UPC · Release
Don Ellis, Brad Fiedel
Last verified:
826924140826 is the Universal Product Code (UPC barcode) for the release “The French Connection Collection” by Don Ellis, Brad Fiedel, released 2016-01-01 on La-La Land Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | THE FRENCH CONNECTION Main Title | — | ||
| 2 | Just Looking | — | ||
| 3 | Charnier | — | ||
| 4 | Copstail | — | ||
| 5 | The Old Fort | — | ||
| 6 | Sal | — | ||
| 7 | Joel | — | ||
| 8 | The Car | — | ||
| 9 | Doyle’s Blues | — | ||
| 10 | Waltz | — | ||
| 11 | Hotel Chase | — | ||
| 12 | What The?! / Umbrella | — | ||
| 13 | Subway | — | ||
| 14 | The Shot | — | ||
| 15 | This Is It / Here We Go / Stay With It | — | ||
| 16 | Lincoln’s Blues | — | ||
| 17 | Strip | — | ||
| 18 | Found | — | ||
| 19 | Au Revoir | — | ||
| 20 | Surprise / The Last Round Up | — | ||
| 21 | Frog in Room | — | ||
| 22 | End Titles | — | ||
| 23 | FRENCH CONNECTION II Main Title / Waterfront | — | ||
| 24 | Boat Ride | — | ||
| 25 | Popeye | — | ||
| 26 | Popeye’s Montage | — | ||
| 27 | Volleyball | — | ||
| 28 | Hit | — | ||
| 29 | Heroin | — | ||
| 30 | OD | — | ||
| 31 | Pain | — | ||
| 32 | Rehabilitation | — | ||
| 33 | Revenge | — | ||
| 34 | Boat Bottom / Dry Dock | — | ||
| 35 | Stalking | — | ||
| 36 | Continuation / Here Come the Cops | — | ||
| 37 | The Big Chase | — | ||
| 38 | Exhaustion | — | ||
| 39 | End Title | — | ||
| 2-1 | POPEYE DOYLE Main Title | — | ||
| 2-2 | First Chase | — | ||
| 2-3 | Body Dump | — | ||
| 2-4 | Jill’s Apartment | — | ||
| 2-5 | Video One | — | ||
| 2-6 | Gut Feeling | — | ||
| 2-7 | Following the Barkeep | — | ||
| 2-8 | Video Two | — | ||
| 2-9 | Follow the Weasel | — | ||
| 2-10 | Weasel Volunteers | — | ||
| 2-11 | Weasel Makes Parisi | — | ||
| 2-12 | Video Three | — | ||
| 2-13 | Cat and Mouse | — | ||
| 2-14 | Hat in the Ring | — | ||
| 2-15 | Motorcade | — | ||
| 2-16 | Shadow Rises | — | ||
| 2-17 | Tackle the Shadow | — | ||
| 2-18 | Reel 7 Act Out | — | ||
| 2-19 | Weasel’s Weapons | — | ||
| 2-20 | Weasel to Popeye’s | — | ||
| 2-21 | Reel 8 Act Out | — | ||
| 2-22 | Evil Afoot | — | ||
| 2-23 | Embassy Murder | — | ||
| 2-24 | Hospital Heavy | — | ||
| 2-25 | Final Shootout | — | ||
| 2-26 | Aftermath | — | ||
| 2-27 | End Credits | — | ||
| 2-28 | Hotel Chase (alternate) | — | ||
| 2-29 | The Source | — | ||
| 2-30 | Everybody Gets to Go to the Moon | — | ||
| 2-31 | Hit (alternate) | — | ||
| 2-32 | Exhaustion (alternate) | — | ||
| 2-33 | Sores | — | ||
| 2-34 | Blues | — | ||
| 2-35 | Cops | — | ||
| 2-36 | Drugs | — | ||
| 2-37 | First Chase (alternate) | — | ||
| 2-38 | Prove My Love to You | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
