UPC · Release
Edition II: The Indian Queen / The Tempest / Dioclesian / Timon of Athens
Purcell, John Eliot Gardiner
825646919901
102 tracksReleased 2009-04-13
Last verified:
825646919901 is the Universal Product Code (UPC barcode) for the release “Edition II: The Indian Queen / The Tempest / Dioclesian / Timon of Athens” by Purcell, John Eliot Gardiner, released 2009-04-13. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include FRZ208712301, FRZ208712302, FRZ208712303.
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91990Product
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Credit Chain
UPCEdition II: The Indian Queen / The Tempest / Dioclesian / Timon of Athens
ISRC5 recordings
IPI1 songwriter
Track List (102)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Indian Queen, First Music – First Air | — | ||
| 2 | The Indian Queen, First Music – Second Air | — | ||
| 3 | The Indian Queen, Second Music – First Hornpipe | — | ||
| 4 | The Indian Queen, Second Music – Second Hornpipe | — | ||
| 5 | The Indian Queen, Overture – Adagio | — | ||
| 6 | The Indian Queen, Overture – Allegro | — | ||
| 7 | The Indian Queen, Trumpet Tune | — | ||
| 8 | The Indian Queen, Prologue, Wake, Quivera | — | ||
| 9 | The Indian Queen, Prologue, Why should men quarrel here | — | ||
| 10 | The Indian Queen, Prologue, By ancient prophecies we have been told | — | ||
| 11 | The Indian Queen, Prologue, Trumpet Tune – reprise | — | ||
| 12 | The Indian Queen, Act II, Symphony, Canzona | — | ||
| 13 | The Indian Queen, Act II, Symphony, Adagio | — | ||
| 14 | The Indian Queen, Act II, Symphony, Allegro | — | ||
| 15 | The Indian Queen, Act II, I come to sing great Zempoalla’s story | — | ||
| 16 | The Indian Queen, Act II, What flatt’ring noise is this | — | ||
| 17 | The Indian Queen, Act II, Scorn’d Envy, here’s nothing that thou canst blast | — | ||
| 18 | The Indian Queen, Act II, I fly from the place where flattery reigns | — | ||
| 19 | The Indian Queen, Act II, Begone, curst fiends of Hell | — | ||
| 20 | The Indian Queen, Prelude – I come to sing great Zempoalla’s story | — | ||
| 21 | The Indian Queen, Act III, Air | — | ||
| 22 | The Indian Queen, Act III, Minuet | — | ||
| 23 | The Indian Queen, Act III, Ye twice ten hundred deities | — | ||
| 24 | The Indian Queen, Act III, Symphony for hautboys | — | ||
| 25 | The Indian Queen, Act III, Seek not to know what must not be reveal’d | — | ||
| 26 | The Indian Queen, Act III, Trumpet Overture | — | ||
| 27 | The Indian Queen, Act III, Ah! How happy are we! | — | ||
| 28 | The Indian Queen, Act III, We the spirits of the air | — | ||
| 29 | The Indian Queen, Act III, I attempt from love’s sickness to fly in vain | — | ||
| 30 | The Indian Queen, Act III, We the spirits of the air – reprise | — | ||
| 31 | The Indian Queen, Act III, Third Act Tune | — | ||
| 32 | The Indian Queen, Act IV, They tell us that your mighty powers | — | ||
| 33 | The Indian Queen, Act V, While thus we bow before your shrine | — | ||
| 2-1 | The Tempest, Overture | — | ||
| 2-2 | The Tempest, Act II, Where does the black fiend Ambition reside? | — | ||
| 2-3 | The Tempest, Act II, Around, around we pace, around this accursed place | — | ||
| 2-4 | The Tempest, Act II, Arise, arise, ye subterranean winds | — | ||
| 2-5 | The Tempest, Act II, Dance of Winds | — | ||
