UPC · Release
Mikrokosmos
Béla Bartók, Dezső Ránki
825646600601
153 tracksReleased 2012-06-05
Last verified:
825646600601 is the Universal Product Code (UPC barcode) for the release “Mikrokosmos” by Béla Bartók, Dezső Ránki, released 2012-06-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 153 tracks, each with its own ISRC.
Format
8Number system
25646Manufacturer
60060Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (153)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | No.1: Unison Melody 1 | — | ||
| 2 | No.2: Unison Melody 2 | — | ||
| 3 | No.3: Unison Melody 3 | — | ||
| 4 | No.4: Unison Melody 4 | — | ||
| 5 | No.5: Unison Melody 5 | — | ||
| 6 | No.6: Unison Melody 6 | — | ||
| 7 | No.7: Dotted Notes | — | ||
| 8 | No.8: Repetition 1 | — | ||
| 9 | No.9: Syncopation 1 | — | ||
| 10 | No.10: With Alternate Hands | — | ||
| 11 | No.11: Parallel Motion | — | ||
| 12 | No.12: Reflection | — | ||
| 13 | No.13: Change of Position | — | ||
| 14 | No.14: Question and Answer | — | ||
| 15 | No.15: Village Song | — | ||
| 16 | No.16: Parallel Motion with Change of Position | — | ||
| 17 | No.17: Contrary Motion 1 | — | ||
| 18 | No.18. Unison Melody 7 | — | ||
| 19 | No.19. Unison Melody 8 | — | ||
| 20 | No.20. Unison Melody 9 | — | ||
| 21 | No.21. Unison Melody 10 | — | ||
| 22 | No.22: Imitation and Counterpoint | — | ||
| 23 | No.23: Imitation and Inversion | — | ||
| 24 | No.24: Pastorale | — | ||
| 25 | No.25: Imitation and Inversion 2 | — | ||
| 26 | No.26: Repetition 2 | — | ||
| 27 | No.27: Syncopation 2 | — | ||
| 28 | No.28: Canon at the Octave | — | ||
| 29 | No.29: Imitation Reflected | — | ||
| 30 | No.30: Canon at the Lower Fifth | — | ||
| 31 | No.31: Dance in Canon Form | — | ||
| 32 | No.32: In Dorian Mode | — | ||
| 33 | No.33: Slow Dance | — | ||
| 34 | No.34: In Phrygian Mode | — | ||
| 35 | No.35: Chorale | — | ||
| 36 | No.36: Free Canon | — | ||
| 37 | No.37: In Lydian Mode | — | ||
| 38 | No.38: Staccato and Legato 1 | — | ||
| 39 | No.39: Staccato and Legato (canon) | — | ||
| 40 | No.40: In Yugoslav Style | — | ||
| 41 | No.41: Melody with Accompaniment | — | ||
| 42 | No.42: Accompaniment in Broken Triads | — | ||
| 43 | No.43: In Hungarian Style | — | ||
| 44 | No.44: Contrary Motion 2 | — | ||
| 45 | No.45: Meditation | — | ||
| 46 | No.46: Increasing-Diminishing | — | ||
| 47 | No.47: Country Fair | — | ||
| 48 | No.48: In Mixolydian Mode | — | ||
| 49 | No.49: Crescendo-Diminuendo | — | ||
| 50 | No.50: Minuetto | — | ||
| 51 | No.51: Waves | — | ||
| 52 | No.52: Unison Divided | — | ||
| 53 | No.53: In Transylvanian Style | — | ||
| 54 | No.54: Chromatics | — | ||
| 55 | No.55: Triplets in Lydian Mode | — | ||
| 56 | No.56: Melody in Tenths | — | ||
| 57 | No.57: Accents | — | ||
| 58 | No.58: In Oriental Style | — | ||
| 59 | No.59: Major and Minor | — | ||
| 60 | No.60: Canon with Sustained Notes | — | ||
| 61 | No.61: Pentatonic Melody | — | ||
| 62 | No.62: Minor Sixths in Parallel Motion | — | ||
