UPC · Release
The Complete Beat
The Beat
826663131765
79 tracksReleased 2012-01-01Go-Feet Records
Last verified:
826663131765 is the Universal Product Code (UPC barcode) for the release “The Complete Beat” by The Beat, released 2012-01-01 on Go-Feet Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include ARF411501282, GBAAP8000006, GBAAP8000007.
Format
8Number system
26663Manufacturer
13176Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Complete Beat
ISRC37 recordings
ISWC45 works
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mirror in the Bathroom | The Beat | T-070.270.283-7 | |
| 2 | Hands Off… She’s Mine | The Beat | T-070.265.321-1 | |
| 3 | Two Swords | The Beat | T-071.971.535-1 | |
| 4 | Twist & Crawl | The Beat | T-072.505.400-1 | |
| 5 | Tears of a Clown | The Beat | T-070.183.555-3 | |
| 6 | Rough Rider | The Beat | T-010.110.294-6 | |
| 7 | Click Click | The Beat | T-071.390.268-1 | |
| 8 | Ranking Full Stop | The Beat | T-901.723.640-7 | |
| 9 | Big Shot | The Beat | T-070.884.836-5 | |
| 10 | Whine & Grine / Stand Down Margaret | The Beat | — | |
| 11 | Noise in This World | The Beat | T-010.473.628-8 | |
| 12 | Can’t Get Used to Losing You | The Beat | T-070.880.999-7 | |
| 13 | Best Friend | The Beat | T-070.258.201-1 | |
| 14 | Jackpot | The Beat | — | |
| 2-1 | Too Nice to Talk To | The Beat | T-070.271.956-9 | |
| 2-2 | Doors of Your Heart | The Beat | T-070.890.001-9 | |
| 2-3 | All Out to Get You | The Beat | T-905.455.428-8 | |
| 2-4 | Monkey Murders | The Beat | T-071.967.905-6 | |
| 2-5 | I Am Your Flag | The Beat | T-070.266.882-3 | |
| 2-6 | French Toast (Soleil Trap Chaud) | — | ||
| 2-7 | Drowning | The Beat | T-070.261.253-0 | |
| 2-8 | Dream Home in New Zealand | The Beat | — | |
| 2-9 | Walk Away | The Beat | T-071.973.252-1 | |
| 2-10 | Over and Over | The Beat | T-070.159.949-6 | |
| 2-11 | Cheated | The Beat | T-905.679.841-5 | |
| 2-12 | Get-a-Job | The Beat | T-903.278.113-8 | |
| 2-13 | The Limits We Set | The Beat | T-070.268.865-0 | |
| 2-14 | Psychedelic Rockers | — | ||
| 2-15 | Hit It | — | ||
| 2-16 | Which Side of the Bed? | — | ||
| 3-1 | I Confess | The Beat | T-070.266.793-3 | |
| 3-2 | Jeanette | The Beat | T-902.933.559-9 | |
| 3-3 | Sorry | The Beat | T-905.386.279-6 | |
| 3-4 | Sole Salvation | The Beat | T-905.386.278-5 | |
| 3-5 | Spar Wid Me | The Beat | T-905.678.874-0 | |
| 3-6 | Rotating Head | — | ||
| 3-7 | Save It for Later | The Beat | T-070.276.158-7 | |
| 3-8 | She’s Going | The Beat | T-070.276.313-0 | |
| 3-9 | Pato and Roger a Go Talk | The Beat | T-914.983.690-8 | |
| 3-10 | Sugar & Stress | The Beat | T-071.188.384-9 | |
| 3-11 | End of the Party | The Beat | T-070.262.321-9 | |
| 3-12 | Ackee 1 2 3 | The Beat | — | |
| 3-13 | What's Your Best Thing? | — | ||
| 3-14 | March of the Swivel Heads | — | ||
| 3-15 | Cool Entertainer | — | ||
| 3-16 | A Go Talk (Tappy Luppy dub) | — | ||
| 4-1 | Hands Off . . . She's Mine (extended) | — | ||
| 4-2 | Twist & Crawl (extended) | — | ||
| 4-3 | Stand Down Margaret (dub) | — | ||
| 4-4 | Too Nice to Talk To (Dubweiser) | — | ||
| 4-5 | Psychedelic Rockers (Dubweiser) | — | ||
| 4-6 | Doors of Your Heart (extended) | — | ||
| 4-7 | Drowning (dub) | — | ||
| 4-8 | Hit It (extended) | — | ||
| 4-9 | Which Side of the Bed? (extended) | — | ||
| 4-10 | Save It for Later (extended) | — | ||
| 4-11 | What; S Your Best Thing (dub) | — | ||
| 4-12 | Cool Entertainer (extended) | — | ||
| 4-13 | Jeanette (extended) | — | ||
| 4-14 | March of the Swivel Heads (extended) | — | ||
| 5-1 | Tears of a Clown (Peel Session: November 5, 1979) | — | ||
| 5-2 | Rank Full Stop (Peel Session: November 5, 1979) | — | ||
| 5-3 | Click Click (Peel Session: November 5, 1979) | — | ||
| 5-4 | Mirror in the Bathroom (Peel Session: November 5, 1979) | — | ||
| 5-5 | Big Shot (Peel Session: November 5, 1979) | — | ||
| 5-6 | Too Nice to Talk To (Peel Session: September 22, 1980) | — | ||
| 5-7 | Psychedelic Rockers (Peel Session: September 22, 1980) | — | ||
| 5-8 | Monkey Murders (Peel Session: September 22, 1980) | — | ||
| 5-9 | Walk Away (Peel Session: September 22, 1980) | — | ||
| 5-10 | Spar Wid Me (Peel Session: March 29, 1982) | — | ||
| 5-11 | End of the Party (Peel Session: March 29, 1982) | — | ||
| 5-12 | She's Going (Peel Session: March 29, 1982) | — | ||
| 5-13 | Save It for Later (Peel Session: March 29, 1982) | — | ||
| 5-14 | Sole Salvation (Peel Session: March 29, 1982) | — | ||
| 5-15 | Pato and Roger a Go Talk (Peel Session: March 29, 1982) | — | ||
| 5-16 | Best Friend (Opera House - Boston, MA: November 19, 1982) | — | ||
| 5-17 | Tears of a Clown (Opera House - Boston, MA: November 19, 1982) | — | ||
| 5-18 | Twist & Crawl (Opera House - Boston, MA: November 19, 1982) | — | ||
| 5-19 | Get-A-Job / Stand Down Margaret (Opera House - Boston, MA: November 19, 1982) | — |
Whine & Grine / Stand Down Margaret
The Beat
—
Jackpot
The Beat
—
French Toast (Soleil Trap Chaud)
—
Dream Home in New Zealand
The Beat
—
Psychedelic Rockers
—
Hit It
—
Which Side of the Bed?
