op. 26: II. Theme and Variations: Andantino | — | ||
| 28-7 | Piano Concerto No. 3 in C major, Op. 26: III. Allegro, ma non troppo | — | ||
| 29-1 | Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-2 | Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-3 | Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-4 | Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-5 | Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-6 | Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-7 | Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-8 | Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-9 | Symphonic Dances, op. 45: I. Non allegro | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-10 | Symphonic Dances, op. 45: II. Andante con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-11 | Symphonic Dances, op. 45: III. Lento assai | Martha Argerich, Alexandre Rabinovitch | — | |
| 30-1 | Die Winterreise, D. 911: I. Gute Nacht | — | ||
| 30-2 | Die Winterreise, D. 911: II. Die Wetterfahne | — | ||
| 30-3 | Die Winterreise, D. 911: III. Gefrorene Tränen | — | ||
| 30-4 | Die Winterreise, D. 911: IV. Erstarrung | — | ||
| 30-5 | Die Winterreise, D. 911: V. Der Lindenbaum | — | ||
| 30-6 | Die Winterreise, D. 911: VI. Wasserflut | — | ||
| 30-7 | Die Winterreise, D. 911: VII. Auf dem Flusse | — | ||
| 30-8 | Die Winterreise, D. 911: VIII. Rückblick | — | ||
| 30-9 | Die Winterreise, D. 911: IX. Irrlicht | — | ||
| 30-10 | Die Winterreise, D. 911: X. Rast | — | ||
| 30-11 | Die Winterreise, D. 911: XI. Frühlingstraum | — | ||
| 30-12 | Die Winterreise, D. 911: XII. Einsamkeit | — | ||
| 30-13 | Die Winterreise, D. 911: XIII. Die Post | — | ||
| 30-14 | Die Winterreise, D. 911: XIV. Der greise Kopf | — | ||
| 30-15 | Die Winterreise, D. 911: XV. Die Krähe | — | ||
| 30-16 | Die Winterreise, D. 911: XVI. Letzte Hoffnung | — | ||
| 30-17 | Die Winterreise, D. 911: XVII. Im Dorfe | — | ||
| 30-18 | Die Winterreise, D. 911: XVIII. Der stürmische Morgen | — | ||
| 30-19 | Die Winterreise, D. 911: XIX. Täuschung | — | ||
| 30-20 | Die Winterreise, D. 911: XX. Der Wegweiser | — | ||
| 30-21 | Die Winterreise, D. 911: XXI. Das Wirtshaus | — | ||
| 30-22 | Die Winterreise, D. 911: XXII. Mut! | — | ||
| 30-23 | Die Winterreise, D. 911: XXIII. Die Nebensonnen | — | ||
| 30-24 | Die Winterreise, D. 911: XXIV. Der Leiermann | — | ||
| 31-1 | String Quartet no. 23 in F major, K. 590: I. Allegro moderato | Alban Berg Quartett | — | |
| 31-2 | String Quartet no. 23 in F major, K. 590: II. Andante | Alban Berg Quartett | — | |
| 31-3 | String Quartet no. 23 in F major, K. 590: III. Menuetto. Allegretto - Trio | Alban Berg Quartett | — | |
| 31-4 | String Quartet no. 23 in F major, K. 590: IV. Allegro | Alban Berg Quartett | T-003.055.867-8 | |
| 31-5 | String Quartet no. 13 in A minor, D 804, op 29: I. Allegro ma non troppo | Alban Berg Quartet | — | |
| 31-6 | String Quartet no. 13 in A minor, D 804, op 29: II. Andante | Alban Berg Quartet | — | |
| 31-7 | String Quartet no. 13 in A minor, D 804, op 29: III. Menuetto: Allegretto | Alban Berg Quartet | — | |
| 31-8 | String Quartet no. 13 in A minor, D 804, op 29: IV. Allegro moderato | Alban Berg Quartet | — | |
| 31-9 | String Quartet no. 9 in G minor, D 173: I. Allegro con brio | Alban Berg Quartet | — | |
| 31-10 | Schubert: String Quartet No. 9 in G Minor, D. 173: II. Andantino | Franz Schubert | — | |
| 31-11 | String Quartet no. 9 in G minor, D 173: III. Menuetto: Allegro vivace | Alban Berg Quartet | — | |
| 31-12 | Schubert: String Quartet No. 9 in G Minor, D. 173: IV. Allegro | Franz Schubert | — | |
| 32-1 | Dichterliebe, Op. 48: I. "Im wunderschönen Monat Mai" | — | ||
| 32-2 | Dichterliebe, Op. 48: II. "Aus meinen Tränen spriessen" | — | ||
| 32-3 | Dichterliebe, Op. 48: III. "Die Rose, die Lilie, die Traube, die Sonne" | — | ||
| 32-4 | Dichterliebe, Op. 48: IV. "Wenn ich in deine Augen seh'" | — | ||
| 32-5 | Dichterliebe, Op. 48: V. "Ich will meine Seele tauchen" | — | ||
| 32-6 | Dichterliebe, Op. 48: VI. "Im Rhein, im heiligen Strome" | — | ||
| 32-7 | Dichterliebe, Op. 48: VII. "Ich grolle nicht, und wenn das Herz auch bricht" | — | ||
| 32-8 | Dichterliebe, Op. 48: VIII. "Und wüssten's die Blumen, die kleinen" | — | ||
| 32-9 | Dichterliebe, Op. 48: IX. "Das ist ein Flöten und Geigen" | — | ||
| 32-10 | Dichterliebe, Op. 48: X. "Hör' ich das Liedchen klingen" | — | ||
| 32-11 | Dichterliebe, Op. 48: XI. "Ein Jüngling liebt ein Mädchen" | — | ||
| 32-12 | Dichterliebe, Op. 48: XII. "Am leuchtenden Sommermorgen" | — | ||
| 32-13 | Dichterliebe, Op. 48: XIII. "Ich hab' im Traum geweinet" | — | ||
| 32-14 | Dichterliebe, Op. 48: XIV. "Allnächtlich im Traume seh' ich dich" | — | ||
| 32-15 | Dichterliebe, Op. 48: XV. "Aus alten Märchen winkt es" | — | ||
| 32-16 | Dichterliebe, Op. 48: XVI. "Die alten, bösen Lieder" | — | ||
| 32-17 | 5 Lieder und Gesänge, Op. 127: II. Dein Angesicht | — | ||
| 32-18 | 4 Gesänge, Op. 142: II. "Lehn' deine Wang an meine Wang" | — | ||
| 32-19 | Der arme Peter, Op. 53 No. 3: I. "Der Hans und die Grete tanzen herum" | — | ||
| 32-20 | Der arme Peter, Op. 53 No. 3: II. "In meiner Brust, da sitzt ein Weh" | — | ||
| 32-21 | Der arme Peter, Op. 53 No. 3: III. "Der arme Peter wankt vorbei" | — | ||
| 32-22 | Liederkreis, Op. 24: I. "Morgens steh' ich auf und frage" | — | ||
| 32-23 | Liederkreis, Op. 24: II. "Es treibt mich hin, es treibt mich her!" | — | ||
| 32-24 | Liederkreis, Op. 24: III. "Ich wandelte unter den Bäumen" | — | ||
| 32-25 | Liederkreis, Op. 24: IV. "Lieb' Liebchen, leg's Händchen aufs Herze mein" | — | ||
| 32-26 | Liederkreis, Op. 24: V. "Schöne Wiege meiner Leiden" | — | ||
| 32-27 | Liederkreis, Op. 24: VI. "Warte, warte, wilder Schiffmann" | — | ||
| 32-28 | Liederkreis, Op. 24: VII. "Berg' und Burgen schaun herunter" | — | ||
| 32-29 | Liederkreis, Op. 24: VIII. "Anfangs wollt' ich fast verzagen" | — | ||
| 32-30 | Liederkreis, Op. 24: IX. "Mit Myrthen und Rosen, lieblich und hold" | — | ||
| 33-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 33-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 33-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 33-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 33-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 33-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 34-1 | Symphony No. 10 in E minor, Op. 93: I. Moderato | — | ||
| 34-2 | Symphony No. 10 in E minor, Op. 93: II. Allegro | — | ||
| 34-3 | Symphony No. 10 in E minor, Op. 93: III. Allegretto | — | ||
| 34-4 | Symphony No. 10 in E minor, Op. 93: IV. Andante - Allegro | — | ||
| 35-1 | Die Fledermaus: Overture | — | ||
| 35-2 | Die Fledermaus: Act 1 "Täubchen, das entflattert ist" (Alfred, Adele) | — | ||
| 35-3 | Die Fledermaus: Act 1 "Ach, ich darf nicht hin zu dir" (Rosalinde, Adele) | — | ||
| 35-4 | Die Fledermaus: Act 1 "Nein, mit solchen Advokaten" (Eisenstein, Rosalinde, Blind) | — | ||
| 35-5 | Die Fledermaus: Act 1 "So muss allein ich bleiben" (Rosalinde, Adele, Eisenstein) | — | ||
| 35-6 | Die Fledermaus: Act 1 "Trinke, Liebchen, trinke schnell" (Alfred, Rosalinde, Frank) | — | ||
| 35-7 | Die Fledermaus: Act 2 "Ein Souper heut' uns winkt" (Chorus) | — | ||
| 35-8 | Die Fledermaus: Act 2 "Ich lade gern mir Gäste ein" (Orlofsky) | — | ||
| 35-9 | Die Fledermaus: Act 2 "Ach, meine Herrn und Damen" (Adele, Ida, Orlofsky, Chorus) | — | ||
| 35-10 | Die Fledermaus: Act 2 "Dieser Anstand, so manierlich" (Eisenstein, Rosalinde) | — | ||
| 35-11 | Die Fledermaus: Act 2 "Klänge der Heimat" (Rosalinde) | — | ||
| 35-12 | Die Fledermaus: Act 2 "Im Feuerstrom der Reben" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Frank, Falke, Chorus) | — | ||
| 35-13 | Die Fledermaus: Act 2 "Genug damit, genug!" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Frank, Falke, Chorus) | — | ||
| 35-14 | Die Fledermaus: Act 2 "Olga, komm her, Ida auch" (Frank) | — | ||
| 35-15 | Die Fledermaus: Act 3 "Spiel' ich die Unschuld vom Lande" (Adele, Ida, Frank) | — | ||
| 35-16 | Die Fledermaus: Act 3 "O Fledermaus, o Fledermaus" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Alfred, Frank, Falke, Chorus) | — | ||
| 36-1 | Le sacre du printemps: I. Introduction | — | ||
| 36-2 | Le sacre du printemps: II. The Augurs of Spring | — | ||
| 36-3 | Le sacre du printemps: III. Ritual of Abduction | — | ||
| 36-4 | Le sacre du printemps: IV. Spring Rounds | — | ||
| 36-5 | Le sacre du printemps: V. Ritual of the Rival Tribes | — | ||
| 36-6 | Le sacre du printemps: VI. Procession of the Wise Elder | — | ||
| 36-7 | Le sacre du printemps: VII. Adoration of the Earth | — | ||
| 36-8 | Le sacre du printemps: VIII. Dance of the Earth | — | ||
| 36-9 | Le sacre du printemps: IX. Introduction - The Sacrifice | — | ||
| 36-10 | Le sacre du printemps: X. Mystic Circles of the Young Girls | — | ||
| 36-11 | Le sacre du printemps: XI. Glorification of the Chosen Victim | — | ||
| 36-12 | Le sacre du printemps: XII. Evocation of the Ancestors | — | ||
| 36-13 | Le sacre du printemps: XIII. Ritual of the Ancestors | — | ||
| 36-14 | Le sacre du printemps: XIV. Sacrificial Dance | — | ||
| 36-15 | Symphony in 3 Movements: I . | — | ||
| 36-16 | Symphony in 3 Movements: II. Andante | — | ||
| 36-17 | Symphony in 3 Movements: III. Con moto | — | ||
| 37-1 | String Quartet No. 1 in D major Op. 11: I. Moderato e semplice | — | ||
| 37-2 | String Quartet No. 1 in D major Op. 11: II. Andante cantabile | — | ||
| 37-3 | String Quartet No. 1 in D major Op. 11: III. Scherzo - Allegro non tanto e con fuoco | — | ||
