UPC · Release
The Erato Recitals
Sumi Jo
825646663736
129 tracksReleased 2012-01-01Erato
Last verified:
825646663736 is the Universal Product Code (UPC barcode) for the release “The Erato Recitals” by Sumi Jo, released 2012-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 129 tracks, each with its own ISRC. Tracks include FRZ209412000, FRZ209412100, FRZ209412200.
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8Number system
25646Manufacturer
66373Product
6Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
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- Check digit:
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Credit Chain
UPCThe Erato Recitals
ISRC10 recordings
ISWC7 works
Track List (129)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Il Barbiere di Siviglia, Act 1 Scene 5: “Una voce poco fa” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 2 | La Sonnambula: Act II. "Oh! se una volta sola revederlo io potessi" - "Ah non credea mirarti" (Amina) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 3 | Lakmé : Acte II, Scene 10. "Où va la jeune indoue" (Bell Song) (Lakmé) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 4 | Rigoletto, Act 1 Scene 13: “Gualtier Maldè...caro nome” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | T-913.242.186-4 | |
| 5 | Le Pardon de Ploermel, Act 2 Scene 10: “Ombres légères” | Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 6 | Lucia di Lammermoor: Act III, Scene 1. "Il dolce suono mi colpì di sua voce!" (Mad Scene) (Lucie) | Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 7 | Ariadne auf Naxos: Act I. "Noch glaub' ich dem einen ganz mich gehörend" - "Als ein Gott kam jeder gegangen" (Zerbinetta) | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 8 | Candide, Act 1 Scene 12: “Glitter and Be Gay” | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | T-070.064.357-7 | |
| 9 | Die Zauberflöte: Act II. "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night) | Sumi Jo, Ensemble Orchestral de Paris, Armin Jordan | — | |
| 10 | Boribat | Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi | — | |
| 2-1 | Martern Aller Arten | — | ||
| 2-2 | Ach Ich Fuhl's | — | ||
| 2-3 | Vorrei Spiegarvi Oh Dio | — | ||
| 2-4 | No Che Non Sei Capace | — | ||
| 2-5 | Ah Se In Ciel Benigne Stelle | — | ||
| 2-6 | L'amero, Saro Costante | — | ||
| 2-7 | Voi Avete Un Cor Fedele | — | ||
| 2-8 | Chi Sa Chi Sa Qual Sia | — | ||
| 2-9 | Deh Vieni Non Tardar | — | ||
| 2-10 | Bester Jungling | — | ||
| 2-11 | Nehmt Meinen Dank, Ihr Holden Gonner | — | ||
| 2-12 | Schon Lacht Der Holde Fruhling | — | ||
| 3-1 | Bel Raggio Lusinghier (Act 1 No. 13a) | — | ||
| 3-2 | Care Comagne (No. 2) | — | ||
| 3-3 | Sul Fil D'un Soffio Etesio (Act III) | — | ||
| 3-4 | Son Vergin Vezzosa (Act I) | — | ||
| 3-5 | Eccomi In Lieta Veste... Oh! Quante Volte, Oh Quante (Act I Recitative & Romance) | — | ||
| 3-6 | O Luce Di Quest' Anima (Act I) | — | ||
