UPC · Release
Not Enough Time to Get Anything Halfway Done
Boilermaker
Last verified:
825764122849 is the Universal Product Code (UPC barcode) for the release “Not Enough Time to Get Anything Halfway Done” by Boilermaker, released 2025-01-01 on Numero Group. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include USCW62395701, USCW62395702.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4-1 | Used to Be | Boilermaker | — | |
| 4-2 | Beseme Mucho You Fucker | Boilermaker | — | |
| 4-3 | Drained Nonsense | — | ||
| 4-4 | Mobile Home | — | ||
| 4-5 | Why Is Grandma on the Roof? | — | ||
| 4-6 | Slow Down | — | ||
| 4-7 | Sleeping Arms | — | ||
| 4-8 | Switch | — | ||
| 4-9 | Slingshot | — | ||
| 4-10 | Trunk (live at Che Fest) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 825764122849?
825764122849 is a Universal Product Code (UPC) assigned to Not Enough Time to Get Anything Halfway Done by Boilermaker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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