UPC · Release
The Celtic Circle
Various Artists
Last verified:
828765488822 is the Universal Product Code (UPC barcode) for the release “The Celtic Circle” by Various Artists, released 2003-01-01 on Windham Hill Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include CAQ110410501, USAT29500004, USBC19803060.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Mystic’s Dream | Loreena McKennitt | T-071514450-5 | |
| 2 | Runaway | The Corrs | T-030028299-8 | |
| 3 | Factory Girl | The Chieftains, Sinéad O’Connor | T-931294422-2 | |
| 4 | I Will Find You | Clannad | T-030113552-3 | |
| 5 | Éirigh Suas a Stóirín | Moya Brennan | T-900111787-9 | |
| 6 | The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073093054-7 | |
| 7 | The Shores of the Swilly | Phil Coulter, Sinéad O’Connor | — | |
| 8 | Angel | Sarah McLachlan | T-039748235-7 | |
| 9 | The Rose of Tralee | Nightnoise | — | |
| 10 | cuChulainn’s Last Battle | Jeff Johnson, Brian Dunning | — | |
| 11 | Our Farewell | Within Temptation | T-031586425-5 | |
| 12 | Evangeline | Karen Matheson | T0103601020 | |
| 13 | She Moved Through the Fair | Anúna | — | |
| 14 | Keening of the Three Marys | William Coulter | — | |
| 15 | The Dragon’s Breath | David Arkenstone | — | |
| 16 | 12 O’Clock | Vangelis | T-904285610-0 |
Additional database matches (26)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| May It Be | Ryan & Rachel O’Donnell | T-073.007.655-7 |
| Skellig | Loreena McKennitt | T0715239294 |
| Theme From Harry’s Game | Clannad | T-030019935-2 |
| Braveheart Trilogy | James Horner | — |
| Ailein Duinn | Capercaillie | — |
| Who Wants to Live Forever (Sixtysix radio mix) | Dune | T-010148898-5 |
| Elysium | Elysia | T-801.923.813-3 |
| Circle of Joy | Lisa Lynne | T0702488605 |
| Caoineadh na Mara / Amen | Mary McLaughlin, William Coulter | — |
| Turn of the Century | Steve Howe, Annie Haslam | T-010.468.362-6 |
| Sleeping Sun | Nightwish | T-000789805-6 |
| Ar Galon Digorr | Annie Ebrel, Gilles Le Bigot | — |
| In a Lifetime | Clannad, Bono | T-030.113.938-7 |
| Brian Boru | Alan Stivell | — |
| Hedwig’s Theme | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.409.578-9 |
| Brian Boru | Alan Stivell | T0041275142 |
| I Will Find You (theme from “The Last of the Mohicans”) | Clannad | T0301135523 |
| Ailein Duinn | Capercaillie | — |
| Ailein Duinn | Capercaillie | — |
| Ar Galon Digorr | Annie Ebrel, Gilles Le Bigot | — |
| The Dragon’s Breath | David Arkenstone | T7001533946 |
| Skellig | Loreena McKennitt | T0715239294 |
| Theme From Harry’s Game | Clannad | T-030019935-2 |
| Sleeping Sun | Nightwish | T-000789805-6 |
| Sleeping Sun | Nightwish | T-000789805-6 |
| Sleeping Sun | Nightwish | T-000.789.805-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 828765488822?
828765488822 is a Universal Product Code (UPC) assigned to The Celtic Circle by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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