UPC · Release
Star Trek Collection: The Final Frontier
Jerry Goldsmith, Dennis McCarthy, Jay Chattaway, David Bell, Kevin Kiner, Paul Baillargeon, Velton Ray Bunch
Last verified:
826924159125 is the Universal Product Code (UPC barcode) for the release “Star Trek Collection: The Final Frontier” by Jerry Goldsmith, Dennis McCarthy, Jay Chattaway, David Bell, Kevin Kiner, Paul Baillargeon, Velton Ray Bunch, released 2022-01-01 on La-La Land Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 91 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (91)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Preludium | — | ||
| 2 | Total Logic (early version) | — | ||
| 3 | Pre-Launch Countdown (early version) | — | ||
| 4 | Body Meld (early version) | — | ||
| 5 | Star Trek: The Next Generation Main Title (Season 2) | — | ||
| 6 | New Planet / First Hugs / Dance Break | — | ||
| 7 | God | — | ||
| 8 | A Taste | — | ||
| 9 | Aqueduct | — | ||
| 10 | Zapped / Requiem | — | ||
| 11 | El Yucko | — | ||
| 12 | Hickman | — | ||
| 13 | Geordi | — | ||
| 14 | Star Birth / Burial Plot | — | ||
| 15 | Battle Royale | — | ||
| 16 | Worf's Goodbye | — | ||
| 17 | Nicks of Time | — | ||
| 18 | Data's Dream | — | ||
| 19 | Salvadore Data | — | ||
| 20 | Still Friends | — | ||
| 21 | Kablooie / Don't Touch That Warp | — | ||
| 22 | Jurassic Worf | — | ||
| 23 | Android Bonding | — | ||
| 24 | Androids to the Rescue | — | ||
| 25 | Waiting for Sito / Sito's Wake | — | ||
| 26 | Klingon Opera (instrumental) | — | ||
| 27 | Star Trek: The Next Generation End Credits (Season 3; short version) | — | ||
| 2-1 | Star Trek: Deep Space Nine Main Title (Seasons 4 - 7, alternate mix) | — | ||
| 2-2 | Sleepy Space Flute | — | ||
| 2-3 | The Fortress / Battle Prep / To the Death / Pariah | — | ||
| 2-4 | Hammered | — | ||
| 2-5 | Runabout Switch / Coffee Break | — | ||
| 2-6 | Run Noisy, Get Caught / Officer or Terrorist | — | ||
| 2-7 | Birth and Rebirth | — | ||
| 2-8 | Chrysalis Song | — | ||
| 2-9 | Love Lost | — | ||
| 2-10 | Rough Start / Meet Red Squad | — | ||
| 2-11 | Squad Montage | — | ||
| 2-12 | Giant Hunters / Abandon Ship / Decide for Themselves | — | ||
| 2-13 | Federation National Anthem | — | ||
| 2-14 | Plummeting Into Planet | — | ||
| 2-15 | Laughing at Trouble | — | ||
| 2-16 | Parley With Doomed Patrol / Not My Life to Give Up | — | ||
| 2-17 | Opened a Hole in Their Lines? | — | ||
| 2-18 | Kira in Corridor Combat | — | ||
| 2-19 | Prelude to White Flash / White Flash Prophets | — | ||
| 2-20 | Welcome Back Captain / Garak & Kira in Infirmary | — | ||
| 2-21 | Star Trek: Deep Space Nine End Credits (Seasons 4 - 7, alternate mix) | — | ||
| 3-1 | Star Trek: Voyager Main Title | — | ||
| 3-2 | Nyrians Take Over / Chakotay Sabotages | — | ||
| 3-3 | Seven's Daily Routine / All by Myself / Sleepwalking | — | ||
| 3-4 | 17 Hours to Safety / Beating the Loneliness | — | ||
| 3-5 | Kashyk's Departure | — | ||
| 3-6 | Doc's Soliloquy | — | ||
| 3-7 | Tuvok Slams Cart | — | ||
| 3-8 | Tuvok Attempts to Execute Suder / No More Mind Melds | — | ||
| 3-9 | Tuvok's First Hallucination | — | ||
| 3-10 | Klingons Other Side of Galaxy / Tuvok and Janeway Meld / First Flashback / Energy Wave Hits Excelsior | — | ||
| 3-11 | Sulu: Intruder Alert / Our Last Chance - Concentrate! / Be Nostalgic for Both | — | ||
| 3-12 | Chakotay Attaches Power Conduit / Chakotay Phases Tuvok | — | ||
| 3-13 | Doc Snatched | — | ||
| 3-14 | Possible Way Home | — | ||
| 3-15 | Inexorable / Surprise, Surprise! | — | ||
| 3-16 | Naomi the Detective | — | ||
| 3-17 | The Outpost / Realizations | — | ||
| 3-18 | Rebellion / With Family | — | ||
| 3-19 | Ugly to the Max (Klingon Teenager Source) | — | ||
| 3-20 | Dad School / Where'd He Go? | — | ||
| 3-21 | Tom Dooley / El Plan-O / Hangin' On | — | ||
| 3-22 | Belle's Death | — | ||
| 3-23 | Star Trek: Voyager End Title | — | ||
| 4-1 | Archer's Theme (Unused Main Title) | — | ||
| 4-2 | Hijackers / No Choice | — | ||
| 4-3 | Slaves Are Loose | — | ||
| 4-4 | Alien Hunters | — | ||
| 4-5 | Damage Report | — | ||
| 4-6 | Aliens Return / Aliens on Board / Cannon Fire | — | ||
| 4-7 | Klingon Defense / Deserted Colony | — | ||
| 4-8 | Hand to Hand / Klingon Trap / Ring of Fire | — | ||
| 4-9 | Duras Tells His Story / Archer Tells His Side | — | ||
| 4-10 | Recap / Red Cloud | — | ||
| 4-11 | Jealous Fighter / Alien Attack | — | ||
| 4-12 | Recap / Into the Chamber | — | ||
| 4-13 | Vulcan Wedding | — | ||
| 4-14 | Recap / Rigellian Attack | — | ||
| 4-15 | Searching for Silik / Conduit Brawl / Space Diver | — | ||
| 4-16 | T'Pol Gets Her Man | — | ||
| 4-17 | Bombs | — | ||
| 4-18 | Osaarian Showdown | — | ||
| 4-19 | End Game | — | ||
| 4-20 | Archer's Theme (End Credits) / Paramount Studios Logo | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 826924159125?
826924159125 is a Universal Product Code (UPC) assigned to Star Trek Collection: The Final Frontier by Jerry Goldsmith, Dennis McCarthy, Jay Chattaway, David Bell, Kevin Kiner, Paul Baillargeon, Velton Ray Bunch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 91 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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