UPC · Release
Walking on a Wire: 1968–2009
Richard Thompson
Last verified:
826663110876 is the Universal Product Code (UPC barcode) for the release “Walking on a Wire: 1968–2009” by Richard Thompson, released 2009-01-01 on Shout! Factory. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 71 tracks, each with its own ISRC. Tracks include GBF066825010, GBAAN6900021, GBAAN6900030.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (71)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Time Will Show the Wiser | Fairport Convention | T-071.190.052-5 | |
| 2 | Meet on the Ledge | Fairport Convention | — | |
| 3 | Genesis Hall | Fairport Convention | — | |
| 4 | Crazy Man Michael | Fairport Convention | — | |
| 5 | Sitting | Cat Stevens | T-010.316.591-8 | |
| 6 | Roll Over Vaughn Williams | Richard Thompson | T-010.172.031-3 | |
| 7 | The Poor Ditching Boy | Richard Thompson | T-010.172.033-5 | |
| 8 | The Angels Took My Racehorse Away | — | ||
| 9 | The Great Valerio | Richard & Linda Thompson | — | |
| 10 | When I Get to the Border | Richard & Linda Thompson | — | |
| 11 | Withered and Died | Richard & Linda Thompson | — | |
| 12 | I Want to See the Bright Lights Tonight | Richard & Linda Thompson | T-900.014.536-8 | |
| 13 | Down Where the Drunkards Roll | Richard & Linda Thompson | T-900.014.587-9 | |
| 14 | Watch Me | Labi Siffre | T-010.451.353-2 | |
| 15 | I’ll Regret It All in the Morning | Richard & Linda Thompson | — | |
| 16 | Old Man Inside a Young Man | Richard & Linda Thompson | T-010.082.982-0 | |
| 17 | For Shame of Doing Wrong | Richard & Linda Thompson | — | |
| 18 | Night Comes In | Richard & Linda Thompson | T-010.318.470-8 | |
| 2-1 | Dimming of the Day / Dargai | Richard and Linda Thompson | T-010.083.014-5 | |
| 2-2 | A Heart Needs a Home | Richard & Linda Thompson | T-010.044.074-1 | |
| 2-3 | Don’t Let a Thief Steal Into Your Heart | Richard & Linda Thompson | T-010.083.019-0 | |
| 2-4 | Strange Affair | Richard & Linda Thompson | — | |
| 2-5 | Sunnyvista | Richard & Linda Thompson | — | |
| 2-6 | Sisters | Richard & Linda Thompson | T-010.082.749-3 | |
| 2-7 | Rockin’ in Rhythm | Richard Thompson | T-902.657.827-8 | |
| 2-8 | Did She Jump or Was She Pushed? | Richard & Linda Thompson | T-010.081.919-9 | |
| 2-9 | Man in Need | Richard & Linda Thompson | T-010.082.491-6 | |
| 2-10 | Shoot Out the Lights | Richard & Linda Thompson | T-900.237.132-6 | |
| 2-11 | Wall of Death | Richard & Linda Thompson | T-010.168.540-8 | |
| 2-12 | Walking on a Wire | Richard & Linda Thompson | T-010.082.620-7 | |
| 2-13 | Tear Stained Letter | Richard Thompson | T-070.244.220-3 | |
| 2-14 | How I Wanted To | Richard Thompson | T-011.286.744-3 | |
| 2-15 | Hand of Kindness | Richard Thompson | T-010.083.009-8 | |
| 2-16 | Beat the Retreat | Richard Thompson | T-010.080.032-5 | |
| 2-17 | I Ain’t Going to Drag My Feet No More | Richard Thompson | — | |
| 3-1 | Little Blue Number | Richard Thompson | T-010.083.010-1 | |
| 3-2 | She Twists the Knife Again | Richard Thompson | T-010.082.614-9 | |
| 3-3 | Valerie | — | ||
| 3-4 | Turning of the Tide | — | ||
| 3-5 | I Still Dream | — | ||
| 3-6 | Waltzing’s for Dreamers | — | ||
| 3-7 | Read About Love | — | ||
| 3-8 | I Feel So Good | — | ||
| 3-9 | I Misunderstood | — | ||
| 3-10 | 1952 Vincent Black Lightning | Richard Thompson | T-900.241.356-1 | |
| 3-11 | Put Your Trust in Me | — | ||
| 3-12 | From Galway to Graceland (live) | — | ||
| 3-13 | I Can’t Wake Up to Save My Life | — | ||
| 3-14 | MGB‐GT | — | ||
| 3-15 | Mingus Eyes | — | ||
| 3-16 | Beeswing | — | ||
| 3-17 | Taking My Business Elsewhere | — | ||
| 3-18 | King of Bohemia | — | ||
| 3-19 | Don’t Roll Those Bloodshot Eyes at Me (live) | — | ||
| 3-20 | Razor Dance (Voltage Enhanced) | — | ||
| 4-1 | Hide It Away (Voltage Enhanced) | — | ||
| 4-2 | Last Shift | Richard Thompson, Danny Thompson | T-010.082.505-5 | |
| 4-3 | Big Chimney | Richard Thompson, Danny Thompson | T-010.082.995-5 | |
| 4-4 | Lotteryland | Richard Thompson, Danny Thompson | T-010.112.864-6 | |
| 4-5 | Persuasion | Richard Thompson, Teddy Thompson | T-060.104.317-7 | |
| 4-6 | Cooksferry Queen | — | ||
| 4-7 | Bathsheba Smiles | — | ||
| 4-8 | Hard on Me (live) | — | ||
| 4-9 | Gethsemane | — | ||
| 4-10 | A Love You Can’t Survive | — | ||
| 4-11 | A Legal Matter | Richard Thompson | T-010.165.911-3 | |
| 4-12 | Main Title From Grizzly Man | — | ||
| 4-13 | Al Bowlly’s in Heaven (live) | — | ||
| 4-14 | I’ll Never Give It Up | Richard Thompson | — | |
| 4-15 | Dad’s Gonna Kill Me | Richard Thompson | T-011.680.987-0 | |
| 4-16 | She Sang Angels to Rest | Richard Thompson | T-011.680.988-1 |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Dimming of the Day | Richard & Linda Thompson | T-010.083.014-5 |
| Walking on a Wire | Richard & Linda Thompson | — |
| Shoot Out the Lights | Richard & Linda Thompson | — |
| Did She Jump or Was She Pushed? | Richard & Linda Thompson | — |
| Wall of Death | Richard & Linda Thompson | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 826663110876?
826663110876 is a Universal Product Code (UPC) assigned to Walking on a Wire: 1968–2009 by Richard Thompson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 71 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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