UPC · Album
Complete
The Smiths
Last verified:
825646643097 is the Universal Product Code (UPC barcode) for the release “Complete” by The Smiths, released 2011-09-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 106 tracks, each with its own ISRC. Tracks include GB0028425300, GB0028452400, GB0028452800.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (237)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Back to the Old House | The Smiths | GB0028425300 |
| Please Please Please Let Me Get What I Want | The Smiths | GB0028452400 |
| Heaven Knows I’m Miserable Now | The Smiths | GB0028452800 |
| Girl Afraid | The Smiths | GB0028452900 |
| William, It Was Really Nothing | The Smiths | GB0028454800 |
| Hand in Glove | The Smiths | GB0028455200 |
| Stretch Out and Wait | The Smiths | GB0028535300 |
| Asleep | The Smiths | GB0028536200 |
| There Is a Light That Never Goes Out | The Smiths | GB0028601700 |
| Shoplifters of the World Unite | The Smiths | GB0028601800 |
| The Boy with the Thorn in His Side | The Smiths | GB0028601900 |
| Unloveable | The Smiths | GB0028602100 |
| Half a Person | The Smiths | GB0028602200 |
| You Just Haven’t Earned It Yet, Baby | The Smiths | GB0028602600 |
| Panic | The Smiths | GB0028622200 |
| Ask | The Smiths | GB0028622300 |
| London | The Smiths | GB0028622400 |
| Bigmouth Strikes Again | The Smiths | GB0028622500 |
| Shakespeare’s Sister | The Smiths | GB0028622600 |
| The Queen Is Dead | The Smiths | GBAHT0105553 |
| Frankly, Mr. Shankly | The Smiths | GBAHT0105554 |
| I Know It’s Over | The Smiths | GBAHT0105555 |
| Never Had No One Ever | The Smiths | GBAHT0105556 |
| Cemetry Gates | The Smiths | GBAHT0105557 |
| Vicar in a Tutu | The Smiths | GBAHT0105558 |
| Some Girls Are Bigger Than Others | The Smiths | GBAHT0105599 |
| The Boy with the Thorn in His Side | The Smiths | GBAHT0105651 |
| This Charming Man | The Smiths | GBAHT0105656 |
| Girlfriend in a Coma | The Smiths | GBAHT0105660 |
| Hand in Glove | The Smiths | GBAHT0105661 |
| Sheila Take a Bow | The Smiths | GBAHT0105666 |
| I Started Something I Couldn’t Finish | The Smiths | GBAHT0105667 |
| Shoplifters of the World Unite | The Smiths | GBAHT0105670 |
| Accept Yourself | The Smiths | GBAHT0110038 |
| I Keep Mine Hidden | The Smiths | GBAHT0200543 |
| What Difference Does It Make? | The Smiths | GBAHT0300074 |
| Please Please Please Let Me Get What I Want | The Smiths | GBAHT0700010 |
| The Queen Is Dead | The Smiths | GBAHT1700327 |
| Frankly, Mr. Shankly | The Smiths | GBAHT1700328 |
| I Know It’s Over | The Smiths | GBAHT1700329 |
| Never Had No One Ever | The Smiths | GBAHT1700330 |
| Cemetry Gates | The Smiths | GBAHT1700331 |
| Bigmouth Strikes Again | The Smiths | GBAHT1700332 |
| The Boy with the Thorn in His Side | The Smiths | GBAHT1700333 |
| Vicar in a Tutu | The Smiths | GBAHT1700334 |
| There Is a Light That Never Goes Out | The Smiths | GBAHT1700335 |
| Some Girls Are Bigger Than Others | The Smiths | GBAHT1700336 |
| The Queen Is Dead | The Smiths | GBAHT1700370 |
| Frankly, Mr. Shankly | The Smiths | GBAHT1700371 |
| I Know It’s Over | The Smiths | GBAHT1700372 |
| Never Had No One Ever | The Smiths | GBAHT1700373 |
| Cemetry Gates | The Smiths | GBAHT1700374 |
| Bigmouth Strikes Again | The Smiths | GBAHT1700375 |
| The Boy with the Thorn in His Side | The Smiths | GBAHT1700376 |
| Vicar in a Tutu | The Smiths | GBAHT1700377 |
