UPC · Release
Produto Nacional
Só Pra Contrariar
Last verified:
828765067324 is the Universal Product Code (UPC barcode) for the release “Produto Nacional” by Só Pra Contrariar, released 2003-01-01 on RCA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Minha Fantasia | — | ||
| 2 | A Rede | — | ||
| 3 | No Ritmo da Paixão | — | ||
| 4 | É Gostoso Te Amar | — | ||
| 5 | Coisa do Destino | — | ||
| 6 | Jeito Atraente | — | ||
| 7 | Ensaio de Escola de Samba | — | ||
| 8 | Inigualavel Paixão, Jogo de Azar | — | ||
| 9 | Samba do Careta | — | ||
| 10 | Baby, Baby | — | ||
| 11 | Reconciliação | — | ||
| 12 | O Que Que Essa Nega Quer? | — | ||
| 13 | Orquestra de Samba | — | ||
| 14 | Produto Nacional / Clube do Samba | — |
Credits Graph
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What is UPC 828765067324?
828765067324 is a Universal Product Code (UPC) assigned to Produto Nacional by Só Pra Contrariar. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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