| 37-4 | String Quartet No. 1 in D major Op. 11: IV. Finale - Allegro giusto | — | ||
| 37-5 | String Quartet in B flat major: Adagio misterioso - Allegro con moto - Adagio misterioso | — | ||
| 37-6 | String Sextet in D minor Op. 70, 'Souvenir de Florence': I. Allegro con spirito | — | ||
| 37-7 | String Sextet in D minor Op. 70, 'Souvenir de Florence': II. Adagio cantabile e con moto | — | ||
| 37-8 | String Sextet in D minor Op. 70, 'Souvenir de Florence': III. Allegretto moderato | — | ||
| 37-9 | String Sextet in D minor Op. 70, 'Souvenir de Florence': IV. Allegro vivace | — | ||
| 38-1 | Symphony No. 6 in E minor: I. Allegro | — | ||
| 38-2 | Symphony No. 6 in E minor: II. Moderato | — | ||
| 38-3 | Symphony No. 6 in E minor: III. Scherzo - Allegro vivace | — | ||
| 38-4 | Symphony No. 6 in E minor: IV. Epilogue - Moderato | — | ||
| 38-5 | Fantasia on a Theme by Thomas Tallis | — | ||
| 38-6 | The Lark Ascending | — | ||
| 39-1 | La traviata: Prelude to Act 1 | — | ||
| 39-2 | La traviata: Act 1 "Libiamo, ne'lieti calici" (Violetta, Alfredo, Choir) | — | ||
| 39-3 | La traviata: Act 1 "E strano! è strano! ... Ah, fors'è lui" (Violetta) | — | ||
| 39-4 | La traviata: Act 1 "Follie! ... Sempre libera" (Violetta, Alfredo) | — | ||
| 39-5 | La traviata: Act 2 "Lunge da lei" (Alfredo) | — | ||
| 39-6 | La traviata: Act 2 "De'miei bollenti spiriti" (Alfredo) | — | ||
| 39-7 | La traviata: Act 2 "Oh mio rimorso!" (Alfredo) | — | ||
| 39-8 | La traviata: Act 2 "Pura siccome un angelo" (Germont, Violetta) | — | ||
| 39-9 | La traviata: Act 2 "Dite alla giovine" (Violetta, Germont) | — | ||
| 39-10 | La traviata: Act 2 "Di Provenza il mar" (Germont, Alfredo) | — | ||
| 39-11 | La traviata: Act 2 "Noi siamo zingarelle" (Flora, Marchese, Dottore, Chorus) | — | ||
| 39-12 | La traviata: Prelude to Act 3 | — | ||
| 39-13 | La traviata: Act 3 "Teneste la promessa" (Violetta) | — | ||
| 39-14 | La traviata: Act 3 "Addio, del passato bei sogni" (Violetta) | — | ||
| 39-15 | La traviata: Act 3 "Parigi, o cara, noi lasceremo" (Violetta, Alfredo) | — | ||
| 39-16 | La traviata: Act 3 "Se una pudica vergine" (Violetta, Annina, Alfredo, Germont, Dottore) | — | ||
| 40-1 | Die Walküre: Prelude to Act 1 | — | ||
| 40-2 | Die Walküre: Act 1 "Friedmund darf ich nicht heissen" (Siegmund, Hunding, Sieglinde) | — | ||
| 40-3 | Die Walküre: Act 1 "Aus dem Wald trieb es mich fort" (Siegmund) | — | ||
| 40-4 | Die Walküre: Act 1 "Winterstürme wichen dem Wonnemond" (Siegmund) | — | ||
| 40-5 | Die Walküre: Act 1 "Du bist der Lenz" (Sieglinde) | — | ||
| 40-6 | Die Walküre: Act 1 "O süsseste Wonne!" (Siegmund, Sieglinde) | — | ||
| 40-7 | Die Walküre: Act 1 "War Wälse dein Vater" (Sieglinde, Siegmund) | — | ||
| 40-8 | Die Walküre: Act 1 "Siegmund heiss' ich" (Siegmund, Sieglinde) | — | ||
| 40-9 | Die Walküre: Act 2 "Siegmund! Sieh auf mich!" (Brünnhilde, Siegmund) | — | ||
| 40-10 | Die Walküre: Act 2 "Du sahest der Walküre sehrenden Blick" (Brünnhilde, Siegmund) | — | ||
| 40-11 | Die Walküre: Prelude to Act 3 "Hojotoho!, Hojotoho!" (Walkyries) | — | ||
| 40-12 | Die Walküre: Act 3 "Schützt mich und helft" (Brünnhilde, Valkyries) | — | ||
| 40-13 | Die Walküre: Act 3 "Du zeugtest ein edles Geschlecht" (Brünnhilde, Wotan) | — | ||
| 40-14 | Die Walküre: Act 3 "Was hast du erdacht, dass ich erdulde?" (Brünnhilde, Wotan) | — | ||
| 40-15 | Die Walküre: Act 3 "Leb wohl, du kühnes, herrliches Kind!" (Wotan) | — | ||
| 40-16 | Die Walküre: Act 3 "Der Augen leuchtendes Paar" (Wotan) | — | ||
| 40-17 | Die Walküre: Act 3 "Loge, hör! Lausche hieher!" (Wotan) | — | ||
| 41-1 | Tristan und Isolde: Act I. Vorspiel | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-2 | Tristan und Isolde: Act I, Scene V. "Tristan!" - "Isolde!" - "Treuloser Holder!" (Isolde, Tristan, Schiffsvolk, Brangäne, Kurwenal) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-3 | Tristan und Isolde: Act II, Scene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (Tristan, Isolde) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-4 | Tristan und Isolde: Act II, Scene II. "O eitler Tagesknecht!" (Isolde, Tristan) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-5 | Tristan und Isolde: Act II, Scene II. "Einsam wachend in der Nacht" (Brangäne) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-6 | Tristan und Isolde: Act II, Scene III. "Tatest du's wirklich? Wähnst du das?" (Marke, Tristan) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-7 | Tristan und Isolde: Act III. Vorspiel | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-8 | Tristan und Isolde: Act III, Scene III. "Kurwenal! Hör! Ein zweites Schiff" (Ein Hirt, Kurwenal, ein Steuermann, Brangäne, Melot, Marke) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-9 | Tristan und Isolde: Act III, Scene III. "Tot denn alles!" (Marke, Brangäne) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-10 | Tristan und Isolde: Act III, Scene III. "Mild und leise wie er lächelt" (Isolde) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 42-1 | Clarinet Concerto No. 1 in F Minor, Op. 73: I. Allegro | — | ||
| 42-2 | Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio, ma non troppo | — | ||
| 42-3 | Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - Allegretto | — | ||
| 42-4 | Clarinet Concerto No. 2 in E-Flat Major, Op. 74: I. Allegro | — | ||
| 42-5 | Clarinet Concerto No. 2 in E-Flat Major, Op. 74: II. Romanza - Andante | — | ||
| 42-6 | Clarinet Concerto No. 2 in E-Flat Major, Op. 74: III. Alla Polacca | — | ||
| 42-7 | Grand Duo Concertant, Op. 48: I. Allegro con fuoco | — | ||
| 42-8 | Grand Duo Concertant, Op. 48: II. Andante con moto | — | ||
| 42-9 | Grand Duo Concertant, Op. 48: III. Rondo - Allegro | — | ||
| 43-1 | Im Sommerwind: Ruhig bewegt | — | ||
| 43-2 | Passacaglia, Op. 1: Sehr mäßig, Tempo I | — | ||
| 43-3 | 6 Orchestral Pieces, Op. 6: I. Etwas bewegt | — | ||
| 43-4 | 6 Orchestral Pieces, Op. 6: II. Bewegt | — | ||
| 43-5 | 6 Orchestral Pieces, Op. 6: III. Zart bewegt | — | ||
| 43-6 | 6 Orchestral Pieces, Op. 6: IV. Langsam - marcia funebre | — | ||
| 43-7 | 6 Orchestral Pieces, Op. 6: V. Sehr langsam | — | ||
| 43-8 | 6 Orchestral Pieces, Op. 6: VI. Zart bewegt | — | ||
| 43-9 | 5 Orchestral Pieces, Op. 10: I. Sehr ruhig und zart | — | ||
| 43-10 | 5 Orchestral Pieces, Op. 10: II. Lebhaft und zart bewegt | — | ||
| 43-11 | 5 Orchestral Pieces, Op. 10: III. Sehr langsam und äusserst ruhig | — | ||
| 43-12 | 5 Orchestral Pieces, Op. 10: IV. Fliessend, äusserst zart | — | ||
| 43-13 | 5 Orchestral Pieces, Op. 10: V. Sehr fliessend | — | ||
| 43-14 | Symphony, Op. 21: I. Ruhig schreitend | — | ||
| 43-15 | Symphony, Op. 21: II. Variationen | — | ||
| 43-16 | Concerto, Op. 24: I. Etwas lebhaft | — | ||
| 43-17 | Concerto, Op. 24: II. Sehr langsam | — | ||
| 43-18 | Concerto, Op. 24: III. Sehr rasch | — | ||
| 43-19 | Variations, Op. 30: I. Lebhaft | — | ||
| 44-1 | Die Dreigroschenoper (Kurzfassung): Ouvertüre und Moritat von Mackie Messer | Kurt Gerron, Lewis Ruth Band, Theo Mackeben | — | |
| 44-2 | Die Dreigroschenoper (Kurzfassung): Seeräuberjenny | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | T-801.865.352-7 | |
| 44-3 | Die Dreigroschenoper (Kurzfassung): Kanonensong | Kurt Gerron, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-4 | Die Dreigroschenoper (Kurzfassung): Liebeslied | Erika Helmke, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-5 | Die Dreigroschenoper (Kurzfassung): Barbara Song | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-6 | Die Dreigroschenoper (Kurzfassung): Erstes Dreigroschen-Finale | Erich Ponto, Erika Helmke, Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-7 | Die Dreigroschenoper (Kurzfassung): Abschied | Erika Helmke, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | T-801.755.589-5 | |
| 44-8 | Die Dreigroschenoper (Kurzfassung): Zuhälterballade | Lotte Lenya, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | T-801.864.941-8 | |
| 44-9 | Die Dreigroschenoper (Kurzfassung): Ballade von angenehmen Leben | Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-10 | Die Dreigroschenoper (Kurzfassung): Eifersuchtsduett | Erika Helmke, Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-11 | Die Dreigroschenoper (Kurzfassung): Zweites Dreigroschen-Finale | Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-12 | Die Dreigroschenoper (Kurzfassung): Lied von der Unzulänglichkeit des menschlichen Strebens | Erich Ponto, Lewis Ruth Band, Theo Mackeben | — | |
| 44-13 | Die Dreigroschenoper (Kurzfassung): Moritat und Schlusschoral | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-14 | Aufstieg und Fall der Stadt Mahagonny: Wie man sich bettet | Lotte Lenya, The Three Admirals, Jazzorchester Theo Mackeben, Theo Mackeben | — | |
| 44-15 | Aufstieg und Fall der Stadt Mahagonny: Alabama Song | Lotte Lenya, The Three Admirals, Theo Mackeben Jazzband, Theo Mackeben | T-071.434.173-7 | |
| 44-16 | Das Nachtgespenst | Kurt Gerron | — | |
| 44-17 | Peter | — | ||
| 44-18 | Guck doch nicht immer nach dem Tangogeiger hin | Curt Bois, Theo Mackeben Jazzband | — | |
| 44-19 | Jonny | Marlene Dietrich, Peter Kreuder | T-802.048.839-6 | |
| 44-20 | Vom Seemann Kuttel Daddeldu | Kurt Gerron | — | |
| 44-21 | L’Opéra de quat’sous : Chant des canons | Jacques Henley, Albert Préjean, Lewis Ruth Band, Theo Mackeben | — | |
| 44-22 | L’Opéra de quat’sous : Chant d’amour | Albert Préjean, Lewis Ruth Band, Theo Mackeben | — | |
| 44-23 | L’Opéra de quat’sous : Tangoballade | Margo Lion, Albert Préjean, Lewis Ruth Band, Theo Mackeben | — | |
