UPC · Release
Boris Berezovsky
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825646646845 is the Universal Product Code (UPC barcode) for the release “The Teldec Recordings” by Boris Berezovsky, released 2012-01-01 on TELDEC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 176 tracks, each with its own ISRC. Tracks include GBELP0500224, GBELP0500225, GBELP0500226.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 12 Etudes, op. 10: No. 1 in C major | — | ||
| 2 | 12 Etudes, op. 10: No. 2 in A minor | — | ||
| 3 | 12 Etudes, op. 10: No. 3 in E major "Tristesse" | — | ||
| 4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | — | ||
| 5 | 12 Etudes, op. 10: No. 5 in G-flat major "Black Keys" | — | ||
| 6 | 12 Etudes, op. 10: No. 6 in E-flat minor | — | ||
| 7 | 12 Etudes, op. 10: No. 7 in C major | — | ||
| 8 | 12 Etudes, op. 10: No. 8 in F major | — | ||
| 9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 10 | 12 Etudes, op. 10: No. 10 in A-flat major | — | ||
| 11 | 12 Etudes, op. 10: No. 11 in E-flat major | — | ||
| 12 | 12 Etudes, op. 10: No. 12 in C minor "Revolutionary" | — | ||
| 13 | 12 Etudes, op. 25: No. 1 in A-flat major "Aeolian Harp" | — | ||
| 14 | 12 Etudes, op. 25: No. 2 in F minor | — | ||
| 15 | 12 Etudes, op. 25: No. 3 in F major | — | ||
| 16 | 12 Etudes, op. 25: No. 4 in A minor | — | ||
| 17 | 12 Etudes, op. 25: No. 5 in E minor | — | ||
| 18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | — | ||
| 19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | — | ||
| 20 | 12 Etudes, op. 25: No. 8 in D-flat major | — | ||
| 21 | 12 Etudes, op. 25: No. 9 in G-flat major "Butterfly" | — | ||
| 22 | 12 Etudes, op. 25: No. 10 in B minor | — | ||
| 23 | 12 Etudes, op. 25: No. 11 in A minor "Winter Wind" | — | ||
| 24 | 12 Etudes, op. 25: No. 12 in C minor | — | ||
| 25 | 3 Nouvelles Etudes, op. posth.: No. 1 in F minor | — | ||
| 26 | 3 Nouvelles Etudes, op. posth.: No. 2 in A-flat major | — | ||
| 27 | 3 Nouvelles Etudes, op. posth.: No. 3 in D-flat major | — | ||
| 2-1 | Étude in C major, op. 10 no. 1 | Boris Berezovsky | T-329.456.966-3 | |
| 2-2 | Étude in C major, op. 10 no. 1 (transcription "Diatonisch") | Boris Berezovsky | — | |
| 2-3 | Étude in A minor, op. 10 no. 2 | Boris Berezovsky | T-329.458.384-5 | |
| 2-4 | Étude in A minor, op. 10 no. 2 (second transcription "Ignis fatuus") | Boris Berezovsky | — | |
| 2-5 | Étude in C-sharp minor, op. 10 no. 4 | Boris Berezovsky | — | |
| 2-6 | Étude in C-sharp minor, op. 10 no. 4 (transcription for the left hand) | Boris Berezovsky | — | |
| 2-7 | Étude in G-sharp major, op. 10 no. 5 | Boris Berezovsky | — | |
| 2-8 | Étude in G-sharp major, op. 10 no. 5 (transcription in C major "Study on White Keys") | Boris Berezovsky | — | |
| 2-9 | Étude in G-sharp major, op. 10 no. 5 (transcription in A minor "Tarantella") | Boris Berezovsky | — | |
| 2-10 | Étude in E-flat minor, op. 10 no. 6 | Boris Berezovsky | T-329.458.108-7 | |
| 2-11 | Étude in E-flat minor, op. 10 no. 6 (transcription for the left hand) | Boris Berezovsky | — | |
| 2-12 | Étude in C minor, op. 10 no. 12 | Boris Berezovsky | — | |
| 2-13 | Étude in C minor, op. 10 no. 12 (transcription for the left hand in C-sharp minor) | Boris Berezovsky | — | |