| There Is a Light That Never Goes Out | The Smiths | GBAHT1700378 |
| Some Girls Are Bigger Than Others | The Smiths | GBAHT1700379 |
| Back to the Old House | The Smiths | GBAHT8303745 |
| Heaven Knows I’m Miserable Now | The Smiths | GBAHT8403279 |
| William, It Was Really Nothing | The Smiths | GBAHT8403280 |
| How Soon Is Now? | The Smiths | GBAHT8403281 |
| Hand in Glove | The Smiths | GBAHT8403655 |
| Girl Afraid | The Smiths | GBAHT8403660 |
| Please Please Please Let Me Get What I Want | The Smiths | GBAHT8403663 |
| Shakespeare’s Sister | The Smiths | GBAHT8503282 |
| The Boy with the Thorn in His Side | The Smiths | GBAHT8503284 |
| Stretch Out and Wait | The Smiths | GBAHT8503674 |
| Asleep | The Smiths | GBAHT8503678 |
| Golden Lights | The Smiths | GBAHT8600081 |
| Bigmouth Strikes Again | The Smiths | GBAHT8603285 |
| Panic | The Smiths | GBAHT8603286 |
| Shoplifters of the World Unite | The Smiths | GBAHT8603287 |
| Ask | The Smiths | GBAHT8603293 |
| Unloveable | The Smiths | GBAHT8603677 |
| Sheila Take a Bow | The Smiths | GBAHT8703288 |
| Last Night I Dreamt That Somebody Loved Me | The Smiths | GBAHT8703291 |
| There Is a Light That Never Goes Out | The Smiths | GBAHT8703292 |
| Is It Really So Strange? | The Smiths | GBAHT8703668 |
| Sweet and Tender Hooligan | The Smiths | GBAHT8703669 |
| Half a Person | The Smiths | GBAHT8703670 |
| London | The Smiths | GBAHT8703671 |
| Meat Is Murder (live at Oxford Apollo 18/03/85) | The Smiths | GBCAD0800720 |
| Sweet and Tender Hooligan | The Smiths | GBCAD0800721 |
| What Difference Does It Make? | The Smiths | GBCAD1000134 |
| These Things Take Time | The Smiths | GBCAD1000135 |
| This Charming Man | The Smiths | GBCAD1000136 |
| Handsome Devil | The Smiths | GBCAD1000137 |
| Still Ill | The Smiths | GBCAD1000138 |
| This Night Has Opened My Eyes | The Smiths | GBCAD1000139 |
| You’ve Got Everything Now | The Smiths | GBCAD1000140 |
| Accept Yourself | The Smiths | GBCAD1000141 |
| Back to the Old House | The Smiths | GBCAD1000142 |
| Reel Around the Fountain | The Smiths | GBCAD1000143 |
| Panic | The Smiths | GBCAD1000145 |
| Vicar in a Tutu | The Smiths | GBCAD1000147 |
| Ask | The Smiths | GBCAD1000149 |
| Rusholme Ruffians | The Smiths | GBCAD1000150 |
| The Boy With the Thorn in His Side | The Smiths | GBCAD1000153 |
| What She Said | The Smiths | GBCAD1000154 |
| Is It Really So Strange? | The Smiths | GBCAD1000155 |
| Cemetry Gates | The Smiths | GBCAD1000157 |
| London | The Smiths | GBCAD1000158 |
| I Know It’s Over | The Smiths | GBCAD1000160 |
| The Draize Train | The Smiths | GBCAD1000161 |
| Still Ill | The Smiths | GBCAD1000163 |
| Bigmouth Strikes Again | The Smiths | GBCAD1000164 |
| Sweet and Tender Hooligan | The Smiths | GBCAD1100352 |
| Is It Really So Strange? | The Smiths | GBCAD1100353 |
| The Queen Is Dead | The Smiths | GBCAD1100398 |
| Rusholme Ruffians (John Peel session 9/8/84) | The Smiths | GBCAD1100443 |
| Hand in Glove | The Smiths | GBCRL0800299 |
| This Charming Man | The Smiths | GBCRL0800302 |
| Still Ill | The Smiths | GBCRL0800303 |
| Heaven Knows I’m Miserable Now | The Smiths | GBCRL0800305 |
| William, It Was Really Nothing | The Smiths | GBCRL0800306 |
| Shakespeare’s Sister | The Smiths | GBCRL0800308 |
| That Joke Isn’t Funny Anymore | The Smiths | GBCRL0800309 |
| The Boy with the Thorn in His Side | The Smiths | GBCRL0800310 |
