UPC · Release
Various Artists
Last verified:
The UPC for “Jazz on Film... The New Wave II” by Various Artists is 827565059928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Moochin' About. This release contains 223 tracks, each with its own ISRC. Tracks include FR5Q16200076, FRS181448153, FRZ035902530.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bande I | — | ||
| 2 | Bande Il | — | ||
| 3 | Bande III | — | ||
| 4 | Bande IV | — | ||
| 5 | Bande V | — | ||
| 6 | Bande VI | — | ||
| 7 | Main Theme | — | ||
| 8 | Blues and Theme | — | ||
| 9 | Student Hang Out | — | ||
| 10 | Morning After the Wedding Night | — | ||
| 11 | Music for Night Children | — | ||
| 12 | Jazz Appreciation I (Motif for Ted) | — | ||
| 13 | Jazz Appreciation II (Motif for Ted) | — | ||
| 14 | Swiss Tease (Tango) | — | ||
| 15 | Romance I | — | ||
| 16 | Romance II | — | ||
| 17 | Stroll on Theme | — | ||
| 18 | Good Time Joe | — | ||
| 19 | Latin Stroll on Theme | — | ||
| 20 | Main Theme - Romance | — | ||
| 21 | Spanish Castles | — | ||
| 22 | Nick and Marlene | — | ||
| 23 | The Proposal | — | ||
| 24 | Final Theme | — | ||
| 2-1 | Saturday Night and Sunday Morning (Saturday Night and Sunday Morning) | — | ||
| 2-2 | Let's Sip Away (Saturday Night and Sunday Morning) | — | ||
| 2-3 | We Are the Lambeth Boys (We Are the Lambeth Boys) | — | ||
| 2-4 | Duet for 16 (We Are the Lambeth Boys) | — | ||
| 2-5 | Scott Free (All Night long) | — | ||
| 2-6 | Noodlin' (All Night long) | — | ||
| 2-7 | Sapphire (All Night long) | — | ||
| 2-8 | It's a Raggy Waltz (All Night long) | — | ||
| 2-9 | Overture (All Night long) | — | ||
| 2-10 | Blue Shadows in the Street (All Night long) | — | ||
| 2-11 | Fall Guy (All Night long) | — | ||
| 2-12 | Wingate's Spot (All Night long) | — | ||
| 2-13 | Muy Rapido (All Night long) | — | ||
| 2-14 | Dedication to Johnny Hodges (All Night long) | — | ||
| 2-15 | Skin Fever (All Night long) | — | ||
| 2-16 | Sax Reference (All Night long) | — | ||
| 2-17 | The Chase (All Night long) | — | ||
| 2-18 | Frenzy (All Night long) | — | ||
| 2-19 | Finale (All Night long) | — | ||
| 2-20 | All Night Long (All Night long) | — | ||
| 2-21 | Riverside Stomp (The Criminal) | — | ||
| 2-22 | Freedom Walk (The Criminal) | — | ||
| 2-23 | After the Party (The Criminal) | — | ||
| 2-24 | Treasure Drive (The Criminal) | — | ||
| 2-25 | Thieving Boy (The Criminal) | — | ||
| 3-1 | Seal One Part 1 Sax Raises Its Ugly Head | — | ||
| 3-2 | Theme From Too Late Blues (A Song After Sundown) | — | ||
| 3-3 | The Rim Shot Heard 'round the World | — | ||
| 3-4 | Mother Time (Juke Box) | — | ||
| 3-5 | Something Like Noodles / Something Like Bulio / Something Like That | — | ||
| 3-6 | Heel and Toe Get Wildroot Hair Oil, Charlie | — | ||
| 3-8 | Look Inward, Angel | — | ||
| 3-9 | Danzon | — | ||
| 3-10 | A Song After Sundown | — | ||
| 3-11 | Sambalero | — | ||
| 3-12 | Recording Studio Part 2 a Song After Sundown | — | ||
| 3-13 | Whither Though, Ghost! | — | ||
| 3-14 | Blues for Tomorrow | — | ||
| 3-15 | Ulysses in Swanktown | — | ||
| 3-16 | Like Lasagna | — | ||