| 2-14 | Étude in A-flat major, op. 25 no. 1 | Boris Berezovsky | — | |
| 2-15 | Étude in A-flat major, op. 25 no. 1 (second transcription) | Boris Berezovsky | — | |
| 2-16 | Étude in E minor, op. 25 no. 5 | Boris Berezovsky | — | |
| 2-17 | Étude in E minor, op. 25 no. 5 (second transcription in C-sharp minor "Mazurka") | Boris Berezovsky | — | |
| 2-18 | Étude, op. 10 no. 5 & Étude, op. 25 no. 9 (combined transcription in G-flat major "Badinage") | Boris Berezovsky | — | |
| 2-19 | Étude, op. 10 no. 11 & Étude, op. 25 no. 3 (combined transcription in F major) | Boris Berezovsky | — | |
| 2-20 | Triakontameron: No. 11. Alt-Wien | Boris Berezovsky | — | |
| 2-21 | Waltz in D-flat major, op. 64 no. 1 "Minute" (transcription) | Boris Berezovsky | — | |
| 3-1 | Davidsbündlertänze, op. 6: No. 1 in G major. Lebhaft | — | ||
| 3-2 | Davidsbündlertänze, op. 6: No. 2 in B minor. Innig | — | ||
| 3-3 | Davidsbündlertänze, op. 6: No. 3 in G major. Mit Humor | — | ||
| 3-4 | Davidsbündlertänze, op. 6: No. 4 in B minor. Ungeduldig | — | ||
| 3-5 | Davidsbündlertänze, op. 6: No. 5 in D major. Einfach | — | ||
| 3-6 | Davidsbündlertänze, op. 6: No. 6 in D minor. Sehr resch | — | ||
| 3-7 | Davidsbündlertänze, op. 6: No. 7 in G minor. Nicht schnell | — | ||
| 3-8 | Davidsbündlertänze, op. 6: No. 8 in C minor. Frisch | — | ||
| 3-9 | Davidsbündlertänze, op. 6: No. 9 in C major. Lebhaft II | — | ||
| 3-10 | Davidsbündlertänze, op. 6: No. 10 in D minor. Balladenmä | — | ||
| 3-11 | Davidsbündlertänze, op. 6: No. 11 in B minor. Einfach II | — | ||
| 3-12 | Davidsbündlertänze, op. 6: No. 12 in B minor. Mit Humor II | — | ||
| 3-13 | Davidsbündlertänze, op. 6: No. 13 in B minor. Wild und lustig | — | ||
| 3-14 | Davidsbündlertänze, op. 6: No. 14 in E-flat major. Zart und singend | — | ||
| 3-15 | Davidsbündlertänze, op. 6: No. 15 in B-flat major. Frisch II | — | ||
| 3-16 | Davidsbündlertänze, op. 6: No. 16 in G major. Mit gutem Humor | — | ||
| 3-17 | Davidsbündlertänze, op. 6: No. 17 in B major. Wie aus der Ferne | — | ||
| 3-18 | Davidsbündlertänze, op. 6: No. 18 in C major. Nicht schnell II | — | ||
| 3-19 | Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich | — | ||
| 3-20 | Sonata no. 2 in G minor, op. 22: II. Andantino : Getragen | — | ||
| 3-21 | Sonata no. 2 in G minor, op. 22: III. Scherzo : Sehr resch und markiert | — | ||
| 3-22 | Sonata no. 2 in G minor, op. 22: IV. Rondo : Presto | — | ||
| 3-23 | Toccata in C major, op. 7: Allegro | — | ||
| 4-1 | Études d'exécution transcendante: No. I in C major "Preludio" | — | ||
| 4-2 | Études d'exécution transcendante: No. II in A minor | — | ||
| 4-3 | Études d'exécution transcendante: No. III in F major "Paysage" | — | ||
| 4-4 | Études d'exécution transcendante: No. IV in D minor "Mazeppa" | — | ||
| 4-5 | Études d'exécution transcendante: No. V in B-flat major "Feux follets" | — | ||
| 4-6 | Études d'exécution transcendante: No. VI in G minor "Vision" | — | ||
| 4-7 | Études d'exécution transcendante: No. VII in E-flat major "Eroica" | — | ||
| 4-8 | Études d'exécution transcendante: No. VIII in C minor "Wilde Jagd" | — | ||
| 4-9 | Études d'exécution transcendante: No. IX in A-flat major "Ricordanza" | — | ||
| 4-10 | Études d'exécution transcendante: No. X in F minor | — | ||