| The Headmaster Ritual | The Smiths | GBCRL0800311 |
| Bigmouth Strikes Again | The Smiths | GBCRL0800312 |
| Panic | The Smiths | GBCRL0800313 |
| There Is a Light That Never Goes Out | The Smiths | GBCRL0800315 |
| Last Night I Dreamt That Somebody Loved Me | The Smiths | GBCRL0800316 |
| Shoplifters of the World Unite | The Smiths | GBCRL0800317 |
| Sheila Take a Bow | The Smiths | GBCRL0800318 |
| Stop Me If You Think You’ve Heard This One Before | The Smiths | GBCRL0800320 |
| I Started Something I Couldn’t Finish | The Smiths | GBCRL0800321 |
| How Soon Is Now? | The Smiths | GBCRL0800322 |
| Barbarism Begins at Home (7″ version) | The Smiths | GBCRL0800323 |
| Girlfriend in a Coma | The Smiths | GBCRL0800325 |
| Handsome Devil | The Smiths | GBCRL0800347 |
| Jeane | The Smiths | GBCRL0800348 |
| Back to the Old House | The Smiths | GBCRL0800350 |
| Girl Afraid | The Smiths | GBCRL0800352 |
| Please Please Please Let Me Get What I Want | The Smiths | GBCRL0800353 |
| Stretch Out and Wait | The Smiths | GBCRL0800355 |
| Asleep | The Smiths | GBCRL0800357 |
| Money Changes Everything | The Smiths | GBCRL0800358 |
| Vicar in a Tutu | The Smiths | GBCRL0800360 |
| Cemetry Gates | The Smiths | GBCRL0800361 |
| Half a Person | The Smiths | GBCRL0800362 |
| Pretty Girls Make Graves (Troy Tate version) | The Smiths | GBCRL0800365 |
| The Draize Train | The Smiths | GBCRL0800369 |
| Nowhere Fast | The Smiths | GBCRL0800386 |
| What Difference Does It Make? | The Smiths | GBCRL0800588 |
| How Soon Is Now? (single edit) | The Smiths | GBCRL0800589 |
| Reel Around the Fountain | The Smiths | GBCRL1100027 |
| You’ve Got Everything Now | The Smiths | GBCRL1100028 |
| Miserable Lie | The Smiths | GBCRL1100029 |
| Pretty Girls Make Graves | The Smiths | GBCRL1100030 |
| The Hand That Rocks the Cradle | The Smiths | GBCRL1100031 |
| Still Ill | The Smiths | GBCRL1100032 |
| Hand in Glove | The Smiths | GBCRL1100033 |
| What Difference Does It Make? | The Smiths | GBCRL1100034 |
| I Don’t Owe You Anything | The Smiths | GBCRL1100035 |
| Suffer Little Children | The Smiths | GBCRL1100036 |
| The Headmaster Ritual | The Smiths | GBCRL1100037 |
| Rusholme Ruffians | The Smiths | GBCRL1100038 |
| I Want the One I Can’t Have | The Smiths | GBCRL1100039 |
| What She Said | The Smiths | GBCRL1100040 |
| That Joke Isn’t Funny Anymore | The Smiths | GBCRL1100041 |
| Nowhere Fast | The Smiths | GBCRL1100042 |
| Well I Wonder | The Smiths | GBCRL1100043 |
| Barbarism Begins at Home | The Smiths | GBCRL1100044 |
| Meat Is Murder | The Smiths | GBCRL1100045 |
| The Queen Is Dead | The Smiths | GBCRL1100046 |
| Frankly, Mr. Shankly | The Smiths | GBCRL1100047 |
| I Know It’s Over | The Smiths | GBCRL1100048 |
| Never Had No One Ever | The Smiths | GBCRL1100049 |
| Cemetry Gates | The Smiths | GBCRL1100050 |
| Bigmouth Strikes Again | The Smiths | GBCRL1100051 |
| The Boy with the Thorn in His Side | The Smiths | GBCRL1100052 |
| Vicar in a Tutu | The Smiths | GBCRL1100053 |
| There Is a Light That Never Goes Out | The Smiths | GBCRL1100054 |
| Some Girls Are Bigger Than Others | The Smiths | GBCRL1100055 |
| A Rush and a Push and the Land Is Ours | The Smiths | GBCRL1100057 |
| I Started Something I Couldn’t Finish | The Smiths | GBCRL1100058 |
| Death of a Disco Dancer | The Smiths | GBCRL1100059 |
| Girlfriend in a Coma | The Smiths | GBCRL1100060 |
