UPC · Release
The Quinn Martin Collection Volume 3 - The Streets of San Francisco
Patrick Williams
826924153420
83 tracksReleased 2020-01-01La-La Land Records
Last verified:
826924153420 is the Universal Product Code (UPC barcode) for the release “The Quinn Martin Collection Volume 3 - The Streets of San Francisco” by Patrick Williams, released 2020-01-01 on La-La Land Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 83 tracks, each with its own ISRC.
Format
8Number system
26924Manufacturer
15342Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Quinn Martin Collection Volume 3 - The Streets of San Francisco
IPI1 songwriter
Track List (83)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Main Title (Season 1) | — | ||
| 2 | Pilot: Marina Stuff | — | ||
| 3 | Pilot: Main Title | — | ||
| 4 | Pilot: Mr. Mod / Deep Memory | — | ||
| 5 | Pilot: To Holly’s / Holly’s Room | — | ||
| 6 | Pilot: Motel Time | — | ||
| 7 | Pilot: Holly’s Theme | — | ||
| 8 | Pilot: Meter Feeding / Farr Karate | — | ||
| 9 | Pilot: Farr to Club / Farr Out | — | ||
| 10 | Pilot: Boat Trouble / Mr. Mean Is on the Scene / Charge | — | ||
| 11 | Pilot: Here Come De Fuzz / Home at Last | — | ||
| 12 | Pilot: A Problem for Mr. Mean / Mr. Mean in the Spleen | — | ||
| 13 | Pilot: The Trunk / There It Is | — | ||
| 14 | The Thirty-Year Pin: Gus-Fuzz / Gus Got It | — | ||
| 15 | The Thirty-Year Pin: Bad News | — | ||
| 16 | The Thirty-Year Pin: Late Visit / No Keys | — | ||
| 17 | The Thirty-Year Pin: Dope Cat / Here Comes Steve | — | ||
| 18 | The Thirty-Year Pin: Cutting Out / Funkie Junkie / Goodbye Gus | — | ||
| 19 | The Thirty-Year Pin: Cop Time / Bang-Bang | — | ||
| 20 | The Thirty-Year Pin: The Biggie / North Beach | — | ||
| 21 | Tower Beyond Tragedy: Amory / Window Shopping | — | ||
| 22 | Tower Beyond Tragedy: To Holloway / Gets to You | — | ||
| 23 | Tower Beyond Tragedy: A Penny / Second Time / My Card / Ambush | — | ||
| 24 | Tower Beyond Tragedy: Tennis Time / Crystal Cove | — | ||
| 25 | Tower Beyond Tragedy: It’s Over / Pursuit / Lock Him Up | — | ||
| 26 | Tower Beyond Tragedy: Epilogue | — | ||
| 27 | End Title (Season 1) (unused) | — | ||
| 28 | In The Midst of Strangers: Happy News / Goodbye Rhinelander | — | ||
| 29 | In The Midst of Strangers: The Station / Come On Wally / No Tickets | — | ||
| 30 | In The Midst of Strangers: Mr. Shoes / Good Try / Let’s Go | — | ||
| 31 | In The Midst of Strangers: That’s One / That’s Two / That’s Three | — | ||
| 32 | In The Midst of Strangers: Be My Guest / Bye Wally | — | ||
| 33 | Bitter Wine: Act One | — | ||
| 34 | Bitter Wine: Hello Papa / Wouldn’t You | — | ||
| 35 | Bitter Wine: Welcome Home | — | ||
| 36 | Bitter Wine: To Potrero / Fire Bug | — | ||
| 37 | Bitter Wine: Cut Off / Attack | — | ||
| 38 | Bitter Wine: Remorse / Goodbye | — | ||
| 39 | Act of Duty: Attack | — | ||
| 40 | Act of Duty: A Loss / Short Trip | — | ||
| 41 | Act of Duty: The Visitor / Night Intruder | — | ||
| 42 | Act of Duty: Interruption / From the Tub | — | ||
| 43 | Act of Duty: The Rescue / No Chance | — | ||
| 44 | Pilot: End Title (Season 1) | — | ||
| 2-1 | Main Title (Season 1) (alternate) | — | ||
