UPC · Release
Various Artists
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827949008665 is the Universal Product Code (UPC barcode) for the release “Stay in Tune with PentaTone - Test SA-CD Pentatone Classics” by Various Artists, released 2005-01-01 on PentaTone classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in A minor, Op. 82 - Moderato | — | ||
| 2 | Symphony No. 2 in D, Op. 73: Allegretto grazioso | — | ||
| 3 | At the Reading of a Psalm, Cantata No. 2, Op. 36 - Double Chorus | — | ||
| 4 | Concerto da chiesa in D, Op. 6, No. 4 - Allegro | — | ||
| 5 | Piano Concerto No. 2 in A - Espaniola | — | ||
| 6 | Symphony No. 44 in E minor "Trauersymphonie" - Allegro con brio | — | ||
| 7 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 8 | Sinfonia a Quattro in F - Tempo di Minuetto | — | ||
| 9 | Adagio for Violin and Orchestra in E, KV 261 | — | ||
| 10 | Requiem, Op. 48 - In Paradisum | — | ||
| 11 | Pelléas et Mélisande: Suite Op. 80 - Sicilienne - Allegro molto moderato | — | ||
| 12 | Choralvorspiel "Hilf, Herr Jesu, lass gelingen" | — | ||
| 13 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro | — | ||
| 14 | Lohengrin - Prelude 3rd Act | — | ||
| 2-1 | Violin Concerto in A minor, Op. 82 - Moderato | — | ||
| 2-2 | Symphony No. 2 in D, Op. 73: Allegretto grazioso | — | ||
| 2-3 | At the Reading of a Psalm, Cantata No. 2, Op. 36 - Double Chorus | — | ||
| 2-4 | Concerto da chiesa in D, Op. 6, No. 4 - Allegro | — | ||
| 2-5 | Piano Concerto No. 2 in A - Espaniola | — | ||
| 2-6 | Symphony No. 44 in E minor "Trauersymphonie" - Allegro con brio | — | ||
| 2-7 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 2-8 | Sinfonia a Quattro in F - Tempo di Minuetto | — | ||
| 2-9 | Adagio for Violin and Orchestra in E, KV 261 | — | ||
| 2-10 | Requiem, Op. 48 - In Paradisum | — | ||
| 2-11 | Pelléas et Mélisande: Suite Op. 80 - Sicilienne - Allegro molto moderato | — | ||
| 2-12 | Choralvorspiel "Hilf, Herr Jesu, lass gelingen" | — | ||
| 2-13 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro | — | ||
| 2-14 | Lohengrin - Prelude 3rd Act | — | ||
| 3-1 | Violin Concerto in A minor, Op. 82 - Moderato (5.0 mix) | — | ||
| 3-2 | Symphony No. 2 in D, Op. 73: Allegretto grazioso (5.0 mix) | — | ||
| 3-3 | At the Reading of a Psalm, Cantata No. 2, Op. 36 - Double Chorus (5.0 mix) | — | ||
| 3-4 | Concerto da chiesa in D, Op. 6, No. 4 - Allegro (5.0 mix) | — | ||
| 3-5 | Piano Concerto No. 2 in A - Espaniola (5.0 mix) | — | ||
| 3-6 | Symphony No. 44 in E minor "Trauersymphonie" - Allegro con brio (5.0 mix) | — | ||
| 3-7 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (5.0 mix) | — | ||
| 3-8 | Sinfonia a Quattro in F - Tempo di Minuetto (5.0 mix) | — | ||
| 3-9 | Adagio for Violin and Orchestra in E, KV 261 (5.0 mix) | — | ||
| 3-10 | Requiem, Op. 48 - In Paradisum (5.0 mix) | — | ||
| 3-11 | Pelléas et Mélisande: Suite Op. 80 - Sicilienne - Allegro molto moderato (5.0 mix) | — | ||
| 3-12 | Choralvorspiel "Hilf, Herr Jesu, lass gelingen" (5.0 mix) | — | ||
| 3-13 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro (5.0 mix) | — | ||