| 63 | No.63: Buzzing | — | ||
| 64 | No.64: Line Against Point | — | ||
| 65 | No.65: Dialogue | — | ||
| 66 | No.66: Melody Divided | — | ||
| 67 | No.67: Thirds Against a Single Voice | — | ||
| 68 | No.68: Hungarian Dance | — | ||
| 69 | No.69: Study in Chords | — | ||
| 70 | No.70: Melody against Double Notes | — | ||
| 71 | No.71: Thirds | — | ||
| 72 | No.72: Dragon's Dance | — | ||
| 73 | No.73: Sixths and Triads | — | ||
| 74 | No.74: Hungarian Matchmaking Song | — | ||
| 75 | No.75: Triplets | — | ||
| 76 | No.76: In Three Parts | — | ||
| 77 | No.77: Little Study | — | ||
| 78 | No.78: Five-Tone Scale | — | ||
| 79 | No.79: Hommage a J.S.B. | — | ||
| 80 | No.80: Hommage a R. Sch. | — | ||
| 81 | No.81: Wandering | — | ||
| 82 | No.82: Scherzo | — | ||
| 83 | No.83: Melody with Interruptions | — | ||
| 84 | No.84: Merriment | — | ||
| 85 | No.85: Broken Chords | — | ||
| 86 | No.86: Two Major Pentachords | — | ||
| 87 | No.87: Variations | — | ||
| 88 | No.88: Duet for Pipes | — | ||
| 89 | No.89: In Four Parts 1 | — | ||
| 90 | No.90: In Russian Style | — | ||
| 91 | No.91: Chromatic Invention 2 | — | ||
| 92 | No.92: Chromatic Invention 2 | — | ||
| 93 | No.93: In Four Parts 2 | — | ||
| 94 | No.94: Once Upon a Time... | — | ||
| 95 | No.95: Fox Song | — | ||
| 96 | No.96: Jolts | — | ||
| 2-1 | No.97: Notturno | — | ||
| 2-2 | No.98: Thumbs Under | — | ||
| 2-3 | No.99: Hands Crossing | — | ||
| 2-4 | No.100: In Folk Song Style | — | ||
| 2-5 | No.101: Diminished Fifth | — | ||
| 2-6 | No.102: Harmonics | — | ||
| 2-7 | No.103: Minor and Major | — | ||
| 2-8 | No.104: Wandering through the Keys | — | ||
| 2-9 | No.105: Game (with two five-tone scales) | — | ||
| 2-10 | No.106: Children's Song | — | ||
| 2-11 | No.107: Melody in the Mist | — | ||
| 2-12 | No.108: Wrestling | — | ||
| 2-13 | No.109: From the Island of Bali | — | ||
| 2-14 | No.110: And the Sounds Clash and Clang | — | ||
| 2-15 | No.111: Intermezzo | — | ||
| 2-16 | No.112: Variations on a Folk Tune | — | ||
| 2-17 | No.113: Bulgarian Rhythm 1 | — | ||
| 2-18 | No.114: Theme and Inversion | — | ||
| 2-19 | No.115: Bulgarian Rhythm 2 | — | ||
| 2-20 | No.116: Song | — | ||
| 2-21 | No.117: Bouree | — | ||
| 2-22 | No.118: Triplets in 9/8 Time | — | ||
| 2-23 | No.119: Triplets in 3/4 Time | — | ||
| 2-24 | No.120: Triads | — | ||
| 2-25 | No.121: Two-part Study | — | ||
| 2-26 | No.122: Chords Together in Opposition | — | ||
| 2-27 | No.123: Staccato and Legato 2 | — | ||
| 2-28 | No.124: Staccato | — | ||
| 2-29 | No.125: Boating | — | ||
| 2-30 | No.126: Change of Time | — | ||
| 2-31 | No.127: New Hungarian Folk Song | — | ||
| 2-32 | No.128: Stamping Dance | — | ||
| 2-33 | No.129: Alternating Thirds | — | ||
| 2-34 | No.130: Village Joke | — | ||
| 2-35 | No.131: Fourths | — | ||
| 2-36 | No.132: Major Seconds Broken and Together | — | ||
| 2-37 | No.133: Syncopation (3) | — | ||
| 2-38 | No.134: Studies in Double Notes | — | ||