| 3-7 | No, Che Il Morir Non È (Act II No. 17b) | — | ||
| 3-8 | Qui La Voce Sua Soave (Act II) | — | ||
| 3-9 | Lo Non Sono Più L'Annetta (Act II) | — | ||
| 3-10 | È Strano, È Strano (Act I Scene 5) | — | ||
| 4-1 | Caro Mio Ben | — | ||
| 4-2 | Lungi Dal Caro Ben | — | ||
| 4-3 | Malinconia, Ninfa Gentile | — | ||
| 4-4 | Qual Farfalletta Amante | — | ||
| 4-5 | Ad Una Stella | — | ||
| 4-6 | Lascia Ch'io Pianga | — | ||
| 4-7 | Per Pietà, Bell'Idol Mio | — | ||
| 4-8 | O Del Mio Dolce Ardor | — | ||
| 4-9 | Star Vicino | — | ||
| 4-10 | Se Florindo È Fedele | — | ||
| 4-11 | Non T'Amo Più | — | ||
| 4-12 | Intorno All'Idol Mio | — | ||
| 4-13 | La Promessa | — | ||
| 4-14 | La Capinera | — | ||
| 4-15 | O Del Mio Amato Ben | — | ||
| 4-16 | V'Adoro Pupille | — | ||
| 4-17 | Vaghissima Sembianza | — | ||
| 4-18 | Ridente La Calma | — | ||
| 4-19 | Alma Del Core | — | ||
| 4-20 | Nel Cor Più Non Mi Sento | — | ||
| 5-1 | Ariette | — | ||
| 5-2 | L'air des Bijoux | — | ||
| 5-3 | Polonaise et Finale | — | ||
| 5-4 | Chaque Matin | — | ||
| 5-5 | Ophelia's Aria | — | ||
| 5-6 | Depuis Le Jour | — | ||
| 5-7 | La Valse | — | ||
| 5-8 | Huguenots Act II Aria | — | ||
| 5-9 | Gavotte | — | ||
| 5-10 | Cavatine de Leila | — | ||
| 5-11 | Conduisez | — | ||
| 6-1 | Wiener Blut | — | ||
| 6-2 | Wo Die Zitronen Blühn Op.364 | — | ||
| 6-3 | Draussen in Sievering | — | ||
| 6-4 | Overture: Die Fledermaus | — | ||
| 6-5 | Spiel Ich Die Unschuld Vom Lande: Die Fledermaus | — | ||
| 6-6 | Frutti di mare... Seht, oh seht | — | ||
| 6-7 | Pesther Csardas Op 23 | — | ||
| 6-8 | Frühlingsstimmen Op.410 | — | ||
| 6-9 | Pizzicato: Polka | — | ||
| 6-10 | Wienerwald Lerchen | — | ||
| 6-11 | Schwipslied: Annen Polka | — | ||
| 6-12 | Im Krapfenwaldl | — | ||
| 6-13 | Einmal Nur Im Leben: Liebeslieder Walzer | — | ||
| 7-1 | In His Eyes | — | ||
| 7-2 | Someone Like You | — | ||
| 7-3 | Beautiful World | — | ||
| 7-4 | Unusual Way | — | ||
| 7-5 | Losing My Mind | — | ||
| 7-6 | Once Upon A Dream | — | ||
| 7-7 | Only Love | — | ||
| 7-8 | Send In The Clowns | — | ||
| 7-9 | Just In Time | — | ||
| 7-10 | Dream With Me | — | ||
| 7-11 | I Dreamt I Dwelt in Marble Halls | — | ||
| 7-12 | I Still Believe | — | ||
| 8-1 | Kaddisch | — | ||
| 8-2 | Laudate Dominum | — | ||
| 8-3 | Ave Maria | — | ||
| 8-4 | Amazing Grace | — | ||
| 8-5 | Breit' über min Haupt (op. 19 no. 2) | — | ||
| 8-6 | L'ora fatal s'appressa...Giusto ciel! | — | ||
| 8-7 | Pie Jesu (Requiem) | — | ||
| 8-8 | Gott! Höre meine Stimme! | — | ||
| 8-9 | Sanctus | — | ||
| 8-10 | Preghiera di Maria | — | ||
| 8-11 | Lacrimosa | — | ||
| 8-12 | Take Care of This House (1600 Pennsylvania Avenue) | — | ||
| 8-13 | Nuns Chorus, Laura's Song | — | ||
| 8-14 | Say A Prayer For Me Tonight | — | ||
| 8-15 | Sometimes I Feel Like a Motherless Child | — | ||
| 9-1 | I Wonder As I Wander | — | ||
| 9-2 | Ich Steh' an Deiner Krippen Hier | — | ||
