UPC · Release
Let the Buyer Beware
Lenny Bruce
Last verified:
826663710922 is the Universal Product Code (UPC barcode) for the release “Let the Buyer Beware” by Lenny Bruce, released 2004-01-01 on Shout! Factory. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 119 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (119)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Are There Any Niggers Here Tonight? | — | ||
| 2 | The Clap | — | ||
| 3 | Lenny on Comedy, Part 1 | — | ||
| 4 | On Third Shows | — | ||
| 5 | Father Flotsky's Triumph | — | ||
| 6 | Lima, Ohio | — | ||
| 7 | Introduction to "The Palladium" / Annie Ross / What Was I Talking About? | — | ||
| 8 | The Palladium | — | ||
| 9 | Explanation of Frank Dell and Bullets | — | ||
| 10 | Censorship on the Steve Allen Show | — | ||
| 11 | Taking Requests / Hip Diseases | — | ||
| 12 | The Lawrence Welk Story | — | ||
| 13 | How to Relax Your Colored Friends at Parties | — | ||
| 14 | Gotta Split | — | ||
| 15 | Lenny on Playboy's Penthouse | — | ||
| 2-1 | Testing the Sony Microphone | — | ||
| 2-2 | Lenny on Arthur Godfrey's Talent Scouts | — | ||
| 2-3 | Critics / Club Owners | — | ||
| 2-4 | Monster Routine With Hecklers | — | ||
| 2-5 | I've Never Been in Love Before | — | ||
| 2-6 | Religions, Inc. | — | ||
| 2-7 | Lenny Interview | — | ||
| 2-8 | Airplane Glue | — | ||
| 2-9 | The Phone Company | — | ||
| 2-10 | My Trip to Miami | — | ||
| 2-11 | Psycho Doctors / Faye Bainter / Jack Paar | — | ||
| 2-12 | Ike, Sherm & Nick | — | ||
| 2-13 | Non Skeddo Flies Again | — | ||
| 3-1 | Working Carnegie Hall | — | ||
| 3-2 | Point of View | — | ||
| 3-3 | Christ and Moses | — | ||
| 3-4 | Spanish Harlem | — | ||
| 3-5 | The Joke | — | ||
| 3-6 | Pretty Bizarre Show | — | ||
| 3-7 | Dirty Toilet / Bad Early Toilet Training | — | ||
| 3-8 | If Your Body Is Dirty, the Fault Lies With the Manufacturer | — | ||
| 3-9 | What Should Be / What Is | — | ||
| 3-10 | C.E. Hocksey Letters / My Father Solomon Osterow | — | ||
| 3-11 | To Is a Preposition; Come Is a Verb | — | ||
| 3-12 | Blah Blah Blah | — | ||
| 3-13 | Dick Tracy Is an Orthodox Jew | — | ||
| 3-14 | Milton Berle / Dykes / Homosexuality | — | ||
| 3-15 | Cops / Where the Heat Are | — | ||
| 3-16 | Going to Court / Wear a Blue Suit | — | ||
| 3-17 | S.F. Gossip / Jewish & Goyish / Cat Downstairs Taping Show | — | ||
| 3-18 | The Phantom | — | ||
| 3-19 | Would You Want Your Sister to Marry One of Them? | — | ||
| 3-20 | Chick Singer With a Gimmick | — | ||
| 3-21 | Billy Graham Is Not Qualified | — | ||
| 3-22 | Touch It Once | — | ||
| 3-23 | The Black Cat / Get Stuffed / Why Did You Lie to Me? | — | ||
| 3-24 | Closing / Will Rogers Quote | — | ||
| 3-25 | Lawrence Welk the Hipster | — | ||
| 3-26 | Hubert's Museum | — | ||
| 4-1 | I Just Do It and That's All | — | ||
| 4-2 | Ruby the Robot | — | ||
| 4-3 | Mort Sahl, Shelley Berman, Jack Parr, Joey Bishop & Phyllis Diller / The Reason I Wear a Coat | — | ||
| 4-4 | Why the Breakfast Show | — | ||
| 4-5 | The Meaning of Obscenity, Part 1 / Drew Pearson's a Son of a Bitch | — | ||
| 4-6 | Norman Rockwell / The Jazz Scene | — | ||
| 4-7 | The Word or the Act / We Fucked Their Mothers for Chocolate Bars | — | ||