| 44-24 | L’Opéra de quat’sous : Ballade de la vie agréable | Albert Préjean, Lewis Ruth Band, Theo Mackeben | T-802.371.100-5 | |
| 44-25 | Die Dreigroschenoper (Kurzfassung): Die Seeräuberjenny | Carola Neher, Theo Mackeben Jazzband, Theo Mackeben | T-801.865.352-7 | |
| 44-26 | Die Dreigroschenoper (Kurzfassung): Barbara Song | Carola Neher, Theo Mackeben Jazzband, Theo Mackeben | — | |
| 44-27 | Die Dreigroschenoper (Kurzfassung): Die Moritat von Mackie Messer | Bertolt Brecht, Lewis Ruth Band, Theo Mackeben Jazzband, Theo Mackeben | — | |
| 44-28 | Die Dreigroschenoper (Kurzfassung): Lied von der Unzulänglichkeit des menschlichen Strebens | Bertolt Brecht, Lewis Ruth Band, Theo Mackeben Jazzband, Theo Mackeben | — | |
| 44-29 | Aufstieg und Fall der Stadt Mahagonny: Alabama Song (alternate take) | Lotte Lenya, The Three Admirals, Theo Mackeben Jazzband, Theo Mackeben | T-071.434.173-7 | |
| 45-1 | Mi Buenos Aires querido | Barenboim, Mederos, Console | — | |
| 45-2 | Verano porteño | Barenboim, Mederos, Console | T-004.698.885-5 | |
| 45-3 | La moza donosa | Barenboim, Mederos, Console | T-070.038.353-4 | |
| 45-4 | Don Agustín Bardi | Barenboim, Mederos, Console | — | |
| 45-5 | Tzigane tango | Barenboim, Mederos, Console | T-900.762.535-6 | |
| 45-6 | Invierno porteño | Barenboim, Mederos, Console | T-004.703.772-8 | |
| 45-7 | Aquellos tangos camperos | Barenboim, Mederos, Console | — | |
| 45-8 | Adiós Nonino | Barenboim, Mederos, Console | T-900.759.710-6 | |
| 45-9 | El día que me quieras | Barenboim, Mederos, Console | T-037.658.877-0 | |
| 45-10 | Primavera porteña | Barenboim, Mederos, Console | T-004.698.887-7 | |
| 45-11 | A fuego lento | Daniel Barenboim, Héctor Console, Rodolfo Mederos | — | |
| 45-12 | Otoño porteño | Daniel Barenboim, Héctor Console, Rodolfo Mederos | T-004.698.879-7 | |
| 45-13 | Contrabajeando | Barenboim, Mederos, Console | — | |
| 45-14 | Bailecito | Barenboim, Mederos, Console | T-037.020.160-7 | |
| 46-1 | Die Schöpfung Hob. XXI:2: Part 1 Rezitativ. "Und Gott sprach - Es bringe die Erde" (Gabriel) | — | ||
| 46-2 | Die Schöpfung Hob. XXI:2: Part 1 Arie. "Nun beut die Flur das frische Grün" (Gabriel) | — | ||
| 46-3 | Die Schöpfung Hob. XXI:2: Part 2 Rezitativ. "Und Gott sprach - Es bringe das Wasser" (Gabriel) | — | ||
| 46-4 | Die Schöpfung Hob. XXI:2: Part 2 Arie. "Auf starkem Fittige schwingt sich" (Gabriel) | — | ||
| 46-5 | Die Schöpfung Hob. XXI:2: Part 3 Rezitativ. "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | — | ||
| 46-6 | Die Schöpfung Hob. XXI:2: Part 3 Duett. "Holde Gattin! Dir zur Seite" (Adam, Eva) | — | ||
| 46-7 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Edita Gruberová, Orchester der Oper Zürich, Nikolaus Harnoncourt | — | |
| 46-8 | Don Giovanni: "Or sai chi l'onore" | Edita Gruberová, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-929.613.726-3 | |
| 46-9 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!", Rondo "Non mi dir, bell'idol mio" (Donna Anna) | Edita Gruberová, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | — | |
| 46-10 | Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia) | Edita Gruberová, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 46-11 | Lucia di Lammermoor: Act 3 "Oh giusto cielo! ... Il dolce suono" (Lucia, Chorus) | — | ||
| 46-12 | Lucia di Lammermoor: Act 3 "Ohimè! sorge il tremendo fantasma ... Ardon gli incensi" (Lucia, Normanno, Raimondo, Chorus) | — | ||
| 46-13 | Lucia di Lammermoor: Act 3 "S'avanza Enrico!" (Raimondo, Enrico, Chorus) | — | ||
| 46-14 | Lucia di Lammermoor: Act 3 "Spargi d'amaro pianto il mio terrestre velo" (Lucia, Raimondo, Enrico, Chorus) | — | ||
| 46-15 | La traviata: Act 1 "È strano! è strano! ... Ah, fors'è lui" (Violetta) | — | ||
| 46-16 | Die Fledermaus: Act 2 "Klänge der Heimat" (Csárdás) (Rosalinde) | — | ||
| 47-1 | Historia do Luar (Chôro) | — | ||
| 47-2 | Seis por Derecho | — | ||
| 47-3 | Waltz Op. 8, No. 4 | — | ||
| 47-4 | A hug for Pixingha | — | ||
| 47-5 | Chants for the chief, No. 2: Uirapurú do Amazonas | — | ||
| 47-6 | Julia Florida | — | ||
| 47-7 | El Marabino | — | ||
| 47-8 | Waltz No. 3 (Natalia) | — | ||
| 47-9 | Porro | — | ||
| 47-10 | Batucada | — | ||
| 47-11 | Lago de Janauacá | — | ||
| 47-12 | Chants for the chief, No. 1: A Chamada dos Ventos / Canção Noturna | — | ||
| 47-13 | Canción de Cuna | — | ||
| 47-14 | Aire de Joropo | — | ||
| 47-15 | Cochichando | — | ||
| 47-16 | Choro Alegre (A Hug for Tiberio) | — | ||
| 47-17 | Cavaleiro sem Armadura | — | ||
| 48-1 | Orfeo ed Euridice: Act 3 "Che farò senza Euridice?" | — | ||
| 48-2 | Le nozze di Figaro: Act 1 "Non so più cosa son, cosa faccio" | — | ||
| 48-3 | Tancredi: Act 1 "Oh patria! ... Di tanti palpiti" | — | ||
| 48-4 | La donna del lago: Act 1 "Mura felici" | — | ||
| 48-5 | I Capuleti e i Montecchi: Act 1 "Lieto del dolce incarco ... La tremenda" | — | ||
| 48-6 | Lucrezia Borgia: Act 2 "Il segreto" | — | ||
| 48-7 | Anna Bolena: Act 1 "È sgombro il loco ... Ah! parea" | — | ||
| 48-8 | Les Huguenots: Act 2 "Nobles seigneurs" | — | ||
| 48-9 | Faust: Act 3 "Faites-lui mes aveux" | — | ||
| 48-10 | Roméo et Juliette: Act 3 "Depuis hier... Que fais-tu" | — | ||
| 48-11 | La Pucelle d'Orléans: Act 1 "Oui, Dieu le veut! ... Adieu, forêts" | — | ||
| 48-12 | Die Fledermaus: Act 2 "Ich lade gern mir Gäste ein" | — | ||
| 48-13 | Die Fledermaus: Act 2 "From time to time I entertain" | — | ||
| 49-1 | Carmen Fantasy | — | ||
| 49-2 | Konzertstück Nr. 2 | — | ||
| 49-3 | Variations sur une tyrolienne | — | ||
| 49-4 | Danza Española (from "La vida breve") | Alexander Markovich, Sergei Nakariakov | — | |
| 49-5 | Le Cygne | — | ||
| 49-6 | Variations sur la "Norma" de Bellini | — | ||
| 49-7 | Caprice, Op. 1, No. 17 | — | ||
| 49-8 | Valse-scherzo, Op. 34 | — | ||
| 49-9 | Le Réveil | — | ||
| 49-10 | Zigeunerweisen, Op. 20, No. 1 | — | ||
| 49-11 | Moto perpetuo, Op. 11 | — | ||
| 50-1 | I Have Had Singing | — | ||
| 50-2 | O Clap Your Hands | — | ||
| 50-3 | If Ye Love Me | — | ||
| 50-4 | Magnificat anima mea à 12 | — | ||
| 50-5 | Charm Me Asleep | — | ||
| 50-6 | Drei Männerchöre, Op. 123: I. Vor den Türen | — | ||
| 50-7 | Drei Männerchöre, Op. 123: II. Traumlicht | — | ||
| 50-8 | Drei Männerchöre, Op. 123: III. Fröhlich im Maien | — | ||
| 50-9 | Nude Descending a Staircase | — | ||
| 50-10 | Blue Skies | — | ||
| 50-11 | Shenandoah | — | ||
| 50-12 | Straight Street | — | ||
| 50-13 | Out of This World | — | ||
| 50-14 | O Waly, Waly | — | ||
| 50-15 | Journey to Recife | — | ||
| 50-16 | Jesus Met the Woman at the Well | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
825646438518 is a Universal Product Code (UPC) assigned to Teldec - 50 CD Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 644 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
825646438518 is the Universal Product Code (UPC barcode) for the release “Teldec - 50 CD Collection” by Various Artists, released 2013-01-01 on TELDEC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 644 tracks, each with its own ISRC. Tracks include DEA809612701, DEA809612702, DEA809612703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1, Sz 83: I. Allegro moderato - Allegro | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 2 | Piano Concerto no. 1, Sz 83: II. Andante | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 3 | Piano Concerto no. 1, Sz 83: III. Allegro - Allegro molto | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 4 | Piano Concerto no. 2, Sz 95: I. Allegro | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 5 | Piano Concerto no. 2, Sz 95: II. Adagio - Presto - Adagio | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 6 | Piano Concerto no. 2, Sz 95: III. Allegro molto | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 7 | Piano Concerto no. 3, Sz 119: I. Allegretto | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 8 | Piano Concerto no. 3, Sz 119: II. Adagio religioso | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 9 | Piano Concerto no. 3, Sz 119: III. [Allegro vivace] | Budapest Festival Orchestra, Iván Fischer, András Schiff | — | |
| 2-1 | Symphony No. 6 in F major, op. 68 "Pastoral': I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro, ma non troppo | — | ||
| 2-2 | Symphony No. 6 in F major, op. 68 "Pastoral': II. Szene am Bach. Andante molto mosso | — | ||
| 2-3 | Symphony No. 6 in F major, op. 68 "Pastoral': III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 2-4 | Symphony No. 6 in F major, op. 68 "Pastoral': IV. Gewitter, Sturm. Allegro | — | ||
| 2-5 | Symphony No. 6 in F major, op. 68 "Pastoral': V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 2-6 | Symphony No. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 2-7 | Symphony No. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 2-8 | Symphony No. 8 in F major, op. 93: III. Tempo di minuetto | — | ||
| 2-9 | Symphony No. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 3-1 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: I. Allegro ma non troppo, un poco maestoso | — | ||
| 3-2 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: II. Molto vivace | — | ||
| 3-3 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: III. Adagio molto e cantabile | — | ||
| 3-4 | Symphony No. 9 in D minor, op. 125 "Choral", S. 464: IV. Presto - Allegro ma non troppo - Allegro assai | — | ||
| 4-1 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': I. Allegro | — | ||
| 4-2 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': II. Molto Adagio | — | ||
| 4-3 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': III. Allegretto | — | ||