826924140826 is a Universal Product Code (UPC) assigned to The French Connection Collection by Don Ellis, Brad Fiedel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
826924140826 is the Universal Product Code (UPC barcode) for the release “The French Connection Collection” by Don Ellis, Brad Fiedel, released 2016-01-01 on La-La Land Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | THE FRENCH CONNECTION Main Title | — | ||
| 2 | Just Looking | — | ||
| 3 | Charnier | — | ||
| 4 | Copstail | — | ||
| 5 | The Old Fort | — | ||
| 6 | Sal | — | ||
| 7 | Joel | — | ||
| 8 | The Car | — | ||
| 9 | Doyle’s Blues | — | ||
| 10 | Waltz | — | ||
| 11 | Hotel Chase | — | ||
| 12 | What The?! / Umbrella | — | ||
| 13 | Subway | — | ||
| 14 | The Shot | — | ||
| 15 | This Is It / Here We Go / Stay With It | — | ||
| 16 | Lincoln’s Blues | — | ||
| 17 | Strip | — | ||
| 18 | Found | — | ||
| 19 | Au Revoir | — | ||
| 20 | Surprise / The Last Round Up | — | ||
| 21 | Frog in Room | — | ||
| 22 | End Titles | — | ||
| 23 | FRENCH CONNECTION II Main Title / Waterfront | — | ||
| 24 | Boat Ride | — | ||
| 25 | Popeye | — | ||
| 26 | Popeye’s Montage | — | ||
| 27 | Volleyball | — | ||
| 28 | Hit | — | ||
| 29 | Heroin | — | ||
| 30 | OD | — | ||
| 31 | Pain | — | ||
| 32 | Rehabilitation | — | ||
| 33 | Revenge | — | ||
| 34 | Boat Bottom / Dry Dock | — | ||
| 35 | Stalking | — | ||
| 36 | Continuation / Here Come the Cops | — | ||
| 37 | The Big Chase | — | ||
| 38 | Exhaustion | — | ||
| 39 | End Title | — | ||
| 2-1 | POPEYE DOYLE Main Title | — | ||
| 2-2 | First Chase | — | ||
| 2-3 | Body Dump | — | ||
| 2-4 | Jill’s Apartment | — | ||
| 2-5 | Video One | — | ||
| 2-6 | Gut Feeling | — | ||
| 2-7 | Following the Barkeep | — | ||
| 2-8 | Video Two | — | ||
| 2-9 | Follow the Weasel | — | ||
| 2-10 | Weasel Volunteers | — | ||
| 2-11 | Weasel Makes Parisi | — | ||
| 2-12 | Video Three | — | ||
| 2-13 | Cat and Mouse | — | ||
| 2-14 | Hat in the Ring | — | ||
| 2-15 | Motorcade | — | ||
| 2-16 | Shadow Rises | — | ||
| 2-17 | Tackle the Shadow | — | ||
| 2-18 | Reel 7 Act Out | — | ||
| 2-19 | Weasel’s Weapons | — | ||
| 2-20 | Weasel to Popeye’s | — | ||
| 2-21 | Reel 8 Act Out | — | ||
| 2-22 | Evil Afoot | — | ||
| 2-23 | Embassy Murder | — | ||
| 2-24 | Hospital Heavy | — | ||
| 2-25 | Final Shootout | — | ||
| 2-26 | Aftermath | — | ||
| 2-27 | End Credits | — | ||
| 2-28 | Hotel Chase (alternate) | — | ||
| 2-29 | The Source | — | ||
| 2-30 | Everybody Gets to Go to the Moon | — | ||
| 2-31 | Hit (alternate) | — | ||
| 2-32 | Exhaustion (alternate) | — | ||
| 2-33 | Sores | — | ||
| 2-34 | Blues | — | ||
| 2-35 | Cops | — | ||
| 2-36 | Drugs | — | ||
| 2-37 | First Chase (alternate) | — | ||
| 2-38 | Prove My Love to You | — |