| 2-6 | The Tempest, Act III, Come unto these yellow sands … Hark! hark! The watchdogs bark | — | ||
| 2-7 | The Tempest, Act III, Full fathom five thy father lies | — | ||
| 2-8 | The Tempest, Act III, Dry those eyes which are o’erflowing | — | ||
| 2-9 | The Tempest, Act III, Kind fortune smiles | — | ||
| 2-10 | The Tempest, Act IV, Dance of Devils | — | ||
| 2-11 | The Tempest, Act IV, The sailors’ dance | — | ||
| 2-12 | The Tempest, Act IV, Dear pretty youth unveil those eyes | — | ||
| 2-13 | The Tempest, Act V, Great Neptune! Now no more let Aeolus enrage the sea | — | ||
| 2-14 | The Tempest, Act V, The Nereids and Tritons shall sing and shall play | — | ||
| 2-15 | The Tempest, Act V, Aeolus, you must appear, my great commands to hear … While these pass o’er the deep, your stormy winds must cease | — | ||
| 2-16 | The Tempest, Act V, Your awful voice I hear and I obey … Come down, my blusterers, swell no more | — | ||
| 2-17 | The Tempest, Act V, Halcyon days, now wars are ending, you shall find wheree’er you sail | — | ||
| 2-18 | The Tempest, Act V, See, see, the heavens smile | — | ||
| 2-19 | The Tempest, Act V, No stars again shall hurt you from above | — | ||
| 2-20 | The Married Beau, Overture | — | ||
| 2-21 | Abdelazer, or the Moor’s Revenge, Rondeau | — | ||
| 3-1 | Timon of Athens, Overture | — | ||
| 3-2 | Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing | — | ||
| 3-3 | Timon of Athens, Love in their little veins inspires their cheerful notes | — | ||
| 3-4 | Timon of Athens, But ah! how much are our delights more dear | — | ||
| 3-5 | Timon of Athens, Hence with your trifling deity! | — | ||
| 3-6 | Timon of Athens, Come all, come all to me, make haste | — | ||
| 3-7 | Timon of Athens, Who can resist such mighty charms? | — | ||
| 3-8 | Timon of Athens, Return, revolting rebels! Where d’ye go? | — | ||
| 3-9 | Timon of Athens, The cares of lovers, their alarms, their sighs, their tears | — | ||
| 3-10 | Timon of Athens, Love quickly is pall’d, tho’ with labour, ’tis gain’d | — | ||
| 3-11 | Timon of Athens, Come, let us agree, there are pleasures divine | — | ||
| 3-12 | Timon of Athens, Curtain Tune | — | ||
| 3-13 | Dioclesian, First Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 3-14 | Dioclesian, Second Music | English Baroque Soloists, John Eliot Gardiner | — | |
| 3-15 | Dioclesian, Overture | English Baroque Soloists, John Eliot Gardiner | — | |
| 3-16 | Dioclesian, Act I, First Act Tune: Hornpipe | English Baroque Soloists, John Eliot Gardiner | — | |
| 3-17 | Dioclesian, Act II, Great Diocles the Boar has kill’d | — | ||
| 3-18 | Dioclesian, Act II, Charon, the peaceful Shade invites – Symphony – Let all mankind the pleasure share | — | ||
| 3-19 | Dioclesian, Act II, Let the soldiers rejoice | — | ||
| 3-20 | Dioclesian, Act II, Ritornello – To Mars let ’em raise – Ritornello | — | ||
| 3-21 | Dioclesian, Act II, A Symphony of flutes in the air – Since the toils and the hazards of war … Let the priests with processions … All sing Diocles’ glory | — | ||
| 3-22 | Dioclesian, Act II, Dance of Furies | English Baroque Soloists, John Eliot Gardiner | — | |
| 3-23 | Dioclesian, Act II, Second Act Tune | — | ||
| 3-24 | Dioclesian, Act III, Chaconne (Two in one upon a Ground) | — | ||
| 4-1 | Dioclesian, Act III, When I first saw the bright Aurelia’s eyes | — | ||
| 4-2 | Dioclesian, Act III, The Chair Dance | — | ||