| Stop Me If You Think You’ve Heard This One Before | The Smiths | GBCRL1100061 |
| Last Night I Dreamt That Somebody Loved Me | The Smiths | GBCRL1100062 |
| Unhappy Birthday | The Smiths | GBCRL1100063 |
| Paint a Vulgar Picture | The Smiths | GBCRL1100064 |
| Death at One’s Elbow | The Smiths | GBCRL1100065 |
| I Won’t Share You | The Smiths | GBCRL1100066 |
| William, It Was Really Nothing | The Smiths | GBCRL1100067 |
| How Soon Is Now? | The Smiths | GBCRL1100068 |
| Hand in Glove | The Smiths | GBCRL1100069 |
| Heaven Knows I’m Miserable Now | The Smiths | GBCRL1100070 |
| Girl Afraid | The Smiths | GBCRL1100071 |
| Please Please Please Let Me Get What I Want | The Smiths | GBCRL1100072 |
| Panic | The Smiths | GBCRL1100073 |
| Ask | The Smiths | GBCRL1100074 |
| London | The Smiths | GBCRL1100075 |
| Shakespeare’s Sister | The Smiths | GBCRL1100076 |
| Shoplifters of the World Unite | The Smiths | GBCRL1100077 |
| Money Changes Everything | The Smiths | GBCRL1100078 |
| Asleep | The Smiths | GBCRL1100079 |
| Unloveable | The Smiths | GBCRL1100080 |
| Half a Person | The Smiths | GBCRL1100081 |
| Stretch Out and Wait | The Smiths | GBCRL1100082 |
| Oscillate Wildly | The Smiths | GBCRL1100083 |
| You Just Haven’t Earned It Yet, Baby | The Smiths | GBCRL1100084 |
| Rubber Ring | The Smiths | GBCRL1100085 |
| Sheila Take a Bow | The Smiths | GBCRL1100086 |
| Golden Lights | The Smiths | GBCRL1100087 |
| These Things Take Time | The Smiths | GBCRL1100088 |
| Back to the Old House | The Smiths | GBCRL1100089 |
| You Just Haven’t Earned It Yet, Baby | The Smiths | GBCRL1100239 |
| This Charming Man | The Smiths | GBCRL1100240 |
| Reel Around the Fountain (Remastertroy Tate Reel) | The Smiths | GBCRL1100251 |
| Work Is a Four (Letter Word) | The Smiths | GBCRL1100252 |
| Stretch Out and Wait | The Smiths | GBCRL1100296 |
| That Joke Isn’t Funny Anymore | The Smiths | GBCRL1100324 |
| William, It Was Really Nothing | The Smiths | GBCRL1300257 |
| Ask | The Smiths | GBCRL1300258 |
| London | The Smiths | GBCRL1300259 |
| Shakespeare’s Sister | The Smiths | GBCRL1300260 |
| Asleep | The Smiths | GBCRL1300262 |
| Unloveable | The Smiths | GBCRL1300263 |
| Golden Lights | The Smiths | GBCRL1300268 |
| Is It Really So Strange? | The Smiths | GBCRL1300269 |
| Sheila Take a Bow | The Smiths | GBCRL1300270 |
| Shoplifters of the World Unite | The Smiths | GBCRL1300271 |
| Sweet and Tender Hooligan | The Smiths | GBCRL1300272 |
| Half a Person | The Smiths | GBCRL1300273 |
| Panic | The Smiths | GBCRL1300274 |
| Back to the Old House | The Smiths | GBCRL1300279 |
| Stretch Out and Wait | The Smiths | GBCRL1300280 |
| Girl Afraid | The Smiths | GBCRL1300360 |
| Hand in Glove | The Smiths | GBCRL1300376 |
| Heaven Knows I’m Miserable Now | The Smiths | GBCRL1300378 |
| Girl Afraid | The Smiths | GBCRL1300379 |
| Please Please Please Let Me Get What I Want | The Smiths | GBCRL1300380 |
| Asleep | The Smiths | USAT21203695 |
| How Soon Is Now? | The Smiths | USWB18400055 |
| Please Please Please Let Me Get What I Want | The Smiths | USWB19900176 |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 825646643097?
825646643097 is a Universal Product Code (UPC) assigned to Complete by The Smiths. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 106 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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