UPC · Release
Gustav Leonhardt
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825646961443 is the Universal Product Code (UPC barcode) for the release “Gustav Leonhardt Edition” by Gustav Leonhardt, released 2008-01-01 on TELDEC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 372 tracks, each with its own ISRC. Tracks include DEA806802401, DEA806802402, DEA806802403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Triple Concerto BWV 1044: I. Allegro | — | ||
| 2 | Triple Concerto BWV 1044: II. Adagio | — | ||
| 3 | Triple Concerto BWV 1044: III. Alla breve | — | ||
| 4 | Concerto for harpsichord, strings & continuo no. 2 in E major, BWV 1053: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 5 | Concerto for harpsichord, strings & continuo no. 2 in E major, BWV 1053: II. Siciliano | Gustav Leonhardt, Leonhardt-Consort | — | |
| 6 | Concerto for harpsichord, strings & continuo no. 2 in E major, BWV 1053: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 7 | Concerto for harpsichord, strings & continuo no. 3 in D major, BWV 1054: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 8 | Concerto for harpsichord, strings & continuo no. 3 in D major, BWV 1054: II. Adagio e sempre piano | Gustav Leonhardt, Leonhardt-Consort | — | |
| 9 | Concerto for harpsichord, strings & continuo no. 3 in D major, BWV 1054: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 10 | Concerto for harpsichord, strings & continuo no. 4 in A major, BWV 1055: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 11 | Concerto for harpsichord, strings & continuo no. 4 in A major, BWV 1055: II. Larghetto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 12 | Concerto for harpsichord, strings & continuo no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-1 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-309.730.750-7 | |
| 2-2 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-3 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-4 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: I. Allegro | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | T-914.323.771-2 | |
| 2-5 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: II. Andante | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 2-6 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: III. Allegro assai | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 2-7 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 2-8 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: II. Andante | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-9 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: III. Allegro assai | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-10 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-11 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-12 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 2-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: II. Largo ovvero Adagio | Gustav Leonhardt, Leonhardt-Consort | T-307.292.957-4 | |
| 2-15 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-1 | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-2 | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: II. Adagio ovvero Largo (Quartetto tacet) | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-3 | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: III. Fuga Vivace | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-4 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: I. Allegro | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 3-5 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: II. Andante e piano | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 3-6 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: III. Allegro assai | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 3-7 | Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-8 | Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-9 | Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-10 | Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 3-11 | Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | T-917.755.866-6 | |
| 3-12 | Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-13 | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 3-14 | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-15 | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-1 | Goldberg Variations BWV 988: I Aria | — | ||
| 4-2 | Goldberg Variations BWV 988: II Variation 1 | — | ||
| 4-3 | Goldberg Variations BWV 988: III Variation 2 | — | ||
| 4-4 | Goldberg Variations BWV 988: IV Variation 3, Canone all'Unisono | — | ||
| 4-5 | Goldberg Variations BWV 988: V Variation 4 | — | ||
| 4-6 | Goldberg Variations BWV 988: VI Variation 5 | — | ||
| 4-7 | Goldberg Variations BWV 988: VII Variation 6, Canone alla Seconda | — | ||
| 4-8 | Goldberg Variations BWV 988: VIII Variation 7, Al tempo di Giga | — | ||
| 4-9 | Goldberg Variations BWV 988: IX Variation 8 | — | ||
| 4-10 | Goldberg Variations BWV 988: X Variation 9, Canone alla Terza | — | ||
| 4-11 | Goldberg Variations BWV 988: XI Variation 10, Fugetta | — | ||
| 4-12 | Goldberg Variations BWV 988: XII Variation 11 | — | ||
| 4-13 | Goldberg Variations BWV 988: XIII Variation 12, Canone alla Quarta | — | ||
| 4-14 | Goldberg Variations BWV 988: XIV Variation 13 | — | ||
| 4-15 | Goldberg Variations BWV 988: XV Variation 14 | — | ||
| 4-16 | Goldberg Variations BWV 988: XVI Variation 15, Canone alla Quinta | — | ||
| 4-17 | Goldberg Variations BWV 988: XVII Variation 16, Ouverture | — | ||
| 4-18 | Goldberg Variations BWV 988: XVIII Variation 17 | — | ||
| 4-19 | Goldberg Variations BWV 988: XIX Variation 18, Canone alla Sesta | — | ||
| 4-20 | Goldberg Variations BWV 988: XX Variation 19 | — | ||
| 4-21 | Goldberg Variations BWV 988: XXI Variation 20 | — | ||
