UPC · Release
4 Masses / Stabat mater / Die sieben letzten Worte unseres Erlösers am Kreuze
Haydn, Concentus Musicus Wien, Nikolaus Harnoncourt
825646961207
69 tracks
Last verified:
825646961207 is the Universal Product Code (UPC barcode) for the release “4 Masses / Stabat mater / Die sieben letzten Worte unseres Erlösers am Kreuze” by Haydn, Concentus Musicus Wien, Nikolaus Harnoncourt. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC.
Format
8Number system
25646Manufacturer
96120Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa in tempore belli, Hob. XXII:9: I. Kyrie | — | ||
| 2 | Missa in tempore belli, Hob. XXII:9: II. Gloria | — | ||
| 3 | Missa in tempore belli, Hob. XXII:9: III. Credo | — | ||
| 4 | Missa in tempore belli, Hob. XXII:9: IV. Sanctus | — | ||
| 5 | Missa in tempore belli, Hob. XXII:9: V. Benedictus | — | ||
| 6 | Missa in tempore belli, Hob. XXII:9: VI. Agnus Dei | — | ||
| 7 | Salve Regina, Hob. XXIIIb:2: Salve Regina | — | ||
| 8 | Salve Regina, Hob. XXIIIb:2: Eja ergo, advocata nostra | — | ||
| 9 | Salve Regina, Hob. XXIIIb:2: Et Jesum | — | ||
| 2-1 | Missa in angustiis, Hob. XXII:11: I. Kyrie | — | ||
| 2-2 | Missa in angustiis, Hob. XXII:11: II. Gloria | — | ||
| 2-3 | Missa in angustiis, Hob. XXII:11: III. Credo | — | ||
| 2-4 | Missa in angustiis, Hob. XXII:11: IV. Sanctus | — | ||
| 2-5 | Missa in angustiis, Hob. XXII:11: V. Benedictus | — | ||
| 2-6 | Missa in angustiis, Hob. XXII:11: VI. Agnus Dei | — | ||
| 2-7 | Te Deum, Hob. XXIIIc:2 | — | ||
| 3-1 | Missa, Hob. XXII:14: Kyrie | — | ||
| 3-2 | Missa, Hob. XXII:14: Gloria | — | ||
| 3-3 | Missa, Hob. XXII:14: Gloria: Gratias | — | ||
| 3-4 | Missa, Hob. XXII:14: Gloria: Quoniam | — | ||
| 3-5 | Missa, Hob. XXII:14: Credo | — | ||
| 3-6 | Missa, Hob. XXII:14: Credo: Et incarnatus | — | ||
| 3-7 | Missa, Hob. XXII:14: Credo: Et resurrexit | — | ||
| 3-8 | Missa, Hob. XXII:14: Sanctus | — | ||
| 3-9 | Missa, Hob. XXII:14: Benedictus | — | ||
| 3-10 | Missa, Hob. XXII:14: Agnus Dei | — | ||
| 3-11 | Missa, Hob. XXII:14: Agnus Dei: Dona nobis pacem | — | ||
| 3-12 | Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Recitativo accompagnato: Qual dubbio ormai? | — | ||
| 3-13 | Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Aria: Se ogni giorno, Prence invitto | — | ||
| 3-14 | Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Recitativo: Saggio il pensier | — | ||
| 3-15 | Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Coro: Scenda propizio un raggio | — | ||
| 3-16 | Te Deum, Hob. XXIIIc:1: Te Deum laudamus | — | ||
| 3-17 | Te Deum, Hob. XXIIIc:1: Te ergo quaesumus | — | ||
| 3-18 | Te Deum, Hob. XXIIIc:1: Aeterna fac cum sanctis tuis | — | ||
| 4-1 | Stabat Mater, Hob. XXbis: I. Stabat Mater dolorosa | — | ||
| 4-2 | Stabat Mater, Hob. XXbis: II. O quam tristis et afflicta | — | ||
| 4-3 | Stabat Mater, Hob. XXbis: III. Quis est homo | — | ||
| 4-4 | Stabat Mater, Hob. XXbis: IV. Quis non posset | — | ||
| 4-5 | Stabat Mater, Hob. XXbis: V. Pro peccatis suae gentis | — | ||
| 4-6 | Stabat Mater, Hob. XXbis: VI. Vidit suum dulcem Natum | — | ||
| 4-7 | Stabat Mater, Hob. XXbis: VII. Eja Mater, fons amoris | — | ||
| 4-8 | Stabat Mater, Hob. XXbis: VIII. Sancta Mater, istud agas | — | ||
| 4-9 | Stabat Mater, Hob. XXbis: IX. Fac me vere tecum flere | — | ||
| 4-10 | Stabat Mater, Hob. XXbis: X. Virgo virginum praeclara | — | ||