| 4-11 | Études d'exécution transcendante: No. XI in D-flat major "Harmonies du soir" | — | ||
| 4-12 | Études d'exécution transcendante: No. XII in B-flat minor "Chasse-neige" | — | ||
| 5-1 | Piano Concerto no. 1 in E-flat major, S124: I. Allegro maestoso - Tempo giusto | — | ||
| 5-2 | Piano Concerto no. 1 in E-flat major, S124: II. Quasi adagio | — | ||
| 5-3 | Piano Concerto no. 1 in E-flat major, S124: III. Allegretto vivace | — | ||
| 5-4 | Piano Concerto no. 1 in E-flat major, S124: IV. Allegro marziale animato - Presto | — | ||
| 5-5 | Piano Concerto no. 2 in A major, S125: I. Adagio sostenuto assai - Allegro agitato assai | — | ||
| 5-6 | Piano Concerto no. 2 in A major, S125: II. Allegro moderato | — | ||
| 5-7 | Piano Concerto no. 2 in A major, S125: III. Allegro deciso | — | ||
| 5-8 | Piano Concerto no. 2 in A major, S125: IV. Marziale, un poco meno allegro | — | ||
| 5-9 | Piano Concerto no. 2 in A major, S125: V. Allegro animato - Stretto, molto accelerando | — | ||
| 5-10 | Totentanz (Danse macabre), S126 | — | ||
| 5-11 | Fantasia in C major D760 "Wanderer Fantasy" | — | ||
| 6-1 | Night on the Bare Mountain | — | ||
| 6-2 | 9 Etude-Tableaux, op. 39: No. 3 in F-sharp minor | — | ||
| 6-3 | 9 Etude-Tableaux, op. 39: No. 4 in B minor | — | ||
| 6-4 | 9 Etude-Tableaux, op. 39: No. 7 in C minor | — | ||
| 6-5 | 9 Etude-Tableaux, op. 39: No. 9 in D major | — | ||
| 6-6 | 3 Preludes, op. 57: No. 1 in D-flat major | — | ||
| 6-7 | 3 Preludes, op. 40: No. 2 in D minor | — | ||
| 6-8 | 4 Preludes, op. 39: No. 4 in F-sharp minor | — | ||
| 6-9 | 4 Fairy Tales, op. 34: No. 2 in E minor | — | ||
| 6-10 | 2 Fairy Tales, op. 20: No. 1 in B-flat minor | — | ||
| 6-11 | 4 Fairy Tales, op. 34: No. 3 in A minor | — | ||
| 6-12 | Romantic Sketches for the Young: Book 2, op. 54: II. Tale | — | ||
| 6-13 | 6 Fairy Tales, op. 51: No. 1 in D minor | — | ||
| 6-14 | Islamey | — | ||
| 7-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 7-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 7-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 7-4 | Piano Concerto in D-flat major: I. Allegro maestoso | — | ||
| 7-5 | Piano Concerto in D-flat major: II. Andante con anima | — | ||
| 7-6 | Piano Concerto in D-flat major: III. Allegro brillante | — | ||
| 8-1 | Variations on a Theme of Chopin, op. 22: Theme - Largo | — | ||
| 8-2 | Variations on a Theme of Chopin, op. 22: Variation I. Moderato | — | ||
| 8-3 | Variations on a Theme of Chopin, op. 22: Variation II. Allegro | — | ||
| 8-4 | Variations on a Theme of Chopin, op. 22: Variation III. Allegro | — | ||
| 8-5 | Variations on a Theme of Chopin, op. 22: Variation IV. Allegro | — | ||
| 8-6 | Variations on a Theme of Chopin, op. 22: Variation V. Meno mosso | — | ||
| 8-7 | Variations on a Theme of Chopin, op. 22: Variation VI. Meno mosso | — | ||
| 8-8 | Variations on a Theme of Chopin, op. 22: Variation VII. Allegro | — | ||
| 8-9 | Variations on a Theme of Chopin, op. 22: Variation VIII. Allegro | — | ||
| 8-10 | Variations on a Theme of Chopin, op. 22: Variation IX. Allegro | — | ||
| 8-11 | Variations on a Theme of Chopin, op. 22: Variation X. Più vivo | — | ||
| 8-12 | Variations on a Theme of Chopin, op. 22: Variation XI. Lento | — | ||
| 8-13 | Variations on a Theme of Chopin, op. 22: Variation XIII. Largo | — | ||
