UPC · Release
Wax-Wars
Simon Dunmore, Brian Tappert, Jamie Lewis
Last verified:
826194036829 is the Universal Product Code (UPC barcode) for the release “Wax-Wars” by Simon Dunmore, Brian Tappert, Jamie Lewis, released 2005-01-01 on ITH Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jealousy / 4 the Love | — | ||
| 2 | Esperanza (DJ Spen & Gary Hudge remix) / Seduction (a cappella) | — | ||
| 3 | Rosa Nova (Scientific Soul’s Sax in Rio dub) | — | ||
| 4 | Home (Jezebel’s Addiction mix) | — | ||
| 5 | The Way You Love Me | — | ||
| 6 | Sunday Shoutin’ (original mix) | — | ||
| 7 | The Rain (Rafa’s club mix) | — | ||
| 8 | Make ’Em Shake It (Kenny Dope Beats) / I Feel for You (a cappella) | — | ||
| 9 | Front to Back (Todd Terry remix) | — | ||
| 10 | Don’t Stop (club mix) | — | ||
| 11 | With Him (Ron Carroll’s BMC Black Gospel Feel) | — | ||
| 12 | Bad Habit (Spen & Karizma main vocal) | — | ||
| 13 | Changes (original mix) | — | ||
| 14 | Swimming Places (original mix) | — | ||
| 15 | Vazilando (CF’s Ocean Drive mix) / Believe | — | ||
| 2-1 | Jask’s Thai-Soul-Furic Battle (intro) | — | ||
| 2-2 | My Heart Belongs to You (Ron Carroll’s BMC vocal classical) | — | ||
| 2-3 | He Is the Galaxy (Groove Junkies edit) | — | ||
| 2-4 | La Esperanza (Hope & Faith) (Guitara dub instrumental) / Bulo (a cappella) | — | ||
| 2-5 | Ritmo da Rua (Brian Tappert Prime Time Vibe) / The Power of Music (a cappella) | — | ||
| 2-6 | You Can Make It, Part 2 (B’s Preacherman mix) | — | ||
| 2-7 | D-Minor (extended main session mix) / Your Heaven (I Can Feel It) (a cappella) / Shake (a cappella) | — | ||
| 2-8 | Back Together (main classic mix) | — | ||
| 2-9 | The Light (J-N-G Beats - UBP classic mix) | — | ||
| 2-10 | Feelin’ Love (Soulsearcher club mix/Ian Carey main mix) | — | ||
| 2-11 | Cuban Blues (main mix) | — | ||
| 2-12 | Thank You Lord (Jask’s Thaisoul Vision) / Si Weka (a cappella) | — | ||
| 2-13 | Runaway Love (Osio remix) | — | ||
| 2-14 | Souma Bana (main mix) / Nice ’n’ Tight (Donna Allen Moan-A-Pella) / Yah Yah (Yah Beats/Yah-Cappella) | — | ||
| 2-15 | I Shall Not Be Moved (B’s re-edit) | — | ||
| 3-1 | Hooked On You | — | ||
| 3-2 | Not Too Shabby (Jamie Lewis Goes disco mix) | — | ||
| 3-3 | The Light (Jamie Lewis main mix) | — | ||
| 3-4 | Stereo Flavas (Jamie Lewis main mix) | — | ||
| 3-5 | Prophecy (original mix) | — | ||
| 3-6 | Live Your Life (original mix) | — | ||
| 3-7 | Keep on Giving (original mix) | — | ||
| 3-8 | It’s Alright (Jamie Lewis Go Funky dub) | — | ||
| 3-9 | Be Thankful (Jamie Lewis main mix) | — | ||
| 3-10 | For You (Kings of Tomorrow Classic mix) | — | ||
| 3-11 | Love Me or Leave Me (15,000 Dollar mix) | — | ||
| 3-12 | Join the Disco Ride (original full spoken mix) | — | ||
| 3-13 | Skunk (Jamie Lewis reworked edit) | — | ||
| 3-14 | Impress Me (main mix) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 826194036829?
826194036829 is a Universal Product Code (UPC) assigned to Wax-Wars by Simon Dunmore, Brian Tappert, Jamie Lewis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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