UPC · Release
Mstislav Rostropovich Plays Cello Works
Mstislav Rostropovich
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825646968176 is the Universal Product Code (UPC barcode) for the release “Mstislav Rostropovich Plays Cello Works” by Mstislav Rostropovich, released 2008-01-01 on Warner Classics & Jazz. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEA801600050, DEA801600051, DEA801600052.
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Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toccata | Mstislav Rostropovich, Herbert Tachezi | — | |
| 2 | Adagio from oboe concerto arranged by J.S. Bach BWV 974 | Mstislav Rostropovich, Herbert Tachezi | T9177558666 | |
| 3 | Chorale Prelude: Ach, was ist doch unser Leben | Mstislav Rostropovich, Herbert Tachezi | — | |
| 4 | Chorale Prelude: Vater unser im Himmeireich | Mstislav Rostropovich, Herbert Tachezi | T9002486422 | |
| 5 | Chorale Prelude: Christus, der uns selig macht | Mstislav Rostropovich, Herbert Tachezi | — | |
| 6 | Aria (arragened by Grigori Pekker) | Mstislav Rostropovich, Herbert Tachezi | — | |
| 7 | Adagio from Organ Toccta in C major BWV 546 | Mstislav Rostropovich, Herbert Tachezi | — | |
| 8 | Seiben altfranzösische Mädchenbilder: La Florentine | Mstislav Rostropovich, Herbert Tachezi | — | |
| 9 | Seiben altfranzösische Mädchenbilder: La Provençale | Mstislav Rostropovich, Herbert Tachezi | — | |
| 10 | Seiben altfranzösische Mädchenbilder: La Lionnoise | Mstislav Rostropovich, Herbert Tachezi | — | |
| 11 | Seiben altfranzösische Mädchenbilder: La Bavaroise | Mstislav Rostropovich, Herbert Tachezi | — | |
| 12 | Seiben altfranzösische Mädchenbilder: La Russienne | Mstislav Rostropovich, Herbert Tachezi | — | |
| 13 | Seiben altfranzösische Mädchenbilder: La Siciliene | Mstislav Rostropovich, Herbert Tachezi | — | |
| 14 | Seiben altfranzösische Mädchenbilder: La Milaneze | Mstislav Rostropovich, Herbert Tachezi | — | |
| 15 | Sechs Stücke für Violine und Orgel op. 150: Abendlied | Mstislav Rostropovich, Herbert Tachezi | — | |
| 16 | Sechs Stücke für Violine und Orgel op. 150: Pastorale | Mstislav Rostropovich, Herbert Tachezi | — | |
| 17 | Sechs Stücke für Violine und Orgel op. 150: Elegie | Mstislav Rostropovich, Herbert Tachezi | — | |
| 18 | Prière, op. 158 | Mstislav Rostropovich, Herbert Tachezi | — |
Additional database matches (64)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in D minor, Rv406: I. Allegro non molto | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto in D minor, Rv406: II. Andante | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto in D minor, Rv406: III. Minuetto | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto in D major: I. Largo | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto in D major: II. Allegro | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto in D major: III. Grave | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto in D major: IV. Allegro | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto No. 2 in B-flat major: I. Allegro | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto No. 2 in B-flat major: II. Adagio | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Cello Concerto No. 2 in B-flat major: III. Allegro assai | Mstislav Rostropovich, Saint Paul Chamber Orchestra, Hugh Wolff | — |
| Triptyque: I. Premier mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Triptyque: II. Deuxième mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Triptyque: III. Troisième mouvement | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Chapter Eight: Canticum Canticorum: “Who is coming up from the wilderness…” – Stanzas I–VI | The Choral Arts Society of Washington, National Cathedral School Lower School Chorus, Washington National Cathedral Choristers, Mstislav Rostropovich, Thomas Beveridge, Douglas Major, Norman Scribner | — |
| Chapter Eight: Canticum Canticorum: “O that you were like a brother to me…” – Stanzas VII–XI | The Choral Arts Society of Washington, National Cathedral School Lower School Chorus, Washington National Cathedral Choristers, Mstislav Rostropovich, Thomas Beveridge, Douglas Major, Norman Scribner | — |
| Chapter Eight: Canticum Canticorum: “Make haste, my beloved…” – Stanzas XII–XV | The Choral Arts Society of Washington, National Cathedral School Lower School Chorus, Washington National Cathedral Choristers, Mstislav Rostropovich, Thomas Beveridge, Douglas Major, Norman Scribner | — |
| Chapter Eight: Canticum Canticorum: “You who dwell in the gardens…” – Stanzas XVI–XXII | The Choral Arts Society of Washington, National Cathedral School Lower School Chorus, Washington National Cathedral Choristers, Mstislav Rostropovich, Thomas Beveridge, Douglas Major, Norman Scribner | — |
| Chapter Eight: Canticum Canticorum: “Set me as a seal upon your heart…” – Stanzas XXIII–XXVIII | The Choral Arts Society of Washington, National Cathedral School Lower School Chorus, Washington National Cathedral Choristers, Mstislav Rostropovich, Thomas Beveridge, Douglas Major, Norman Scribner | — |