| 4-11 | Stabat Mater, Hob. XXbis: XI. Flammis orci ne succendar | — | ||
| 4-12 | Stabat Mater, Hob. XXbis: XII. Fac me cruce custodiri | — | ||
| 4-13 | Stabat Mater, Hob. XXbis: XIII. Quando corpus morietur | — | ||
| 4-14 | Stabat Mater, Hob. XXbis: Paradisi gloria | — | ||
| 5-1 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: Introduzione | — | ||
| 5-2 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 1. Vater, vergib ihnen | — | ||
| 5-3 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 2. Fürwahr, ich sag’ es dir | — | ||
| 5-4 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 3. Frau, hier siehe deinen Sohn | — | ||
| 5-5 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 4. Mein Gott, mein Gott | — | ||
| 5-6 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: Introduzione | — | ||
| 5-7 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 5. Jesus rufet | — | ||
| 5-8 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 6. Es ist vollbracht | — | ||
| 5-9 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 7. Vater, in deine Hände | — | ||
| 5-10 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: Il Terremoto – Er ist nicht meht | — | ||
| 6-1 | Missa, Hob. XXII:13: Kyrie: Adagio | — | ||
| 6-2 | Missa, Hob. XXII:13: Kyrie: Allegro moderato | — | ||
| 6-3 | Missa, Hob. XXII:13: Gloria | — | ||
| 6-4 | Missa, Hob. XXII:13: Gloria: Quoniam | — | ||
| 6-5 | Missa, Hob. XXII:13: Credo | — | ||
| 6-6 | Missa, Hob. XXII:13: Credo: Et incarnatus | — | ||
| 6-7 | Missa, Hob. XXII:13: Credo: Et resurrexit | — | ||
| 6-8 | Missa, Hob. XXII:13: Sanctus | — | ||
| 6-9 | Missa, Hob. XXII:13: Benedictus | — | ||
| 6-10 | Missa, Hob. XXII:13: Agnus Dei | — | ||
| 6-11 | Missa, Hob. XXII:13: Agnus Dei: Dona nobis pacem | — |
Missa in tempore belli, Hob. XXII:9: I. Kyrie
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Missa in tempore belli, Hob. XXII:9: II. Gloria
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Missa in tempore belli, Hob. XXII:9: III. Credo
—
Missa in tempore belli, Hob. XXII:9: IV. Sanctus
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Missa in tempore belli, Hob. XXII:9: V. Benedictus
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Missa in tempore belli, Hob. XXII:9: VI. Agnus Dei
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Salve Regina, Hob. XXIIIb:2: Salve Regina
—
Salve Regina, Hob. XXIIIb:2: Eja ergo, advocata nostra
—
Salve Regina, Hob. XXIIIb:2: Et Jesum
—
Missa in angustiis, Hob. XXII:11: I. Kyrie
—
Missa in angustiis, Hob. XXII:11: II. Gloria
—
Missa in angustiis, Hob. XXII:11: III. Credo
—
Missa in angustiis, Hob. XXII:11: IV. Sanctus
—
Missa in angustiis, Hob. XXII:11: V. Benedictus
—
Missa in angustiis, Hob. XXII:11: VI. Agnus Dei
—
Te Deum, Hob. XXIIIc:2
—
Missa, Hob. XXII:14: Kyrie
—
Missa, Hob. XXII:14: Gloria
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Missa, Hob. XXII:14: Gloria: Gratias
—
Missa, Hob. XXII:14: Gloria: Quoniam
—
Missa, Hob. XXII:14: Credo
—
Missa, Hob. XXII:14: Credo: Et incarnatus
—
Missa, Hob. XXII:14: Credo: Et resurrexit
—
Missa, Hob. XXII:14: Sanctus
—
Missa, Hob. XXII:14: Benedictus
—
Missa, Hob. XXII:14: Agnus Dei
—
Missa, Hob. XXII:14: Agnus Dei: Dona nobis pacem
—
Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Recitativo accompagnato: Qual dubbio ormai?