| 3-17 | Ghost Blows Test | — | ||
| 3-18 | Benny Splits While Jimmy Rowles | — | ||
| 3-19 | Ciudad de Mexico | — | ||
| 3-20 | Wife's Other John | — | ||
| 3-21 | Finale - The Rim Shot Heard 'round the World | — | ||
| 3-22 | Paramount Seal and Tie-In (alternate) | — | ||
| 3-23 | Danzon | — | ||
| 3-24 | Ciudad de Mexico | — | ||
| 3-25 | Some Other Time | — | ||
| 3-26 | Benny Splits While Jimmy Rowles (short) | — | ||
| 3-27 | Look Inward, Angel (Combo) | — | ||
| 3-28 | Look Inward, Angel (Combo - long) | — | ||
| 3-29 | The Rim Shot Heard 'round the World (alternate) | — | ||
| 3-30 | Sambalero | — | ||
| 3-31 | Bass Canard (long) | — | ||
| 3-32 | Wife's Other John (extended) | — | ||
| 4-1 | Adam & Eve (Theme Song) | — | ||
| 4-2 | Introduction | — | ||
| 4-3 | Main Title | — | ||
| 4-4 | At the Bar | — | ||
| 4-5 | Water Ski | — | ||
| 4-6 | One Morning in Roma | — | ||
| 4-7 | Willow Weep for Me | — | ||
| 4-8 | Eve's Room | — | ||
| 4-9 | Tivian Visits Eve | — | ||
| 4-10 | Eve & Tivian | — | ||
| 4-11 | Eve & Francesca | — | ||
| 4-12 | Eve, Francesca & Tivian | — | ||
| 4-13 | A Hotel in Venice | — | ||
| 4-14 | The Wedding | — | ||
| 4-15 | Dumped Tivian | — | ||
| 4-16 | Loveless Love | — | ||
| 4-17 | Epilogue | — | ||
| 4-18 | Finale | — | ||
| 4-19 | Angela, Strasbourg Saint-Denis, Chanson D'Angela, Blues Chez Le Bougnat, Tristesse, Poursuite Et Dénouement (Une Femme Est Une Femme) | — | ||
| 4-20 | Comédie Musicale (Les Sept Peches Capitaux) | — | ||
| 4-21 | La Baie des Anges : Le Jeu | Michel Legrand | — | |
| 4-22 | Nice, Baie Des Anges (La Baie de Anges) | — | ||
| 4-23 | Le Jeu Et L'Amour (La Baie de Anges) | — | ||
| 4-24 | La Belle Putain (Cléo de 5 À 7) | — | ||
| 4-25 | La Joueuse (Cléo de 5 À 7) | — | ||
| 4-26 | Sans Toi (Cléo de 5 À 7) | — | ||
| 4-27 | La Menteuse (Cléo de 5 À 7) | — | ||
| 4-29 | Le Doulos (Los Doulos) | — | ||
| 4-30 | Jazz Rapide (Los Doulos) | — | ||
| 4-31 | Final (Le Doulos) | — | ||
| 5-1 | Satan in High Heels (Satan in High Heels) | — | ||
| 5-2 | Montage (Satan in High Heels) | — | ||
| 5-3 | The Lost and the Lonely (Satan in High Heels) | — | ||
| 5-4 | East Side Drive (Satan in High Heels) | — | ||
| 5-5 | Coffee Coffee (Satan in High Heels) | — | ||
| 5-6 | Blues de Memphis (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-7 | Generique (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-8 | Theme D'Amour (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-9 | Theme de Liz (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-10 | Blues de Memphis (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-11 | Surprise-Partie Au Bord de L'Eau (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-12 | Deux Hommes Dans Manhattan (Deux Hommes Dans Manhattan) | — | ||
| 5-13 | Déambulation Nocturne (Deux Hommes Dans Manhattan) | — | ||
| 5-14 | Filature (Deux Hommes Dans Manhattan) | — | ||
| 5-15 | Street in Manhattan (Deux Hommes Dans Manhattan) | — | ||
| 5-16 | Main Title (Stop & Go) (From "The Hustler") | — | ||
| 5-17 | Minnesota Fats (From "The Hustler") | — | ||