| 8-14 | Variations on a Theme of Chopin, op. 22: Variation XV. Allegro scherzando | — | ||
| 8-15 | Variations on a Theme of Chopin, op. 22: Variation XVI. Lento | — | ||
| 8-16 | Variations on a Theme of Chopin, op. 22: Variation XVII. Grave | — | ||
| 8-17 | Variations on a Theme of Chopin, op. 22: Variation XVIII. Più mosso | — | ||
| 8-18 | Variations on a Theme of Chopin, op. 22: Variation XIX. Allegro vivace | — | ||
| 8-19 | Variations on a Theme of Chopin, op. 22: Variation XX. Presto | — | ||
| 8-20 | Variations on a Theme of Chopin, op. 22: Variation XXI. Andante - Più vivo | — | ||
| 8-21 | Variations on a Theme of Chopin, op. 22: Variation XXII. Maestoso | — | ||
| 8-22 | Piano Sonata no. 1 in D minor, op. 28: I. Allegro moderato | — | ||
| 8-23 | Piano Sonata no. 1 in D minor, op. 28: II. Lento | — | ||
| 8-24 | Piano Sonata no. 1 in D minor, op. 28: III. Allegro molto | — | ||
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro, ma non troppo | — | ||
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo - Adagio | — | ||
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Allegro | — | ||
| 9-4 | 10 Preludes, op. 23: No. 6 in E-flat major | — | ||
| 9-5 | 10 Preludes, op. 23: No. 5 in G minor | — | ||
| 9-6 | 10 Preludes, op. 23: No. 10 in G-flat major | — | ||
| 9-7 | 10 Preludes, op. 23: No. 9 in E-flat minor | — | ||
| 9-8 | 10 Preludes, op. 23: No. 2 in B-flat major | — | ||
| 10-1 | Ludus Tonalis: I. Praeludium | — | ||
| 10-2 | Ludus Tonalis: II. Fuga prima in C major | — | ||
| 10-3 | Ludus Tonalis: III. Interludium primum | — | ||
| 10-4 | Ludus Tonalis: IV. Fuga secunda in G major | — | ||
| 10-5 | Ludus Tonalis: V. Interludium secundum - Pastorale | — | ||
| 10-6 | Ludus Tonalis: VI. Fuga tertia in F major | — | ||
| 10-7 | Ludus Tonalis: VII. Interludium tertium | — | ||
| 10-8 | Ludus Tonalis: VIII. Fuga quarta in A major | — | ||
| 10-9 | Ludus Tonalis: IX. Interludium quartum | — | ||
| 10-10 | Ludus Tonalis: X. Fuga quinta in E major | — | ||
| 10-11 | Ludus Tonalis: XI. Interludium quintum | — | ||
| 10-12 | Ludus Tonalis: XII. Fuga sexta in E-flat major | — | ||
| 10-13 | Ludus Tonalis: XIII. Interludium sextum | — | ||
| 10-14 | Ludus Tonalis: XIV. Fuga septima in A-flat major | — | ||
| 10-15 | Ludus Tonalis: XV. Interludium septimum | — | ||
| 10-16 | Ludus Tonalis: XVI. Fuga octava in D major | — | ||
| 10-17 | Ludus Tonalis: XVII. Interludium octavum | — | ||
| 10-18 | Ludus Tonalis: XVIII. Fuga nona in B-flat major | — | ||
| 10-19 | Ludus Tonalis: XIX. Interludium nonum | — | ||
| 10-20 | Ludus Tonalis: XX. Fuga decima in D flat-major | — | ||
| 10-21 | Ludus Tonalis: XXI. Interludium decimum | — | ||
| 10-22 | Ludus Tonalis: XXII. Fuga undecima in B major | — | ||
| 10-23 | Ludus Tonalis: XXIII. Interludium undecima | — | ||
| 10-24 | Ludus Tonalis: XXIV. Fuga duodecima in F-sharp major | — | ||
| 10-25 | Ludus Tonalis: XXV. Postludium | — | ||
| 10-26 | Suite 1922, op. 26: I. March | — | ||
| 10-27 | Suite 1922, op. 26: II. Shimmy | — | ||
| 10-28 | Suite 1922, op. 26: III. Nachtstück | — | ||
| 10-29 | Suite 1922, op. 26: IV. Boston | — | ||
| 10-30 | Suite 1922, op. 26: V. Ragtime | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
