UPC · Release
Water music / Concerti grossi, op.3 / Israel in Egypt / The ways of Zion do mourn / Semele
George Frideric Handel, Sir John Eliot Gardiner
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825646983858 is the Universal Product Code (UPC barcode) for the release “Water music / Concerti grossi, op.3 / Israel in Egypt / The ways of Zion do mourn / Semele” by George Frideric Handel, Sir John Eliot Gardiner. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 130 tracks, each with its own ISRC.
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Track List (130)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Water Music Suite Variation No. 1 in F major, HWV 331/1 | — | ||
| 2 | Water Music Suite No. 1 in F major, HWV 348: I. Ouverture (Largo - Allegro) | — | ||
| 3 | Water Music Suite No. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 4 | Water Music Suite No. 1 in F major, HWV 348: III. Allegro | — | ||
| 5 | Water Music Suite No. 1 in F major, HWV 348: IV. Andante | — | ||
| 6 | Water Music Suite No. 1 in F major, HWV 348: III. (da capo) | — | ||
| 7 | Water Music Suite No. 1 in F major, HWV 348: V. Presto | — | ||
| 8 | Water Music Suite No. 1 in F major, HWV 348: VI. Air | — | ||
| 9 | Water Music Suite No. 1 in F major, HWV 348: VII. Minuet | — | ||
| 10 | Water Music Suite No. 1 in F major, HWV 348: VIII. Bourrée / IX. Hornpipe | — | ||
| 11 | Water Music Suite No. 1 in F major, HWV 348: X. | — | ||
| 12 | Water Music Suite Variation No. 2 in F major, HWV 331/2 | — | ||
| 13 | Water Music Suite No. 3 in G major, HWV 350: I. | — | ||
| 14 | Water Music Suite No. 3 in G major, HWV 350: II. Rigaudon - III. | — | ||
| 15 | Water Music Suite No. 3 in G major, HWV 350: IV. Menuet - V. | — | ||
| 16 | Water Music Suite No. 3 in G major, HWV 350: VI. - VII. | — | ||
| 17 | Water Music Suite No. 2 in D major, HWV 349: I. Allegro | — | ||
| 18 | Water Music Suite No. 2 in D major, HWV 349: II. Alla Hornpipe | — | ||
| 19 | Water Music Suite No. 2 in D major, HWV 349: III. Minuet | — | ||
| 20 | Water Music Suite No. 2 in D major, HWV 349: IV. Lentement | — | ||
| 21 | Water Music Suite No. 2 in D major, HWV 349: V. Bourrée | — | ||
| 2-1 | Largo - Allegro | — | ||
| 2-2 | Andante | — | ||
| 2-3 | Allegro | — | ||
| 2-4 | Menuet. Alternat: Allegro | — | ||
| 2-5 | Largo | — | ||
| 2-7 | Adagio | — | ||
| 2-8 | Allegro Ma Non Troppo | — | ||
| 2-10 | Vivace | — | ||
| 2-15 | Minuet | — | ||
| 2-16 | Gavotte | — | ||
| 2-17 | Largo E Staccato - Allegro | — | ||
| 2-18 | Adagio - Allegro | — | ||
| 3-1 | Israel in Egypt: Ouverture | — | ||
| 3-2 | Israel in Egypt: Exodus: Now here arose | — | ||
| 3-3 | Israel in Egypt: Exodus: And the children of Israel sighed by reason of the bondage | — | ||
| 3-4 | Israel in Egypt: Exodus: Then sent He Moses | — | ||
| 3-5 | Israel in Egypt: Exodus: They loathed to drink | — | ||
| 3-6 | Israel in Egypt: Exodus: Their land brought | — | ||
| 3-7 | Israel in Egypt: Exodus: He spake the word | — | ||
| 3-8 | Israel in Egypt: Exodus: He gave them hailstones | — | ||
| 3-9 | Israel in Egypt: Exodus: He sent a thick darkness | — | ||
| 3-10 | Israel in Egypt: Exodus: He smote all the first born | — | ||
| 3-11 | Israel in Egypt: Exodus: But as for His people | — | ||
| 3-12 | Israel in Egypt: Exodus: Egypt was glad | — | ||