| 5-18 | The Loser (From "The Hustler") | — | ||
| 5-19 | Sarah's Theme (From "The Hustler") | — | ||
| 5-20 | 4 Flights Up (From "The Hustler") | — | ||
| 5-21 | Fast Buck (From "The Hustler") | — | ||
| 5-22 | Small-Time Charlie (From "The Hustler") | — | ||
| 5-23 | Bert’s Theme (from “The Hustler”) | Kenyon Hopkins | — | |
| 5-24 | Contract With Depravity (From "The Hustler") | — | ||
| 5-25 | All Thumbs (From "The Hustler") | — | ||
| 5-26 | Dining Out (From "The Hustler") | — | ||
| 5-27 | Derby Time (From "The Hustler") | — | ||
| 5-28 | Lipstick on a Mirror (From "The Hustler") | — | ||
| 5-29 | The Winner (From "The Hustler") | — | ||
| 5-30 | End Title (From "The Hustler") | — | ||
| 6-1 | Interlude in Jazz (Gli Arcangeli) | — | ||
| 6-2 | Infedeli | — | ||
| 6-3 | Thank You Annie | — | ||
| 6-4 | A Woman in the Sea | — | ||
| 6-5 | Arcangeli Twist | — | ||
| 6-6 | Meeting at Eur | — | ||
| 6-7 | Helen's Blues | — | ||
| 6-8 | Robert's Idea | — | ||
| 6-9 | Interlude in Jazz, Pt.2 | — | ||
| 6-10 | Infedeli, Pt.2 | — | ||
| 6-11 | Portuense Cha-Cha-Cha | — | ||
| 6-12 | Lalla Veritable & Blue Somalia | — | ||
| 6-13 | You Are Too Sexy | — | ||
| 6-14 | Thank You Annie, Pt.2 | — | ||
| 6-15 | Paolo in Love | — | ||
| 6-16 | Annie Is Diana | — | ||
| 6-17 | Speak Only for You | — | ||
| 6-18 | Gli Arcangeli | — | ||
| 6-19 | Gli Arcangeli Twist, Pt.2 | — | ||
| 6-20 | Titoli di Testa | — | ||
| 6-21 | Tema di Bruno (Morte di Un Amico) | — | ||
| 6-22 | Tema di Aldo / Morte di Un Amico | — | ||
| 6-23 | Tema Della Ragazzina | — | ||
| 6-24 | Furto E Fuga Dopo Il Colpo | — | ||
| 6-25 | Tema di Aldo / Morte di Un Amico | — | ||
| 6-26 | Tema di Aldo / Finale | — | ||
| 6-27 | Susan Theme | — | ||
| 7-1 | Main Title (Nowhere to Go) | — | ||
| 7-2 | The Escape and the Chase | — | ||
| 7-3 | The Search (On the Scene) | — | ||
| 7-4 | The Sunset Scene (Nowhere to Go) | — | ||
| 7-5 | Blues All'Alba | — | ||
| 7-6 | Notturno Blues | — | ||
| 7-7 | Valzer Lento | — | ||
| 7-8 | Finale | — | ||
| 7-9 | Jazz Interludio | — | ||
| 7-10 | Country Club | — | ||
| 7-11 | Lettura Della Lettera | — | ||
| 7-12 | Ballo di Lidia | — | ||
| 7-13 | Voci Dal Fiume | — | ||
| 7-14 | Ballo di Lidia (Salotto Party) | — | ||
| 7-15 | Quartetto Sotto Le Stelle | — | ||
| 7-16 | Lettura Della Lettera (Jazz Per La Sera) | — | ||
| 7-17 | La Notte (Cha-Cha-Cha) | — | ||
| 7-18 | La Notte (Musica da Ballo) | — | ||
| 7-19 | Ballo di Lidia (Musica Per I Ragazzi Fast) | — | ||
| 7-20 | Ballo di Lidia (Musica Per I Ragazzi Slow) | — | ||
| 7-21 | Black March [BO du film “L'Eau à la bouche”] | Alain Goraguer et son orchestre | — | |
| 7-22 | Angoisse (L'Eau À La Bouche) | — | ||
| 7-23 | L’Eau à la bouche | Serge Gainsbourg | T-003.008.786-5 | |
| 7-24 | Judith | Serge Gainsbourg | T-003.011.283-4 | |
| 8-1 | Generique (Chateau En Suede) | — | ||
| 8-2 | L'Amour n'Est Pas (Chateau En Suede) | — | ||
| 8-3 | Poursuite Sur La Neige (Chateau En Suede) | — | ||
| 8-4 | Eric's Thème (Chateau En Suede) | — | ||
| 8-5 | Los Jóvenes Viejos (Los Jovenes Viejos) | — | ||
