UPC · Release
The Quinn Martin Collection - Volume 4: 12 O'Clock High
Dominic Frontiere
Last verified:
826924160428 is the Universal Product Code (UPC barcode) for the release “The Quinn Martin Collection - Volume 4: 12 O'Clock High” by Dominic Frontiere, released 2022-01-01 on La-La Land Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 83 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (83)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | First Season Main Title | — | ||
| 2 | Follow the Leader: Prologue | — | ||
| 3 | Follow the Leader: Mellon and Savage / One Check | — | ||
| 4 | Follow the Leader: Waiting / Everybody Run | — | ||
| 5 | Follow the Leader: Mellon and Betty Blighty | — | ||
| 6 | Follow the Leader: We're Alerted | — | ||
| 7 | Follow the Leader: Same as Yesterday / Left Turn | — | ||
| 8 | Follow the Leader: Friends Again / Friends Ending | — | ||
| 9 | Golden Boy Had Nine Black Sheep: Gallagher | — | ||
| 10 | Golden Boy Had Nine Black Sheep: Throws Cap / Orders From Savage | — | ||
| 11 | Golden Boy Had Nine Black Sheep: Plane on Field / Challenge to Command | — | ||
| 12 | Golden Boy Had Nine Black Sheep: B-17 on Field / Transfer | — | ||
| 13 | Golden Boy Had Nine Black Sheep: Probably Right / Joe Give It a Try | — | ||
| 14 | Golden Boy Had Nine Black Sheep: Epilogue | — | ||
| 15 | The Men and the Boys: Going on Mission / Pilot Gets Shot | — | ||
| 16 | The Men and the Boys: B-17 Swings / Lockridge | — | ||
| 17 | The Men and the Boys: Fade in to Hospital | — | ||
| 18 | The Men and the Boys: It Was Jonesy / Let's Go | — | ||
| 19 | The Men and the Boys: Returning Home | — | ||
| 20 | The Men and the Boys: Like '42 | — | ||
| 21 | The Sound of Distant Thunder: The Club / New Bombardier | — | ||
| 22 | The Sound of Distant Thunder: Thank You Sir | — | ||
| 23 | The Sound of Distant Thunder: Mary Yells | — | ||
| 24 | The Sound of Distant Thunder: Tire Goes Down | — | ||
| 25 | The Sound of Distant Thunder: In on Savage | — | ||
| 26 | Pressure Point: Marry His Daughter | — | ||
| 27 | Pressure Point: There's Your Man / Crowe | — | ||
| 28 | Pressure Point: Savage Walks Away | — | ||
| 29 | Pressure Point: The C.O. | — | ||
| 30 | Interlude: Cobb | — | ||
| 31 | Interlude: Holiday | — | ||
| 32 | Interlude: On a Greener Hill | — | ||
| 33 | Interlude: Unconscious / She's Dying | — | ||
| 34 | Interlude: Ann in Bed | — | ||
| 35 | Interlude: On a Greener Hill II | — | ||
| 36 | The Climate of Doubt: Glowers | — | ||
| 37 | The Climate of Doubt: Pineapple's Girl | — | ||
| 38 | The Climate of Doubt: Cut to Crowe | — | ||
| 39 | First Season End Title | — | ||
| 2-1 | Second Season Main Theme | — | ||
| 2-2 | Appointment at Liege: I'm Immortal | — | ||
| 2-3 | Appointment at Liege: Nightmare / Charlie Flakked | — | ||
| 2-4 | Appointment at Liege: Liz Pep Talk | — | ||
| 2-5 | Appointment at Liege: Guns Runs / Help Me Sir | — | ||
| 2-6 | Appointment at Liege: I'll See You in the Fall | — | ||
| 2-7 | To Heinie With Love: Quail | — | ||
| 2-8 | To Heinie With Love: Nora's Theme | — | ||
| 2-9 | To Heinie With Love: Save the Plasma | — | ||
| 2-10 | To Heinie With Love: Nora and Kurt | — | ||
| 2-11 | To Heinie With Love: Bomb | — | ||
| 2-12 | The Threat: Flight Line / Say Boo | — | ||
| 2-13 | The Threat: Sounds Fishy to Me | — | ||
| 2-14 | The Threat: Dog's Fight | — | ||
| 2-15 | P.O.W.: Stalag Luft 12 | — | ||
| 2-16 | P.O.W.: The Cat | — | ||
| 2-17 | P.O.W.: Escape | — | ||
| 2-18 | P.O.W.: Thinking of Home | — | ||
| 2-19 | P.O.W.: A Little Trouble / To Risk It | — | ||
| 2-20 | Big Brother: B-17 Taxis / Hi Stoney | — | ||
| 2-21 | Big Brother: Stoney and Graves | — | ||
| 2-22 | Big Brother: (F. I. Tanks) | — | ||
| 2-23 | The Hotshot: You'll Ruin Me / Rack Full of Bombs | — | ||
| 2-24 | The Hotshot: Ves Flies / End of Ves | — | ||
| 2-25 | The Hotshot: Jill Baby | — | ||
| 2-26 | Between the Lines: Burning Engine | — | ||
| 2-27 | Between the Lines: Abandoned Church | — | ||
| 2-28 | Between the Lines: Tress Shoots / Ninotchka | — | ||
| 2-29 | Between the Lines: Dose Chermans / Chewing Gum | — | ||
| 2-30 | Between the Lines: Friendship | — | ||
| 2-31 | Falling Star: Pappy's Girl | — | ||
| 2-32 | Falling Star: Guilty Pappy | — | ||
| 2-33 | Falling Star: The Hero | — | ||
| 2-34 | Which Way the Wind Blows: I Can't | — | ||
| 2-35 | Which Way the Wind Blows: John and Ted Are Kiddin' | — | ||
| 2-36 | Which Way the Wind Blows: Bye, Dina | — | ||
| 2-37 | Third Season Main Title | — | ||
| 2-38 | Fortress Weisbaden: Over Enemy Target / Relieve Your Command | — | ||
| 2-39 | Fortress Weisbaden: Abandon Ship | — | ||
| 2-40 | Fortress Weisbaden: Frieda | — | ||
| 2-41 | Fortress Weisbaden: Germans Coming / Surprise | — | ||
| 2-42 | Fortress Weisbaden: After the Putsch Is Over | — | ||
| 2-43 | Fortress Weisbaden: S'Alright | — | ||
| 2-44 | Third Season End Title | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 826924160428?
826924160428 is a Universal Product Code (UPC) assigned to The Quinn Martin Collection - Volume 4: 12 O'Clock High by Dominic Frontiere. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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