| 9-3 | Cantata Pastorale Per la Nascita Di Nostro Signore | — | ||
| 9-4 | Frch Soll Mein Herze Springen | — | ||
| 9-5 | O Holy Night | — | ||
| 9-6 | Ft Euch Nicht! | — | ||
| 9-7 | Symphony No. 19 in E Flat, K132 : Andante Grazioso [Extract] | — | ||
| 9-8 | Stille Nacht Heilige Nacht! | — | ||
| 9-9 | Es Ist Ein Ros Entsprungen | — | ||
| 9-10 | Violin Concerto in E Major 'Il Riposo-Per Il S. Natale' | — | ||
| 9-11 | O Jesulein S | — | ||
| 9-12 | Exsultate, Jubilate, K165 | — | ||
| 9-13 | Silent Night | — | ||
| 10-1 | Nulla In Mundo Pax Sincera I: Larghetto | — | ||
| 10-2 | Agitata Da Due Venti (Griselda) | — | ||
| 10-3 | Bist Du Bei Mir | — | ||
| 10-4 | As Steals The Morn Upon The Night (L`Allegro, il Penseroso ed il Moderato) | — | ||
| 10-5 | Where`er You Walk (Semele) | — | ||
| 10-6 | Ei! Wie Schmeckt Der Kaffee Süße (Cantata, BWV 211 "Coffee Cantata") | — | ||
| 10-7 | Music For A While (Oedipus) | — | ||
| 10-8 | Let The Bright Seraphim (Samson) | — | ||
| 10-9 | Sposa Son Disprezzata (Tamerlano) | — | ||
| 10-10 | Fairest Isle (King Arthur) | — | ||
| 10-11 | Lascia Ch`io Pianga (Rinaldo) | — | ||
| 10-12 | Seufzer, Tränen, Kummer, Not (Cantata, BWV 21 "Ich hatte viel Bekümmernis") | — | ||
| 10-13 | I Know That My Redeemer Liveth (Messiah) | — |
Il Barbiere di Siviglia, Act 1 Scene 5: “Una voce poco fa”
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
La Sonnambula: Act II. "Oh! se una volta sola revederlo io potessi" - "Ah non credea mirarti" (Amina)
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
Lakmé : Acte II, Scene 10. "Où va la jeune indoue" (Bell Song) (Lakmé)
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
Le Pardon de Ploermel, Act 2 Scene 10: “Ombres légères”
Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
Lucia di Lammermoor: Act III, Scene 1. "Il dolce suono mi colpì di sua voce!" (Mad Scene) (Lucie)
Sumi Jo, Anne Maugue, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
Ariadne auf Naxos: Act I. "Noch glaub' ich dem einen ganz mich gehörend" - "Als ein Gott kam jeder gegangen" (Zerbinetta)
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
Die Zauberflöte: Act II. "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night)
Sumi Jo, Ensemble Orchestral de Paris, Armin Jordan
—
Boribat
Sumi Jo, Orchestre Philharmonique de Monte-Carlo, Paolo Olmi
—
Martern Aller Arten
—
Ach Ich Fuhl's
—
Vorrei Spiegarvi Oh Dio
—
No Che Non Sei Capace
—
Ah Se In Ciel Benigne Stelle
—
L'amero, Saro Costante
—
Voi Avete Un Cor Fedele
—
Chi Sa Chi Sa Qual Sia
—
Deh Vieni Non Tardar
—
Bester Jungling
—
Nehmt Meinen Dank, Ihr Holden Gonner
—
Schon Lacht Der Holde Fruhling
—
Bel Raggio Lusinghier (Act 1 No. 13a)
—
Care Comagne (No. 2)
—
Sul Fil D'un Soffio Etesio (Act III)
—
Son Vergin Vezzosa (Act I)
—
Eccomi In Lieta Veste... Oh! Quante Volte, Oh Quante (Act I Recitative & Romance)
—
O Luce Di Quest' Anima (Act I)
—
No, Che Il Morir Non È (Act II No. 17b)
—