| 8-6 | Pick-Up (Los Jovenes Viejos) | — | ||
| 8-7 | Sunset (Los Jovenes Viejos) | — | ||
| 8-8 | Viaje de 3 (Los Jovenes Viejos) | — | ||
| 8-9 | Fin de Viaje (Los Jovenes Viejos) | — | ||
| 8-10 | Close Up (Los Jovenes Viejos) | — | ||
| 8-11 | Naciste Para Quererme (Los Jovenes Viejos) | — | ||
| 8-12 | Conversación (Los Jovenes Viejos) | — | ||
| 8-13 | Dormir, Dormir, Dormir (Los Jovenes Viejos) | — | ||
| 8-14 | Desesperación de Sonia (Los Jovenes Viejos) | — | ||
| 8-15 | Tema de Solidad (Los Jovenes Viejos) | — | ||
| 8-16 | La Corrida (Los Jovenes Viejos) | — | ||
| 8-17 | Vals En 16mm (Los Jovenes Viejos) | — | ||
| 8-18 | Chiche (Los Jovenes Viejos) | — | ||
| 8-19 | Sonia (Los Jovenes Viejos) | — | ||
| 8-20 | La Vuelta (Los Jovenes Viejos) | — | ||
| 8-21 | Joey’s Theme (The Little Fugitive) | — | ||
| 8-22 | The Plot (The Little Fugitive) | — | ||
| 8-23 | Joey’s Blues (The Little Fugitive) | — | ||
| 8-24 | The Joey in the Baseball Cage (The Little Fugitive) | — | ||
| 8-25 | Deposit Blues (The Little Fugitive) | — | ||
| 8-26 | Ride ’em, Joey! (The Little Fugitive) | — | ||
| 8-27 | Fugato (Lenny Looks for Joey) (The Little Fugitive) | — | ||
| 8-28 | Coney Island (The Little Fugitive) | — | ||
| 8-29 | Polka (From “The Golden Age”) (The Little Fugitive) | — | ||
| 8-30 | To a Wild Rose (The Little Fugitive) | — | ||
| 8-31 | The Harmonica Player (The Little Fugitive) | — | ||
| 8-32 | Gavotte (The Little Fugitive) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
827565059928 is a Universal Product Code (UPC) assigned to Jazz on Film... The New Wave II by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 223 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Judith | Serge Gainsbourg | — |
The UPC for “Jazz on Film... The New Wave II” by Various Artists is 827565059928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Moochin' About. This release contains 223 tracks, each with its own ISRC. Tracks include FR5Q16200076, FRS181448153, FRZ035902530.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bande I | — | ||
| 2 | Bande Il | — | ||
| 3 | Bande III | — | ||
| 4 | Bande IV | — | ||
| 5 | Bande V | — | ||
| 6 | Bande VI | — | ||
| 7 | Main Theme | — | ||
| 8 | Blues and Theme | — | ||
| 9 | Student Hang Out | — | ||
| 10 | Morning After the Wedding Night | — | ||
| 11 | Music for Night Children | — | ||
| 12 | Jazz Appreciation I (Motif for Ted) | — | ||
| 13 | Jazz Appreciation II (Motif for Ted) | — | ||
| 14 | Swiss Tease (Tango) | — | ||
| 15 | Romance I | — | ||
| 16 | Romance II | — | ||
| 17 | Stroll on Theme | — | ||
| 18 | Good Time Joe | — | ||
| 19 | Latin Stroll on Theme | — | ||
| 20 | Main Theme - Romance | — | ||
| 21 | Spanish Castles | — | ||
| 22 | Nick and Marlene | — | ||
| 23 | The Proposal | — | ||
| 24 | Final Theme | — | ||
| 2-1 | Saturday Night and Sunday Morning (Saturday Night and Sunday Morning) | — | ||
| 2-2 | Let's Sip Away (Saturday Night and Sunday Morning) | — | ||
| 2-3 | We Are the Lambeth Boys (We Are the Lambeth Boys) | — | ||
| 2-4 | Duet for 16 (We Are the Lambeth Boys) | — | ||
| 2-5 | Scott Free (All Night long) | — | ||