| 2-2 | Going Home: Jackpot / Keach Fires / Take It Back | — | ||
| 2-3 | Going Home: Eddie Runs / Get Lost | — | ||
| 2-4 | Going Home: Bryant Street / Eddie’s Island / Going Home | — | ||
| 2-5 | Going Home: The Rock / Cell Block Blues | — | ||
| 2-6 | Going Home: Freeze Eddie / Empty Suitcase / Eddie’s Home | — | ||
| 2-7 | Going Home: Expensive Stuffing | — | ||
| 2-8 | Main Title (Season 3) | — | ||
| 2-9 | One Last Shot: One Makes It / First Lie | — | ||
| 2-10 | One Last Shot: Slow Drive / Another Belt | — | ||
| 2-11 | One Last Shot: Drunk Drive | — | ||
| 2-12 | One Last Shot: Big Drink / Number Seven | — | ||
| 2-13 | One Last Shot: Stone / Regrets | — | ||
| 2-14 | Main Title (Season 4) | — | ||
| 2-15 | The Glass Dart Board: First Drive / The Assassination | — | ||
| 2-16 | The Glass Dart Board: Another Hit | — | ||
| 2-17 | The Glass Dart Board: I Got It / Even More | — | ||
| 2-18 | The Glass Dart Board: The Drop / Not This Time | — | ||
| 2-19 | The Glass Dart Board: Drive Time / Goodbye Truax / Daytime Police | — | ||
| 2-20 | Main Title (Season 5) | — | ||
| 2-21 | The Thrill Killers: Wheeling In / Abduction | — | ||
| 2-22 | The Thrill Killers: Rolling / Bus Fuss | — | ||
| 2-23 | The Thrill Killers: Wounded | — | ||
| 2-24 | The Thrill Killers: In the Heart / I Am | — | ||
| 2-25 | The Thrill Killers: Futile Escape | — | ||
| 2-26 | The Thrill Killers: Dan Moves In / The Capture | — | ||
| 2-27 | The Thrill Killers: Nice Day / Yes Sir | — | ||
| 2-28 | End Title (Season 4) | — | ||
| 2-29 | A Man Called Sloane : The Seduction Squad: Main Title | — | ||
| 2-30 | A Man Called Sloane : The Seduction Squad: Meet Torque | — | ||
| 2-31 | A Man Called Sloane : The Seduction Squad: Sloane & Torque in Action | — | ||
| 2-32 | A Man Called Sloane : The Seduction Squad: Theme for Strings | — | ||
| 2-33 | A Man Called Sloane : The Seduction Squad: Rest and Recreation / To Washington | — | ||
| 2-34 | A Man Called Sloane : The Seduction Squad: Pursuing Danton / Bumper | — | ||
| 2-35 | A Man Called Sloane : The Seduction Squad: Sneaking Around | — | ||
| 2-36 | A Man Called Sloane : The Seduction Squad: Sloane on the Move | — | ||
| 2-37 | A Man Called Sloane : The Seduction Squad: Smooth Finish | — | ||
| 2-38 | A Man Called Sloane : The Seduction Squad: Sloane & Michelle | — | ||
| 2-39 | A Man Called Sloane : The Seduction Squad: End Title | — |
Main Title (Season 1)
—
Pilot: Marina Stuff
—
Pilot: Main Title
—
Pilot: Mr. Mod / Deep Memory
—
Pilot: To Holly’s / Holly’s Room
—
Pilot: Motel Time
—
Pilot: Holly’s Theme
—
Pilot: Meter Feeding / Farr Karate
—
Pilot: Farr to Club / Farr Out
—
Pilot: Boat Trouble / Mr. Mean Is on the Scene / Charge
—
Pilot: Here Come De Fuzz / Home at Last
—
Pilot: A Problem for Mr. Mean / Mr. Mean in the Spleen
—
Pilot: The Trunk / There It Is
—
The Thirty-Year Pin: Gus-Fuzz / Gus Got It
—
The Thirty-Year Pin: Bad News
—
The Thirty-Year Pin: Late Visit / No Keys
—
The Thirty-Year Pin: Dope Cat / Here Comes Steve
—
The Thirty-Year Pin: Cutting Out / Funkie Junkie / Goodbye Gus
—
The Thirty-Year Pin: Cop Time / Bang-Bang
—
The Thirty-Year Pin: The Biggie / North Beach
—
Tower Beyond Tragedy: Amory / Window Shopping