| 4-4 | String Quartet No. 8 in E minor Op. 59 No. 2, 'Rasumovsky': IV. Presto | — | ||
| 4-5 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': I. Andante con moto - Allegro vivace | — | ||
| 4-6 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': II. Andante con moto quasi vivace | — | ||
| 4-7 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': III. Menuetto - Grazioso | — | ||
| 4-8 | String Quartet No. 9 in C major Op. 59 No. 3, 'Rasumovsky': IV. Allegro molto | — | ||
| 5-1 | Pulse Shadows: I. Fantasia 1 | — | ||
| 5-2 | Pulse Shadows: II. Thread suns | — | ||
| 5-3 | Pulse Shadows: III. Frieze 1 | — | ||
| 5-4 | Pulse Shadows: IV. White and Light | — | ||
| 5-5 | Pulse Shadows: V. Fantasia 2 | — | ||
| 5-6 | Pulse Shadows: VI. Psalm | — | ||
| 5-7 | Pulse Shadows: VII. Fantasia 3 | — | ||
| 5-8 | Pulse Shadows: VIII. With Letter and Clock | — | ||
| 5-9 | Pulse Shadows: IX. Frieze 2 | — | ||
| 5-10 | Pulse Shadows: X. An Eye, Open | — | ||
| 5-11 | Pulse Shadows: XI. Fantasia 4 | — | ||
| 5-12 | Pulse Shadows: XII. Todtnauberg | — | ||
| 5-13 | Pulse Shadows: XIII. Frieze 3 | — | ||
| 5-14 | Pulse Shadows: XIV. Tenebrae | — | ||
| 5-15 | Pulse Shadows: XV. Fantasia 5 | — | ||
| 5-16 | Pulse Shadows: XVI. Night | — | ||
| 5-17 | Pulse Shadows: XVII. Todesfuge - Frieze 4 | — | ||
| 5-18 | Pulse Shadows: XVIII. Give the Word | — | ||
| 6-1 | Ein deutsches Requiem Op. 45: I. "Selig sind, die da Leid tragen" | — | ||
| 6-2 | Ein deutsches Requiem Op. 45: II. "Denn alles Fleisch, es ist wie Gras" | — | ||
| 6-3 | Ein deutsches Requiem Op. 45: III. "Herr, lehre doch mich" | — | ||
| 6-4 | Ein deutsches Requiem Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | — | ||
| 6-5 | Ein deutsches Requiem op. 45: V Ihr habt nun Traurigkeit | Royal Philharmonic Orchestra, André Previn | — | |
| 6-6 | Ein deutsches Requiem Op. 45: VI. "Denn wir haben hie keine bleibende Statt" | — | ||
| 6-7 | Ein deutsches Requiem Op. 45: VII. "Selig sind die Toten, die in dem Herren sterben" | — | ||
| 7-1 | Piano Trio No. 3 in C minor, Op. 101: I. Allegro energico | — | ||
| 7-2 | Piano Trio No. 3 in C minor, Op. 101: II. Presto non assai | — | ||
| 7-3 | Piano Trio No. 3 in C minor, Op. 101: III. Andante grazioso | — | ||
| 7-4 | Piano Trio No. 3 in C minor, Op. 101: IV. Allegro molto | — | ||
| 7-5 | Piano Trio No. 4 in A major, Op. posth.: I. Moderato | — | ||
| 7-6 | Piano Trio No. 4 in A major, Op. posth.: II. Vivace - Trio | — | ||
| 7-7 | Piano Trio No. 4 in A major, Op. posth.: III. Lento | — | ||
| 7-8 | Piano Trio No. 4 in A major, Op. posth.: IV. Presto | — | ||
| 8-1 | Symphony No. 3 in F major Op. 90: I. Allegro con brio | — | ||
| 8-2 | Symphony No. 3 in F major Op. 90: II. Andante | — | ||
| 8-3 | Symphony No. 3 in F major Op. 90: III. Poco allegretto | — | ||
| 8-4 | Symphony No. 3 in F major Op. 90: IV. Allegro | — | ||
| 8-5 | Violin Concerto in D major Op. 77: I. Allegro non troppo | — | ||
| 8-6 | Violin Concerto in D major Op. 77: II. Adagio | — | ||
| 8-7 | Violin Concerto in D major Op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 9-1 | Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato | — | ||
| 9-2 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 9-3 | Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico | — | ||
| 9-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Maxim Vengerov, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 9-5 | Violin Concerto in E minor, Op. 64: II. Andante | — | ||
| 9-6 | Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 10-1 | Symphony No. 4 in E flat major "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 10-2 | Symphony No. 4 in E flat major "Romantic": II. Andante quasi allegretto | — | ||
| 10-3 | Symphony No. 4 in E flat major "Romantic": III. Scherzo. Bewegt | — | ||
| 10-4 | Symphony No. 4 in E flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 11-1 | Symphony No. 9 in D minor: I. Feierlich, mistorioso | — | ||
| 11-2 | Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 11-3 | Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich | — | ||
| 11-4 | Symphony No. 9 in D minor: IV. Finale | — | ||
| 12-1 | Old American Songs First Set: I. The Boatmen's Dance (Minstrel Song) | — | ||
| 12-2 | Old American Songs First Set: II. The Dodger (Campaign Song) | — | ||
| 12-3 | Old American Songs First Set: III. Long Time Ago (Ballad) | — | ||
| 12-4 | Old American Songs First Set: IV. Simple Gifts (Shaker Song) | — | ||
| 12-5 | Old American Songs First Set: V. I Bought Me a Cat (Children's Song) | — | ||
| 12-6 | Old American Songs Second Set: I. The Little Horses (Lullaby) | — | ||
| 12-7 | Old American Songs Second Set: II. Zion's Walls (Revivalist Song) | — | ||
| 12-8 | Old American Songs Second Set: III. The Golden Willow Tree (Anglo-American Ballad) | — | ||
| 12-9 | Old American Songs Second Set: IV. At The River (Hymn Tune) | — | ||
| 12-10 | Old American Songs Second Set: V. Ching-a-Ring Chaw (Minstrel Song) | — | ||
| 12-11 | Down a Country Lane | — | ||
| 12-12 | 12 Poems of Emily Dickinson: I. Nature, the Gentlest Mother | — | ||
| 12-13 | 12 Poems of Emily Dickinson: II. There Came a Wind like a Bugle | — | ||
| 12-14 | 12 Poems of Emily Dickinson: IV. The World Feels Dusty | — | ||
| 12-15 | 12 Poems of Emily Dickinson: V. Heart, We Will Forget Him! | — | ||
| 12-16 | 12 Poems of Emily Dickinson: VI. Dear March, Come In! | — | ||
| 12-17 | 12 Poems of Emily Dickinson: VII. Sleep is Supposed to Be | — | ||
| 12-18 | 12 Poems of Emily Dickinson: XI. Going to Heaven | — | ||
| 12-19 | 12 Poems of Emily Dickinson: XII. The Chariot | — | ||
| 12-20 | Billy The Kid: VII. Waltz. Molto moderato | — | ||
| 12-21 | Billy The Kid: IV. Prairie Night. Molto moderato | — | ||
| 12-22 | Billy The Kid: VI. Celebration Dance. Allegro | — | ||
| 13-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 13-5 | The Water Goblin, op. 107 | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 14-1 | In the South (Alassio) Op. 50 | — | ||
| 14-2 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | BBC Symphony Orchestra, Andrew Davis | — | |
| 14-3 | Symphony No. 2 in E flat major Op. 63: II. Larghetto | — | ||
| 14-4 | Symphony No. 2 in E flat major Op. 63: III. Rondo - Presto | — | ||
| 14-5 | Symphony No. 2 in E flat major Op. 63: IV. Moderato e maestoso | — | ||
| 15-1 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: I. Adagio - Allegro con spirito | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-2 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: II. Andante più tosto - Allegretto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-3 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: III. Menuet | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-4 | Symphony no. 103 in E-flat major, Hob I: 103 “Drum Roll”: IV. Finale. Allegro con spirito | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | — | |
| 15-5 | Symphony no. 104 in D major, Hob I: 104 “London”: I. Adagio - Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | — | |
| 15-6 | Symphony no. 104 in D major, Hob I: 104 “London”: II. Andante | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | T-909.876.869-5 | |
| 15-7 | Symphony no. 104 in D major, Hob I: 104 “London”: III. Menuetto. Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | T-912.615.900-0 | |
| 15-8 | Symphony no. 104 in D major, Hob I: 104 “London”: IV. Finale. Spirituoso | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | T-909.876.870-8 | |
| 16-1 | Fantasia in C major, Hob.XVII:4: Presto | — | ||
| 16-2 | Piano Sonata No. 59 in E-flat major, Hob.XVI:49: I. Allegro | — | ||
| 16-3 | Piano Sonata No. 59 in E-flat major, Hob.XVI:49: II. Adagio e cantabile | — | ||
| 16-4 | Piano Sonata No. 59 in E-flat major, Hob.XVI:49: III. Finale: Tempo di Minuet | — | ||
| 16-5 | Piano Sonata No. 60 in C major, Hob.XVI:50: I. Allegro | — | ||
| 16-6 | Piano Sonata No. 60 in C major, Hob.XVI:50: II. Adagio | — | ||
| 16-7 | Piano Sonata No. 60 in C major, Hob.XVI:50: III. Allegro molto | — | ||
| 16-8 | Piano Sonata No. 61 in D major, Hob.XVI:51: I. Andante | — | ||
| 16-9 | Piano Sonata No. 61 in D major, Hob.XVI:51: II. Finale: Presto | — | ||
| 16-10 | Piano Sonata No. 62 in E-flat major, Hob.XVI:52: I. Allegro | — | ||
| 16-11 | Piano Sonata No. 62 in E-flat major, Hob.XVI:52: II. Adagio | — | ||
| 16-12 | Piano Sonata No. 62 in E-flat major, Hob.XVI:52: III. Finale: Presto | — | ||
| 17-1 | Lontano | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-2 | Atmosphères | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-3 | Apparitions: I. Lento | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-4 | Apparitions: II. Agitato | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-5 | San Francisco Polyphony | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-6 | Concert românesc: I. Andantino | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-7 | Concert românesc: II. Allegro vivace | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-8 | Concert românesc: III. Adagio ma non troppo | Berliner Philharmoniker, Jonathan Nott | — | |
| 17-9 | Concert românesc: IV. Molto vivace | Berliner Philharmoniker, Jonathan Nott | — | |
| 18-1 | 12 Etudes d'exécution transcendante S. 139: I. Preludio | — | ||
| 18-2 | 12 Etudes d'exécution transcendante S. 139: II. Fusées | — | ||
| 18-3 | 12 Etudes d'exécution transcendante S. 139: III. Paysage | — | ||
| 18-4 | 12 Etudes d'exécution transcendante S. 139: IV. Mazeppa | — | ||
| 18-5 | 12 Etudes d'exécution transcendante S. 139: V. Feux follets | — | ||
| 18-6 | 12 Etudes d'exécution transcendante S. 139: VI. Vision | — | ||
| 18-7 | 12 Etudes d'exécution transcendante S. 139: VII. Eroica | — | ||
| 18-8 | 12 Etudes d'exécution transcendante S. 139: VIII. Wilde Jagd | — | ||
| 18-9 | 12 Etudes d'exécution transcendante S. 139: IX. Ricordanza | — | ||
| 18-10 | 12 Etudes d'exécution transcendante S. 139: X. Appassionata | — | ||
| 18-11 | 12 Etudes d'exécution transcendante S. 139: XI. Harmonies du soir | — | ||
| 18-12 | 12 Etudes d'exécution transcendante S. 139: XII. Chasse-neige | — | ||
| 19-1 | Symphony no. 5 in C-sharp minor, part 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Chicago Symphony Orchestra, Daniel Barenboim | T-926.359.926-4 | |
| 19-2 | Symphony no. 5 in C-sharp minor, part 1: II. Stürmisch bewegt. Mit größter Vehemenz | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 19-3 | Symphony no. 5 in C-sharp minor, part 2: III. Scherzo. Kräftig, nicht zu schnell | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 19-4 | Symphony no. 5 in C-sharp minor, part 3: IV. Adagietto. Sehr langsam | Chicago Symphony Orchestra, Daniel Barenboim | — | |
| 19-5 | Symphony no. 5 in C-sharp minor, part 3: V. Rondo-Finale: Allegro | Chicago Symphony Orchestra, Daniel Barenboim | T-926.359.930-0 | |
| 20-1 | 6 Songs Op. 34: No. 2 Auf Flügeln des Gesanges | — | ||
| 20-2 | 6 Songs Op. 86: III. Die Liebende schreibt | — | ||
| 20-3 | 12 Lieder Op. 9: IX. Ferne | — | ||
| 20-4 | 6 Songs Op. 99: VI. Es wei | — | ||
| 20-5 | Pagenlied WoO | — | ||
| 20-6 | 6 Songs Op. 34: IV. Suleika | — | ||
| 20-7 | 6 Lieder Op. 57: III. Suleika | — | ||
| 20-8 | 12 Lieder Op. 9: I. Frage | — | ||
| 20-9 | 6 Songs Op. 86: V. Der Mond | — | ||
| 20-10 | 6 Lieder Op. 71: II. 'Frühlingslied' | — | ||
| 20-11 | 6 Lieder Op. 34: III. 'Frühlingslied' | — | ||
| 20-12 | 12 Lieder Op. 9: X. Verlust | — | ||
| 20-13 | 12 Lieder Op. 9: XII. Die Nonne | — | ||
| 20-14 | 12 Lieder Op. 9: VII. Sehnsucht | — | ||
| 20-15 | 6 Songs Op. 47: V. Der Blumenstrau | — | ||
| 20-16 | 6 Songs Op. 47: III. 'Frühlingslied' | — | ||
| 20-17 | 12 Lieder, op. 9: V. Im Herbst | Barbara Bonney, Geoffrey Parsons | — | |
| 20-18 | 6 Songs Op. 19a: IV. Neue Liebe | — | ||
| 20-19 | 6 Songs Op. 34: V. Sonntagslied | — | ||
| 20-20 | 6 Songs Op. 99: V. Wenn sich zwei Herzen scheiden | — | ||
| 20-21 | 12 Songs Op. 8: X. Romanze | — | ||
| 20-22 | 12 Lieder Op. 9: VIII. Frühlingsglaube | — | ||
| 20-23 | 6 Songs Op. 19a: III. Winterlied | — | ||
| 20-24 | 6 Songs Op. 99: I. Erster Verlust | — | ||
| 20-25 | 6 Songs Op. 47: VI. Bei der Wiege | — | ||
| 20-26 | 6 Lieder Op. 71: VI. Nachtlied | — | ||
| 20-27 | 12 Lieder Op. 8: VIII. Andres Maienlied | — | ||
| 20-28 | 3 Lieder Op. 84: III. Jagdlied | — | ||
| 20-29 | 6 Lieder Op. 86: VI. Altdeutsches Frühlingslied | — | ||
| 21-1 | Ein Sommernachtstraum, op. 61: Overtüre, op. 21 | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 21-2 | Ein Sommernachtstraum, Op. 61: Text: "Hier ist das Blatt" | — | ||
| 21-3 | Ein Sommernachtstraum, Op. 61: Nr. 1: Scherzo | — | ||
| 21-4 | Ein Sommernachtstraum, Op. 61: Nr. 2: Melodram. "Über Täler und Höh'n" | — | ||
| 21-5 | Ein Sommernachtstraum, Op. 61: Elfenmarsch | — | ||
| 21-6 | Ein Sommernachtstraum, Op. 61: Nr. 3: Lied mit Chor. "Kommt! Einen Ringel-, einen Feengesang!" | — | ||
| 21-7 | Ein Sommernachtstraum, Op. 61: Nr. 4: Melodram. "Was du wirst erwachend sehn" | — | ||
| 21-8 | Ein Sommernachtstraum, Op. 61: Nr. 5: Intermezzo | — | ||
| 21-9 | Ein Sommernachtstraum, Op. 61: Nr. 6: Melodram. "Welch hausgebackenes Volk" | — | ||
| 21-10 | A Midsummer Night's Dream, op. 61: Nr. 7 Notturno | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 21-11 | Ein Sommernachtstraum, Op. 61: Text: "Nun, toller Geist" - Nr.8: Melodram. "Sei, als wäre nichts geschehn!" | — | ||
| 21-12 | Ein Sommernachtstraum, Op. 61: Nr. 9: Hochzeitsmarsch | — | ||
| 21-13 | Ein Sommernachtstraum, Op. 61: Text: "Nun kommt!" - Nr. 10: Melodram. "Was dies bedeuten soll" | — | ||
| 21-14 | Ein Sommernachtstraum, Op. 61: Text: "Beliebt es Euer Hoheit" | — | ||
| 21-15 | Ein Sommernachtstraum, Op. 61: Nr. 11: Ein Tanz von Rüpeln | — | ||
| 21-16 | Ein Sommernachtstraum, Op. 61: Text: "Zu Bett, geliebte Freunde!" | — | ||
| 21-17 | Ein Sommernachtstraum, Op. 61: Nr. 12: Melodram. "Jetzt beheult der Wolf den Mond" | — | ||
| 21-18 | Ein Sommernachtstraum, Op. 61: Nr. 13: Finale. "Bei des Feuers mattem Flimmern" | — | ||
| 22-1 | Turangalîla-Symphonie: Introduction | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-2 | Turangalîla-Symphonie: Chant d'amour 1 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-3 | Turangalîla-Symphonie: Turangalîla 1 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-4 | Turangalîla-Symphonie: Chant d'amour 2 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-5 | Turangalîla-Symphonie: Joie du sang des étoiles | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-6 | Turangalîla-Symphonie: Jardin du sommeil d'amour | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-7 | Turangalîla-Symphonie: Turangalîla 2 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-8 | Turangalîla-Symphonie: Développement de l'amour | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-9 | Turangalîla-Symphonie: Turangalîla 3 | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 22-10 | Turangalîla-Symphonie: Final | Berliner Philharmoniker, Kent Nagano, Pierre-Laurent Aimard, Dominique Kim | — | |
| 23-1 | Don Giovanni: "Or sai chi l'onore" | Edita Gruberová, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-929.613.726-3 | |
| 23-2 | Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni) | — | ||
| 23-3 | Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina) | — | ||
| 23-4 | Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro) | — | ||
| 23-5 | Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa) | — | ||
| 23-6 | Le nozze di Figaro, K. 492: Act 2 "Voi, che sapete che cosa è amor" (Cherubino) | — | ||
| 23-7 | Die Zauberflöte, K. 620: Act 1 "Dies Bildnis ist bezaubernd schön" (Tamino) | — | ||
| 23-8 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Edita Gruberová, Orchester der Oper Zürich, Nikolaus Harnoncourt | — | |
| 23-9 | Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando) | — | ||
| 23-10 | Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze) | — | ||
| 23-11 | Idomeneo, K. 366: Act 2 "Fuor del mar" (Idomeneo) | — | ||
| 23-12 | La clemenza di Tito, K. 621: Act 1 "Parto, ma tu ben mio" (Sesto) | — | ||
| 23-13 | La clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito) | — | ||
| 23-14 | La clemenza di Tito, K. 621: Act 2 "Non, più di fiori" (Vitellia) | — | ||
| 23-15 | Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio) | — | ||
| 24-1 | Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-2 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | T-920.112.434-7 | |
| 24-3 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-4 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-5 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-6 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Daniel Barenboim, Berliner Philharmoniker | — | |
| 24-7 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Daniel Barenboim, Berliner Philharmoniker | — | |
| 25-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Philharmonic Choir, London Philharmonic Orchestra, Zubin Mehta | T-800.639.771-4 | |
| 25-2 | Carmina Burana: Fortuna imperatrix mundi - II. Fortune plango vulnera | — | ||
| 25-3 | Carmina Burana: Primo vere - III. Veris leta facies | — | ||
| 25-4 | Carmina Burana: Primo vere - IV. Omnia sol temperat | — | ||
| 25-5 | Carmina Burana: Primo vere - V. Ecce gratum | — | ||
| 25-6 | Carmina Burana: Uf dem anger - VI. Tanz | — | ||
| 25-7 | Carmina Burana: Uf dem anger - VII. Floret silva | — | ||
| 25-8 | Carmina Burana: Uf dem anger - VIII. Chramer, gip die varwe mir | — | ||
| 25-9 | Carmina Burana: Uf dem anger - IX. Reie - Swaz hie gat umbe - Chume, chum geselle min | — | ||
| 25-10 | Carmina Burana: Uf dem anger - X. Were diu werlt alle min | — | ||
| 25-11 | Carmina Burana: In Taberna - XI. Estuans interius | — | ||
| 25-12 | Carmina Burana: In Taberna - XII. Olim lacus colueram | — | ||
| 25-13 | Carmina Burana: In Taberna - XIII. Ego sum abbas | — | ||
| 25-14 | Carmina Burana: In Taberna - XIV. In taberna quando sumus | — | ||
| 25-15 | Carmina Burana: Cour d'amours - XV. Amor volat undique | — | ||
| 25-16 | Carmina Burana: Cour d'amours - XVI. Dies, nox et omnia | — | ||
| 25-17 | Carmina Burana: Cour d'amours - XVII. Stetit puella | — | ||
| 25-18 | Carmina Burana: Cour d'amours - XVIII. Circa mea pectora | — | ||
| 25-19 | Carmina Burana: Cour d'amours - XIX. Si puer cum puellula | — | ||
| 25-20 | Carmina Burana: Cour d'amours - XX. Veni, Veni, Venias | — | ||
| 25-21 | Carmina Burana: Cour d'amours - XXI. In trutina | — | ||
| 25-22 | Carmina Burana: Cour d'amours - XXII. Tempus est iocundum | — | ||
| 25-23 | Carmina Burana: Cour d'amours - XXIII. Dulcissime | — | ||
| 25-24 | Carmina Burana: Blanziflor et Helena - XXIV. Ave formosissima | — | ||
| 25-25 | Carmina Burana: Fortuna imperatrix mundi - XXV. O Fortuna | — | ||
| 26-1 | 24 Caprices Op. 1: No. 1 in E major | — | ||
| 26-2 | 24 Caprices Op. 1: No. 2 in B minor | — | ||
| 26-3 | 24 Caprices Op. 1: No. 3 in E minor | — | ||
| 26-4 | 24 Caprices Op. 1: No. 4 in C minor | — | ||
| 26-5 | 24 Caprices Op. 1: No. 5 in A minor | — | ||
| 26-6 | 24 Caprices Op. 1: No. 6 in G minor | — | ||