| 4-22 | Goldberg Variations BWV 988: XXII Variation 21, Canone alla Settima | — | ||
| 4-23 | Goldberg Variations BWV 988: XXIII Variation 22, Alla breve | — | ||
| 4-24 | Goldberg Variations BWV 988: XXIV Variation 23 | — | ||
| 4-25 | Goldberg Variations BWV 988: XXV Variation 24, Canone all'Ottava | — | ||
| 4-26 | Goldberg Variations BWV 988: XXVI Variation 25, Adagio | — | ||
| 4-27 | Goldberg Variations BWV 988: XXVII Variation 26 | — | ||
| 4-28 | Goldberg Variations BWV 988: XXVIII Variation 27, Canone alla Nona | — | ||
| 4-29 | Goldberg Variations BWV 988: XXIX Variation 28 | — | ||
| 4-30 | Goldberg Variations BWV 988: XXX Variation 29 | — | ||
| 4-31 | Goldberg Variations BWV 988: XXXI Variation 30 | — | ||
| 4-32 | Goldberg Variations BWV 988: XXXII Aria da capo | — | ||
| 5-1 | Chromatic fantasia and fugue in D minor BWV 903: Fantasia | — | ||
| 5-2 | Chromatic fantasia and fugue in D minor BWV 903: Recitativo | — | ||
| 5-3 | Chromatic fantasia and fugue in D minor BWV 903: Fuga | — | ||
| 5-4 | Sonata in D minor BWV 964: Adagio | — | ||
| 5-5 | Sonata in D minor BWV 964: Fuga, Allegro | — | ||
| 5-6 | Sonata in D minor BWV 964: Andante | — | ||
| 5-7 | Sonata in D minor BWV 964: Allegro | — | ||
| 5-8 | Toccata in G Major BWV 916: Presto | — | ||
| 5-9 | Toccata in G Major BWV 916: Adagio | — | ||
| 5-10 | Toccata in G Major BWV 916: Allegro | — | ||
| 5-11 | Suite in E minor BWV 996 'Aufs Lautenwerck': Praeludio: Passagio, Presto | — | ||
| 5-12 | Suite in E minor BWV 996 'Aufs Lautenwerck': Allemande | — | ||
| 5-13 | Suite in E minor BWV 996 'Aufs Lautenwerck': Courante | — | ||
| 5-14 | Suite in E minor BWV 996 'Aufs Lautenwerck': Sarabande | — | ||
| 5-15 | Suite in E minor BWV 996 'Aufs Lautenwerck': Bourree | — | ||
| 5-16 | Suite in E minor BWV 996 'Aufs Lautenwerck': Gigue | — | ||
| 5-17 | Sonata in G Major: Adagio | — | ||
| 5-18 | Sonata in G Major: Fuga: Alla breve | — | ||
| 5-19 | Sonata in G Major: Largo | — | ||
| 5-20 | Sonata in G Major: Allegro assai | — | ||
| 6-1 | Violin Sonata no. 1 in B minor, BWV 1014: I. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 6-2 | Violin Sonata no. 1 in B minor, BWV 1014: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 6-3 | Violin Sonata no. 1 in B minor, BWV 1014: III. Andante | Lars Frydén, Gustav Leonhardt | — | |
| 6-4 | Violin Sonata no. 1 in B minor, BWV 1014: IV. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 6-5 | Violin Sonata no. 2 in A major, BWV 1015: I. Andante | Lars Frydén, Gustav Leonhardt | — | |
| 6-6 | Violin Sonata no. 2 in A major, BWV 1015: II. Allegro assai | Lars Frydén, Gustav Leonhardt | — | |
| 6-7 | Violin Sonata no. 2 in A major, BWV 1015: III. Andante un poco | Lars Frydén, Gustav Leonhardt | — | |
| 6-8 | Violin Sonata no. 2 in A major, BWV 1015: IV. Presto | Lars Frydén, Gustav Leonhardt | — | |
| 6-9 | Violin Sonata no. 3 in E major, BWV 1016: I. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 6-10 | Violin Sonata no. 3 in E major, BWV 1016: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 6-11 | Violin Sonata no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Lars Frydén, Gustav Leonhardt | — | |
| 6-12 | Violin Sonata no. 3 in E major, BWV 1016: IV. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-1 | Violin Sonata no. 4 in C minor, BWV 1017: I. Siciliano. Largo | Lars Frydén, Gustav Leonhardt | — | |
| 7-2 | Violin Sonata no. 4 in C minor, BWV 1017: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-3 | Violin Sonata no. 4 in C minor, BWV 1017: III. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 7-4 | Violin Sonata no. 4 in C minor, BWV 1017: IV. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-5 | Violin Sonata no. 5 in F minor, BWV 1018: I. Largo | Lars Frydén, Gustav Leonhardt | — | |
| 7-6 | Violin Sonata no. 5 in F minor, BWV 1018: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-7 | Adagio from Violin Sonata No. 5 in F minor | Lars Frydén, Gustav Leonhardt | — | |
| 7-8 | Violin Sonata no. 5 in F minor, BWV 1018: IV. Vivace | Lars Frydén, Gustav Leonhardt | — | |
| 7-9 | Violin Sonata no. 6 in G major, BWV 1019: I. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-10 | Violin Sonata no. 6 in G major, BWV 1019: II. Largo | Lars Frydén, Gustav Leonhardt | — | |
| 7-11 | Violin Sonata no. 6 in G major, BWV 1019: III. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-12 | Violin Sonata no. 6 in G major, BWV 1019: IV. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 7-13 | Violin Sonata no. 6 in G major, BWV 1019: V. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 8-1 | Prelude in F major, BWV 927 | — | ||
| 8-2 | Quodlibet, BWV 524 | — | ||
| 8-3 | Prelude in E major, BWV 937 | — | ||
| 8-4 | Prelude in G minor, BWV 929 | — | ||
| 8-5 | Erbauliche Gedanken eines Tobackrauchers, BWV 515a | — | ||
| 8-6 | Prelude in D minor, BWV 940 | — | ||
| 8-7 | Canon in two parts, BWV 1075 | — | ||
| 8-8 | Canon in seven (eight) parts, BWV 1078 | — | ||
| 8-9 | Prelude in D major, BWV 925 | — | ||
| 8-10 | Gieb dich zufrieden und sei stille, BWV 511 | — | ||
| 8-11 | Canon in four parts, BWV 1073 | — | ||
| 8-12 | Canon in four (five) parts, BWV 1077 | — | ||
| 8-13 | O Herzensangst, o Bangigkeit und Zagen!, BWV 400 | — | ||
| 8-14 | Nicht so traurig, nicht so sehr, BWV 384 | — | ||
| 8-15 | Dir, dir Jehove, will ich singen, BWV 452 | — | ||
| 8-16 | Prelude in C major, BWV 939 | — | ||
| 8-17 | Fugue in C major, BWV 952 | — | ||
| 8-18 | Was betrübst du dich, mein Herze, BWV 423 | — | ||
| 8-19 | Aria (Adagio): Vergiß mein nicht, mein allerliebster Gott!, BWV 505 | — | ||
| 8-20 | Wer nur den lieben Gott läßt walten, BWV 691 | — | ||
| 8-21 | Wer nur den lieben Gott läßt walten, BWV 434 | — | ||
| 8-22 | Wer nur den lieben Gott läßt walten, BWV 690 | — | ||