| 2-6 | Noodlin' (All Night long) | — | ||
| 2-7 | Sapphire (All Night long) | — | ||
| 2-8 | It's a Raggy Waltz (All Night long) | — | ||
| 2-9 | Overture (All Night long) | — | ||
| 2-10 | Blue Shadows in the Street (All Night long) | — | ||
| 2-11 | Fall Guy (All Night long) | — | ||
| 2-12 | Wingate's Spot (All Night long) | — | ||
| 2-13 | Muy Rapido (All Night long) | — | ||
| 2-14 | Dedication to Johnny Hodges (All Night long) | — | ||
| 2-15 | Skin Fever (All Night long) | — | ||
| 2-16 | Sax Reference (All Night long) | — | ||
| 2-17 | The Chase (All Night long) | — | ||
| 2-18 | Frenzy (All Night long) | — | ||
| 2-19 | Finale (All Night long) | — | ||
| 2-20 | All Night Long (All Night long) | — | ||
| 2-21 | Riverside Stomp (The Criminal) | — | ||
| 2-22 | Freedom Walk (The Criminal) | — | ||
| 2-23 | After the Party (The Criminal) | — | ||
| 2-24 | Treasure Drive (The Criminal) | — | ||
| 2-25 | Thieving Boy (The Criminal) | — | ||
| 3-1 | Seal One Part 1 Sax Raises Its Ugly Head | — | ||
| 3-2 | Theme From Too Late Blues (A Song After Sundown) | — | ||
| 3-3 | The Rim Shot Heard 'round the World | — | ||
| 3-4 | Mother Time (Juke Box) | — | ||
| 3-5 | Something Like Noodles / Something Like Bulio / Something Like That | — | ||
| 3-6 | Heel and Toe Get Wildroot Hair Oil, Charlie | — | ||
| 3-8 | Look Inward, Angel | — | ||
| 3-9 | Danzon | — | ||
| 3-10 | A Song After Sundown | — | ||
| 3-11 | Sambalero | — | ||
| 3-12 | Recording Studio Part 2 a Song After Sundown | — | ||
| 3-13 | Whither Though, Ghost! | — | ||
| 3-14 | Blues for Tomorrow | — | ||
| 3-15 | Ulysses in Swanktown | — | ||
| 3-16 | Like Lasagna | — | ||
| 3-17 | Ghost Blows Test | — | ||
| 3-18 | Benny Splits While Jimmy Rowles | — | ||
| 3-19 | Ciudad de Mexico | — | ||
| 3-20 | Wife's Other John | — | ||
| 3-21 | Finale - The Rim Shot Heard 'round the World | — | ||
| 3-22 | Paramount Seal and Tie-In (alternate) | — | ||
| 3-23 | Danzon | — | ||
| 3-24 | Ciudad de Mexico | — | ||
| 3-25 | Some Other Time | — | ||
| 3-26 | Benny Splits While Jimmy Rowles (short) | — | ||
| 3-27 | Look Inward, Angel (Combo) | — | ||
| 3-28 | Look Inward, Angel (Combo - long) | — | ||
| 3-29 | The Rim Shot Heard 'round the World (alternate) | — | ||
| 3-30 | Sambalero | — | ||
| 3-31 | Bass Canard (long) | — | ||
| 3-32 | Wife's Other John (extended) | — | ||
| 4-1 | Adam & Eve (Theme Song) | — | ||
| 4-2 | Introduction | — | ||
| 4-3 | Main Title | — | ||
| 4-4 | At the Bar | — | ||
| 4-5 | Water Ski | — | ||
| 4-6 | One Morning in Roma | — | ||
| 4-7 | Willow Weep for Me | — | ||
| 4-8 | Eve's Room | — | ||
| 4-9 | Tivian Visits Eve | — | ||
| 4-10 | Eve & Tivian | — | ||
| 4-11 | Eve & Francesca | — | ||
| 4-12 | Eve, Francesca & Tivian | — | ||
| 4-13 | A Hotel in Venice | — | ||
| 4-14 | The Wedding | — | ||
| 4-15 | Dumped Tivian | — | ||
| 4-16 | Loveless Love | — | ||
| 4-17 | Epilogue | — | ||
| 4-18 | Finale | — | ||
| 4-19 | Angela, Strasbourg Saint-Denis, Chanson D'Angela, Blues Chez Le Bougnat, Tristesse, Poursuite Et Dénouement (Une Femme Est Une Femme) | — | ||
