UPC · Release
The Gonzo Tapes: The Life and Work of Dr. Hunter S. Thompson
Hunter S. Thompson
826663109924
105 tracksReleased 2008-01-01Shout! Factory
Last verified:
826663109924 is the Universal Product Code (UPC barcode) for the release “The Gonzo Tapes: The Life and Work of Dr. Hunter S. Thompson” by Hunter S. Thompson, released 2008-01-01 on Shout! Factory. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 105 tracks, each with its own ISRC.
Format
8Number system
26663Manufacturer
10992Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (105)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bass Lake Run, Part 1 | — | ||
| 2 | Bass Lake Run, Part 2 | — | ||
| 3 | Bass Lake Run, Part 3 | — | ||
| 4 | Bass Lake Run, Part 4 | — | ||
| 5 | Terry the Tramp Interview #1, Part 1 | — | ||
| 6 | Terry the Tramp Interview #1, Part 2 | — | ||
| 7 | Terry the Tramp Interview #1, Part 3 | — | ||
| 8 | Terry the Tramp Interview #1, Part 4 | — | ||
| 9 | Terry the Tramp Interview #1, Part 5 | — | ||
| 10 | Driving Back Through Oakland, Part 1 | — | ||
| 11 | Driving Back Through Oakland, Part 2 | — | ||
| 12 | Driving Back Through Oakland, Part 3 | — | ||
| 13 | The Merry Pranksters Welcome the Hell’s Angels, Part 1 | — | ||
| 14 | The Merry Pranksters Welcome the Hell’s Angels, Part 2 | — | ||
| 15 | It’s a Long Dirty Story … Ha-Ha, Not Thump-Thump | — | ||
| 16 | Terry the Tramp Interview #2, Part 1 | — | ||
| 17 | Terry the Tramp Interview #2, Part 2 | — | ||
| 18 | Terry the Tramp Interview #2, Part 3 | — | ||
| 19 | Terry the Tramp Interview #2, Part 4 | — | ||
| 20 | Zing Zong Wing Ding Rush | — | ||
| 21 | A Question for the Ages | — | ||
| 2-1 | We Have Seized the High Ground, Part 1 | — | ||
| 2-2 | We Have Seized the High Ground, Part 2 | — | ||
| 2-3 | We Have Seized the High Ground, Part 3 | — | ||
| 2-4 | One Toke Over the Line, Part 1 | — | ||
| 2-5 | One Toke Over the Line, Part 2 | — | ||
| 2-6 | One Toke Over the Line, Part 3 | — | ||
| 2-7 | One Toke Over the Line, Part 4 | — | ||
| 2-8 | If All Else Fails We Must Get Ether, Part 1 | — | ||
| 2-9 | If All Else Fails We Must Get Ether, Part 2 | — | ||
| 2-10 | If All Else Fails We Must Get Ether, Part 3 | — | ||
| 2-11 | If All Else Fails We Must Get Ether, Part 4 | — | ||
| 2-12 | If All Else Fails We Must Get Ether, Part 5 | — | ||
| 2-13 | In Search of the American Dream, Part 1 | — | ||
| 2-14 | In Search of the American Dream, Part 2 | — | ||
| 2-15 | Terry’s Taco Stand, USA | — | ||
| 2-16 | Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 1 | — | ||
| 2-17 | Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 2 | — | ||
| 2-18 | Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 3 | — | ||
| 2-19 | Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 4 | — | ||
| 3-1 | Goddamn! This Monster’s Licking My Arm! Part 1 | — | ||
| 3-2 | Goddamn! This Monster’s Licking My Arm! Part 2 | — | ||
| 3-3 | Goddamn! This Monster’s Licking My Arm! Part 3 | — | ||
| 3-4 | Goddamn! This Monster’s Licking My Arm! Part 4 | — | ||
| 3-5 | Goddamn! This Monster’s Licking My Arm! Part 5 | — | ||
| 3-6 | Oscar Fled in Terror … Drug Up … Weird Road, Part 1 | — | ||
| 3-7 | Oscar Fled in Terror … Drug Up … Weird Road, Part 2 | — | ||
| 3-8 | Oscar Fled in Terror … Drug Up … Weird Road, Part 3 | — | ||
| 3-9 | Oscar Fled in Terror … Drug Up … Weird Road, Part 4 | — | ||
| 3-10 | Oscar Fled in Terror … Drug Up … Weird Road, Part 5 | — | ||
| 3-11 | Oscar Fled in Terror … Drug Up … Weird Road, Part 6 | — | ||
| 3-12 | Oscar Fled in Terror … Drug Up … Weird Road, Part 7 | — | ||
| 3-13 | Across This Treacherous Sand … A Huge Tidal Wave Will Come In on Me Now, Part 1 | — | ||