825646646845 is a Universal Product Code (UPC) assigned to The Teldec Recordings by Boris Berezovsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 176 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
825646646845 is the Universal Product Code (UPC barcode) for the release “The Teldec Recordings” by Boris Berezovsky, released 2012-01-01 on TELDEC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 176 tracks, each with its own ISRC. Tracks include GBELP0500224, GBELP0500225, GBELP0500226.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 12 Etudes, op. 10: No. 1 in C major | — | ||
| 2 | 12 Etudes, op. 10: No. 2 in A minor | — | ||
| 3 | 12 Etudes, op. 10: No. 3 in E major "Tristesse" | — | ||
| 4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | — | ||
| 5 | 12 Etudes, op. 10: No. 5 in G-flat major "Black Keys" | — | ||
| 6 | 12 Etudes, op. 10: No. 6 in E-flat minor | — | ||
| 7 | 12 Etudes, op. 10: No. 7 in C major | — | ||
| 8 | 12 Etudes, op. 10: No. 8 in F major | — | ||
| 9 | 12 Etudes, op. 10: No. 9 in F minor | — | ||
| 10 | 12 Etudes, op. 10: No. 10 in A-flat major | — | ||
| 11 | 12 Etudes, op. 10: No. 11 in E-flat major | — | ||
| 12 | 12 Etudes, op. 10: No. 12 in C minor "Revolutionary" | — | ||
| 13 | 12 Etudes, op. 25: No. 1 in A-flat major "Aeolian Harp" | — | ||
| 14 | 12 Etudes, op. 25: No. 2 in F minor | — | ||
| 15 | 12 Etudes, op. 25: No. 3 in F major | — | ||
| 16 | 12 Etudes, op. 25: No. 4 in A minor | — | ||
| 17 | 12 Etudes, op. 25: No. 5 in E minor | — | ||
| 18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | — | ||
| 19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | — | ||
| 20 | 12 Etudes, op. 25: No. 8 in D-flat major | — | ||
| 21 | 12 Etudes, op. 25: No. 9 in G-flat major "Butterfly" | — | ||
| 22 | 12 Etudes, op. 25: No. 10 in B minor | — | ||
| 23 | 12 Etudes, op. 25: No. 11 in A minor "Winter Wind" | — | ||
| 24 | 12 Etudes, op. 25: No. 12 in C minor | — | ||
| 25 | 3 Nouvelles Etudes, op. posth.: No. 1 in F minor | — | ||
| 26 | 3 Nouvelles Etudes, op. posth.: No. 2 in A-flat major | — | ||
| 27 | 3 Nouvelles Etudes, op. posth.: No. 3 in D-flat major | — | ||
| 2-1 | Étude in C major, op. 10 no. 1 | Boris Berezovsky | T-329.456.966-3 | |
| 2-2 | Étude in C major, op. 10 no. 1 (transcription "Diatonisch") | Boris Berezovsky | — | |
| 2-3 | Étude in A minor, op. 10 no. 2 | Boris Berezovsky | T-329.458.384-5 | |
| 2-4 | Étude in A minor, op. 10 no. 2 (second transcription "Ignis fatuus") | Boris Berezovsky | — | |
| 2-5 | Étude in C-sharp minor, op. 10 no. 4 | Boris Berezovsky | — | |
| 2-6 | Étude in C-sharp minor, op. 10 no. 4 (transcription for the left hand) | Boris Berezovsky | — | |
| 2-7 | Étude in G-sharp major, op. 10 no. 5 | Boris Berezovsky | — | |
| 2-8 | Étude in G-sharp major, op. 10 no. 5 (transcription in C major "Study on White Keys") | Boris Berezovsky | — | |
| 2-9 | Étude in G-sharp major, op. 10 no. 5 (transcription in A minor "Tarantella") | Boris Berezovsky | — | |
| 2-10 | Étude in E-flat minor, op. 10 no. 6 | Boris Berezovsky | T-329.458.108-7 | |
| 2-11 | Étude in E-flat minor, op. 10 no. 6 (transcription for the left hand) | Boris Berezovsky | — | |
| 2-12 | Étude in C minor, op. 10 no. 12 | Boris Berezovsky | — | |
| 2-13 | Étude in C minor, op. 10 no. 12 (transcription for the left hand in C-sharp minor) | Boris Berezovsky | — | |