| 26-7 | 24 Caprices Op. 1: No. 7 in A minor | — | ||
| 26-8 | 24 Caprices Op. 1: No. 8 in E flat major | — | ||
| 26-9 | 24 Caprices Op. 1: No. 9 in E major | — | ||
| 26-10 | 24 Caprices Op. 1: No. 10 in G minor | — | ||
| 26-11 | 24 Caprices Op. 1: No. 11 in C major | — | ||
| 26-12 | 24 Caprices Op. 1: No. 12 in A flat major | — | ||
| 26-13 | 24 Caprices Op. 1: No. 13 in B flat major | — | ||
| 26-14 | 24 Caprices Op. 1: No. 14 in E flat major | — | ||
| 26-15 | 24 Caprices Op. 1: No. 15 in E minor | — | ||
| 26-16 | 24 Caprices Op. 1: No. 16 in G minor | — | ||
| 26-17 | 24 Caprices Op. 1: No. 17 in E flat major | — | ||
| 26-18 | 24 Caprices Op. 1: No. 18 in C major | — | ||
| 26-19 | 24 Caprices Op. 1: No. 19 in E flat major | — | ||
| 26-20 | 24 Caprices Op. 1: No. 20 in D major | — | ||
| 26-21 | 24 Caprices Op. 1: No. 21 in A major | — | ||
| 26-22 | 24 Caprices Op. 1: No. 22 in F major | — | ||
| 26-23 | 24 Caprices Op. 1: No. 23 in E flat major | — | ||
| 26-24 | 24 Caprices Op. 1: No. 24 in A minor | — | ||
| 27-1 | Le Carnaval des animaux: I. Introduction et marche royale du lion | — | ||
| 27-2 | Le Carnaval des animaux: II. Poules et coqs | — | ||
| 27-3 | Le Carnaval des animaux: III. Hèmiones | — | ||
| 27-4 | Le Carnaval des animaux: IV. Tortues | — | ||
| 27-5 | Le Carnaval des animaux: V. L'Éléphant | — | ||
| 27-6 | Le Carnaval des animaux: VI. Kangourous | — | ||
| 27-7 | Le Carnaval des animaux: VII. Aquarium | — | ||
| 27-8 | Le Carnaval des animaux: VIII. Personnages à longues oreilles | — | ||
| 27-9 | Le Carnaval des animaux: IX. Le Coucou au fond des bois | — | ||
| 27-10 | Le Carnaval des animaux: X. Volière | — | ||
| 27-11 | Le Carnaval des animaux: XI. Pianistes | — | ||
| 27-12 | Le Carnaval des animaux: XII. Fossiles | — | ||
| 27-13 | Le Carnaval des animaux: XIII. Le Cygne | — | ||
| 27-14 | Le Carnaval des animaux: XIV. Finale | — | ||
| 27-15 | Concerto for 2 Pianos in D minor: I. Allegro, ma non troppo | — | ||
| 27-16 | Concerto for 2 Pianos in D minor: II. Larghetto | — | ||
| 27-17 | Concerto for 2 Pianos in D minor: III. Finale. Allegro molto | — | ||
| 27-18 | 3 Danses andalouses: I. Ritmo | — | ||
| 27-19 | 3 Danses andalouses: II. Sentimiento | — | ||
| 27-20 | 3 Danses andalouses: III. Gracia | — | ||
| 27-21 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 27-22 | Rapsodie espagnole: II. Malagueña | — | ||
| 27-23 | Rapsodie espagnole: III. Habanera | — | ||
| 27-24 | Rapsodie espagnole: IV. Feria | — | ||
| 27-25 | La valse | — | ||
| 28-1 | Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto | — | ||
| 28-2 | Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo: Vivace | — | ||
| 28-3 | Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo: Allegro moderato | — | ||
| 28-4 | Piano Concerto No. 2 in G minor, Op. 16: IV. Finale: Allegro tempestoso | — | ||
| 28-5 | Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro | — | ||
| 28-6 | Piano Concerto No. 3 in C major, Op. 26: II. Theme and Variations: Andantino | — | ||
| 28-7 | Piano Concerto No. 3 in C major, Op. 26: III. Allegro, ma non troppo | — | ||
| 29-1 | Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-2 | Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-3 | Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-4 | Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-5 | Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-6 | Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-7 | Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-8 | Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-9 | Symphonic Dances, op. 45: I. Non allegro | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-10 | Symphonic Dances, op. 45: II. Andante con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 29-11 | Symphonic Dances, op. 45: III. Lento assai | Martha Argerich, Alexandre Rabinovitch | — | |
| 30-1 | Die Winterreise, D. 911: I. Gute Nacht | — | ||
| 30-2 | Die Winterreise, D. 911: II. Die Wetterfahne | — | ||
| 30-3 | Die Winterreise, D. 911: III. Gefrorene Tränen | — | ||
| 30-4 | Die Winterreise, D. 911: IV. Erstarrung | — | ||
| 30-5 | Die Winterreise, D. 911: V. Der Lindenbaum | — | ||
| 30-6 | Die Winterreise, D. 911: VI. Wasserflut | — | ||
| 30-7 | Die Winterreise, D. 911: VII. Auf dem Flusse | — | ||
| 30-8 | Die Winterreise, D. 911: VIII. Rückblick | — | ||
| 30-9 | Die Winterreise, D. 911: IX. Irrlicht | — | ||
| 30-10 | Die Winterreise, D. 911: X. Rast | — | ||
| 30-11 | Die Winterreise, D. 911: XI. Frühlingstraum | — | ||
| 30-12 | Die Winterreise, D. 911: XII. Einsamkeit | — | ||
| 30-13 | Die Winterreise, D. 911: XIII. Die Post | — | ||
| 30-14 | Die Winterreise, D. 911: XIV. Der greise Kopf | — | ||
| 30-15 | Die Winterreise, D. 911: XV. Die Krähe | — | ||
| 30-16 | Die Winterreise, D. 911: XVI. Letzte Hoffnung | — | ||
| 30-17 | Die Winterreise, D. 911: XVII. Im Dorfe | — | ||
| 30-18 | Die Winterreise, D. 911: XVIII. Der stürmische Morgen | — | ||
| 30-19 | Die Winterreise, D. 911: XIX. Täuschung | — | ||
| 30-20 | Die Winterreise, D. 911: XX. Der Wegweiser | — | ||
| 30-21 | Die Winterreise, D. 911: XXI. Das Wirtshaus | — | ||
| 30-22 | Die Winterreise, D. 911: XXII. Mut! | — | ||
| 30-23 | Die Winterreise, D. 911: XXIII. Die Nebensonnen | — | ||
| 30-24 | Die Winterreise, D. 911: XXIV. Der Leiermann | — | ||
| 31-1 | String Quartet no. 23 in F major, K. 590: I. Allegro moderato | Alban Berg Quartett | — | |
| 31-2 | String Quartet no. 23 in F major, K. 590: II. Andante | Alban Berg Quartett | — | |
| 31-3 | String Quartet no. 23 in F major, K. 590: III. Menuetto. Allegretto - Trio | Alban Berg Quartett | — | |
| 31-4 | String Quartet no. 23 in F major, K. 590: IV. Allegro | Alban Berg Quartett | T-003.055.867-8 | |
| 31-5 | String Quartet no. 13 in A minor, D 804, op 29: I. Allegro ma non troppo | Alban Berg Quartet | — | |
| 31-6 | String Quartet no. 13 in A minor, D 804, op 29: II. Andante | Alban Berg Quartet | — | |
| 31-7 | String Quartet no. 13 in A minor, D 804, op 29: III. Menuetto: Allegretto | Alban Berg Quartet | — | |
| 31-8 | String Quartet no. 13 in A minor, D 804, op 29: IV. Allegro moderato | Alban Berg Quartet | — | |
| 31-9 | String Quartet no. 9 in G minor, D 173: I. Allegro con brio | Alban Berg Quartet | — | |
| 31-10 | Schubert: String Quartet No. 9 in G Minor, D. 173: II. Andantino | Franz Schubert | — | |
| 31-11 | String Quartet no. 9 in G minor, D 173: III. Menuetto: Allegro vivace | Alban Berg Quartet | — | |
| 31-12 | Schubert: String Quartet No. 9 in G Minor, D. 173: IV. Allegro | Franz Schubert | — | |
| 32-1 | Dichterliebe, Op. 48: I. "Im wunderschönen Monat Mai" | — | ||
| 32-2 | Dichterliebe, Op. 48: II. "Aus meinen Tränen spriessen" | — | ||
| 32-3 | Dichterliebe, Op. 48: III. "Die Rose, die Lilie, die Traube, die Sonne" | — | ||
| 32-4 | Dichterliebe, Op. 48: IV. "Wenn ich in deine Augen seh'" | — | ||
| 32-5 | Dichterliebe, Op. 48: V. "Ich will meine Seele tauchen" | — | ||
| 32-6 | Dichterliebe, Op. 48: VI. "Im Rhein, im heiligen Strome" | — | ||
| 32-7 | Dichterliebe, Op. 48: VII. "Ich grolle nicht, und wenn das Herz auch bricht" | — | ||
| 32-8 | Dichterliebe, Op. 48: VIII. "Und wüssten's die Blumen, die kleinen" | — | ||
| 32-9 | Dichterliebe, Op. 48: IX. "Das ist ein Flöten und Geigen" | — | ||
| 32-10 | Dichterliebe, Op. 48: X. "Hör' ich das Liedchen klingen" | — | ||
| 32-11 | Dichterliebe, Op. 48: XI. "Ein Jüngling liebt ein Mädchen" | — | ||
| 32-12 | Dichterliebe, Op. 48: XII. "Am leuchtenden Sommermorgen" | — | ||
| 32-13 | Dichterliebe, Op. 48: XIII. "Ich hab' im Traum geweinet" | — | ||
| 32-14 | Dichterliebe, Op. 48: XIV. "Allnächtlich im Traume seh' ich dich" | — | ||
| 32-15 | Dichterliebe, Op. 48: XV. "Aus alten Märchen winkt es" | — | ||
| 32-16 | Dichterliebe, Op. 48: XVI. "Die alten, bösen Lieder" | — | ||
| 32-17 | 5 Lieder und Gesänge, Op. 127: II. Dein Angesicht | — | ||
| 32-18 | 4 Gesänge, Op. 142: II. "Lehn' deine Wang an meine Wang" | — | ||
| 32-19 | Der arme Peter, Op. 53 No. 3: I. "Der Hans und die Grete tanzen herum" | — | ||
| 32-20 | Der arme Peter, Op. 53 No. 3: II. "In meiner Brust, da sitzt ein Weh" | — | ||
| 32-21 | Der arme Peter, Op. 53 No. 3: III. "Der arme Peter wankt vorbei" | — | ||
| 32-22 | Liederkreis, Op. 24: I. "Morgens steh' ich auf und frage" | — | ||
| 32-23 | Liederkreis, Op. 24: II. "Es treibt mich hin, es treibt mich her!" | — | ||
| 32-24 | Liederkreis, Op. 24: III. "Ich wandelte unter den Bäumen" | — | ||
| 32-25 | Liederkreis, Op. 24: IV. "Lieb' Liebchen, leg's Händchen aufs Herze mein" | — | ||
| 32-26 | Liederkreis, Op. 24: V. "Schöne Wiege meiner Leiden" | — | ||
| 32-27 | Liederkreis, Op. 24: VI. "Warte, warte, wilder Schiffmann" | — | ||
| 32-28 | Liederkreis, Op. 24: VII. "Berg' und Burgen schaun herunter" | — | ||
| 32-29 | Liederkreis, Op. 24: VIII. "Anfangs wollt' ich fast verzagen" | — | ||
| 32-30 | Liederkreis, Op. 24: IX. "Mit Myrthen und Rosen, lieblich und hold" | — | ||
| 33-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 33-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 33-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 33-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 33-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 33-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 34-1 | Symphony No. 10 in E minor, Op. 93: I. Moderato | — | ||
| 34-2 | Symphony No. 10 in E minor, Op. 93: II. Allegro | — | ||
| 34-3 | Symphony No. 10 in E minor, Op. 93: III. Allegretto | — | ||
| 34-4 | Symphony No. 10 in E minor, Op. 93: IV. Andante - Allegro | — | ||