| 3-14 | Across This Treacherous Sand … A Huge Tidal Wave Will Come In on Me Now, Part 2 | — | ||
| 3-15 | Across This Treacherous Sand … A Huge Tidal Wave Will Come In on Me Now, Part 3 | — | ||
| 3-16 | Vegas D.A. Final Notes … The Whole Room Is Total Chaos, Part 1 | — | ||
| 3-17 | Vegas D.A. Final Notes … The Whole Room Is Total Chaos, Part 2 | — | ||
| 3-18 | Wenner Calls … With a Big “W” in 65-pt Type, Part 1 | — | ||
| 3-19 | Wenner Calls … With a Big “W” in 65-pt Type, Part 2 | — | ||
| 3-20 | Wenner Calls … With a Big “W” in 65-pt Type, Part 3 | — | ||
| 4-1 | Guts Ball, Part 1 | — | ||
| 4-2 | Guts Ball, Part 2 | — | ||
| 4-3 | Guts Ball, Part 3 | — | ||
| 4-4 | Guts Ball, Part 4 | — | ||
| 4-5 | Guts Ball, Part 5 | — | ||
| 4-6 | Fear and Loathing in Acapulco, Part 1 | — | ||
| 4-7 | Fear and Loathing in Acapulco, Part 2 | — | ||
| 4-8 | Fear and Loathing in Acapulco, Part 3 | — | ||
| 4-9 | Fear and Loathing in Acapulco, Part 4 | — | ||
| 4-10 | Fear and Loathing in Acapulco, Part 5 | — | ||
| 4-11 | Fear and Loathing in Acapulco, Part 6 | — | ||
| 4-12 | Freud Cocaine Papers, Part 1 | — | ||
| 4-13 | Freud Cocaine Papers, Part 2 | — | ||
| 4-14 | Freud Cocaine Papers, Part 3 | — | ||
| 4-15 | Freud Cocaine Papers, Part 4 | — | ||
| 4-16 | Freud Cocaine Papers, Part 5 | — | ||
| 4-17 | Freud Cocaine Papers, Part 6 | — | ||
| 4-18 | Fear and Loathing in Kinshasa, Part 1 | — | ||
| 4-19 | Fear and Loathing in Kinshasa, Part 2 | — | ||
| 4-20 | Fear and Loathing in Kinshasa, Part 3 | — | ||
| 4-21 | Fear and Loathing in Kinshasa, Part 4 | — | ||
| 4-22 | Fear and Loathing in Kinshasa, Part 5 | — | ||
| 4-23 | Fear and Loathing in Kinshasa, Part 6 | — | ||
| 4-24 | Fear and Loathing in Kinshasa, Part 7 | — | ||
| 4-25 | Fear and Loathing in Kinshasa, Part 8 | — | ||
| 4-26 | Fear and Loathing in Kinshasa, Part 9 | — | ||
| 4-27 | Fear and Loathing in Kinshasa, Part 10 | — | ||
| 4-28 | Fear and Loathing in Kinshasa, Part 11 | — | ||
| 5-1 | I’m the One That’s Supposed to Be Crazy, Part 1 | — | ||
| 5-2 | I’m the One That’s Supposed to Be Crazy, Part 2 | — | ||
| 5-3 | I’m the One That’s Supposed to Be Crazy, Part 3 | — | ||
| 5-4 | I’m the One That’s Supposed to Be Crazy, Part 4 | — | ||
| 5-5 | I’m the One That’s Supposed to Be Crazy, Part 5 | — | ||
| 5-6 | Hotel Continental Palace, Part 1 | — | ||
| 5-7 | Hotel Continental Palace, Part 2 | — | ||
| 5-8 | Hotel Continental Palace, Part 3 | — | ||
| 5-9 | The Thursday Night Panic, Part 1 | — | ||
| 5-10 | The Thursday Night Panic, Part 2 | — | ||
| 5-11 | Last Stand at Xuan Loc | — | ||
| 5-12 | Hong Kong, Part 1 | — | ||
| 5-13 | Hong Kong, Part 2 | — | ||
| 5-14 | Hong Kong, Part 3 | — | ||
| 5-15 | Hong Kong, Part 4 | — | ||
| 5-16 | Hong Kong, Part 5 | — | ||
| 5-17 | The Last Dispatch from Saigon | — |
Bass Lake Run, Part 1
—
Bass Lake Run, Part 2
—
Bass Lake Run, Part 3
—
Bass Lake Run, Part 4
—
Terry the Tramp Interview #1, Part 1
—
Terry the Tramp Interview #1, Part 2
—
Terry the Tramp Interview #1, Part 3
—
Terry the Tramp Interview #1, Part 4
—
Terry the Tramp Interview #1, Part 5
—
Driving Back Through Oakland, Part 1
—
Driving Back Through Oakland, Part 2
—
Driving Back Through Oakland, Part 3
—
The Merry Pranksters Welcome the Hell’s Angels, Part 1
—
The Merry Pranksters Welcome the Hell’s Angels, Part 2
—
It’s a Long Dirty Story … Ha-Ha, Not Thump-Thump
—
Terry the Tramp Interview #2, Part 1
—
Terry the Tramp Interview #2, Part 2
—
Terry the Tramp Interview #2, Part 3
—
Terry the Tramp Interview #2, Part 4
—
Zing Zong Wing Ding Rush
—
A Question for the Ages
—
We Have Seized the High Ground, Part 1
—
We Have Seized the High Ground, Part 2
—
We Have Seized the High Ground, Part 3
—