| Chapter Eight: Canticum Canticorum: “His left hand is under my head…” – Stanzas XXIX–XXXII | The Choral Arts Society of Washington, National Cathedral School Lower School Chorus, Washington National Cathedral Choristers, Mstislav Rostropovich, Thomas Beveridge, Douglas Major, Norman Scribner | — |
| Sotto voce concerto: I. Sostenuto – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: II. Allegretto moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: III. Scherzo: Cadenza – | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Sotto voce concerto: IV. Finale: Sostenuto – Allegro – Sostenuto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre n°2: I. Allant - Vivement - Cadence | Jean Emanuelle, Micheline Lemoine, Edmond Primetens, Robert Quattrochi, Mstislav Rostropovich, Gilbert Zanlonghi, Orchestre national de l’ORTF, André Jolivet | — |
| Concerto pour violoncelle et orchestre n°2: II. Aria | Jean Emanuelle, Micheline Lemoine, Edmond Primetens, Robert Quattrochi, Mstislav Rostropovich, Gilbert Zanlonghi, Orchestre national de l’ORTF, André Jolivet | — |
| Concerto pour violoncelle et orchestre n°2: III. Animé | Jean Emanuelle, Micheline Lemoine, Edmond Primetens, Robert Quattrochi, Mstislav Rostropovich, Gilbert Zanlonghi, Orchestre national de l’ORTF, André Jolivet | — |
| Un enfant appelle: I. Un enfant appelle, loin, très loin | Galina Vishnevskaya, Orchestre national de France, Mstislav Rostropovich | — |
| Un enfant appelle: II. Je crois très bas | Galina Vishnevskaya, Orchestre national de France, Mstislav Rostropovich | — |
| Un enfant appelle: III. La nuit même où Il fut livré | Galina Vishnevskaya, Orchestre national de France, Mstislav Rostropovich | — |
| La Prison: I. L'attente | Galina Vishnevskaya, Mstislav Rostropovich, Orchestre national de Lille, Marcel Landowski | — |
| La Prison: II. L'interrogatoire | Galina Vishnevskaya, Mstislav Rostropovich, Orchestre national de Lille, Marcel Landowski | — |
| La Prison: III. La Prison | Galina Vishnevskaya, Mstislav Rostropovich, Orchestre national de Lille, Marcel Landowski | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 2 | Mstislav Rostropovich, Philharmonia Orchestra, Krzysztof Penderecki | — |
| Cello Concerto no. 2 “No queda más que el silencio”: I. El grito deja en el viento une sombra de ciprés | Mstislav Rostropovich, Orchestre National de France, Cristóbal Halffter | — |
| Cello Concerto no. 2 “No queda más que el silencio”: II. Vine a esti mundo con ojos y me voy sin ellos | Mstislav Rostropovich, Orchestre National de France, Cristóbal Halffter | — |
| Cello Concerto no. 2 “No queda más que el silencio”: III. Si muero, dejad el balcón abierto | Mstislav Rostropovich, Orchestre National de France, Cristóbal Halffter | — |
| Symphonie concertante en Mi mineur, op. 125: I. Andante | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Symphonie concertante en Mi mineur, op. 125: II. Allegro giusto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Symphonie concertante en Mi mineur, op. 125: III. Andante con moto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 1 in E flat major, op. 107: I. Allegretto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 1 in E flat major, op. 107: II. Moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 1 in E flat major, op. 107: III. Cadenza | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 1 in E flat major, op. 107: IV. Allegro con moto | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto no. 1, op. 136: I. Nonchalant | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Cello Concerto no. 1, op. 136: II. Grave | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Cello Concerto no. 1, op. 136: III. Joyeux | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Noctis Equi, op. 132: I. Andante – Presto – Andante – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Noctis Equi, op. 132: II. Presto – Cadenza – Andante – Adagio | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Cello Concerto: I. Andante – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Cello Concerto: II. Lento – | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Cello Concerto: III. Allegro marcato | Mstislav Rostropovich, London Symphony Orchestra, Kent Nagano | — |
| Cello Concerto: I. Chanson pour passer le temps | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — |
| Cello Concerto: II. Chanson d'amour | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — |
| Cello Concerto: III. Chanson du vent d'ouest | Mstislav Rostropovich, Collegium Musicum Zürich, Paul Sacher | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 1. Allegro | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto pour violoncelle et orchestre, Opus 104 en si mineur : 3. Finale: Allegro moderato | Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | — |
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What is UPC 825646968176?
825646968176 is a Universal Product Code (UPC) assigned to Mstislav Rostropovich Plays Cello Works by Mstislav Rostropovich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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