Qui La Voce Sua Soave (Act II)
—
Lo Non Sono Più L'Annetta (Act II)
—
È Strano, È Strano (Act I Scene 5)
—
Caro Mio Ben
—
Lungi Dal Caro Ben
—
Malinconia, Ninfa Gentile
—
Qual Farfalletta Amante
—
Ad Una Stella
—
Lascia Ch'io Pianga
—
Per Pietà, Bell'Idol Mio
—
O Del Mio Dolce Ardor
—
Star Vicino
—
Se Florindo È Fedele
—
Non T'Amo Più
—
Intorno All'Idol Mio
—
La Promessa
—
La Capinera
—
O Del Mio Amato Ben
—
V'Adoro Pupille
—
Vaghissima Sembianza
—
Ridente La Calma
—
Alma Del Core
—
Nel Cor Più Non Mi Sento
—
Ariette
—
L'air des Bijoux
—
Polonaise et Finale
—
Chaque Matin
—
Ophelia's Aria
—
Depuis Le Jour
—
La Valse
—
Huguenots Act II Aria
—
Gavotte
—
Cavatine de Leila
—
Conduisez
—
Wiener Blut
—
Wo Die Zitronen Blühn Op.364
—
Draussen in Sievering
—
Overture: Die Fledermaus
—
Spiel Ich Die Unschuld Vom Lande: Die Fledermaus
—
Frutti di mare... Seht, oh seht
—
Pesther Csardas Op 23
—
Frühlingsstimmen Op.410
—
Pizzicato: Polka
—
Wienerwald Lerchen
—
Schwipslied: Annen Polka
—
Im Krapfenwaldl
—
Einmal Nur Im Leben: Liebeslieder Walzer
—
In His Eyes
—
Someone Like You
—
Beautiful World
—
Unusual Way
—
Losing My Mind
—
Once Upon A Dream
—
Only Love
—
Send In The Clowns
—
Just In Time
—
Dream With Me
—
I Dreamt I Dwelt in Marble Halls
—
I Still Believe
—
Kaddisch
—
Laudate Dominum
—
Ave Maria
—
Amazing Grace
—
Breit' über min Haupt (op. 19 no. 2)
—
L'ora fatal s'appressa...Giusto ciel!
—
Pie Jesu (Requiem)
—
Gott! Höre meine Stimme!
—
Sanctus
—
Preghiera di Maria
—
Lacrimosa
—
Take Care of This House (1600 Pennsylvania Avenue)
—
Nuns Chorus, Laura's Song
—
Say A Prayer For Me Tonight
—
Sometimes I Feel Like a Motherless Child
—
I Wonder As I Wander
—
Ich Steh' an Deiner Krippen Hier
—
Cantata Pastorale Per la Nascita Di Nostro Signore
—
Frch Soll Mein Herze Springen
—
O Holy Night
—
Ft Euch Nicht!
—
Symphony No. 19 in E Flat, K132 : Andante Grazioso [Extract]
—
Stille Nacht Heilige Nacht!
—
Es Ist Ein Ros Entsprungen
—
Violin Concerto in E Major 'Il Riposo-Per Il S. Natale'
—
O Jesulein S
—
Exsultate, Jubilate, K165
—
Silent Night
—
Nulla In Mundo Pax Sincera I: Larghetto
—
Agitata Da Due Venti (Griselda)
—
Bist Du Bei Mir
—
As Steals The Morn Upon The Night (L`Allegro, il Penseroso ed il Moderato)
—
Where`er You Walk (Semele)
—
Ei! Wie Schmeckt Der Kaffee Süße (Cantata, BWV 211 "Coffee Cantata")
—
Music For A While (Oedipus)
—
Let The Bright Seraphim (Samson)
—
Sposa Son Disprezzata (Tamerlano)
—
Fairest Isle (King Arthur)
—
Lascia Ch`io Pianga (Rinaldo)
—
Seufzer, Tränen, Kummer, Not (Cantata, BWV 21 "Ich hatte viel Bekümmernis")
—
I Know That My Redeemer Liveth (Messiah)
—
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What is UPC 825646663736?
825646663736 is a Universal Product Code (UPC) assigned to The Erato Recitals by Sumi Jo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 129 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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