One Toke Over the Line, Part 1
—
One Toke Over the Line, Part 2
—
One Toke Over the Line, Part 3
—
One Toke Over the Line, Part 4
—
If All Else Fails We Must Get Ether, Part 1
—
If All Else Fails We Must Get Ether, Part 2
—
If All Else Fails We Must Get Ether, Part 3
—
If All Else Fails We Must Get Ether, Part 4
—
If All Else Fails We Must Get Ether, Part 5
—
In Search of the American Dream, Part 1
—
In Search of the American Dream, Part 2
—
Terry’s Taco Stand, USA
—
Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 1
—
Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 2
—
Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 3
—
Anybody in Search of the American Dream Needs a Lawyer, a Doctor and a Bodyguard, Part 4
—
Goddamn! This Monster’s Licking My Arm! Part 1
—
Goddamn! This Monster’s Licking My Arm! Part 2
—
Goddamn! This Monster’s Licking My Arm! Part 3
—
Goddamn! This Monster’s Licking My Arm! Part 4
—
Goddamn! This Monster’s Licking My Arm! Part 5
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 1
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 2
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 3
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 4
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 5
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 6
—
Oscar Fled in Terror … Drug Up … Weird Road, Part 7
—
Across This Treacherous Sand … A Huge Tidal Wave Will Come In on Me Now, Part 1
—
Across This Treacherous Sand … A Huge Tidal Wave Will Come In on Me Now, Part 2
—
Across This Treacherous Sand … A Huge Tidal Wave Will Come In on Me Now, Part 3
—
Vegas D.A. Final Notes … The Whole Room Is Total Chaos, Part 1
—
Vegas D.A. Final Notes … The Whole Room Is Total Chaos, Part 2
—
Wenner Calls … With a Big “W” in 65-pt Type, Part 1
—
Wenner Calls … With a Big “W” in 65-pt Type, Part 2
—
Wenner Calls … With a Big “W” in 65-pt Type, Part 3
—
Guts Ball, Part 1
—
Guts Ball, Part 2
—
Guts Ball, Part 3
—
Guts Ball, Part 4
—
Guts Ball, Part 5
—
Fear and Loathing in Acapulco, Part 1
—
Fear and Loathing in Acapulco, Part 2
—
Fear and Loathing in Acapulco, Part 3
—
Fear and Loathing in Acapulco, Part 4
—
Fear and Loathing in Acapulco, Part 5
—
Fear and Loathing in Acapulco, Part 6
—
Freud Cocaine Papers, Part 1
—
Freud Cocaine Papers, Part 2
—
Freud Cocaine Papers, Part 3
—
Freud Cocaine Papers, Part 4
—
Freud Cocaine Papers, Part 5
—
Freud Cocaine Papers, Part 6
—
Fear and Loathing in Kinshasa, Part 1
—
Fear and Loathing in Kinshasa, Part 2
—
Fear and Loathing in Kinshasa, Part 3
—
Fear and Loathing in Kinshasa, Part 4
—
Fear and Loathing in Kinshasa, Part 5
—
Fear and Loathing in Kinshasa, Part 6
—
Fear and Loathing in Kinshasa, Part 7
—
Fear and Loathing in Kinshasa, Part 8
—
Fear and Loathing in Kinshasa, Part 9
—
Fear and Loathing in Kinshasa, Part 10
—
Fear and Loathing in Kinshasa, Part 11
—
I’m the One That’s Supposed to Be Crazy, Part 1
—
I’m the One That’s Supposed to Be Crazy, Part 2
—
I’m the One That’s Supposed to Be Crazy, Part 3
—
I’m the One That’s Supposed to Be Crazy, Part 4
—
I’m the One That’s Supposed to Be Crazy, Part 5
—
Hotel Continental Palace, Part 1
—
Hotel Continental Palace, Part 2
—
Hotel Continental Palace, Part 3
—
The Thursday Night Panic, Part 1
—
The Thursday Night Panic, Part 2
—
Last Stand at Xuan Loc
—
Hong Kong, Part 1
—
Hong Kong, Part 2
—
Hong Kong, Part 3
—
Hong Kong, Part 4
—
Hong Kong, Part 5
—
The Last Dispatch from Saigon
—
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 826663109924?
826663109924 is a Universal Product Code (UPC) assigned to The Gonzo Tapes: The Life and Work of Dr. Hunter S. Thompson by Hunter S. Thompson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm