UPC · Release
Doctors, Professors, Kings & Queens: The Big Ol’ Box of New Orleans
Various Artists
Last verified:
826663744125 is the Universal Product Code (UPC barcode) for the release “Doctors, Professors, Kings & Queens: The Big Ol’ Box of New Orleans” by Various Artists, released 2004-01-01 on Shout! Factory. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC. Tracks include USCA19886812, DEU240701170, DEU240800871.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Welcome to New Orleans | Galactic | T-072.002.375-5 | |
| 2 | Drop Me Off in New Orleans | — | ||
| 3 | I’m Walking | Fats Domino | T-070.240.827-2 | |
| 4 | Iko Iko | — | ||
| 5 | Potato Head Blues | Louis Armstrong and His Hot Seven | T-070.273.309-2 | |
| 6 | My Darlin’ New Orleans | — | ||
| 7 | Para Donde Vas (Where Are You Going) | The Iguanas | — | |
| 8 | Meet the Boyz on the Battlefront | — | ||
| 9 | Ain’t Got No Home | Clarence “Frogman” Henry | T-070.231.861-3 | |
| 10 | Feel Like Funkin’ It Up | Rebirth Brass Band | T-070.254.421-5 | |
| 11 | Zydeco Gris-gris | BeauSoleil | T-909.021.010-9 | |
| 12 | Mother‐In‐Law | Ernie K-Doe | T-070.242.298-7 | |
| 13 | That’s Enough of That Stuff | Marcia Ball | — | |
| 14 | Confidential | The Radiators | — | |
| 15 | Hey Pocky A‐Way | The Meters | — | |
| 16 | I Thought I Heard Buddy Bolden Say | Jelly Roll Morton & His New Orleans Jazzmen | T-070.012.684-6 | |
| 17 | Foot of Canal Street | — | ||
| 18 | Down in Honky Tonk Town | — | ||
| 19 | Rocking Pneumonia and the Boogie Woogie Flu | — | ||
| 20 | More Hipper | — | ||
| 21 | Release Me | Johnny Adams | — | |
| 22 | Preachin’ Blues | Sidney Bechet and His New Orleans Feetwarmers | — | |
| 23 | Jambalaya | Clifton Chenier | — | |
| 2-1 | Dog Days | — | ||
| 2-2 | No City Like New Orleans | — | ||
| 2-3 | Salée dames, bon jour | — | ||
| 2-4 | Marshall’s Club | Balfa Toujours | — | |
| 2-5 | You Can Have My Husband | Irma Thomas | T-070.251.164-5 | |
| 2-6 | Go Go | Galactic | T-700.129.356-9 | |
| 2-7 | Not to Eggy | — | ||
| 2-8 | St. James Infirmary | Preservation Hall Jazz Band | T-902.883.621-7 | |
| 2-9 | Going Back to New Orleans | — | ||
| 2-10 | Hot Tamale Baby | Buckwheat Zydeco | T-700.023.186-9 | |
| 2-11 | Fear, Hate, Envy, Jeslousy | — | ||
| 2-12 | Poop Ain’t Gotta Scuffle No More | — | ||
| 2-13 | Mardi Gras Mambo | The Hawketts | — | |
| 2-14 | Ice Cream | — | ||
| 2-15 | No Doubt About It | — | ||
| 2-16 | Don’t You Feel My Leg | The Dirty Dozen Brass Band | T-305.782.164-0 | |
| 2-17 | Dog Hill | — | ||
| 2-18 | Au bord du Lac Bijou | — | ||
| 2-19 | Mardi Gras in New Orleans | — | ||
| 3-1 | Shrimp and Gumbo | — | ||
| 3-2 | St. Phillip Street Breakdown | — | ||
| 3-3 | Going Back to Louisiana | — | ||
| 3-4 | Tell It Like It Is | — | ||
| 3-5 | The Saints | — | ||
| 3-6 | Canaille | — | ||
| 3-7 | Carnival Time | — | ||
| 3-8 | La negra Tomasa | — | ||
| 3-9 | Let the Good Times Roll | Shirley & Lee | T-070.095.634-8 | |
| 3-10 | The Broken Windmill | — | ||
| 3-11 | Way Down | — | ||
| 3-12 | Hallelujah | — | ||
| 3-13 | I Hear You Knocking | — | ||
| 3-14 | La crève de faim (Starvation 2‐step) | — | ||
| 3-15 | Main Street Blues | — | ||
| 3-16 | Sea Cruise | Frankie Ford, Huey “Piano” Smith & Orchestra | T-070.243.401-2 | |
| 3-17 | Tee‐Nah‐Nah | — | ||
| 3-18 | Smoke That Fire | — | ||
| 3-19 | Give Him Cornbread | — | ||
| 3-20 | I Like It Like That | — | ||
| 3-22 | Southern Nights | Allen Toussaint | T-070.243.862-7 | |
| 4-1 | Tipitina | Professor Longhair | T-070.247.377-5 | |
| 4-2 | Party | The Wild Magnolias | — | |
| 4-3 | Dr. Jazz | Ellis Marsalis | — | |
| 4-4 | Ooh Poo Pah Doo | — | ||
| 4-5 | South of I‐10 | — | ||
| 4-6 | Lipstick Traces (On a Cigarette) | Benny Spellman | — | |
| 4-7 | The Right Key but the Wrong Keyhole | — | ||
| 4-8 | Rip It Up | Little Richard | T-070.243.195-5 | |
| 4-9 | Royal Garden Blues | Kid Ory's Creole Jazz Band | — | |
| 4-10 | Stoned, Drunk & Naked | — | ||
| 4-11 | Laissez faire | Bruce Daigrepont | — | |
| 4-12 | Digga‐Digga‐Do | — | ||
| 4-13 | Tailspin | Walter “Wolfman” Washington | — | |
| 4-14 | Lawdy Miss Clawdy (take 1, alternate) | Lloyd Price | T-070.241.591-5 | |
| 4-15 | Havin’ Fun in New Orleans | — | ||
| 4-16 | King of the Mardi Gras | Tim Laughlin | — | |
| 4-17 | Red Beans | — | ||
| 4-18 | S.U.V. | — | ||
| 4-19 | ’Tits yeux noirs (Little Black Eyes) | The Savoy-Doucet Cajun Band | — | |
| 4-20 | Lazy River | Pete Fountain & His Band | T-070.095.195-6 | |
| 4-21 | Do You Know What It Means to Miss New Orleans? | Louis Armstrong & His Dixieland Seven | T-070.039.254-6 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Come Softly to Me | Fleetwoods | T-070.233.444-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+36 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 826663744125?
826663744125 is a Universal Product Code (UPC) assigned to Doctors, Professors, Kings & Queens: The Big Ol’ Box of New Orleans by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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