—
Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Aria: Se ogni giorno, Prence invitto
—
Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Recitativo: Saggio il pensier
—
Cantata “Qual dubbio ormai?”, Hob. XXIVa:4: Coro: Scenda propizio un raggio
—
Te Deum, Hob. XXIIIc:1: Te Deum laudamus
—
Te Deum, Hob. XXIIIc:1: Te ergo quaesumus
—
Te Deum, Hob. XXIIIc:1: Aeterna fac cum sanctis tuis
—
Stabat Mater, Hob. XXbis: I. Stabat Mater dolorosa
—
Stabat Mater, Hob. XXbis: II. O quam tristis et afflicta
—
Stabat Mater, Hob. XXbis: III. Quis est homo
—
Stabat Mater, Hob. XXbis: IV. Quis non posset
—
Stabat Mater, Hob. XXbis: V. Pro peccatis suae gentis
—
Stabat Mater, Hob. XXbis: VI. Vidit suum dulcem Natum
—
Stabat Mater, Hob. XXbis: VII. Eja Mater, fons amoris
—
Stabat Mater, Hob. XXbis: VIII. Sancta Mater, istud agas
—
Stabat Mater, Hob. XXbis: IX. Fac me vere tecum flere
—
Stabat Mater, Hob. XXbis: X. Virgo virginum praeclara
—
Stabat Mater, Hob. XXbis: XI. Flammis orci ne succendar
—
Stabat Mater, Hob. XXbis: XII. Fac me cruce custodiri
—
Stabat Mater, Hob. XXbis: XIII. Quando corpus morietur
—
Stabat Mater, Hob. XXbis: Paradisi gloria
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: Introduzione
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 1. Vater, vergib ihnen
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 2. Fürwahr, ich sag’ es dir
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 3. Frau, hier siehe deinen Sohn
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 4. Mein Gott, mein Gott
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: Introduzione
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 5. Jesus rufet
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 6. Es ist vollbracht
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: No. 7. Vater, in deine Hände
—
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: Il Terremoto – Er ist nicht meht
—
Missa, Hob. XXII:13: Kyrie: Adagio
—
Missa, Hob. XXII:13: Kyrie: Allegro moderato
—
Missa, Hob. XXII:13: Gloria
—
Missa, Hob. XXII:13: Gloria: Quoniam
—
Missa, Hob. XXII:13: Credo
—
Missa, Hob. XXII:13: Credo: Et incarnatus
—
Missa, Hob. XXII:13: Credo: Et resurrexit
—
Missa, Hob. XXII:13: Sanctus
—
Missa, Hob. XXII:13: Benedictus
—
Missa, Hob. XXII:13: Agnus Dei
—
Missa, Hob. XXII:13: Agnus Dei: Dona nobis pacem
—
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What is UPC 825646961207?
825646961207 is a Universal Product Code (UPC) assigned to 4 Masses / Stabat mater / Die sieben letzten Worte unseres Erlösers am Kreuze by Haydn, Concentus Musicus Wien, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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