| 35-1 | Die Fledermaus: Overture | — | ||
| 35-2 | Die Fledermaus: Act 1 "Täubchen, das entflattert ist" (Alfred, Adele) | — | ||
| 35-3 | Die Fledermaus: Act 1 "Ach, ich darf nicht hin zu dir" (Rosalinde, Adele) | — | ||
| 35-4 | Die Fledermaus: Act 1 "Nein, mit solchen Advokaten" (Eisenstein, Rosalinde, Blind) | — | ||
| 35-5 | Die Fledermaus: Act 1 "So muss allein ich bleiben" (Rosalinde, Adele, Eisenstein) | — | ||
| 35-6 | Die Fledermaus: Act 1 "Trinke, Liebchen, trinke schnell" (Alfred, Rosalinde, Frank) | — | ||
| 35-7 | Die Fledermaus: Act 2 "Ein Souper heut' uns winkt" (Chorus) | — | ||
| 35-8 | Die Fledermaus: Act 2 "Ich lade gern mir Gäste ein" (Orlofsky) | — | ||
| 35-9 | Die Fledermaus: Act 2 "Ach, meine Herrn und Damen" (Adele, Ida, Orlofsky, Chorus) | — | ||
| 35-10 | Die Fledermaus: Act 2 "Dieser Anstand, so manierlich" (Eisenstein, Rosalinde) | — | ||
| 35-11 | Die Fledermaus: Act 2 "Klänge der Heimat" (Rosalinde) | — | ||
| 35-12 | Die Fledermaus: Act 2 "Im Feuerstrom der Reben" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Frank, Falke, Chorus) | — | ||
| 35-13 | Die Fledermaus: Act 2 "Genug damit, genug!" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Frank, Falke, Chorus) | — | ||
| 35-14 | Die Fledermaus: Act 2 "Olga, komm her, Ida auch" (Frank) | — | ||
| 35-15 | Die Fledermaus: Act 3 "Spiel' ich die Unschuld vom Lande" (Adele, Ida, Frank) | — | ||
| 35-16 | Die Fledermaus: Act 3 "O Fledermaus, o Fledermaus" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Alfred, Frank, Falke, Chorus) | — | ||
| 36-1 | Le sacre du printemps: I. Introduction | — | ||
| 36-2 | Le sacre du printemps: II. The Augurs of Spring | — | ||
| 36-3 | Le sacre du printemps: III. Ritual of Abduction | — | ||
| 36-4 | Le sacre du printemps: IV. Spring Rounds | — | ||
| 36-5 | Le sacre du printemps: V. Ritual of the Rival Tribes | — | ||
| 36-6 | Le sacre du printemps: VI. Procession of the Wise Elder | — | ||
| 36-7 | Le sacre du printemps: VII. Adoration of the Earth | — | ||
| 36-8 | Le sacre du printemps: VIII. Dance of the Earth | — | ||
| 36-9 | Le sacre du printemps: IX. Introduction - The Sacrifice | — | ||
| 36-10 | Le sacre du printemps: X. Mystic Circles of the Young Girls | — | ||
| 36-11 | Le sacre du printemps: XI. Glorification of the Chosen Victim | — | ||
| 36-12 | Le sacre du printemps: XII. Evocation of the Ancestors | — | ||
| 36-13 | Le sacre du printemps: XIII. Ritual of the Ancestors | — | ||
| 36-14 | Le sacre du printemps: XIV. Sacrificial Dance | — | ||
| 36-15 | Symphony in 3 Movements: I . | — | ||
| 36-16 | Symphony in 3 Movements: II. Andante | — | ||
| 36-17 | Symphony in 3 Movements: III. Con moto | — | ||
| 37-1 | String Quartet No. 1 in D major Op. 11: I. Moderato e semplice | — | ||
| 37-2 | String Quartet No. 1 in D major Op. 11: II. Andante cantabile | — | ||
| 37-3 | String Quartet No. 1 in D major Op. 11: III. Scherzo - Allegro non tanto e con fuoco | — | ||
| 37-4 | String Quartet No. 1 in D major Op. 11: IV. Finale - Allegro giusto | — | ||
| 37-5 | String Quartet in B flat major: Adagio misterioso - Allegro con moto - Adagio misterioso | — | ||
| 37-6 | String Sextet in D minor Op. 70, 'Souvenir de Florence': I. Allegro con spirito | — | ||
| 37-7 | String Sextet in D minor Op. 70, 'Souvenir de Florence': II. Adagio cantabile e con moto | — | ||
| 37-8 | String Sextet in D minor Op. 70, 'Souvenir de Florence': III. Allegretto moderato | — | ||
| 37-9 | String Sextet in D minor Op. 70, 'Souvenir de Florence': IV. Allegro vivace | — | ||
| 38-1 | Symphony No. 6 in E minor: I. Allegro | — | ||
| 38-2 | Symphony No. 6 in E minor: II. Moderato | — | ||
| 38-3 | Symphony No. 6 in E minor: III. Scherzo - Allegro vivace | — | ||
| 38-4 | Symphony No. 6 in E minor: IV. Epilogue - Moderato | — | ||
| 38-5 | Fantasia on a Theme by Thomas Tallis | — | ||
| 38-6 | The Lark Ascending | — | ||
| 39-1 | La traviata: Prelude to Act 1 | — | ||
| 39-2 | La traviata: Act 1 "Libiamo, ne'lieti calici" (Violetta, Alfredo, Choir) | — | ||
| 39-3 | La traviata: Act 1 "E strano! è strano! ... Ah, fors'è lui" (Violetta) | — | ||
| 39-4 | La traviata: Act 1 "Follie! ... Sempre libera" (Violetta, Alfredo) | — | ||
| 39-5 | La traviata: Act 2 "Lunge da lei" (Alfredo) | — | ||
| 39-6 | La traviata: Act 2 "De'miei bollenti spiriti" (Alfredo) | — | ||
| 39-7 | La traviata: Act 2 "Oh mio rimorso!" (Alfredo) | — | ||
| 39-8 | La traviata: Act 2 "Pura siccome un angelo" (Germont, Violetta) | — | ||
| 39-9 | La traviata: Act 2 "Dite alla giovine" (Violetta, Germont) | — | ||
| 39-10 | La traviata: Act 2 "Di Provenza il mar" (Germont, Alfredo) | — | ||
| 39-11 | La traviata: Act 2 "Noi siamo zingarelle" (Flora, Marchese, Dottore, Chorus) | — | ||
| 39-12 | La traviata: Prelude to Act 3 | — | ||
| 39-13 | La traviata: Act 3 "Teneste la promessa" (Violetta) | — | ||
| 39-14 | La traviata: Act 3 "Addio, del passato bei sogni" (Violetta) | — | ||
| 39-15 | La traviata: Act 3 "Parigi, o cara, noi lasceremo" (Violetta, Alfredo) | — | ||
| 39-16 | La traviata: Act 3 "Se una pudica vergine" (Violetta, Annina, Alfredo, Germont, Dottore) | — | ||
| 40-1 | Die Walküre: Prelude to Act 1 | — | ||
| 40-2 | Die Walküre: Act 1 "Friedmund darf ich nicht heissen" (Siegmund, Hunding, Sieglinde) | — | ||
| 40-3 | Die Walküre: Act 1 "Aus dem Wald trieb es mich fort" (Siegmund) | — | ||
| 40-4 | Die Walküre: Act 1 "Winterstürme wichen dem Wonnemond" (Siegmund) | — | ||
| 40-5 | Die Walküre: Act 1 "Du bist der Lenz" (Sieglinde) | — | ||
| 40-6 | Die Walküre: Act 1 "O süsseste Wonne!" (Siegmund, Sieglinde) | — | ||
| 40-7 | Die Walküre: Act 1 "War Wälse dein Vater" (Sieglinde, Siegmund) | — | ||
| 40-8 | Die Walküre: Act 1 "Siegmund heiss' ich" (Siegmund, Sieglinde) | — | ||
| 40-9 | Die Walküre: Act 2 "Siegmund! Sieh auf mich!" (Brünnhilde, Siegmund) | — | ||
| 40-10 | Die Walküre: Act 2 "Du sahest der Walküre sehrenden Blick" (Brünnhilde, Siegmund) | — | ||
| 40-11 | Die Walküre: Prelude to Act 3 "Hojotoho!, Hojotoho!" (Walkyries) | — | ||
| 40-12 | Die Walküre: Act 3 "Schützt mich und helft" (Brünnhilde, Valkyries) | — | ||
| 40-13 | Die Walküre: Act 3 "Du zeugtest ein edles Geschlecht" (Brünnhilde, Wotan) | — | ||
| 40-14 | Die Walküre: Act 3 "Was hast du erdacht, dass ich erdulde?" (Brünnhilde, Wotan) | — | ||
| 40-15 | Die Walküre: Act 3 "Leb wohl, du kühnes, herrliches Kind!" (Wotan) | — | ||
| 40-16 | Die Walküre: Act 3 "Der Augen leuchtendes Paar" (Wotan) | — | ||
| 40-17 | Die Walküre: Act 3 "Loge, hör! Lausche hieher!" (Wotan) | — | ||
| 41-1 | Tristan und Isolde: Act I. Vorspiel | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-2 | Tristan und Isolde: Act I, Scene V. "Tristan!" - "Isolde!" - "Treuloser Holder!" (Isolde, Tristan, Schiffsvolk, Brangäne, Kurwenal) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-3 | Tristan und Isolde: Act II, Scene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (Tristan, Isolde) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-4 | Tristan und Isolde: Act II, Scene II. "O eitler Tagesknecht!" (Isolde, Tristan) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-5 | Tristan und Isolde: Act II, Scene II. "Einsam wachend in der Nacht" (Brangäne) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-6 | Tristan und Isolde: Act II, Scene III. "Tatest du's wirklich? Wähnst du das?" (Marke, Tristan) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-7 | Tristan und Isolde: Act III. Vorspiel | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-8 | Tristan und Isolde: Act III, Scene III. "Kurwenal! Hör! Ein zweites Schiff" (Ein Hirt, Kurwenal, ein Steuermann, Brangäne, Melot, Marke) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-9 | Tristan und Isolde: Act III, Scene III. "Tot denn alles!" (Marke, Brangäne) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 41-10 | Tristan und Isolde: Act III, Scene III. "Mild und leise wie er lächelt" (Isolde) | Berliner Philharmoniker, Daniel Barenboim | — | |
| 42-1 | Clarinet Concerto No. 1 in F Minor, Op. 73: I. Allegro | — | ||
| 42-2 | Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio, ma non troppo | — | ||
| 42-3 | Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - Allegretto | — | ||
| 42-4 | Clarinet Concerto No. 2 in E-Flat Major, Op. 74: I. Allegro | — | ||
| 42-5 | Clarinet Concerto No. 2 in E-Flat Major, Op. 74: II. Romanza - Andante | — | ||
| 42-6 | Clarinet Concerto No. 2 in E-Flat Major, Op. 74: III. Alla Polacca | — | ||
| 42-7 | Grand Duo Concertant, Op. 48: I. Allegro con fuoco | — | ||
| 42-8 | Grand Duo Concertant, Op. 48: II. Andante con moto | — | ||
| 42-9 | Grand Duo Concertant, Op. 48: III. Rondo - Allegro | — | ||
| 43-1 | Im Sommerwind: Ruhig bewegt | — | ||
| 43-2 | Passacaglia, Op. 1: Sehr mäßig, Tempo I | — | ||
| 43-3 | 6 Orchestral Pieces, Op. 6: I. Etwas bewegt | — | ||
| 43-4 | 6 Orchestral Pieces, Op. 6: II. Bewegt | — | ||
| 43-5 | 6 Orchestral Pieces, Op. 6: III. Zart bewegt | — | ||
| 43-6 | 6 Orchestral Pieces, Op. 6: IV. Langsam - marcia funebre | — | ||
| 43-7 | 6 Orchestral Pieces, Op. 6: V. Sehr langsam | — | ||
| 43-8 | 6 Orchestral Pieces, Op. 6: VI. Zart bewegt | — | ||
| 43-9 | 5 Orchestral Pieces, Op. 10: I. Sehr ruhig und zart | — | ||
| 43-10 | 5 Orchestral Pieces, Op. 10: II. Lebhaft und zart bewegt | — | ||
| 43-11 | 5 Orchestral Pieces, Op. 10: III. Sehr langsam und äusserst ruhig | — | ||
| 43-12 | 5 Orchestral Pieces, Op. 10: IV. Fliessend, äusserst zart | — | ||
| 43-13 | 5 Orchestral Pieces, Op. 10: V. Sehr fliessend | — | ||
| 43-14 | Symphony, Op. 21: I. Ruhig schreitend | — | ||