| 2-39 | No.135: Perpetual Motion | — | ||
| 2-40 | No.136: Whole-tone Scales | — | ||
| 2-41 | No.137: Unison | — | ||
| 2-42 | No.138: Bagpipe Music | — | ||
| 2-43 | No.139: Jack-in-the-Box | — | ||
| 2-44 | No.140: Free Variations | — | ||
| 2-45 | No.141: Subject and Reflection | — | ||
| 2-46 | No.142: From the Diary of a Fly | — | ||
| 2-47 | No.143: Divided Arpeggios | — | ||
| 2-48 | No.144: Minor Seconds, Major Sevenths | — | ||
| 2-49 | No.145: Chromatic Invention 3 | — | ||
| 2-50 | No.146: Ostinato | — | ||
| 2-51 | No.147: March | — | ||
| 2-52 | No.148: Six Dances in Bulgarian Rhythm 1 | — | ||
| 2-53 | No.149: Six Dances in Bulgarian Rhythm 2 | — | ||
| 2-54 | No.150: Six Dances in Bulgarian Rhythm 3 | — | ||
| 2-55 | No.151: Six Dances in Bulgarian Rhythm 4 | — | ||
| 2-56 | No.152: Six Dances in Bulgarian Rhythm 5 | — | ||
| 2-57 | No.153: Six Dances in Bulgarian Rhythm 6 | — |
No.1: Unison Melody 1
—
No.2: Unison Melody 2
—
No.3: Unison Melody 3
—
No.4: Unison Melody 4
—
No.5: Unison Melody 5
—
No.6: Unison Melody 6
—
No.7: Dotted Notes
—
No.8: Repetition 1
—
No.9: Syncopation 1
—
No.10: With Alternate Hands
—
No.11: Parallel Motion
—
No.12: Reflection
—
No.13: Change of Position
—
No.14: Question and Answer
—
No.15: Village Song
—
No.16: Parallel Motion with Change of Position
—
No.17: Contrary Motion 1
—
No.18. Unison Melody 7
—
No.19. Unison Melody 8
—
No.20. Unison Melody 9
—
No.21. Unison Melody 10
—
No.22: Imitation and Counterpoint
—
No.23: Imitation and Inversion
—
No.24: Pastorale
—
No.25: Imitation and Inversion 2
—
No.26: Repetition 2
—
No.27: Syncopation 2
—
No.28: Canon at the Octave
—
No.29: Imitation Reflected
—
No.30: Canon at the Lower Fifth
—
No.31: Dance in Canon Form
—
No.32: In Dorian Mode
—
No.33: Slow Dance
—
No.34: In Phrygian Mode
—
No.35: Chorale
—
No.36: Free Canon
—
No.37: In Lydian Mode
—
No.38: Staccato and Legato 1
—
No.39: Staccato and Legato (canon)
—
No.40: In Yugoslav Style
—
No.41: Melody with Accompaniment
—
No.42: Accompaniment in Broken Triads
—
No.43: In Hungarian Style
—
No.44: Contrary Motion 2
—
No.45: Meditation
—
No.46: Increasing-Diminishing
—
No.47: Country Fair
—
No.48: In Mixolydian Mode
—
No.49: Crescendo-Diminuendo
—
No.50: Minuetto
—
No.51: Waves
—
No.52: Unison Divided
—
No.53: In Transylvanian Style
—
No.54: Chromatics
—
No.55: Triplets in Lydian Mode
—
No.56: Melody in Tenths
—
No.57: Accents
—
No.58: In Oriental Style
—
No.59: Major and Minor
—
No.60: Canon with Sustained Notes
—
No.61: Pentatonic Melody
—
No.62: Minor Sixths in Parallel Motion
—
No.63: Buzzing
—
No.64: Line Against Point
—
No.65: Dialogue
—
No.66: Melody Divided
—
No.67: Thirds Against a Single Voice
—
No.68: Hungarian Dance
—
No.69: Study in Chords
—
No.70: Melody against Double Notes
—
No.71: Thirds
—
No.72: Dragon's Dance
—
No.73: Sixths and Triads
—
No.74: Hungarian Matchmaking Song
—
No.75: Triplets
—
No.76: In Three Parts
—
No.77: Little Study
—
No.78: Five-Tone Scale
—
No.79: Hommage a J.S.B.