| 4-20 | Comédie Musicale (Les Sept Peches Capitaux) | — | ||
| 4-21 | La Baie des Anges : Le Jeu | Michel Legrand | — | |
| 4-22 | Nice, Baie Des Anges (La Baie de Anges) | — | ||
| 4-23 | Le Jeu Et L'Amour (La Baie de Anges) | — | ||
| 4-24 | La Belle Putain (Cléo de 5 À 7) | — | ||
| 4-25 | La Joueuse (Cléo de 5 À 7) | — | ||
| 4-26 | Sans Toi (Cléo de 5 À 7) | — | ||
| 4-27 | La Menteuse (Cléo de 5 À 7) | — | ||
| 4-29 | Le Doulos (Los Doulos) | — | ||
| 4-30 | Jazz Rapide (Los Doulos) | — | ||
| 4-31 | Final (Le Doulos) | — | ||
| 5-1 | Satan in High Heels (Satan in High Heels) | — | ||
| 5-2 | Montage (Satan in High Heels) | — | ||
| 5-3 | The Lost and the Lonely (Satan in High Heels) | — | ||
| 5-4 | East Side Drive (Satan in High Heels) | — | ||
| 5-5 | Coffee Coffee (Satan in High Heels) | — | ||
| 5-6 | Blues de Memphis (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-7 | Generique (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-8 | Theme D'Amour (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-9 | Theme de Liz (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-10 | Blues de Memphis (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-11 | Surprise-Partie Au Bord de L'Eau (J'Irai Cracher Sur Vos Tombes) | — | ||
| 5-12 | Deux Hommes Dans Manhattan (Deux Hommes Dans Manhattan) | — | ||
| 5-13 | Déambulation Nocturne (Deux Hommes Dans Manhattan) | — | ||
| 5-14 | Filature (Deux Hommes Dans Manhattan) | — | ||
| 5-15 | Street in Manhattan (Deux Hommes Dans Manhattan) | — | ||
| 5-16 | Main Title (Stop & Go) (From "The Hustler") | — | ||
| 5-17 | Minnesota Fats (From "The Hustler") | — | ||
| 5-18 | The Loser (From "The Hustler") | — | ||
| 5-19 | Sarah's Theme (From "The Hustler") | — | ||
| 5-20 | 4 Flights Up (From "The Hustler") | — | ||
| 5-21 | Fast Buck (From "The Hustler") | — | ||
| 5-22 | Small-Time Charlie (From "The Hustler") | — | ||
| 5-23 | Bert’s Theme (from “The Hustler”) | Kenyon Hopkins | — | |
| 5-24 | Contract With Depravity (From "The Hustler") | — | ||
| 5-25 | All Thumbs (From "The Hustler") | — | ||
| 5-26 | Dining Out (From "The Hustler") | — | ||
| 5-27 | Derby Time (From "The Hustler") | — | ||
| 5-28 | Lipstick on a Mirror (From "The Hustler") | — | ||
| 5-29 | The Winner (From "The Hustler") | — | ||
| 5-30 | End Title (From "The Hustler") | — | ||
| 6-1 | Interlude in Jazz (Gli Arcangeli) | — | ||
| 6-2 | Infedeli | — | ||
| 6-3 | Thank You Annie | — | ||
| 6-4 | A Woman in the Sea | — | ||
| 6-5 | Arcangeli Twist | — | ||
| 6-6 | Meeting at Eur | — | ||
| 6-7 | Helen's Blues | — | ||
| 6-8 | Robert's Idea | — | ||
| 6-9 | Interlude in Jazz, Pt.2 | — | ||
| 6-10 | Infedeli, Pt.2 | — | ||
| 6-11 | Portuense Cha-Cha-Cha | — | ||
| 6-12 | Lalla Veritable & Blue Somalia | — | ||
| 6-13 | You Are Too Sexy | — | ||
| 6-14 | Thank You Annie, Pt.2 | — | ||
| 6-15 | Paolo in Love | — | ||
| 6-16 | Annie Is Diana | — | ||
| 6-17 | Speak Only for You | — | ||
| 6-18 | Gli Arcangeli | — | ||
| 6-19 | Gli Arcangeli Twist, Pt.2 | — | ||
| 6-20 | Titoli di Testa | — | ||