| 4-8 | Jimmy Hoffa / Castro & Cuba | — | ||
| 4-9 | Thank You Masked Man | — | ||
| 4-10 | Dangerous Drugs / Marijuana | — | ||
| 4-11 | Jews Killed Christ | — | ||
| 4-12 | Marilyn Monroe / Narcotics vs. Juice | — | ||
| 4-13 | You Don't Remember Me, Do You? / You're So Classic... Smoking a Cigar | — | ||
| 4-14 | Kennedys / Jonathan Winters | — | ||
| 4-15 | W.C. Fields the Anti-Semite / Hookers on Record | — | ||
| 4-16 | The Meaning of Obscenity, Part 2 | — | ||
| 4-17 | San Francisco Bust / Judge Entrapment | — | ||
| 4-18 | The Act Is Kissin' & Huggin' | — | ||
| 4-19 | Las Vegas, Part 1 / Johnny Mathis | — | ||
| 4-20 | I'll Show You How Prejudiced You Are | — | ||
| 4-21 | Corrupt Cities / Chicago Schtarkers / Shelley Berman | — | ||
| 4-22 | Audience Banter / Why Doesn't He Do the Bits on the Records? | — | ||
| 4-23 | Lenny on Comedy, Part 2 | — | ||
| 4-24 | Snot | — | ||
| 4-25 | The Nerve of Faggots | — | ||
| 4-26 | The Hooker That Balled the President | — | ||
| 4-27 | Divorce / Get Even / Stag Movies vs. King of Kings | — | ||
| 4-28 | Norman Thomas / Filipinos / Midgets | — | ||
| 4-29 | Las Vegas, Part 2 / Pearl Bailey | — | ||
| 4-30 | Australia | — | ||
| 4-31 | Bela Lugosi & Wallace Beery / Entrancing Transylvania / Herb Caen | — | ||
| 4-32 | The Warning (With Long Island Police Officer) | — | ||
| 5-1 | The Best Man in the Tribe | — | ||
| 5-2 | The Tribunal | — | ||
| 5-3 | Schmuck | — | ||
| 5-4 | Reading the Court Transcript | — | ||
| 5-5 | Pissing in the Sink | — | ||
| 5-6 | Jewish & Goysh | — | ||
| 5-7 | Philly Bust / Judge Axelrod | — | ||
| 5-8 | Tits and Ass | — | ||
| 5-9 | Never Cop Out | — | ||
| 5-10 | Jackie Kennedy Hauls Ass / Selling Out Your Country (a.k.a. Hot Lead Enema) | — | ||
| 5-11 | Dick Gregory | — | ||
| 5-12 | Census Takers | — | ||
| 5-13 | Barry Goldwater / The Truth About Men / Doing It to a Chicken | — | ||
| 5-14 | LBJ | — | ||
| 5-15 | Toilets / Flashers / Mark Eden Bust Developer | — | ||
| 5-16 | How the Law Got Started (Eat, Sleep & Crap) | — | ||
| 5-17 | Playing Milwaukee | — | ||
| 5-18 | Marijuana / Flashers / Confusion / Bust in the Audience | — | ||
| 5-19 | Lenny Gets Busted Onstage & Audience Gets ID'd | — | ||
| 6-1 | All Alone | — | ||
| 6-2 | The Heroin Bust | — | ||
| 6-3 | Juror Phone Calls Regarding The Heroin Bust | — | ||
| 6-4 | Zeidler & Zeidler Commercials (with Honey & Kitty) | — | ||
| 6-5 | Eleanor Roosevelt Had Nice Tits | — | ||
| 6-6 | Religions, Inc. | — | ||
| 6-7 | Phone Call Reading a Letter | — | ||
| 6-8 | Christ & Moses | — | ||
| 6-9 | Phone Call to Harry Kalvin | — | ||
| 6-10 | Describing the Filllmore West / Yorty & L.A. | — | ||
| 6-11 | Southern Accents | — | ||
| 6-12 | Art and a Big Piece of Shit (with anonymous friend) | — | ||
| 6-13 | I Picked On the Wrong God | — | ||
| 6-14 | My Name Is Adolf Eichmann | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 826663710922?
826663710922 is a Universal Product Code (UPC) assigned to Let the Buyer Beware by Lenny Bruce. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 119 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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