| 2-14 | Étude in A-flat major, op. 25 no. 1 | Boris Berezovsky | — | |
| 2-15 | Étude in A-flat major, op. 25 no. 1 (second transcription) | Boris Berezovsky | — | |
| 2-16 | Étude in E minor, op. 25 no. 5 | Boris Berezovsky | — | |
| 2-17 | Étude in E minor, op. 25 no. 5 (second transcription in C-sharp minor "Mazurka") | Boris Berezovsky | — | |
| 2-18 | Étude, op. 10 no. 5 & Étude, op. 25 no. 9 (combined transcription in G-flat major "Badinage") | Boris Berezovsky | — | |
| 2-19 | Étude, op. 10 no. 11 & Étude, op. 25 no. 3 (combined transcription in F major) | Boris Berezovsky | — | |
| 2-20 | Triakontameron: No. 11. Alt-Wien | Boris Berezovsky | — | |
| 2-21 | Waltz in D-flat major, op. 64 no. 1 "Minute" (transcription) | Boris Berezovsky | — | |
| 3-1 | Davidsbündlertänze, op. 6: No. 1 in G major. Lebhaft | — | ||
| 3-2 | Davidsbündlertänze, op. 6: No. 2 in B minor. Innig | — | ||
| 3-3 | Davidsbündlertänze, op. 6: No. 3 in G major. Mit Humor | — | ||
| 3-4 | Davidsbündlertänze, op. 6: No. 4 in B minor. Ungeduldig | — | ||
| 3-5 | Davidsbündlertänze, op. 6: No. 5 in D major. Einfach | — | ||
| 3-6 | Davidsbündlertänze, op. 6: No. 6 in D minor. Sehr resch | — | ||
| 3-7 | Davidsbündlertänze, op. 6: No. 7 in G minor. Nicht schnell | — | ||
| 3-8 | Davidsbündlertänze, op. 6: No. 8 in C minor. Frisch | — | ||
| 3-9 | Davidsbündlertänze, op. 6: No. 9 in C major. Lebhaft II | — | ||
| 3-10 | Davidsbündlertänze, op. 6: No. 10 in D minor. Balladenmä | — | ||
| 3-11 | Davidsbündlertänze, op. 6: No. 11 in B minor. Einfach II | — | ||
| 3-12 | Davidsbündlertänze, op. 6: No. 12 in B minor. Mit Humor II | — | ||
| 3-13 | Davidsbündlertänze, op. 6: No. 13 in B minor. Wild und lustig | — | ||
| 3-14 | Davidsbündlertänze, op. 6: No. 14 in E-flat major. Zart und singend | — | ||
| 3-15 | Davidsbündlertänze, op. 6: No. 15 in B-flat major. Frisch II | — | ||
| 3-16 | Davidsbündlertänze, op. 6: No. 16 in G major. Mit gutem Humor | — | ||
| 3-17 | Davidsbündlertänze, op. 6: No. 17 in B major. Wie aus der Ferne | — | ||
| 3-18 | Davidsbündlertänze, op. 6: No. 18 in C major. Nicht schnell II | — | ||
| 3-19 | Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich | — | ||
| 3-20 | Sonata no. 2 in G minor, op. 22: II. Andantino : Getragen | — | ||
| 3-21 | Sonata no. 2 in G minor, op. 22: III. Scherzo : Sehr resch und markiert | — | ||
| 3-22 | Sonata no. 2 in G minor, op. 22: IV. Rondo : Presto | — | ||
| 3-23 | Toccata in C major, op. 7: Allegro | — | ||
| 4-1 | Études d'exécution transcendante: No. I in C major "Preludio" | — | ||
| 4-2 | Études d'exécution transcendante: No. II in A minor | — | ||
| 4-3 | Études d'exécution transcendante: No. III in F major "Paysage" | — | ||
| 4-4 | Études d'exécution transcendante: No. IV in D minor "Mazeppa" | — | ||
| 4-5 | Études d'exécution transcendante: No. V in B-flat major "Feux follets" | — | ||
| 4-6 | Études d'exécution transcendante: No. VI in G minor "Vision" | — | ||
| 4-7 | Études d'exécution transcendante: No. VII in E-flat major "Eroica" | — | ||
| 4-8 | Études d'exécution transcendante: No. VIII in C minor "Wilde Jagd" | — | ||
| 4-9 | Études d'exécution transcendante: No. IX in A-flat major "Ricordanza" | — | ||
