UPC · Release
The Classic Music Company Presents Unfinished Business, Vol. 4
Luke Solomon
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826194338749 is the Universal Product Code (UPC barcode) for the release “The Classic Music Company Presents Unfinished Business, Vol. 4” by Luke Solomon, released 2016-10-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include GBCPZ1609563, GBCPZ1609658, GBCPZ1609360.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4 | Chaka Khan | Eli Escobar | — | |
| 5 | Wonky Bassline Disco Banger | Red Rack’em | T9203479203 | |
| 6 | Precious Cargo (Mr. G’s Out dub) | Mr. G, blondewearingblack | T9203084791 | |
| 7 | Huzzah (Listen) | Bertha | — | |
| 8 | Love Desire (Mike Dunn’s Blackball Love mixx) | Gershon Jackson | T9033437864 | |
| 9 | Clap Yo Handz | Joeski, E-Man | — | |
| 10 | In Her Eyes | Ilija Rudman, Andre Espeut | — | |
| 12 | Join Me (Rahaan re-edit) | Chrissy, Miles Bonny | — | |
| 17 | Z’s House | Luca Cazal, Rogue D | T9323848620 | |
| 18 | Here’s to Friday | Demuir, Cynthia Amoah | — | |
| 21 | U N U | Till von Sein | T8043516833 | |
| 22 | Talking in Your Sleep | Adam Curtain, Gloria Adereti | T0701858629 | |
| 23 | Lonely Disco Dancer | Chris Simmonds | — | |
| 24 | On the Edge (Origins dub) | Josh Butler, Kerrie-Anne | T9134326151 | |
| 25 | Miss My Luv | Eli Escobar | — | |
| 27 | High Over You | Hannah Holland, IMMA/MESS | — | |
| 30 | Acid Mood | Kat Williams | — | |
| 31 | Freeez (Soulphiction re‐rub) | Dave Aju | T9209292104 | |
| 32 | It’s All Right | Homero Espinosa, Mark Farina, Ori Kawa | — | |
| 33 | Illusions | Mikey V | — | |
| 34 | Lemon (Luke Solomon’s Body edit) | Maiians | — | |
| 35 | My Predictable Locals | Demuir | — | |
| 36 | Mystery Track Approved (rework by Jonny Rock & Luke Solomon) | Luke Solomon, Jonny Rock | — | |
| 37 | Dissolving (Demuir’s Playboy edit) | Pay Day | — |
Additional database matches (15)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Music (Manoo remix) | Emilie Nana | T9091095862 |
| Visualise (Luke Solomon remix) | Denney | T9329682373 |
| Sexuality (JT’s Porno Beat Down remix) | Home & Garden, Colette | T0114248177 |
| Stop the Riot (PBR Streetgang remix) | Luke Solomon, Sam Lynham | — |
| Dance Electric (Borrowed Identity remix) | Luke Solomon, Nick Maurer | — |
| Over Here (Deeper mix) | Eric Kupper, Kenny Summit, Proper | — |
| My Revival (Ron Basejam remix) | My System Echo | — |
| JAS (Eli Escobar remix) | Tim Deluxe | — |
| Houze (Deetron extended remix) | Honey Dijon, Seven Davis Jr. | — |
| Houze (Mark Farina remix) | Honey Dijon, Seven Davis Jr. | — |
| Unfinished Business, Vol. 4 (continuous mix, pt. 1) | Luke Solomon | — |
| Unfinished Business, Vol. 4 (continuous mix, pt. 2) | Luke Solomon | — |
| Someone’s Calling My Name (demo version) | Lukatron | — |
| Love Desire (Mike Dunn’s Blackball Love mixx) | Gershon Jackson | — |
| Bringing Back Sweat to the Dance Floor (David Duriez Acid mix) | San France Disco | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 826194338749?
826194338749 is a Universal Product Code (UPC) assigned to The Classic Music Company Presents Unfinished Business, Vol. 4 by Luke Solomon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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