UPC · Release
Helix: Music from the Television Series
Reinhold Heil
Last verified:
826924135624 is the Universal Product Code (UPC barcode) for the release “Helix: Music from the Television Series” by Reinhold Heil, released 2015-01-01 on La-La Land Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Balleseros Briefing | — | ||
| 2 | Airducts & Monkeys | — | ||
| 3 | Look at That | — | ||
| 4 | Helix Main Title | — | ||
| 5 | You Don’t Get Sick | — | ||
| 6 | SODRA | — | ||
| 7 | Apeshit | — | ||
| 8 | I Have Lost Control | — | ||
| 9 | I Envied You | — | ||
| 10 | Retrieve Dr. Hvit | — | ||
| 11 | Alan Discovers Doreen | — | ||
| 12 | I Am Listening Now | — | ||
| 13 | I'm Home | — | ||
| 14 | Dance of the Sugar Plum Fairy | — | ||
| 15 | Cryogenics | — | ||
| 16 | It Was Right There | — | ||
| 17 | Red Blood | — | ||
| 18 | Why Me? | — | ||
| 19 | They Hurt! | — | ||
| 20 | Family Photo | — | ||
| 21 | A Second Chance | — | ||
| 22 | Vectors Save Peter | — | ||
| 23 | We Could Have Changed the World | — | ||
| 24 | The Rite of Black Goo | — | ||
| 25 | The Virus Vault | — | ||
| 26 | In the Name of Science | — | ||
| 27 | Alan and Julia Find Narvik | — | ||
| 28 | Retrieve Narvik | — | ||
| 29 | Perimeter Breach | — | ||
| 30 | Miksa Makes His Own Rules | — | ||
| 31 | Find Me | — | ||
| 32 | Staff Meeting | — | ||
| 33 | Scrap Book Bossa (not used in show) | — | ||
| 2-1 | Scary People in the Woods | — | ||
| 2-2 | Julia Struggling | — | ||
| 2-3 | The Abbey | — | ||
| 2-4 | Coastguard | — | ||
| 2-5 | Exhuming Alan | — | ||
| 2-6 | How Much Farther? | — | ||
| 2-7 | Leila’s Body Gone | — | ||
| 2-8 | There Isn’t Much Peace to Be Had | — | ||
| 2-9 | I Told You I Would | — | ||
| 2-10 | Sword Versus Axe | — | ||
| 2-11 | The Last Supper | — | ||
| 2-12 | Women in Agony | — | ||
| 2-13 | Everytime Something Goes Wrong | — | ||
| 2-14 | Grandsister | — | ||
| 2-15 | Pray for the Worst | — | ||
| 2-16 | There It Is | — | ||
| 2-17 | We Come In All Sizes | — | ||
| 2-18 | Sarah in the Hallway | — | ||
| 2-19 | Kool Aid | — | ||
| 2-20 | I Can’t Believe Michael Did This | — | ||
| 2-21 | Sarah and Alan | — | ||
| 2-22 | Entering the Gates | — | ||
| 2-23 | Sarah Does Botany | — | ||
| 2-24 | Yeah, Alan Knows | — | ||
| 2-25 | Kyle and Peter Decide | — | ||
| 2-26 | Too Late for That | — | ||
| 2-27 | It’s Leaking Too Fast | — | ||
| 2-28 | Peter Examines Anne’s Foot | — | ||
| 2-29 | You Didn’t Seem to Care | — | ||
| 2-30 | Alan Gonna Burn the Abbey | — | ||
| 2-31 | Peter Gonna Burn the Abbey | — | ||
| 2-32 | Toothless Revenge | — | ||
| 2-33 | San Jose | — | ||
| 2-34 | The Two Percent | — | ||
| 2-35 | Dr. Jordan | — | ||
| 2-36 | Helix End Title | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Verified on
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People also ask
What is UPC 826924135624?
826924135624 is a Universal Product Code (UPC) assigned to Helix: Music from the Television Series by Reinhold Heil. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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