| 4-3 | Dioclesian, Act III, What shall I do to show how much I love her? | — | ||
| 4-4 | Dioclesian, Act III, Third Act Tune | — | ||
| 4-5 | Dioclesian, Act IV, Butterfly Dance | — | ||
| 4-6 | Dioclesian, Act IV, Trumpet Tune | — | ||
| 4-7 | Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound! | — | ||
| 4-8 | Dioclesian, Act IV, Fourth Act Tune | — | ||
| 4-9 | Dioclesian, Act V, Country Dance | — | ||
| 4-10 | Dioclesian, Act V, Prelude – Call the Nymphs and the Fawns from the woods | — | ||
| 4-11 | Dioclesian, Act V, Come, come away, no delay | — | ||
| 4-12 | Dioclesian, Act V, Prelude – Behold, O mightiest of Gods | — | ||
| 4-13 | Dioclesian, Act V, Ah! the sweet delights of love! | — | ||
| 4-14 | Dioclesian, Act V, Let monarchs fight for power and for fame | — | ||
| 4-15 | Dioclesian, Act V, Since from my dear Astrea’s sight I was so rudely torn | — | ||
| 4-16 | Dioclesian, Act V, Make room, make room – Dance of Bachanals | — | ||
| 4-17 | Dioclesian, Act V, Still I’m wishing, still desiring | — | ||
| 4-18 | Dioclesian, Act V, Canaries – Tell me why my charming fair | — | ||
| 4-19 | Dioclesian, Act V, Dance | — | ||
| 4-20 | Dioclesian, Act V, All our days and our nights shall be spent in delights | — | ||
| 4-21 | Dioclesian, Act V, Dance – Triumph, triumph victorious Love | — | ||
| 4-22 | Music for a while, from Oedipus | — | ||
| 4-23 | Ah! How sweet it is to love, from Tyranic Love or The Royal Martyr | — | ||
| 4-24 | If music be the food of love | — |
The Indian Queen, First Music – First Air
—
The Indian Queen, First Music – Second Air
—
The Indian Queen, Second Music – First Hornpipe
—
The Indian Queen, Second Music – Second Hornpipe
—
The Indian Queen, Overture – Adagio
—
The Indian Queen, Overture – Allegro
—
The Indian Queen, Trumpet Tune
—
The Indian Queen, Prologue, Wake, Quivera
—
The Indian Queen, Prologue, Why should men quarrel here
—
The Indian Queen, Prologue, By ancient prophecies we have been told
—
The Indian Queen, Prologue, Trumpet Tune – reprise
—
The Indian Queen, Act II, Symphony, Canzona
—
The Indian Queen, Act II, Symphony, Adagio
—
The Indian Queen, Act II, Symphony, Allegro
—
The Indian Queen, Act II, I come to sing great Zempoalla’s story
—
The Indian Queen, Act II, What flatt’ring noise is this
—
The Indian Queen, Act II, Scorn’d Envy, here’s nothing that thou canst blast
—
The Indian Queen, Act II, I fly from the place where flattery reigns
—
The Indian Queen, Act II, Begone, curst fiends of Hell
—
The Indian Queen, Prelude – I come to sing great Zempoalla’s story
—
The Indian Queen, Act III, Air
—
The Indian Queen, Act III, Minuet
—
The Indian Queen, Act III, Ye twice ten hundred deities
—
The Indian Queen, Act III, Symphony for hautboys
—
The Indian Queen, Act III, Seek not to know what must not be reveal’d
—
The Indian Queen, Act III, Trumpet Overture
—
The Indian Queen, Act III, Ah! How happy are we!
—
The Indian Queen, Act III, We the spirits of the air
—
The Indian Queen, Act III, I attempt from love’s sickness to fly in vain
—
The Indian Queen, Act III, We the spirits of the air – reprise
—
The Indian Queen, Act III, Third Act Tune
—
The Indian Queen, Act IV, They tell us that your mighty powers
—
The Indian Queen, Act V, While thus we bow before your shrine
—
The Tempest, Overture
—
The Tempest, Act II, Where does the black fiend Ambition reside?