| 3-13 | Israel in Egypt: Exodus: He rebuked the Red Sea | — | ||
| 3-14 | Israel in Egypt: Exodus: He led them | — | ||
| 3-15 | Israel in Egypt: Exodus: But the waters | — | ||
| 3-16 | Israel in Egypt: Exodus: And Israel saw | — | ||
| 3-17 | Israel in Egypt: Exodus: And believed the Lord | — | ||
| 3-18 | Israel in Egypt: Moses' song: Moses, and the children | — | ||
| 3-19 | Israel in Egypt: Moses' song: I will sing | — | ||
| 3-20 | Israel in Egypt: Moses' song: The Lord is my strength | — | ||
| 3-21 | Israel in Egypt: Moses' song: He is my God | — | ||
| 3-22 | Israel in Egypt: Moses' song: And I will exalt him | — | ||
| 3-23 | Israel in Egypt: Moses' song: The Lord is a man of war | — | ||
| 3-24 | Israel in Egypt: Moses' song: The depths have covered them | — | ||
| 3-25 | Israel in Egypt: Moses' song: Thy right hand | — | ||
| 3-26 | Israel in Egypt: Moses' song: And in the greatness | — | ||
| 3-27 | Israel in Egypt: Moses' song: Thou sentest forth | — | ||
| 3-28 | Israel in Egypt: Moses' song: And with the blast | — | ||
| 3-29 | Israel in Egypt: Moses' song: The enemy said | — | ||
| 3-30 | Israel in Egypt: Moses' song: Thou didst blow | — | ||
| 4-1 | Israel in Egypt: Moses' song: Who is like unto Thee | — | ||
| 4-2 | Israel in Egypt: Moses' song: The earth swallowed them | — | ||
| 4-3 | Israel in Egypt: Moses' song: Thou is thy mercy | — | ||
| 4-4 | Israel in Egypt: Moses' song: The people shall hear | — | ||
| 4-5 | Israel in Egypt: Moses' song: Thou shalt bring | — | ||
| 4-6 | Israel in Egypt: Moses' song: The Lord shall reign | — | ||
| 4-7 | Israel in Egypt: Moses' song: For the horse of Pharoah | — | ||
| 4-9 | Israel in Egypt: Moses' song: And Mirian the prophetess | — | ||
| 4-10 | Israel in Egypt: Moses' song: Sing ye to the Lord, for He hath triumphed gloriously! The Lord shall reign... | — | ||
| 4-11 | The Ways of Zion do mourn: Sinfonia | — | ||
| 4-12 | The Ways of Zion do mourn: The ways of Zion | — | ||
| 4-13 | The Ways of Zion do mourn: How are the mighty fall'n! | — | ||
| 4-14 | The Ways of Zion do mourn: She put on righteousness | — | ||
| 4-15 | The Ways of Zion do mourn: When the ear heard her | — | ||
| 4-17 | The Ways of Zion do mourn: She deliver'd the poor | — | ||
| 4-19 | The Ways of Zion do mourn: The righteous shall be had | — | ||
| 4-20 | The Ways of Zion do mourn: Their bodies are buried in peace | — | ||
| 4-21 | The Ways of Zion do mourn: The people will tell | — | ||
| 4-22 | The Ways of Zion do mourn: They shall receive a glorious kingdom | — | ||
| 4-23 | The Ways of Zion do mourn: The merciful goodness of the Lord | — | ||
| 5-1 | Semele: Overture | — | ||
| 5-2 | Semele: Act I, Scene I. "Behold! Auspicious flashes rise" (Priest) | — | ||
| 5-3 | Semele: Act I, Scene I. "Lucky omens bless our rites" (Chorus) | — | ||
| 5-4 | Semele: Act I, Scene I. "Ah, me!" (Semele) | — | ||
| 5-5 | Semele: Act I, Scene I. "Why dost thou thus untimely grieve" (Cadmus) | — | ||
| 5-6 | Semele: Act I, Scene I. "Avert these omens" (Chorus of Priests) | — | ||
| 5-7 | Semele: Act I, Scene I. "Cease, cease your vows" (Chorus of Priests) | — | ||
| 5-8 | Semele: Act I, Scene II. "Oh, Athamas; what torture hast thou borne!" (Athamas) | — | ||
| 5-9 | Semele: Act I, Scene II. "You've undone me" (Ino) | — | ||
| 5-10 | Semele: Act I, Scene III. "Ah, wretched prince" (Cadmus) | — | ||