| 6-21 | Tema di Bruno (Morte di Un Amico) | — | ||
| 6-22 | Tema di Aldo / Morte di Un Amico | — | ||
| 6-23 | Tema Della Ragazzina | — | ||
| 6-24 | Furto E Fuga Dopo Il Colpo | — | ||
| 6-25 | Tema di Aldo / Morte di Un Amico | — | ||
| 6-26 | Tema di Aldo / Finale | — | ||
| 6-27 | Susan Theme | — | ||
| 7-1 | Main Title (Nowhere to Go) | — | ||
| 7-2 | The Escape and the Chase | — | ||
| 7-3 | The Search (On the Scene) | — | ||
| 7-4 | The Sunset Scene (Nowhere to Go) | — | ||
| 7-5 | Blues All'Alba | — | ||
| 7-6 | Notturno Blues | — | ||
| 7-7 | Valzer Lento | — | ||
| 7-8 | Finale | — | ||
| 7-9 | Jazz Interludio | — | ||
| 7-10 | Country Club | — | ||
| 7-11 | Lettura Della Lettera | — | ||
| 7-12 | Ballo di Lidia | — | ||
| 7-13 | Voci Dal Fiume | — | ||
| 7-14 | Ballo di Lidia (Salotto Party) | — | ||
| 7-15 | Quartetto Sotto Le Stelle | — | ||
| 7-16 | Lettura Della Lettera (Jazz Per La Sera) | — | ||
| 7-17 | La Notte (Cha-Cha-Cha) | — | ||
| 7-18 | La Notte (Musica da Ballo) | — | ||
| 7-19 | Ballo di Lidia (Musica Per I Ragazzi Fast) | — | ||
| 7-20 | Ballo di Lidia (Musica Per I Ragazzi Slow) | — | ||
| 7-21 | Black March [BO du film “L'Eau à la bouche”] | Alain Goraguer et son orchestre | — | |
| 7-22 | Angoisse (L'Eau À La Bouche) | — | ||
| 7-23 | L’Eau à la bouche | Serge Gainsbourg | T-003.008.786-5 | |
| 7-24 | Judith | Serge Gainsbourg | T-003.011.283-4 | |
| 8-1 | Generique (Chateau En Suede) | — | ||
| 8-2 | L'Amour n'Est Pas (Chateau En Suede) | — | ||
| 8-3 | Poursuite Sur La Neige (Chateau En Suede) | — | ||
| 8-4 | Eric's Thème (Chateau En Suede) | — | ||
| 8-5 | Los Jóvenes Viejos (Los Jovenes Viejos) | — | ||
| 8-6 | Pick-Up (Los Jovenes Viejos) | — | ||
| 8-7 | Sunset (Los Jovenes Viejos) | — | ||
| 8-8 | Viaje de 3 (Los Jovenes Viejos) | — | ||
| 8-9 | Fin de Viaje (Los Jovenes Viejos) | — | ||
| 8-10 | Close Up (Los Jovenes Viejos) | — | ||
| 8-11 | Naciste Para Quererme (Los Jovenes Viejos) | — | ||
| 8-12 | Conversación (Los Jovenes Viejos) | — | ||
| 8-13 | Dormir, Dormir, Dormir (Los Jovenes Viejos) | — | ||
| 8-14 | Desesperación de Sonia (Los Jovenes Viejos) | — | ||
| 8-15 | Tema de Solidad (Los Jovenes Viejos) | — | ||
| 8-16 | La Corrida (Los Jovenes Viejos) | — | ||
| 8-17 | Vals En 16mm (Los Jovenes Viejos) | — | ||
| 8-18 | Chiche (Los Jovenes Viejos) | — | ||
| 8-19 | Sonia (Los Jovenes Viejos) | — | ||
| 8-20 | La Vuelta (Los Jovenes Viejos) | — | ||
| 8-21 | Joey’s Theme (The Little Fugitive) | — | ||
| 8-22 | The Plot (The Little Fugitive) | — | ||
| 8-23 | Joey’s Blues (The Little Fugitive) | — | ||
| 8-24 | The Joey in the Baseball Cage (The Little Fugitive) | — | ||
| 8-25 | Deposit Blues (The Little Fugitive) | — | ||
| 8-26 | Ride ’em, Joey! (The Little Fugitive) | — | ||
| 8-27 | Fugato (Lenny Looks for Joey) (The Little Fugitive) | — | ||
| 8-28 | Coney Island (The Little Fugitive) | — | ||
| 8-29 | Polka (From “The Golden Age”) (The Little Fugitive) | — | ||
| 8-30 | To a Wild Rose (The Little Fugitive) | — | ||
| 8-31 | The Harmonica Player (The Little Fugitive) | — | ||
| 8-32 | Gavotte (The Little Fugitive) | — |