| 8-23 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 1. Ario... | — | ||
| 8-24 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 2. Andante | — | ||
| 8-25 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 3. Adagiosissimo | — | ||
| 8-26 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 4. All hier kommen die Freunde | — | ||
| 8-27 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 5. Aria di Postiglione: Allegro poco | — | ||
| 8-28 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 6. Fuga all'imitatione die Posta | — | ||
| 8-29 | Prelude and Fugue in A minor, BWV 895: 1. Praeludium | — | ||
| 8-30 | Prelude and Fugue in A minor, BWV 895: 2. Fuga | — | ||
| 8-31 | Suite in F minor, BWV 823: 1. Prelude | — | ||
| 8-32 | Suite in F minor, BWV 823: 2. Sarabande en Rondeau | — | ||
| 8-33 | Suite in F minor, BWV 823: 3. Gigue | — | ||
| 8-34 | Prelude and Fughetta in D minor, BWV 899: 1. Praeludium | — | ||
| 8-35 | Prelude and Fughetta in D minor, BWV 899: 2. Fughetta | — | ||
| 9-1 | Sonata No. 1 in g: Ouverture | — | ||
| 9-2 | Sonata No. 1 in g: Aria | — | ||
| 9-3 | Sonata No. 1 in g: Giga | — | ||
| 9-4 | Sonata No. 2 in F: Allegro | — | ||
| 9-5 | Sonata No. 2 in F: Aria | — | ||
| 9-6 | Sonata No. 2 in F: Giga | — | ||
| 9-7 | Sonata No. 3 in Bb: Allegro | — | ||
| 9-8 | Sonata No. 3 in Bb: Aria | — | ||
| 9-9 | Sonata No. 3 in Bb: Allegro | — | ||
| 9-10 | Sonata No. 4 in C: Allegro | — | ||
| 9-11 | Sonata No. 4 in C: Aria | — | ||
| 9-12 | Sonata No. 4 in C: Giga | — | ||
| 9-13 | Sonata No. 5 in G: Allegro | — | ||
| 9-14 | Sonata No. 5 in G: Aria | — | ||
| 9-15 | Sonata No. 5 in G: Allegro | — | ||
| 9-16 | Sonata No. 6 in A: Concerto | — | ||
| 9-17 | Sonata No. 6 in A: Larghetto | — | ||
| 9-18 | Sonata No. 6 in A: Giga | — | ||
| 10-1 | Offertoire sur les grands jeux | — | ||
| 10-2 | L'Art de Toucher le Clavencin: Prelude No. 1 in C | — | ||
| 10-3 | L'Art de Toucher le Clavencin: Prelude No. 2 in d | — | ||
| 10-4 | L'Art de Toucher le Clavencin: Prelude No. 3 in g | — | ||
| 10-5 | L'Art de Toucher le Clavencin: Prelude No. 4 in f | — | ||
| 10-6 | L'Art de Toucher le Clavencin: Prelude No. 5 in A | — | ||
| 10-7 | L'Art de Toucher le Clavencin: Prelude No. 6 in b | — | ||
| 10-8 | L'Art de Toucher le Clavencin: Prelude No. 7 in B flat | — | ||
| 10-9 | L'Art de Toucher le Clavencin: Prelude No. 8 in e | — | ||
| 10-10 | Ricercar primi toni | — | ||
| 10-11 | Cromorne en taille à deux parties | — | ||
| 10-12 | La triomphante in A | — | ||
| 10-13 | L'entretien des Muses in d | — | ||
| 10-14 | Menuet, 2e menuet in g-G | — | ||
| 10-15 | Les tourbillons in D | — | ||
| 10-16 | Sarabande in A | — | ||
| 10-17 | La villageoise in e | — | ||
| 10-18 | Daphne (from the Camphuysen MS) | — | ||
| 10-19 | Resonet in laudibus | — | ||
| 11-1 | Premier Concert: 01. La Coulicam | — | ||
| 11-2 | Premier Concert: 02. La Livri | — | ||
| 11-3 | Premier Concert: 03. La Vezinet | — | ||
| 11-4 | Deuxieme Concert: 01. La Laborde | — | ||
| 11-5 | Deuxieme Concert: 02. La Boucon | — | ||
| 11-6 | Deuxieme Concert: 03. L'Agacante | — | ||
| 11-7 | Deuxieme Concert: 04. Menuet I: II | — | ||
| 11-8 | Troisieme Concert: 01. La Poupliniere | — | ||
| 11-9 | Troisieme Concert: 02. La Timide | — | ||
| 11-10 | Troisieme Concert: 03. Tambourin: Tambourin en rondeau | — | ||
| 11-11 | Quatrieme Concert: 01. La Pantomime | — | ||
| 11-12 | Quatrieme Concert: 02. L'indiscrete | — | ||
| 11-13 | Quatrieme Concert: 03. La Rameau | — | ||
| 11-14 | Cinquieme Concert: 01. La Forqueray | — | ||
| 11-15 | Cinquieme Concert: 02. La Cupis | — | ||
| 11-16 | Cinquieme Concert: 03. La Marais | — | ||
| 12-1 | Rejoice in the Lord alway, Z 49 | — | ||
| 12-2 | Blow up the trumpet in Sion, Z 10 | — | ||
| 12-3 | O God, Thou art my God, Z 35 | — | ||
| 12-4 | Chacony in G minor, Z 730 | — | ||
| 12-5 | O God, thou hast cast us out, Z 36 | — | ||
| 12-6 | My heart is inditing, Z 30 | — | ||
| 12-7 | Remember not, Lord, our offences, Z 50 | — | ||
| 13-1 | Overture in D minor | — | ||
| 13-2 | Pavan in B flat major | — | ||
| 13-3 | Ground in D minor | — | ||
| 13-4 | Overture (with Suite) in G major | — | ||
| 13-5 | Pavan in A minor | — | ||
| 13-6 | Fantasia (Chaconne): Three Parts on a Ground in D major | — | ||
| 13-7 | Overture in G minor | — | ||
| 13-8 | Suite in D major | — | ||
| 13-9 | Pavan of Four Parts in G minor | — | ||
| 13-10 | Sefauchi's Farewell in D minor | — | ||
| 13-11 | A New Ground in E minor | — | ||
| 13-12 | Sonata in A minor | — | ||
| 13-13 | Fantasia a 4 No.7 | — | ||
| 13-14 | Fly swift, ye hours | — | ||
| 13-15 | The father brave | — | ||
| 13-16 | Return, revolting rebels | — | ||
| 14-1 | Pavan in C | — | ||
| 14-2 | Fantasia, Suite No.1 | — | ||
| 14-3 | In Nomine, Suite No.1 | — | ||
| 14-4 | Air, Suite No.1 | — | ||
| 14-5 | Suite No.2 a 5 in F major: I Fantasia | — | ||
| 14-6 | Suite No.2 a 5 in F major: II Aire | — | ||
| 14-7 | Sonata No.7 in D minor: I Fantasia | — | ||
| 14-8 | Sonata No.7 in D minor: II Air 'Almand' | — | ||
| 14-9 | Sonata No.7 in D minor: III 'Galliard' | — | ||
| 14-10 | Suite No.3 a 6 in B flat major: II In nomine | — | ||
| 14-11 | Fantasia | — | ||
| 14-12 | Fantasia, Suite | — | ||
| 14-13 | Almand, Suite | — | ||
| 14-14 | Galliard, Suite | — | ||
| 14-15 | Pavan in D BK52a | — | ||
| 14-16 | Galliard in D BK52b | — | ||
| 14-17 | Fantasia a 6 in G minor BE17, 12" | — | ||
| 14-18 | Fantasia a 3 in C BK27 | — | ||
| 14-19 | Ricercar: Bonney sweet Robin | — | ||
| 14-20 | Fantasia | — | ||
| 15-1 | Pavan | — | ||
| 15-2 | Galliard | — | ||
| 15-3 | Miserere | — | ||
| 15-4 | Nancie | — | ||
| 15-5 | Fantasia | — | ||
| 15-6 | Hexachord Fantasia | — | ||
| 15-7 | The Duchesse of Brunswick's Toye | — | ||
| 15-8 | Lachcrymae | — | ||