| 4-10 | Études d'exécution transcendante: No. X in F minor | — | ||
| 4-11 | Études d'exécution transcendante: No. XI in D-flat major "Harmonies du soir" | — | ||
| 4-12 | Études d'exécution transcendante: No. XII in B-flat minor "Chasse-neige" | — | ||
| 5-1 | Piano Concerto no. 1 in E-flat major, S124: I. Allegro maestoso - Tempo giusto | — | ||
| 5-2 | Piano Concerto no. 1 in E-flat major, S124: II. Quasi adagio | — | ||
| 5-3 | Piano Concerto no. 1 in E-flat major, S124: III. Allegretto vivace | — | ||
| 5-4 | Piano Concerto no. 1 in E-flat major, S124: IV. Allegro marziale animato - Presto | — | ||
| 5-5 | Piano Concerto no. 2 in A major, S125: I. Adagio sostenuto assai - Allegro agitato assai | — | ||
| 5-6 | Piano Concerto no. 2 in A major, S125: II. Allegro moderato | — | ||
| 5-7 | Piano Concerto no. 2 in A major, S125: III. Allegro deciso | — | ||
| 5-8 | Piano Concerto no. 2 in A major, S125: IV. Marziale, un poco meno allegro | — | ||
| 5-9 | Piano Concerto no. 2 in A major, S125: V. Allegro animato - Stretto, molto accelerando | — | ||
| 5-10 | Totentanz (Danse macabre), S126 | — | ||
| 5-11 | Fantasia in C major D760 "Wanderer Fantasy" | — | ||
| 6-1 | Night on the Bare Mountain | — | ||
| 6-2 | 9 Etude-Tableaux, op. 39: No. 3 in F-sharp minor | — | ||
| 6-3 | 9 Etude-Tableaux, op. 39: No. 4 in B minor | — | ||
| 6-4 | 9 Etude-Tableaux, op. 39: No. 7 in C minor | — | ||
| 6-5 | 9 Etude-Tableaux, op. 39: No. 9 in D major | — | ||
| 6-6 | 3 Preludes, op. 57: No. 1 in D-flat major | — | ||
| 6-7 | 3 Preludes, op. 40: No. 2 in D minor | — | ||
| 6-8 | 4 Preludes, op. 39: No. 4 in F-sharp minor | — | ||
| 6-9 | 4 Fairy Tales, op. 34: No. 2 in E minor | — | ||
| 6-10 | 2 Fairy Tales, op. 20: No. 1 in B-flat minor | — | ||
| 6-11 | 4 Fairy Tales, op. 34: No. 3 in A minor | — | ||
| 6-12 | Romantic Sketches for the Young: Book 2, op. 54: II. Tale | — | ||
| 6-13 | 6 Fairy Tales, op. 51: No. 1 in D minor | — | ||
| 6-14 | Islamey | — | ||
| 7-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 7-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 7-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 7-4 | Piano Concerto in D-flat major: I. Allegro maestoso | — | ||
| 7-5 | Piano Concerto in D-flat major: II. Andante con anima | — | ||
| 7-6 | Piano Concerto in D-flat major: III. Allegro brillante | — | ||
| 8-1 | Variations on a Theme of Chopin, op. 22: Theme - Largo | — | ||
| 8-2 | Variations on a Theme of Chopin, op. 22: Variation I. Moderato | — | ||
| 8-3 | Variations on a Theme of Chopin, op. 22: Variation II. Allegro | — | ||
| 8-4 | Variations on a Theme of Chopin, op. 22: Variation III. Allegro | — | ||
| 8-5 | Variations on a Theme of Chopin, op. 22: Variation IV. Allegro | — | ||
| 8-6 | Variations on a Theme of Chopin, op. 22: Variation V. Meno mosso | — | ||
| 8-7 | Variations on a Theme of Chopin, op. 22: Variation VI. Meno mosso | — | ||
| 8-8 | Variations on a Theme of Chopin, op. 22: Variation VII. Allegro | — | ||
| 8-9 | Variations on a Theme of Chopin, op. 22: Variation VIII. Allegro | — | ||
| 8-10 | Variations on a Theme of Chopin, op. 22: Variation IX. Allegro | — | ||
| 8-11 | Variations on a Theme of Chopin, op. 22: Variation X. Più vivo | — | ||
| 8-12 | Variations on a Theme of Chopin, op. 22: Variation XI. Lento | — | ||