—
Rotating Head
—
Ackee 1 2 3
The Beat
—
What's Your Best Thing?
—
March of the Swivel Heads
—
Cool Entertainer
—
A Go Talk (Tappy Luppy dub)
—
Hands Off . . . She's Mine (extended)
—
Twist & Crawl (extended)
—
Stand Down Margaret (dub)
—
Too Nice to Talk To (Dubweiser)
—
Psychedelic Rockers (Dubweiser)
—
Doors of Your Heart (extended)
—
Drowning (dub)
—
Hit It (extended)
—
Which Side of the Bed? (extended)
—
Save It for Later (extended)
—
What; S Your Best Thing (dub)
—
Cool Entertainer (extended)
—
Jeanette (extended)
—
March of the Swivel Heads (extended)
—
Tears of a Clown (Peel Session: November 5, 1979)
—
Rank Full Stop (Peel Session: November 5, 1979)
—
Click Click (Peel Session: November 5, 1979)
—
Mirror in the Bathroom (Peel Session: November 5, 1979)
—
Big Shot (Peel Session: November 5, 1979)
—
Too Nice to Talk To (Peel Session: September 22, 1980)
—
Psychedelic Rockers (Peel Session: September 22, 1980)
—
Monkey Murders (Peel Session: September 22, 1980)
—
Walk Away (Peel Session: September 22, 1980)
—
Spar Wid Me (Peel Session: March 29, 1982)
—
End of the Party (Peel Session: March 29, 1982)
—
She's Going (Peel Session: March 29, 1982)
—
Save It for Later (Peel Session: March 29, 1982)
—
Sole Salvation (Peel Session: March 29, 1982)
—
Pato and Roger a Go Talk (Peel Session: March 29, 1982)
—
Best Friend (Opera House - Boston, MA: November 19, 1982)
—
Tears of a Clown (Opera House - Boston, MA: November 19, 1982)
—
Twist & Crawl (Opera House - Boston, MA: November 19, 1982)
—
Get-A-Job / Stand Down Margaret (Opera House - Boston, MA: November 19, 1982)
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Twist & Crawl | The Beat | T-070.271.956-9 |
| Jackpot | The Beat | T-910.064.920-5 |
| Ackee 1 2 3 | The Beat | T-070.256.612-8 |
| Twist & Crawl | The Beat | — |
| Whine & Grine / Stand Down Margaret | The Beat | — |
| Jackpot | The Beat | T-910.064.920-5 |
The Beat
The Beat
The Beat
Twist & Crawl
The Beat
—
Whine & Grine / Stand Down Margaret
The Beat
—
The Beat
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.110.294-6T-010.110.294-6T-070.183.555-3T-070.258.201-1T-070.270.283-7T-070.271.956-9T-070.276.158-7T-070.880.999-7T-070.183.555-3T-070.258.201-1
+35 more
T-070.270.283-7T-070.271.956-9T-070.276.158-7T-070.880.999-7T-071.973.252-1T-071.973.252-1T-905.385.200-9T-010.473.628-8T-070.159.949-6T-070.256.612-8T-070.261.253-0T-070.262.321-9T-070.265.321-1T-070.266.793-3T-070.266.882-3T-070.268.865-0T-070.271.956-9T-070.276.313-0T-070.884.836-5T-070.890.001-9T-071.188.384-9T-071.390.268-1T-071.967.905-6T-071.971.535-1T-072.505.400-1T-901.723.640-7T-902.933.559-9T-903.278.113-8T-905.386.278-5T-905.386.279-6T-905.455.428-8T-905.678.874-0T-905.679.841-5T-910.064.920-5T-914.983.690-8
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 826663131765?
826663131765 is a Universal Product Code (UPC) assigned to The Complete Beat by The Beat. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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