| 15-9 | Galliard 'Can't she excuse my wrongs' | — | ||
| 15-10 | Pavan | — | ||
| 15-11 | Galliard | — | ||
| 15-12 | A Sad Pavan for These Distracted Times | — | ||
| 15-13 | Pavan | — | ||
| 15-14 | Fantasia | — | ||
| 15-15 | Spagnioletta | — | ||
| 15-16 | Pavana chromatica | — | ||
| 15-17 | A Toye | — | ||
| 16-1 | Harmonia artificiosa-ariosa, Pars III | — | ||
| 16-2 | Mensa sonora, Pars III | — | ||
| 16-3 | Fidicinium sacro-profanum, Sonata III | — | ||
| 16-4 | Fidicinium sacro-profanum, Sonata IV | — | ||
| 16-5 | Fidicinium sacro-profanum, Sonata V | — | ||
| 16-6 | Fidicinium sacro-profanum, Sonata VI | — | ||
| 16-7 | Armonico tributo, Sonata II g-moll | — | ||
| 16-8 | Sonata a 4 No.7 | — | ||
| 16-9 | Paduan a 4 | — | ||
| 16-10 | Sacro-profanus concentus musicus, Sonata VII | — | ||
| 16-11 | Sacro-profanus concentus musicus, Sonata IX | — | ||
| 17-1 | Cappricio 2 | — | ||
| 17-2 | Fantasia 3 | — | ||
| 17-3 | Toccata 11 "Da sonarsi alla levatione" | — | ||
| 17-4 | Ricercar 2 | — | ||
| 17-5 | Canzona 2 | — | ||
| 17-6 | Toccata 9 | — | ||
| 17-7 | Suite 18: I. Allemande | — | ||
| 17-8 | Suite 18: II. Gigue | — | ||
| 17-9 | Suite 18: III. Courante | — | ||
| 17-10 | Suite 18: IV. Sarabande | — | ||
| 17-11 | Toccata 18 | — | ||
| 17-12 | Suite 12: I. Gigue | — | ||
| 17-13 | Suite 12: II. Courante | — | ||
| 17-14 | Suite 12: III. Sarabande | — | ||
| 18-1 | Sonata I: Erzahlung | — | ||
| 18-2 | Sonata I: Das Pochen und Trotzen des Goliaths | — | ||
| 18-3 | Sonata I: Das Zittern der Israeliten und ihr Gebet zu Gott | — | ||
| 18-4 | Sonata I: Die Herzhafftigkeit Davids, dessen Begierde | — | ||
| 18-5 | Sonata I: Die zwischen David und Goliath | — | ||
| 18-6 | Sonata I: Dem Goliath der Stein in die Stirne | — | ||
| 18-7 | Sonata I: Die Flucht der Philister | — | ||
| 18-8 | Sonata I: Das Frohlocken der Israeliten | — | ||
| 18-9 | Sonata I: Das ueber dem Lobe Davids | — | ||
| 18-10 | Sonata I: Die allgemeine in lauter Tantzen | — | ||
| 18-11 | Sonata II: Erzahlung | — | ||
| 18-12 | Sonata II: Sauls Traurigkeit und Unsinnigkeit | — | ||
| 18-13 | Sonata II: Davids erquickendes Harffen | — | ||
| 18-14 | Sonata II: Des Koenigs zur Ruhe | — | ||
| 18-15 | Sonata III: Erzahlung | — | ||
| 18-16 | Sonata III: Die Freude des ganzen Hauses | — | ||
| 18-17 | Sonata III: Jacobs durch den verliebten Scherz | — | ||
| 18-18 | Sonata III: Das von der Rahel | — | ||
| 18-19 | Sonata III: Die Hochzeit und die Gluecks-Wuensche | — | ||
| 18-20 | Sonata III: Der Betrug Labans | — | ||
| 18-21 | Sonata III: Der in der Hochzeit-Nacht | — | ||
| 18-22 | Sonata III: Jacobs Verdruss ueber dem Betruge | — | ||
| 18-23 | Sonata III: Jacobs neue Hochzeit-Freude | — | ||
| 19-1 | Sonata IV: Erzahlung | — | ||
| 19-2 | Sonata IV: Das betruebte Herz des Koeniges | — | ||
| 19-3 | Sonata IV: Sein Vertrauen, dass Gott sein Gebet | — | ||
| 19-4 | Sonata IV: Die Freude uber seine Genesung | — | ||
| 19-5 | Sonata V: Erzahlung | — | ||
| 19-6 | Sonata V: Der Zweifel Gideons an der von Gott | — | ||
| 19-7 | Sonata V: Seine Furcht bey dem Anblicke | — | ||
| 19-8 | Sonata V: Sein gewachsener Muth | — | ||
| 19-9 | Sonata V: Gideon spricht seinen Soldaten | — | ||
| 19-10 | Sonata V: Das Schmettern der Posaunen | — | ||
| 19-11 | Sonata V: Die Flucht der Feinde | — | ||
| 19-12 | Sonata V: Die Freude uber dem Siege | — | ||
| 19-13 | Sonata VI: Erzahlung | — | ||
| 19-14 | Sonata VI: Das bewegt Gemuete | — | ||
| 19-15 | Sonata VI: Ihr Betruebnis uber seinen Tode | — | ||
| 19-16 | Sonata VI: Die Reise aus Egypten | — | ||
| 19-17 | Sonata VI: Das Betraebniss Israelis | — | ||
| 19-18 | Sonata VI: Das getroestete Hertz | — | ||
| 20-1 | An den Wasserflussen Babylon | — | ||
| 20-2 | Praeambulum d-moll | — | ||
| 20-3 | Prelude & Fugue d-moll BWV 539 | — | ||
| 20-4 | Suite N.6 Es-Dur: Allemande | — | ||
| 20-5 | Suite N.6 Es-Dur: Courante | — | ||
| 20-6 | Suite N.6 Es-Dur: Sarabande | — | ||
| 20-7 | Suite N.6 Es-Dur: Gigue | — | ||
| 20-8 | Suite N.8 f-moll: Allemande | — | ||
| 20-9 | Suite N.8 f-moll: Courante | — | ||
| 20-10 | Suite N.8 f-moll: Sarabande | — | ||
| 20-11 | Suite N.8 f-moll: Ciaccona | — | ||
| 20-12 | Suite N.9 f-moll: Allemande | — | ||
| 20-13 | Suite N.9 f-moll: Courante | — | ||
| 20-14 | Suite N.9 f-moll: Sarabande | — | ||
| 20-15 | Suite N.8 f-moll: Prelude, Adagio | — | ||
| 20-16 | Suite N.8 f-moll: Allegro, Fugue | — | ||
| 20-17 | Suite N.8 f-moll: Allemande | — | ||
| 20-18 | Suite N.8 f-moll: Courante | — | ||
| 20-19 | Suite N.8 f-moll: Gigue | — | ||
| 20-20 | Sonata D-Dur: Allegro di molto | — | ||
| 20-21 | Sonata D-Dur: Andante di molto | — | ||
| 20-22 | Sonata D-Dur: Minuetto | — | ||
| 21-1 | Toccata settima | — | ||
| 21-2 | Toccata undecima in C | — | ||
| 21-3 | Canzona terza | — | ||
| 21-4 | Toccata in G | — | ||
| 21-5 | Fantasia sesta sopra doi soggetti | — | ||
| 21-6 | Gagliarda prima | — | ||
| 21-7 | Gagliarda seconda | — | ||
| 21-8 | Gagliarda terza | — | ||
| 21-9 | Gagliarda quarta | — | ||
| 21-10 | Gagliarda quinta | — | ||
| 21-11 | Sonata in A minor | — | ||
| 21-12 | Amarilli mia bella | — | ||
| 21-13 | Balletto secondo a tre & a quattro | — | ||
| 21-14 | Sonata K.3 in A minor: Presto | — | ||
| 21-15 | Sonata K.52 in D minor: Andante moderato | — | ||
| 21-16 | Sonata K.215 in E major: Andante | — | ||
| 21-17 | Sonata K.216 in E major: Allegro | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
825646961443 is a Universal Product Code (UPC) assigned to Gustav Leonhardt Edition by Gustav Leonhardt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 372 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
825646961443 is the Universal Product Code (UPC barcode) for the release “Gustav Leonhardt Edition” by Gustav Leonhardt, released 2008-01-01 on TELDEC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 372 tracks, each with its own ISRC. Tracks include DEA806802401, DEA806802402, DEA806802403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Triple Concerto BWV 1044: I. Allegro | — | ||
| 2 | Triple Concerto BWV 1044: II. Adagio | — | ||
| 3 | Triple Concerto BWV 1044: III. Alla breve | — | ||
| 4 | Concerto for harpsichord, strings & continuo no. 2 in E major, BWV 1053: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 5 | Concerto for harpsichord, strings & continuo no. 2 in E major, BWV 1053: II. Siciliano | Gustav Leonhardt, Leonhardt-Consort | — | |
| 6 | Concerto for harpsichord, strings & continuo no. 2 in E major, BWV 1053: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 7 | Concerto for harpsichord, strings & continuo no. 3 in D major, BWV 1054: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 8 | Concerto for harpsichord, strings & continuo no. 3 in D major, BWV 1054: II. Adagio e sempre piano | Gustav Leonhardt, Leonhardt-Consort | — | |
| 9 | Concerto for harpsichord, strings & continuo no. 3 in D major, BWV 1054: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 10 | Concerto for harpsichord, strings & continuo no. 4 in A major, BWV 1055: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 11 | Concerto for harpsichord, strings & continuo no. 4 in A major, BWV 1055: II. Larghetto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 12 | Concerto for harpsichord, strings & continuo no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-1 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-309.730.750-7 | |
| 2-2 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-3 | Concerto for harpsichord, strings & continuo no. 5 in F minor, BWV 1056: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-4 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: I. Allegro | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | T-914.323.771-2 | |
| 2-5 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: II. Andante | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 2-6 | Concerto for harpsichord, 2 recorders, strings & continuo no. 6 in F major, BWV 1057: III. Allegro assai | Lodewijk de Boer, Frans Brüggen, Antoinette van den Hombergh, Dijck Koster, Gustav Leonhardt, Marie Leonhardt, Fred Nijenhuis, Jeanette van Wingerden, Leonhardt-Consort | — | |
| 2-7 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 2-8 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: II. Andante | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-9 | Concerto for harpsichord, strings & continuo no. 7 in G minor, BWV 1058: III. Allegro assai | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-10 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-11 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-12 | Concerto for harpsichord, oboe, strings & continuo no. 8 in D minor (incomplete), BWV 1059: III. Presto | Gustav Leonhardt, Leonhardt-Consort | — | |
| 2-13 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 2-14 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: II. Largo ovvero Adagio | Gustav Leonhardt, Leonhardt-Consort | T-307.292.957-4 | |
| 2-15 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-1 | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-2 | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: II. Adagio ovvero Largo (Quartetto tacet) | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-3 | Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061: III. Fuga Vivace | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-4 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: I. Allegro | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 3-5 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: II. Andante e piano | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 3-6 | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: III. Allegro assai | Gustav Leonhardt, Eduard Müller, Leonhardt-Consort | — | |
| 3-7 | Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-8 | Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-9 | Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-10 | Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 3-11 | Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: II. Adagio | Gustav Leonhardt, Leonhardt-Consort | T-917.755.866-6 | |
| 3-12 | Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-13 | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: I. Allegro | Gustav Leonhardt, Leonhardt-Consort | T-914.323.771-2 | |
| 3-14 | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: II. Largo | Gustav Leonhardt, Leonhardt-Consort | — | |
| 3-15 | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: III. Allegro | Gustav Leonhardt, Leonhardt-Consort | — | |
| 4-1 | Goldberg Variations BWV 988: I Aria | — | ||
| 4-2 | Goldberg Variations BWV 988: II Variation 1 | — | ||
| 4-3 | Goldberg Variations BWV 988: III Variation 2 | — | ||
| 4-4 | Goldberg Variations BWV 988: IV Variation 3, Canone all'Unisono | — | ||
| 4-5 | Goldberg Variations BWV 988: V Variation 4 | — | ||
| 4-6 | Goldberg Variations BWV 988: VI Variation 5 | — | ||
| 4-7 | Goldberg Variations BWV 988: VII Variation 6, Canone alla Seconda | — | ||
| 4-8 | Goldberg Variations BWV 988: VIII Variation 7, Al tempo di Giga | — | ||
| 4-9 | Goldberg Variations BWV 988: IX Variation 8 | — | ||
| 4-10 | Goldberg Variations BWV 988: X Variation 9, Canone alla Terza | — | ||
| 4-11 | Goldberg Variations BWV 988: XI Variation 10, Fugetta | — | ||
| 4-12 | Goldberg Variations BWV 988: XII Variation 11 | — | ||
| 4-13 | Goldberg Variations BWV 988: XIII Variation 12, Canone alla Quarta | — | ||
| 4-14 | Goldberg Variations BWV 988: XIV Variation 13 | — | ||
| 4-15 | Goldberg Variations BWV 988: XV Variation 14 | — | ||
| 4-16 | Goldberg Variations BWV 988: XVI Variation 15, Canone alla Quinta | — | ||
| 4-17 | Goldberg Variations BWV 988: XVII Variation 16, Ouverture | — | ||
| 4-18 | Goldberg Variations BWV 988: XVIII Variation 17 | — | ||
| 4-19 | Goldberg Variations BWV 988: XIX Variation 18, Canone alla Sesta | — | ||
| 4-20 | Goldberg Variations BWV 988: XX Variation 19 | — | ||
| 4-21 | Goldberg Variations BWV 988: XXI Variation 20 | — | ||
| 4-22 | Goldberg Variations BWV 988: XXII Variation 21, Canone alla Settima | — | ||
| 4-23 | Goldberg Variations BWV 988: XXIII Variation 22, Alla breve | — | ||
| 4-24 | Goldberg Variations BWV 988: XXIV Variation 23 | — | ||
| 4-25 | Goldberg Variations BWV 988: XXV Variation 24, Canone all'Ottava | — | ||
| 4-26 | Goldberg Variations BWV 988: XXVI Variation 25, Adagio | — | ||
| 4-27 | Goldberg Variations BWV 988: XXVII Variation 26 | — | ||
| 4-28 | Goldberg Variations BWV 988: XXVIII Variation 27, Canone alla Nona | — | ||
| 4-29 | Goldberg Variations BWV 988: XXIX Variation 28 | — | ||
| 4-30 | Goldberg Variations BWV 988: XXX Variation 29 | — | ||
| 4-31 | Goldberg Variations BWV 988: XXXI Variation 30 | — | ||
| 4-32 | Goldberg Variations BWV 988: XXXII Aria da capo | — | ||
| 5-1 | Chromatic fantasia and fugue in D minor BWV 903: Fantasia | — | ||
| 5-2 | Chromatic fantasia and fugue in D minor BWV 903: Recitativo | — | ||
| 5-3 | Chromatic fantasia and fugue in D minor BWV 903: Fuga | — | ||
| 5-4 | Sonata in D minor BWV 964: Adagio | — | ||
| 5-5 | Sonata in D minor BWV 964: Fuga, Allegro | — | ||
| 5-6 | Sonata in D minor BWV 964: Andante | — | ||
| 5-7 | Sonata in D minor BWV 964: Allegro | — | ||
| 5-8 | Toccata in G Major BWV 916: Presto | — | ||
| 5-9 | Toccata in G Major BWV 916: Adagio | — | ||
| 5-10 | Toccata in G Major BWV 916: Allegro | — | ||
| 5-11 | Suite in E minor BWV 996 'Aufs Lautenwerck': Praeludio: Passagio, Presto | — | ||
| 5-12 | Suite in E minor BWV 996 'Aufs Lautenwerck': Allemande | — | ||
| 5-13 | Suite in E minor BWV 996 'Aufs Lautenwerck': Courante | — | ||
| 5-14 | Suite in E minor BWV 996 'Aufs Lautenwerck': Sarabande | — | ||
| 5-15 | Suite in E minor BWV 996 'Aufs Lautenwerck': Bourree | — | ||
| 5-16 | Suite in E minor BWV 996 'Aufs Lautenwerck': Gigue | — | ||
| 5-17 | Sonata in G Major: Adagio | — | ||
| 5-18 | Sonata in G Major: Fuga: Alla breve | — | ||
| 5-19 | Sonata in G Major: Largo | — | ||
| 5-20 | Sonata in G Major: Allegro assai | — | ||
| 6-1 | Violin Sonata no. 1 in B minor, BWV 1014: I. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 6-2 | Violin Sonata no. 1 in B minor, BWV 1014: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 6-3 | Violin Sonata no. 1 in B minor, BWV 1014: III. Andante | Lars Frydén, Gustav Leonhardt | — | |
| 6-4 | Violin Sonata no. 1 in B minor, BWV 1014: IV. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 6-5 | Violin Sonata no. 2 in A major, BWV 1015: I. Andante | Lars Frydén, Gustav Leonhardt | — | |
| 6-6 | Violin Sonata no. 2 in A major, BWV 1015: II. Allegro assai | Lars Frydén, Gustav Leonhardt | — | |
| 6-7 | Violin Sonata no. 2 in A major, BWV 1015: III. Andante un poco | Lars Frydén, Gustav Leonhardt | — | |
| 6-8 | Violin Sonata no. 2 in A major, BWV 1015: IV. Presto | Lars Frydén, Gustav Leonhardt | — | |
| 6-9 | Violin Sonata no. 3 in E major, BWV 1016: I. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 6-10 | Violin Sonata no. 3 in E major, BWV 1016: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 6-11 | Violin Sonata no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Lars Frydén, Gustav Leonhardt | — | |
| 6-12 | Violin Sonata no. 3 in E major, BWV 1016: IV. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-1 | Violin Sonata no. 4 in C minor, BWV 1017: I. Siciliano. Largo | Lars Frydén, Gustav Leonhardt | — | |
| 7-2 | Violin Sonata no. 4 in C minor, BWV 1017: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-3 | Violin Sonata no. 4 in C minor, BWV 1017: III. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 7-4 | Violin Sonata no. 4 in C minor, BWV 1017: IV. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-5 | Violin Sonata no. 5 in F minor, BWV 1018: I. Largo | Lars Frydén, Gustav Leonhardt | — | |
| 7-6 | Violin Sonata no. 5 in F minor, BWV 1018: II. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-7 | Adagio from Violin Sonata No. 5 in F minor | Lars Frydén, Gustav Leonhardt | — | |
| 7-8 | Violin Sonata no. 5 in F minor, BWV 1018: IV. Vivace | Lars Frydén, Gustav Leonhardt | — | |
| 7-9 | Violin Sonata no. 6 in G major, BWV 1019: I. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-10 | Violin Sonata no. 6 in G major, BWV 1019: II. Largo | Lars Frydén, Gustav Leonhardt | — | |
| 7-11 | Violin Sonata no. 6 in G major, BWV 1019: III. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 7-12 | Violin Sonata no. 6 in G major, BWV 1019: IV. Adagio | Lars Frydén, Gustav Leonhardt | — | |
| 7-13 | Violin Sonata no. 6 in G major, BWV 1019: V. Allegro | Lars Frydén, Gustav Leonhardt | — | |
| 8-1 | Prelude in F major, BWV 927 | — | ||
| 8-2 | Quodlibet, BWV 524 | — | ||
| 8-3 | Prelude in E major, BWV 937 | — | ||
| 8-4 | Prelude in G minor, BWV 929 | — | ||
| 8-5 | Erbauliche Gedanken eines Tobackrauchers, BWV 515a | — | ||
| 8-6 | Prelude in D minor, BWV 940 | — | ||
| 8-7 | Canon in two parts, BWV 1075 | — | ||
| 8-8 | Canon in seven (eight) parts, BWV 1078 | — | ||
| 8-9 | Prelude in D major, BWV 925 | — | ||
| 8-10 | Gieb dich zufrieden und sei stille, BWV 511 | — | ||
| 8-11 | Canon in four parts, BWV 1073 | — | ||
| 8-12 | Canon in four (five) parts, BWV 1077 | — | ||
| 8-13 | O Herzensangst, o Bangigkeit und Zagen!, BWV 400 | — | ||
| 8-14 | Nicht so traurig, nicht so sehr, BWV 384 | — | ||
| 8-15 | Dir, dir Jehove, will ich singen, BWV 452 | — | ||
| 8-16 | Prelude in C major, BWV 939 | — | ||
| 8-17 | Fugue in C major, BWV 952 | — | ||
| 8-18 | Was betrübst du dich, mein Herze, BWV 423 | — | ||
| 8-19 | Aria (Adagio): Vergiß mein nicht, mein allerliebster Gott!, BWV 505 | — | ||
| 8-20 | Wer nur den lieben Gott läßt walten, BWV 691 | — | ||
| 8-21 | Wer nur den lieben Gott läßt walten, BWV 434 | — | ||
| 8-22 | Wer nur den lieben Gott läßt walten, BWV 690 | — | ||
| 8-23 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 1. Ario... | — | ||
| 8-24 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 2. Andante | — | ||
| 8-25 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 3. Adagiosissimo | — | ||
| 8-26 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 4. All hier kommen die Freunde | — | ||
| 8-27 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 5. Aria di Postiglione: Allegro poco | — | ||
| 8-28 | Capriccio sopra la lontananza del suo fratelle dilettissimo, BWV 992: 6. Fuga all'imitatione die Posta | — | ||
| 8-29 | Prelude and Fugue in A minor, BWV 895: 1. Praeludium | — | ||
| 8-30 | Prelude and Fugue in A minor, BWV 895: 2. Fuga | — | ||
| 8-31 | Suite in F minor, BWV 823: 1. Prelude | — | ||
| 8-32 | Suite in F minor, BWV 823: 2. Sarabande en Rondeau | — | ||
| 8-33 | Suite in F minor, BWV 823: 3. Gigue | — | ||
| 8-34 | Prelude and Fughetta in D minor, BWV 899: 1. Praeludium | — | ||
| 8-35 | Prelude and Fughetta in D minor, BWV 899: 2. Fughetta | — | ||
| 9-1 | Sonata No. 1 in g: Ouverture | — | ||
| 9-2 | Sonata No. 1 in g: Aria | — | ||
| 9-3 | Sonata No. 1 in g: Giga | — | ||
| 9-4 | Sonata No. 2 in F: Allegro | — | ||
| 9-5 | Sonata No. 2 in F: Aria | — | ||
| 9-6 | Sonata No. 2 in F: Giga | — | ||
| 9-7 | Sonata No. 3 in Bb: Allegro | — | ||
| 9-8 | Sonata No. 3 in Bb: Aria | — | ||
| 9-9 | Sonata No. 3 in Bb: Allegro | — | ||
| 9-10 | Sonata No. 4 in C: Allegro | — | ||
| 9-11 | Sonata No. 4 in C: Aria | — | ||
| 9-12 | Sonata No. 4 in C: Giga | — | ||
| 9-13 | Sonata No. 5 in G: Allegro | — | ||
| 9-14 | Sonata No. 5 in G: Aria | — | ||
| 9-15 | Sonata No. 5 in G: Allegro | — | ||
| 9-16 | Sonata No. 6 in A: Concerto | — | ||
| 9-17 | Sonata No. 6 in A: Larghetto | — | ||
| 9-18 | Sonata No. 6 in A: Giga | — | ||
| 10-1 | Offertoire sur les grands jeux | — | ||
| 10-2 | L'Art de Toucher le Clavencin: Prelude No. 1 in C | — | ||
| 10-3 | L'Art de Toucher le Clavencin: Prelude No. 2 in d | — | ||
| 10-4 | L'Art de Toucher le Clavencin: Prelude No. 3 in g | — | ||
| 10-5 | L'Art de Toucher le Clavencin: Prelude No. 4 in f | — | ||
| 10-6 | L'Art de Toucher le Clavencin: Prelude No. 5 in A | — | ||
| 10-7 | L'Art de Toucher le Clavencin: Prelude No. 6 in b | — | ||
| 10-8 | L'Art de Toucher le Clavencin: Prelude No. 7 in B flat | — | ||
| 10-9 | L'Art de Toucher le Clavencin: Prelude No. 8 in e | — | ||
| 10-10 | Ricercar primi toni | — | ||
| 10-11 | Cromorne en taille à deux parties | — | ||
| 10-12 | La triomphante in A | — | ||
| 10-13 | L'entretien des Muses in d | — | ||
| 10-14 | Menuet, 2e menuet in g-G | — | ||
| 10-15 | Les tourbillons in D | — | ||
| 10-16 | Sarabande in A | — | ||
| 10-17 | La villageoise in e | — | ||
| 10-18 | Daphne (from the Camphuysen MS) | — | ||
| 10-19 | Resonet in laudibus | — | ||
| 11-1 | Premier Concert: 01. La Coulicam | — | ||
| 11-2 | Premier Concert: 02. La Livri | — | ||
| 11-3 | Premier Concert: 03. La Vezinet | — | ||
| 11-4 | Deuxieme Concert: 01. La Laborde | — | ||
| 11-5 | Deuxieme Concert: 02. La Boucon | — | ||
| 11-6 | Deuxieme Concert: 03. L'Agacante | — | ||
| 11-7 | Deuxieme Concert: 04. Menuet I: II | — | ||
| 11-8 | Troisieme Concert: 01. La Poupliniere | — | ||
| 11-9 | Troisieme Concert: 02. La Timide | — | ||
| 11-10 | Troisieme Concert: 03. Tambourin: Tambourin en rondeau | — | ||
| 11-11 | Quatrieme Concert: 01. La Pantomime | — | ||
| 11-12 | Quatrieme Concert: 02. L'indiscrete | — | ||
| 11-13 | Quatrieme Concert: 03. La Rameau | — | ||
| 11-14 | Cinquieme Concert: 01. La Forqueray | — | ||
| 11-15 | Cinquieme Concert: 02. La Cupis | — | ||
| 11-16 | Cinquieme Concert: 03. La Marais | — | ||
| 12-1 | Rejoice in the Lord alway, Z 49 | — | ||
| 12-2 | Blow up the trumpet in Sion, Z 10 | — | ||
| 12-3 | O God, Thou art my God, Z 35 | — | ||
| 12-4 | Chacony in G minor, Z 730 | — | ||
| 12-5 | O God, thou hast cast us out, Z 36 | — | ||
| 12-6 | My heart is inditing, Z 30 | — | ||
| 12-7 | Remember not, Lord, our offences, Z 50 | — | ||
| 13-1 | Overture in D minor | — | ||
| 13-2 | Pavan in B flat major | — | ||
| 13-3 | Ground in D minor | — | ||
| 13-4 | Overture (with Suite) in G major | — | ||
| 13-5 | Pavan in A minor | — | ||
| 13-6 | Fantasia (Chaconne): Three Parts on a Ground in D major | — | ||
| 13-7 | Overture in G minor | — | ||
| 13-8 | Suite in D major | — | ||
| 13-9 | Pavan of Four Parts in G minor | — | ||
| 13-10 | Sefauchi's Farewell in D minor | — | ||
| 13-11 | A New Ground in E minor | — | ||
| 13-12 | Sonata in A minor | — | ||
| 13-13 | Fantasia a 4 No.7 | — | ||
| 13-14 | Fly swift, ye hours | — | ||
| 13-15 | The father brave | — | ||
| 13-16 | Return, revolting rebels | — | ||
| 14-1 | Pavan in C | — | ||
| 14-2 | Fantasia, Suite No.1 | — | ||
| 14-3 | In Nomine, Suite No.1 | — | ||
| 14-4 | Air, Suite No.1 | — | ||
| 14-5 | Suite No.2 a 5 in F major: I Fantasia | — | ||
| 14-6 | Suite No.2 a 5 in F major: II Aire | — | ||
| 14-7 | Sonata No.7 in D minor: I Fantasia | — | ||
| 14-8 | Sonata No.7 in D minor: II Air 'Almand' | — | ||
| 14-9 | Sonata No.7 in D minor: III 'Galliard' | — | ||
| 14-10 | Suite No.3 a 6 in B flat major: II In nomine | — | ||
| 14-11 | Fantasia | — | ||
| 14-12 | Fantasia, Suite | — | ||
| 14-13 | Almand, Suite | — | ||
| 14-14 | Galliard, Suite | — | ||
| 14-15 | Pavan in D BK52a | — | ||
| 14-16 | Galliard in D BK52b | — | ||