—
No.80: Hommage a R. Sch.
—
No.81: Wandering
—
No.82: Scherzo
—
No.83: Melody with Interruptions
—
No.84: Merriment
—
No.85: Broken Chords
—
No.86: Two Major Pentachords
—
No.87: Variations
—
No.88: Duet for Pipes
—
No.89: In Four Parts 1
—
No.90: In Russian Style
—
No.91: Chromatic Invention 2
—
No.92: Chromatic Invention 2
—
No.93: In Four Parts 2
—
No.94: Once Upon a Time...
—
No.95: Fox Song
—
No.96: Jolts
—
No.97: Notturno
—
No.98: Thumbs Under
—
No.99: Hands Crossing
—
No.100: In Folk Song Style
—
No.101: Diminished Fifth
—
No.102: Harmonics
—
No.103: Minor and Major
—
No.104: Wandering through the Keys
—
No.105: Game (with two five-tone scales)
—
No.106: Children's Song
—
No.107: Melody in the Mist
—
No.108: Wrestling
—
No.109: From the Island of Bali
—
No.110: And the Sounds Clash and Clang
—
No.111: Intermezzo
—
No.112: Variations on a Folk Tune
—
No.113: Bulgarian Rhythm 1
—
No.114: Theme and Inversion
—
No.115: Bulgarian Rhythm 2
—
No.116: Song
—
No.117: Bouree
—
No.118: Triplets in 9/8 Time
—
No.119: Triplets in 3/4 Time
—
No.120: Triads
—
No.121: Two-part Study
—
No.122: Chords Together in Opposition
—
No.123: Staccato and Legato 2
—
No.124: Staccato
—
No.125: Boating
—
No.126: Change of Time
—
No.127: New Hungarian Folk Song
—
No.128: Stamping Dance
—
No.129: Alternating Thirds
—
No.130: Village Joke
—
No.131: Fourths
—
No.132: Major Seconds Broken and Together
—
No.133: Syncopation (3)
—
No.134: Studies in Double Notes
—
No.135: Perpetual Motion
—
No.136: Whole-tone Scales
—
No.137: Unison
—
No.138: Bagpipe Music
—
No.139: Jack-in-the-Box
—
No.140: Free Variations
—
No.141: Subject and Reflection
—
No.142: From the Diary of a Fly
—
No.143: Divided Arpeggios
—
No.144: Minor Seconds, Major Sevenths
—
No.145: Chromatic Invention 3
—
No.146: Ostinato
—
No.147: March
—
No.148: Six Dances in Bulgarian Rhythm 1
—
No.149: Six Dances in Bulgarian Rhythm 2
—
No.150: Six Dances in Bulgarian Rhythm 3
—
No.151: Six Dances in Bulgarian Rhythm 4
—
No.152: Six Dances in Bulgarian Rhythm 5
—
No.153: Six Dances in Bulgarian Rhythm 6
—
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What is UPC 825646600601?
825646600601 is a Universal Product Code (UPC) assigned to Mikrokosmos by Béla Bartók, Dezső Ránki. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 153 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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