UPC · Release
Various Artists
Last verified:
828765793322 is the Universal Product Code (UPC barcode) for the release “The Vibe! The Ultimate Rare Grooves Series, Volume 7: Spiritual Jazz, Free Speech & Political Grooves” by Various Artists, released 2004-01-01 on RCA Victor. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include USRC17507729, USBB17401003, USBB10200981.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music Is the Key | Weldon Irvine | T0725165616 | |
| 2 | Footprints | Lonnie Liston Smith | T0702340882 | |
| 3 | Everybody Has the Right to Be Free | — | ||
| 4 | Funkier Than a Mosquito’s Tweeter | Nina Simone | — | |
| 5 | Tupac Amaru | Gato Barbieri | — | |
| 6 | The Vulture | Gil Scott-Heron | — | |
| 7 | Kilimandjaro | Count Basie & His Orchestra | — | |
| 8 | Listen Love | — | ||
| 9 | Echoes | Leon Thomas | — | |
| 10 | Walk Tall (Baby That's What I Need) | Esther Marrow | T9195690109 | |
| 11 | Tite Rope | Harold Alexander | — | |
| 12 | Bélier | — | ||
| 13 | Skull Session | Oliver Nelson | T3219820556 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
828765793322 is a Universal Product Code (UPC) assigned to The Vibe! The Ultimate Rare Grooves Series, Volume 7: Spiritual Jazz, Free Speech & Political Grooves by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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