| 14-17 | Fantasia a 6 in G minor BE17, 12" | — | ||
| 14-18 | Fantasia a 3 in C BK27 | — | ||
| 14-19 | Ricercar: Bonney sweet Robin | — | ||
| 14-20 | Fantasia | — | ||
| 15-1 | Pavan | — | ||
| 15-2 | Galliard | — | ||
| 15-3 | Miserere | — | ||
| 15-4 | Nancie | — | ||
| 15-5 | Fantasia | — | ||
| 15-6 | Hexachord Fantasia | — | ||
| 15-7 | The Duchesse of Brunswick's Toye | — | ||
| 15-8 | Lachcrymae | — | ||
| 15-9 | Galliard 'Can't she excuse my wrongs' | — | ||
| 15-10 | Pavan | — | ||
| 15-11 | Galliard | — | ||
| 15-12 | A Sad Pavan for These Distracted Times | — | ||
| 15-13 | Pavan | — | ||
| 15-14 | Fantasia | — | ||
| 15-15 | Spagnioletta | — | ||
| 15-16 | Pavana chromatica | — | ||
| 15-17 | A Toye | — | ||
| 16-1 | Harmonia artificiosa-ariosa, Pars III | — | ||
| 16-2 | Mensa sonora, Pars III | — | ||
| 16-3 | Fidicinium sacro-profanum, Sonata III | — | ||
| 16-4 | Fidicinium sacro-profanum, Sonata IV | — | ||
| 16-5 | Fidicinium sacro-profanum, Sonata V | — | ||
| 16-6 | Fidicinium sacro-profanum, Sonata VI | — | ||
| 16-7 | Armonico tributo, Sonata II g-moll | — | ||
| 16-8 | Sonata a 4 No.7 | — | ||
| 16-9 | Paduan a 4 | — | ||
| 16-10 | Sacro-profanus concentus musicus, Sonata VII | — | ||
| 16-11 | Sacro-profanus concentus musicus, Sonata IX | — | ||
| 17-1 | Cappricio 2 | — | ||
| 17-2 | Fantasia 3 | — | ||
| 17-3 | Toccata 11 "Da sonarsi alla levatione" | — | ||
| 17-4 | Ricercar 2 | — | ||
| 17-5 | Canzona 2 | — | ||
| 17-6 | Toccata 9 | — | ||
| 17-7 | Suite 18: I. Allemande | — | ||
| 17-8 | Suite 18: II. Gigue | — | ||
| 17-9 | Suite 18: III. Courante | — | ||
| 17-10 | Suite 18: IV. Sarabande | — | ||
| 17-11 | Toccata 18 | — | ||
| 17-12 | Suite 12: I. Gigue | — | ||
| 17-13 | Suite 12: II. Courante | — | ||
| 17-14 | Suite 12: III. Sarabande | — | ||
| 18-1 | Sonata I: Erzahlung | — | ||
| 18-2 | Sonata I: Das Pochen und Trotzen des Goliaths | — | ||
| 18-3 | Sonata I: Das Zittern der Israeliten und ihr Gebet zu Gott | — | ||
| 18-4 | Sonata I: Die Herzhafftigkeit Davids, dessen Begierde | — | ||
| 18-5 | Sonata I: Die zwischen David und Goliath | — | ||
| 18-6 | Sonata I: Dem Goliath der Stein in die Stirne | — | ||
| 18-7 | Sonata I: Die Flucht der Philister | — | ||
| 18-8 | Sonata I: Das Frohlocken der Israeliten | — | ||
| 18-9 | Sonata I: Das ueber dem Lobe Davids | — | ||
| 18-10 | Sonata I: Die allgemeine in lauter Tantzen | — | ||
| 18-11 | Sonata II: Erzahlung | — | ||
| 18-12 | Sonata II: Sauls Traurigkeit und Unsinnigkeit | — | ||
| 18-13 | Sonata II: Davids erquickendes Harffen | — | ||
| 18-14 | Sonata II: Des Koenigs zur Ruhe | — | ||
| 18-15 | Sonata III: Erzahlung | — | ||
| 18-16 | Sonata III: Die Freude des ganzen Hauses | — | ||
| 18-17 | Sonata III: Jacobs durch den verliebten Scherz | — | ||
| 18-18 | Sonata III: Das von der Rahel | — | ||
| 18-19 | Sonata III: Die Hochzeit und die Gluecks-Wuensche | — | ||
| 18-20 | Sonata III: Der Betrug Labans | — | ||
| 18-21 | Sonata III: Der in der Hochzeit-Nacht | — | ||
| 18-22 | Sonata III: Jacobs Verdruss ueber dem Betruge | — | ||
| 18-23 | Sonata III: Jacobs neue Hochzeit-Freude | — | ||
| 19-1 | Sonata IV: Erzahlung | — | ||
| 19-2 | Sonata IV: Das betruebte Herz des Koeniges | — | ||
| 19-3 | Sonata IV: Sein Vertrauen, dass Gott sein Gebet | — | ||
| 19-4 | Sonata IV: Die Freude uber seine Genesung | — | ||
| 19-5 | Sonata V: Erzahlung | — | ||
| 19-6 | Sonata V: Der Zweifel Gideons an der von Gott | — | ||
| 19-7 | Sonata V: Seine Furcht bey dem Anblicke | — | ||
| 19-8 | Sonata V: Sein gewachsener Muth | — | ||
| 19-9 | Sonata V: Gideon spricht seinen Soldaten | — | ||
| 19-10 | Sonata V: Das Schmettern der Posaunen | — | ||
| 19-11 | Sonata V: Die Flucht der Feinde | — | ||
| 19-12 | Sonata V: Die Freude uber dem Siege | — | ||
| 19-13 | Sonata VI: Erzahlung | — | ||
| 19-14 | Sonata VI: Das bewegt Gemuete | — | ||
| 19-15 | Sonata VI: Ihr Betruebnis uber seinen Tode | — | ||
| 19-16 | Sonata VI: Die Reise aus Egypten | — | ||
| 19-17 | Sonata VI: Das Betraebniss Israelis | — | ||
| 19-18 | Sonata VI: Das getroestete Hertz | — | ||
| 20-1 | An den Wasserflussen Babylon | — | ||
| 20-2 | Praeambulum d-moll | — | ||
| 20-3 | Prelude & Fugue d-moll BWV 539 | — | ||
| 20-4 | Suite N.6 Es-Dur: Allemande | — | ||
| 20-5 | Suite N.6 Es-Dur: Courante | — | ||
| 20-6 | Suite N.6 Es-Dur: Sarabande | — | ||
| 20-7 | Suite N.6 Es-Dur: Gigue | — | ||
| 20-8 | Suite N.8 f-moll: Allemande | — | ||
| 20-9 | Suite N.8 f-moll: Courante | — | ||
| 20-10 | Suite N.8 f-moll: Sarabande | — | ||
| 20-11 | Suite N.8 f-moll: Ciaccona | — | ||
| 20-12 | Suite N.9 f-moll: Allemande | — | ||
| 20-13 | Suite N.9 f-moll: Courante | — | ||
| 20-14 | Suite N.9 f-moll: Sarabande | — | ||
| 20-15 | Suite N.8 f-moll: Prelude, Adagio | — | ||
| 20-16 | Suite N.8 f-moll: Allegro, Fugue | — | ||
| 20-17 | Suite N.8 f-moll: Allemande | — | ||
| 20-18 | Suite N.8 f-moll: Courante | — | ||
| 20-19 | Suite N.8 f-moll: Gigue | — | ||
| 20-20 | Sonata D-Dur: Allegro di molto | — | ||
| 20-21 | Sonata D-Dur: Andante di molto | — | ||
| 20-22 | Sonata D-Dur: Minuetto | — | ||
| 21-1 | Toccata settima | — | ||
| 21-2 | Toccata undecima in C | — | ||
| 21-3 | Canzona terza | — | ||
| 21-4 | Toccata in G | — | ||
| 21-5 | Fantasia sesta sopra doi soggetti | — | ||
| 21-6 | Gagliarda prima | — | ||
| 21-7 | Gagliarda seconda | — | ||
| 21-8 | Gagliarda terza | — | ||
| 21-9 | Gagliarda quarta | — | ||
| 21-10 | Gagliarda quinta | — | ||
| 21-11 | Sonata in A minor | — | ||
| 21-12 | Amarilli mia bella | — | ||
| 21-13 | Balletto secondo a tre & a quattro | — | ||
| 21-14 | Sonata K.3 in A minor: Presto | — | ||
| 21-15 | Sonata K.52 in D minor: Andante moderato | — | ||
| 21-16 | Sonata K.215 in E major: Andante | — | ||
| 21-17 | Sonata K.216 in E major: Allegro | — |