—
Tower Beyond Tragedy: To Holloway / Gets to You
—
Tower Beyond Tragedy: A Penny / Second Time / My Card / Ambush
—
Tower Beyond Tragedy: Tennis Time / Crystal Cove
—
Tower Beyond Tragedy: It’s Over / Pursuit / Lock Him Up
—
Tower Beyond Tragedy: Epilogue
—
End Title (Season 1) (unused)
—
In The Midst of Strangers: Happy News / Goodbye Rhinelander
—
In The Midst of Strangers: The Station / Come On Wally / No Tickets
—
In The Midst of Strangers: Mr. Shoes / Good Try / Let’s Go
—
In The Midst of Strangers: That’s One / That’s Two / That’s Three
—
In The Midst of Strangers: Be My Guest / Bye Wally
—
Bitter Wine: Act One
—
Bitter Wine: Hello Papa / Wouldn’t You
—
Bitter Wine: Welcome Home
—
Bitter Wine: To Potrero / Fire Bug
—
Bitter Wine: Cut Off / Attack
—
Bitter Wine: Remorse / Goodbye
—
Act of Duty: Attack
—
Act of Duty: A Loss / Short Trip
—
Act of Duty: The Visitor / Night Intruder
—
Act of Duty: Interruption / From the Tub
—
Act of Duty: The Rescue / No Chance
—
Pilot: End Title (Season 1)
—
Main Title (Season 1) (alternate)
—
Going Home: Jackpot / Keach Fires / Take It Back
—
Going Home: Eddie Runs / Get Lost
—
Going Home: Bryant Street / Eddie’s Island / Going Home
—
Going Home: The Rock / Cell Block Blues
—
Going Home: Freeze Eddie / Empty Suitcase / Eddie’s Home
—
Going Home: Expensive Stuffing
—
Main Title (Season 3)
—
One Last Shot: One Makes It / First Lie
—
One Last Shot: Slow Drive / Another Belt
—
One Last Shot: Drunk Drive
—
One Last Shot: Big Drink / Number Seven
—
One Last Shot: Stone / Regrets
—
Main Title (Season 4)
—
The Glass Dart Board: First Drive / The Assassination
—
The Glass Dart Board: Another Hit
—
The Glass Dart Board: I Got It / Even More
—
The Glass Dart Board: The Drop / Not This Time
—
The Glass Dart Board: Drive Time / Goodbye Truax / Daytime Police
—
Main Title (Season 5)
—
The Thrill Killers: Wheeling In / Abduction
—
The Thrill Killers: Rolling / Bus Fuss
—
The Thrill Killers: Wounded
—
The Thrill Killers: In the Heart / I Am
—
The Thrill Killers: Futile Escape
—
The Thrill Killers: Dan Moves In / The Capture
—
The Thrill Killers: Nice Day / Yes Sir
—
End Title (Season 4)
—
A Man Called Sloane : The Seduction Squad: Main Title
—
A Man Called Sloane : The Seduction Squad: Meet Torque
—
A Man Called Sloane : The Seduction Squad: Sloane & Torque in Action
—
A Man Called Sloane : The Seduction Squad: Theme for Strings
—
A Man Called Sloane : The Seduction Squad: Rest and Recreation / To Washington
—
A Man Called Sloane : The Seduction Squad: Pursuing Danton / Bumper
—
A Man Called Sloane : The Seduction Squad: Sneaking Around
—
A Man Called Sloane : The Seduction Squad: Sloane on the Move
—
A Man Called Sloane : The Seduction Squad: Smooth Finish
—
A Man Called Sloane : The Seduction Squad: Sloane & Michelle
—
A Man Called Sloane : The Seduction Squad: End Title
—
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What is UPC 826924153420?
826924153420 is a Universal Product Code (UPC) assigned to The Quinn Martin Collection Volume 3 - The Streets of San Francisco by Patrick Williams. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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