| 43-15 | Symphony, Op. 21: II. Variationen | — | ||
| 43-16 | Concerto, Op. 24: I. Etwas lebhaft | — | ||
| 43-17 | Concerto, Op. 24: II. Sehr langsam | — | ||
| 43-18 | Concerto, Op. 24: III. Sehr rasch | — | ||
| 43-19 | Variations, Op. 30: I. Lebhaft | — | ||
| 44-1 | Die Dreigroschenoper (Kurzfassung): Ouvertüre und Moritat von Mackie Messer | Kurt Gerron, Lewis Ruth Band, Theo Mackeben | — | |
| 44-2 | Die Dreigroschenoper (Kurzfassung): Seeräuberjenny | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | T-801.865.352-7 | |
| 44-3 | Die Dreigroschenoper (Kurzfassung): Kanonensong | Kurt Gerron, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-4 | Die Dreigroschenoper (Kurzfassung): Liebeslied | Erika Helmke, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-5 | Die Dreigroschenoper (Kurzfassung): Barbara Song | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-6 | Die Dreigroschenoper (Kurzfassung): Erstes Dreigroschen-Finale | Erich Ponto, Erika Helmke, Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-7 | Die Dreigroschenoper (Kurzfassung): Abschied | Erika Helmke, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | T-801.755.589-5 | |
| 44-8 | Die Dreigroschenoper (Kurzfassung): Zuhälterballade | Lotte Lenya, Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | T-801.864.941-8 | |
| 44-9 | Die Dreigroschenoper (Kurzfassung): Ballade von angenehmen Leben | Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-10 | Die Dreigroschenoper (Kurzfassung): Eifersuchtsduett | Erika Helmke, Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-11 | Die Dreigroschenoper (Kurzfassung): Zweites Dreigroschen-Finale | Willy Trenk-Trebitsch, Lewis Ruth Band, Theo Mackeben | — | |
| 44-12 | Die Dreigroschenoper (Kurzfassung): Lied von der Unzulänglichkeit des menschlichen Strebens | Erich Ponto, Lewis Ruth Band, Theo Mackeben | — | |
| 44-13 | Die Dreigroschenoper (Kurzfassung): Moritat und Schlusschoral | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | — | |
| 44-14 | Aufstieg und Fall der Stadt Mahagonny: Wie man sich bettet | Lotte Lenya, The Three Admirals, Jazzorchester Theo Mackeben, Theo Mackeben | — | |
| 44-15 | Aufstieg und Fall der Stadt Mahagonny: Alabama Song | Lotte Lenya, The Three Admirals, Theo Mackeben Jazzband, Theo Mackeben | T-071.434.173-7 | |
| 44-16 | Das Nachtgespenst | Kurt Gerron | — | |
| 44-17 | Peter | — | ||
| 44-18 | Guck doch nicht immer nach dem Tangogeiger hin | Curt Bois, Theo Mackeben Jazzband | — | |
| 44-19 | Jonny | Marlene Dietrich, Peter Kreuder | T-802.048.839-6 | |
| 44-20 | Vom Seemann Kuttel Daddeldu | Kurt Gerron | — | |
| 44-21 | L’Opéra de quat’sous : Chant des canons | Jacques Henley, Albert Préjean, Lewis Ruth Band, Theo Mackeben | — | |
| 44-22 | L’Opéra de quat’sous : Chant d’amour | Albert Préjean, Lewis Ruth Band, Theo Mackeben | — | |
| 44-23 | L’Opéra de quat’sous : Tangoballade | Margo Lion, Albert Préjean, Lewis Ruth Band, Theo Mackeben | — | |
| 44-24 | L’Opéra de quat’sous : Ballade de la vie agréable | Albert Préjean, Lewis Ruth Band, Theo Mackeben | T-802.371.100-5 | |
| 44-25 | Die Dreigroschenoper (Kurzfassung): Die Seeräuberjenny | Carola Neher, Theo Mackeben Jazzband, Theo Mackeben | T-801.865.352-7 | |
| 44-26 | Die Dreigroschenoper (Kurzfassung): Barbara Song | Carola Neher, Theo Mackeben Jazzband, Theo Mackeben | — | |
| 44-27 | Die Dreigroschenoper (Kurzfassung): Die Moritat von Mackie Messer | Bertolt Brecht, Lewis Ruth Band, Theo Mackeben Jazzband, Theo Mackeben | — | |
| 44-28 | Die Dreigroschenoper (Kurzfassung): Lied von der Unzulänglichkeit des menschlichen Strebens | Bertolt Brecht, Lewis Ruth Band, Theo Mackeben Jazzband, Theo Mackeben | — | |
| 44-29 | Aufstieg und Fall der Stadt Mahagonny: Alabama Song (alternate take) | Lotte Lenya, The Three Admirals, Theo Mackeben Jazzband, Theo Mackeben | T-071.434.173-7 | |
| 45-1 | Mi Buenos Aires querido | Barenboim, Mederos, Console | — | |
| 45-2 | Verano porteño | Barenboim, Mederos, Console | T-004.698.885-5 | |
| 45-3 | La moza donosa | Barenboim, Mederos, Console | T-070.038.353-4 | |
| 45-4 | Don Agustín Bardi | Barenboim, Mederos, Console | — | |
| 45-5 | Tzigane tango | Barenboim, Mederos, Console | T-900.762.535-6 | |
| 45-6 | Invierno porteño | Barenboim, Mederos, Console | T-004.703.772-8 | |
| 45-7 | Aquellos tangos camperos | Barenboim, Mederos, Console | — | |
| 45-8 | Adiós Nonino | Barenboim, Mederos, Console | T-900.759.710-6 | |
| 45-9 | El día que me quieras | Barenboim, Mederos, Console | T-037.658.877-0 | |
| 45-10 | Primavera porteña | Barenboim, Mederos, Console | T-004.698.887-7 | |
| 45-11 | A fuego lento | Daniel Barenboim, Héctor Console, Rodolfo Mederos | — | |
| 45-12 | Otoño porteño | Daniel Barenboim, Héctor Console, Rodolfo Mederos | T-004.698.879-7 | |
| 45-13 | Contrabajeando | Barenboim, Mederos, Console | — | |
| 45-14 | Bailecito | Barenboim, Mederos, Console | T-037.020.160-7 | |
| 46-1 | Die Schöpfung Hob. XXI:2: Part 1 Rezitativ. "Und Gott sprach - Es bringe die Erde" (Gabriel) | — | ||
| 46-2 | Die Schöpfung Hob. XXI:2: Part 1 Arie. "Nun beut die Flur das frische Grün" (Gabriel) | — | ||
| 46-3 | Die Schöpfung Hob. XXI:2: Part 2 Rezitativ. "Und Gott sprach - Es bringe das Wasser" (Gabriel) | — | ||
| 46-4 | Die Schöpfung Hob. XXI:2: Part 2 Arie. "Auf starkem Fittige schwingt sich" (Gabriel) | — | ||
| 46-5 | Die Schöpfung Hob. XXI:2: Part 3 Rezitativ. "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | — | ||
| 46-6 | Die Schöpfung Hob. XXI:2: Part 3 Duett. "Holde Gattin! Dir zur Seite" (Adam, Eva) | — | ||
| 46-7 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Edita Gruberová, Orchester der Oper Zürich, Nikolaus Harnoncourt | — | |
| 46-8 | Don Giovanni: "Or sai chi l'onore" | Edita Gruberová, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | T-929.613.726-3 | |
| 46-9 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!", Rondo "Non mi dir, bell'idol mio" (Donna Anna) | Edita Gruberová, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | — | |
| 46-10 | Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia) | Edita Gruberová, Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 46-11 | Lucia di Lammermoor: Act 3 "Oh giusto cielo! ... Il dolce suono" (Lucia, Chorus) | — | ||
| 46-12 | Lucia di Lammermoor: Act 3 "Ohimè! sorge il tremendo fantasma ... Ardon gli incensi" (Lucia, Normanno, Raimondo, Chorus) | — | ||
| 46-13 | Lucia di Lammermoor: Act 3 "S'avanza Enrico!" (Raimondo, Enrico, Chorus) | — | ||
| 46-14 | Lucia di Lammermoor: Act 3 "Spargi d'amaro pianto il mio terrestre velo" (Lucia, Raimondo, Enrico, Chorus) | — | ||
| 46-15 | La traviata: Act 1 "È strano! è strano! ... Ah, fors'è lui" (Violetta) | — | ||
| 46-16 | Die Fledermaus: Act 2 "Klänge der Heimat" (Csárdás) (Rosalinde) | — | ||
| 47-1 | Historia do Luar (Chôro) | — | ||
| 47-2 | Seis por Derecho | — | ||
| 47-3 | Waltz Op. 8, No. 4 | — | ||
| 47-4 | A hug for Pixingha | — | ||
| 47-5 | Chants for the chief, No. 2: Uirapurú do Amazonas | — | ||
| 47-6 | Julia Florida | — | ||
| 47-7 | El Marabino | — | ||
| 47-8 | Waltz No. 3 (Natalia) | — | ||
| 47-9 | Porro | — | ||
| 47-10 | Batucada | — | ||
| 47-11 | Lago de Janauacá | — | ||
| 47-12 | Chants for the chief, No. 1: A Chamada dos Ventos / Canção Noturna | — | ||
| 47-13 | Canción de Cuna | — | ||
| 47-14 | Aire de Joropo | — | ||
| 47-15 | Cochichando | — | ||
| 47-16 | Choro Alegre (A Hug for Tiberio) | — | ||
| 47-17 | Cavaleiro sem Armadura | — | ||
| 48-1 | Orfeo ed Euridice: Act 3 "Che farò senza Euridice?" | — | ||
| 48-2 | Le nozze di Figaro: Act 1 "Non so più cosa son, cosa faccio" | — | ||
| 48-3 | Tancredi: Act 1 "Oh patria! ... Di tanti palpiti" | — | ||
| 48-4 | La donna del lago: Act 1 "Mura felici" | — | ||
| 48-5 | I Capuleti e i Montecchi: Act 1 "Lieto del dolce incarco ... La tremenda" | — | ||
| 48-6 | Lucrezia Borgia: Act 2 "Il segreto" | — | ||
| 48-7 | Anna Bolena: Act 1 "È sgombro il loco ... Ah! parea" | — | ||
| 48-8 | Les Huguenots: Act 2 "Nobles seigneurs" | — | ||
| 48-9 | Faust: Act 3 "Faites-lui mes aveux" | — | ||
| 48-10 | Roméo et Juliette: Act 3 "Depuis hier... Que fais-tu" | — | ||
| 48-11 | La Pucelle d'Orléans: Act 1 "Oui, Dieu le veut! ... Adieu, forêts" | — | ||
| 48-12 | Die Fledermaus: Act 2 "Ich lade gern mir Gäste ein" | — | ||
| 48-13 | Die Fledermaus: Act 2 "From time to time I entertain" | — | ||
| 49-1 | Carmen Fantasy | — | ||
| 49-2 | Konzertstück Nr. 2 | — | ||
| 49-3 | Variations sur une tyrolienne | — | ||
| 49-4 | Danza Española (from "La vida breve") | Alexander Markovich, Sergei Nakariakov | — | |
| 49-5 | Le Cygne | — | ||
| 49-6 | Variations sur la "Norma" de Bellini | — | ||
| 49-7 | Caprice, Op. 1, No. 17 | — | ||
| 49-8 | Valse-scherzo, Op. 34 | — | ||
| 49-9 | Le Réveil | — | ||
| 49-10 | Zigeunerweisen, Op. 20, No. 1 | — | ||
| 49-11 | Moto perpetuo, Op. 11 | — | ||
| 50-1 | I Have Had Singing | — | ||
| 50-2 | O Clap Your Hands | — | ||
| 50-3 | If Ye Love Me | — | ||
| 50-4 | Magnificat anima mea à 12 | — | ||
| 50-5 | Charm Me Asleep | — | ||
| 50-6 | Drei Männerchöre, Op. 123: I. Vor den Türen | — | ||
| 50-7 | Drei Männerchöre, Op. 123: II. Traumlicht | — | ||
| 50-8 | Drei Männerchöre, Op. 123: III. Fröhlich im Maien | — | ||
| 50-9 | Nude Descending a Staircase | — | ||
| 50-10 | Blue Skies | — | ||
| 50-11 | Shenandoah | — | ||
| 50-12 | Straight Street | — | ||
| 50-13 | Out of This World | — | ||
| 50-14 | O Waly, Waly | — | ||
| 50-15 | Journey to Recife | — | ||
| 50-16 | Jesus Met the Woman at the Well | — |