| 5-11 | Semele: Act I, Scene IV. "See, see!" (Cadmus) | — | ||
| 5-12 | Semele: Act I, Scene IV. "Endless pleasure" (Semele) | — | ||
| 5-13 | Semele: Act I, Scene IV. "Endless pleasure" (Chorus) | — | ||
| 5-14 | Semele: Act II. Sinfonia / Scene I. "Iris, impatient of thy stay" (Juno) | — | ||
| 5-15 | Semele: Act II, Scene I. "Look, where Cithaeron proudly stands" (Iris) | — | ||
| 5-16 | Semele: Act II, Scene I. "Hence, Iris, hence away!" (Juno) | — | ||
| 5-17 | Semele: Act II, Scene II. "Come, Zephyrs, come" (Cupid) | — | ||
| 5-18 | Semele: Act II, Scene III. "Let me not another moment" (Semele) | — | ||
| 5-19 | Semele: Act II, Scene III. "Lay your doubts" (Jupiter) | — | ||
| 5-20 | Semele: Act II, Scene III. "With fond desiring" (Semele) | — | ||
| 5-21 | Semele: Act II, Scene III. "How engaging" (Chorus of Loves and Zephyrs) | — | ||
| 5-22 | Semele: Act II, Scene III. "Too well I read her meaning" (Jupiter) | — | ||
| 5-23 | Semele: Act II, Scene III. "Now Love" (Chorus of Loves and Zephyrs) | — | ||
| 6-1 | Semele: Act II, Scene III. "By my command" (Jupiter) | — | ||
| 6-2 | Semele: Act II, Scene III. "See, she appears" (Jupiter) | — | ||
| 6-3 | Semele: Act II, Scene IV. "Dear sister, how was your journey hither?" (Semele) | — | ||
| 6-4 | Semele: Act II, Scene IV. "Prepare then, ye immortal choir!" (Semele & Ino) | — | ||
| 6-5 | Semele: Act II, Scene IV. "Bless the glad earth" (Chorus) | — | ||
| 6-6 | Semele: Act III, Scene I. "Somnus, awake!" (Juno) | — | ||
| 6-7 | Semele: Act III, Scene I. "Leave me, loathsome light!" (Somnus) | — | ||
| 6-8 | Semele: Act III, Scene I. "More sweet is that name" (Somnus) | — | ||
| 6-9 | Semele: Act III, Scene I. "Obey my will" (Juno) | — | ||
| 6-10 | Semele: Act III, Scene II. "My racking thoughts" (Semele) | — | ||
| 6-11 | Semele: Act III, Scene III. "Thus shap'd like Ino" (Juno) | — | ||
| 6-12 | Semele: Act III, Scene III. "O ecstasy of happiness!" (Semele) | — | ||
| 6-13 | Semele: Act III, Scene III. "Conjure him by his oath" (Juno) | — | ||
| 6-14 | Semele: Act III, Scene III. "Thus let my thanks be pay'd" (Semele) | — | ||
| 6-15 | Semele: Act III, Scene IV. "Come to my arms" (Jupiter) | — | ||
| 6-16 | Semele: Act III, Scene IV. "I ever am granting" (Semele) | — | ||
| 6-17 | Semele: Act III, Scene IV. "Ah, take heed what you press!" (Jupiter) | — | ||
| 6-18 | Semele: Act III, Scene IV. "No, no, I'll take no less" (Semele) | — | ||
| 6-19 | Semele: Act III, Scene V. "Ah, whither is she gone!" (Jupiter) | — | ||
| 6-20 | Semele: Act III, Scene VI. "Above measure is the pleasure" (Juno) | — | ||
| 6-21 | Semele: Act III, Scene VII. "Ah, me! too late I now repent" (Semele) | — | ||
| 6-22 | Semele: Act III, Scene VIII. "Of my ill-boding dream" (Ino) | — | ||
| 6-23 | Semele: Act III, Scene the last. "See from above the bellying clouds descend" (Cadmus) | — | ||
| 6-24 | Semele: Act III, Scene the last. "Happy, happy shall we be" (Chorus) | — |
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What is UPC 825646983858?
825646983858 is a Universal Product Code (UPC) assigned to Water music / Concerti grossi, op.3 / Israel in Egypt / The ways of Zion do mourn / Semele by George Frideric Handel, Sir John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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