| 3-14 | Lohengrin - Prelude 3rd Act (5.0 mix) | — | ||
| 3-15 | Dawn on the banks of Loch Lomond | — | ||
| 3-16 | A steam train journey | — | ||
| 3-17 | The Edinburgh Military Tatoo | — | ||
| 3-18 | Pink noise left front | — | ||
| 3-19 | Pink noise right front | — | ||
| 3-20 | Pink noise center | — | ||
| 3-21 | Pink noise left rear | — | ||
| 3-22 | Pink noise right rear | — | ||
| 3-23 | Pink noise subwoofer | — | ||
| 3-24 | Phase left right | — | ||
| 3-25 | Phase left center | — | ||
| 3-26 | Phase center right | — | ||
| 3-27 | Phase left front left rear | — | ||
| 3-28 | Phase right front right rear | — | ||
| 3-29 | Phase left rear right rear | — | ||
| 3-30 | Phantom left center | — | ||
| 3-31 | Phantom right center | — | ||
| 3-32 | Pink noise left front | — | ||
| 3-33 | Pink noise right front | — | ||
| 3-34 | Pink noise center | — | ||
| 3-35 | Pink noise left rear | — | ||
| 3-36 | Pink noise right rear | — | ||
| 3-37 | Pink noise subwoofer | — | ||
| 3-38 | Phase left right | — | ||
| 3-39 | Phase left center | — | ||
| 3-40 | Phase center right | — | ||
| 3-41 | Phase left front left rear | — | ||
| 3-42 | Phase right front right rear | — | ||
| 3-43 | Phase left rear right rear | — | ||
| 3-44 | Phantom left center | — | ||
| 3-45 | Phantom right center | — | ||
| 3-46 | Phantom left front left rear | — | ||
| 3-47 | Phantom right front right rear | — | ||
| 3-48 | Phantom left rear right rear | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
827949008665 is a Universal Product Code (UPC) assigned to Stay in Tune with PentaTone - Test SA-CD Pentatone Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
827949008665 is the Universal Product Code (UPC barcode) for the release “Stay in Tune with PentaTone - Test SA-CD Pentatone Classics” by Various Artists, released 2005-01-01 on PentaTone classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in A minor, Op. 82 - Moderato | — | ||
| 2 | Symphony No. 2 in D, Op. 73: Allegretto grazioso | — | ||
| 3 | At the Reading of a Psalm, Cantata No. 2, Op. 36 - Double Chorus | — | ||
| 4 | Concerto da chiesa in D, Op. 6, No. 4 - Allegro | — | ||
| 5 | Piano Concerto No. 2 in A - Espaniola | — | ||
| 6 | Symphony No. 44 in E minor "Trauersymphonie" - Allegro con brio | — | ||
| 7 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 8 | Sinfonia a Quattro in F - Tempo di Minuetto | — | ||
| 9 | Adagio for Violin and Orchestra in E, KV 261 | — | ||
| 10 | Requiem, Op. 48 - In Paradisum | — | ||
| 11 | Pelléas et Mélisande: Suite Op. 80 - Sicilienne - Allegro molto moderato | — | ||
| 12 | Choralvorspiel "Hilf, Herr Jesu, lass gelingen" | — | ||
| 13 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro | — | ||
| 14 | Lohengrin - Prelude 3rd Act | — | ||
| 2-1 | Violin Concerto in A minor, Op. 82 - Moderato | — | ||
| 2-2 | Symphony No. 2 in D, Op. 73: Allegretto grazioso | — | ||
| 2-3 | At the Reading of a Psalm, Cantata No. 2, Op. 36 - Double Chorus | — | ||
| 2-4 | Concerto da chiesa in D, Op. 6, No. 4 - Allegro | — | ||