| 8-13 | Variations on a Theme of Chopin, op. 22: Variation XIII. Largo | — | ||
| 8-14 | Variations on a Theme of Chopin, op. 22: Variation XV. Allegro scherzando | — | ||
| 8-15 | Variations on a Theme of Chopin, op. 22: Variation XVI. Lento | — | ||
| 8-16 | Variations on a Theme of Chopin, op. 22: Variation XVII. Grave | — | ||
| 8-17 | Variations on a Theme of Chopin, op. 22: Variation XVIII. Più mosso | — | ||
| 8-18 | Variations on a Theme of Chopin, op. 22: Variation XIX. Allegro vivace | — | ||
| 8-19 | Variations on a Theme of Chopin, op. 22: Variation XX. Presto | — | ||
| 8-20 | Variations on a Theme of Chopin, op. 22: Variation XXI. Andante - Più vivo | — | ||
| 8-21 | Variations on a Theme of Chopin, op. 22: Variation XXII. Maestoso | — | ||
| 8-22 | Piano Sonata no. 1 in D minor, op. 28: I. Allegro moderato | — | ||
| 8-23 | Piano Sonata no. 1 in D minor, op. 28: II. Lento | — | ||
| 8-24 | Piano Sonata no. 1 in D minor, op. 28: III. Allegro molto | — | ||
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro, ma non troppo | — | ||
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo - Adagio | — | ||
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Allegro | — | ||
| 9-4 | 10 Preludes, op. 23: No. 6 in E-flat major | — | ||
| 9-5 | 10 Preludes, op. 23: No. 5 in G minor | — | ||
| 9-6 | 10 Preludes, op. 23: No. 10 in G-flat major | — | ||
| 9-7 | 10 Preludes, op. 23: No. 9 in E-flat minor | — | ||
| 9-8 | 10 Preludes, op. 23: No. 2 in B-flat major | — | ||
| 10-1 | Ludus Tonalis: I. Praeludium | — | ||
| 10-2 | Ludus Tonalis: II. Fuga prima in C major | — | ||
| 10-3 | Ludus Tonalis: III. Interludium primum | — | ||
| 10-4 | Ludus Tonalis: IV. Fuga secunda in G major | — | ||
| 10-5 | Ludus Tonalis: V. Interludium secundum - Pastorale | — | ||
| 10-6 | Ludus Tonalis: VI. Fuga tertia in F major | — | ||
| 10-7 | Ludus Tonalis: VII. Interludium tertium | — | ||
| 10-8 | Ludus Tonalis: VIII. Fuga quarta in A major | — | ||
| 10-9 | Ludus Tonalis: IX. Interludium quartum | — | ||
| 10-10 | Ludus Tonalis: X. Fuga quinta in E major | — | ||
| 10-11 | Ludus Tonalis: XI. Interludium quintum | — | ||
| 10-12 | Ludus Tonalis: XII. Fuga sexta in E-flat major | — | ||
| 10-13 | Ludus Tonalis: XIII. Interludium sextum | — | ||
| 10-14 | Ludus Tonalis: XIV. Fuga septima in A-flat major | — | ||
| 10-15 | Ludus Tonalis: XV. Interludium septimum | — | ||
| 10-16 | Ludus Tonalis: XVI. Fuga octava in D major | — | ||
| 10-17 | Ludus Tonalis: XVII. Interludium octavum | — | ||
| 10-18 | Ludus Tonalis: XVIII. Fuga nona in B-flat major | — | ||
| 10-19 | Ludus Tonalis: XIX. Interludium nonum | — | ||
| 10-20 | Ludus Tonalis: XX. Fuga decima in D flat-major | — | ||
| 10-21 | Ludus Tonalis: XXI. Interludium decimum | — | ||
| 10-22 | Ludus Tonalis: XXII. Fuga undecima in B major | — | ||
| 10-23 | Ludus Tonalis: XXIII. Interludium undecima | — | ||
| 10-24 | Ludus Tonalis: XXIV. Fuga duodecima in F-sharp major | — | ||
| 10-25 | Ludus Tonalis: XXV. Postludium | — | ||
| 10-26 | Suite 1922, op. 26: I. March | — | ||
| 10-27 | Suite 1922, op. 26: II. Shimmy | — | ||
| 10-28 | Suite 1922, op. 26: III. Nachtstück | — | ||
| 10-29 | Suite 1922, op. 26: IV. Boston | — | ||
| 10-30 | Suite 1922, op. 26: V. Ragtime | — |