—
The Tempest, Act II, Around, around we pace, around this accursed place
—
The Tempest, Act II, Arise, arise, ye subterranean winds
—
The Tempest, Act II, Dance of Winds
—
The Tempest, Act III, Come unto these yellow sands … Hark! hark! The watchdogs bark
—
The Tempest, Act III, Full fathom five thy father lies
—
The Tempest, Act III, Dry those eyes which are o’erflowing
—
The Tempest, Act III, Kind fortune smiles
—
The Tempest, Act IV, Dance of Devils
—
The Tempest, Act IV, The sailors’ dance
—
The Tempest, Act IV, Dear pretty youth unveil those eyes
—
The Tempest, Act V, Great Neptune! Now no more let Aeolus enrage the sea
—
The Tempest, Act V, The Nereids and Tritons shall sing and shall play
—
The Tempest, Act V, Aeolus, you must appear, my great commands to hear … While these pass o’er the deep, your stormy winds must cease
—
The Tempest, Act V, Your awful voice I hear and I obey … Come down, my blusterers, swell no more
—
The Tempest, Act V, Halcyon days, now wars are ending, you shall find wheree’er you sail
—
The Tempest, Act V, See, see, the heavens smile
—
The Tempest, Act V, No stars again shall hurt you from above
—
The Married Beau, Overture
—
Abdelazer, or the Moor’s Revenge, Rondeau
—
Timon of Athens, Overture
—
Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing
—
Timon of Athens, Love in their little veins inspires their cheerful notes
—
Timon of Athens, But ah! how much are our delights more dear
—
Timon of Athens, Hence with your trifling deity!
—
Timon of Athens, Come all, come all to me, make haste
—
Timon of Athens, Who can resist such mighty charms?
—
Timon of Athens, Return, revolting rebels! Where d’ye go?
—
Timon of Athens, The cares of lovers, their alarms, their sighs, their tears
—
Timon of Athens, Love quickly is pall’d, tho’ with labour, ’tis gain’d
—
Timon of Athens, Come, let us agree, there are pleasures divine
—
Timon of Athens, Curtain Tune
—
Dioclesian, First Music
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Second Music
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Overture
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Act I, First Act Tune: Hornpipe
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Act II, Great Diocles the Boar has kill’d
—
Dioclesian, Act II, Charon, the peaceful Shade invites – Symphony – Let all mankind the pleasure share
—
Dioclesian, Act II, Let the soldiers rejoice
—
Dioclesian, Act II, Ritornello – To Mars let ’em raise – Ritornello
—
Dioclesian, Act II, A Symphony of flutes in the air – Since the toils and the hazards of war … Let the priests with processions … All sing Diocles’ glory
—
Dioclesian, Act II, Dance of Furies
English Baroque Soloists, John Eliot Gardiner
—
Dioclesian, Act II, Second Act Tune
—
Dioclesian, Act III, Chaconne (Two in one upon a Ground)
—
Dioclesian, Act III, When I first saw the bright Aurelia’s eyes
—
Dioclesian, Act III, The Chair Dance
—
Dioclesian, Act III, What shall I do to show how much I love her?
—
Dioclesian, Act III, Third Act Tune
—
Dioclesian, Act IV, Butterfly Dance
—
Dioclesian, Act IV, Trumpet Tune
—
Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound!
—
Dioclesian, Act IV, Fourth Act Tune
—
Dioclesian, Act V, Country Dance
—
Dioclesian, Act V, Prelude – Call the Nymphs and the Fawns from the woods
—
Dioclesian, Act V, Come, come away, no delay
—
Dioclesian, Act V, Prelude – Behold, O mightiest of Gods
—
Dioclesian, Act V, Ah! the sweet delights of love!
—
Dioclesian, Act V, Let monarchs fight for power and for fame
—
Dioclesian, Act V, Since from my dear Astrea’s sight I was so rudely torn
—
Dioclesian, Act V, Make room, make room – Dance of Bachanals
—
Dioclesian, Act V, Still I’m wishing, still desiring
—
Dioclesian, Act V, Canaries – Tell me why my charming fair
—
Dioclesian, Act V, Dance
—
Dioclesian, Act V, All our days and our nights shall be spent in delights
—
Dioclesian, Act V, Dance – Triumph, triumph victorious Love
—
Music for a while, from Oedipus
—
Ah! How sweet it is to love, from Tyranic Love or The Royal Martyr
—
If music be the food of love
—
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What is UPC 825646919901?
825646919901 is a Universal Product Code (UPC) assigned to Edition II: The Indian Queen / The Tempest / Dioclesian / Timon of Athens by Purcell, John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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