| 2-5 | Piano Concerto No. 2 in A - Espaniola | — | ||
| 2-6 | Symphony No. 44 in E minor "Trauersymphonie" - Allegro con brio | — | ||
| 2-7 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 2-8 | Sinfonia a Quattro in F - Tempo di Minuetto | — | ||
| 2-9 | Adagio for Violin and Orchestra in E, KV 261 | — | ||
| 2-10 | Requiem, Op. 48 - In Paradisum | — | ||
| 2-11 | Pelléas et Mélisande: Suite Op. 80 - Sicilienne - Allegro molto moderato | — | ||
| 2-12 | Choralvorspiel "Hilf, Herr Jesu, lass gelingen" | — | ||
| 2-13 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro | — | ||
| 2-14 | Lohengrin - Prelude 3rd Act | — | ||
| 3-1 | Violin Concerto in A minor, Op. 82 - Moderato (5.0 mix) | — | ||
| 3-2 | Symphony No. 2 in D, Op. 73: Allegretto grazioso (5.0 mix) | — | ||
| 3-3 | At the Reading of a Psalm, Cantata No. 2, Op. 36 - Double Chorus (5.0 mix) | — | ||
| 3-4 | Concerto da chiesa in D, Op. 6, No. 4 - Allegro (5.0 mix) | — | ||
| 3-5 | Piano Concerto No. 2 in A - Espaniola (5.0 mix) | — | ||
| 3-6 | Symphony No. 44 in E minor "Trauersymphonie" - Allegro con brio (5.0 mix) | — | ||
| 3-7 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (5.0 mix) | — | ||
| 3-8 | Sinfonia a Quattro in F - Tempo di Minuetto (5.0 mix) | — | ||
| 3-9 | Adagio for Violin and Orchestra in E, KV 261 (5.0 mix) | — | ||
| 3-10 | Requiem, Op. 48 - In Paradisum (5.0 mix) | — | ||
| 3-11 | Pelléas et Mélisande: Suite Op. 80 - Sicilienne - Allegro molto moderato (5.0 mix) | — | ||
| 3-12 | Choralvorspiel "Hilf, Herr Jesu, lass gelingen" (5.0 mix) | — | ||
| 3-13 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro (5.0 mix) | — | ||
| 3-14 | Lohengrin - Prelude 3rd Act (5.0 mix) | — | ||
| 3-15 | Dawn on the banks of Loch Lomond | — | ||
| 3-16 | A steam train journey | — | ||
| 3-17 | The Edinburgh Military Tatoo | — | ||
| 3-18 | Pink noise left front | — | ||
| 3-19 | Pink noise right front | — | ||
| 3-20 | Pink noise center | — | ||
| 3-21 | Pink noise left rear | — | ||
| 3-22 | Pink noise right rear | — | ||
| 3-23 | Pink noise subwoofer | — | ||
| 3-24 | Phase left right | — | ||
| 3-25 | Phase left center | — | ||
| 3-26 | Phase center right | — | ||
| 3-27 | Phase left front left rear | — | ||
| 3-28 | Phase right front right rear | — | ||
| 3-29 | Phase left rear right rear | — | ||
| 3-30 | Phantom left center | — | ||
| 3-31 | Phantom right center | — | ||
| 3-32 | Pink noise left front | — | ||
| 3-33 | Pink noise right front | — | ||
| 3-34 | Pink noise center | — | ||
| 3-35 | Pink noise left rear | — | ||
| 3-36 | Pink noise right rear | — | ||
| 3-37 | Pink noise subwoofer | — | ||
| 3-38 | Phase left right | — | ||
| 3-39 | Phase left center | — | ||
| 3-40 | Phase center right | — | ||
| 3-41 | Phase left front left rear | — | ||
| 3-42 | Phase right front right rear | — | ||
| 3-43 | Phase left rear right rear | — | ||
| 3-44 | Phantom left center | — | ||
| 3-45 | Phantom right center | — | ||
| 3-46 | Phantom left front left rear | — | ||
| 3-47 | Phantom right front right rear | — | ||
| 3-48 | Phantom left rear right rear | — |
