UPC · Release
Best of the Celtic Circle
Various Artists
Last verified:
828767522821 is the Universal Product Code (UPC barcode) for the release “Best of the Celtic Circle” by Various Artists, released 2005-01-01 on Sony BMG Music Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include GBARL0300391, USAT29800227, NOACM9502020.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Theme From Harry’s Game | Clannad | T-030.019.935-2 | |
| 2 | Little Wing | The Corrs | T-070.268.727-1 | |
| 3 | Nocturne | Secret Garden | T-000.504.923-9 | |
| 4 | Scarborough Fair | — | ||
| 5 | Fields of Gold | Lisa Lynne | T-916.972.529-5 | |
| 6 | Eirigh Suas a Stoirin | — | ||
| 7 | Borders of Salt | — | ||
| 8 | Only Time | — | ||
| 9 | Mercy Street | — | ||
| 10 | Martha’s Harbour | All About Eve | T-010.317.709-8 | |
| 11 | The Dragon’s Breath (instrumental) | — | ||
| 12 | Carrickfergus | Brian Kennedy | — | |
| 13 | A Place Among the Stones | — | ||
| 14 | Orinoco Flow | — | ||
| 15 | Evenstar | — | ||
| 16 | She Moved Thro’ the Fair / Ann Cran UII | — | ||
| 17 | He Moved Through the Fair | — | ||
| 18 | 12 O’Clock | Vangelis | T-904.285.610-0 | |
| 2-1 | May It Be | — | ||
| 2-2 | In a Lifetime | Clannad, Bono | T-030.113.938-7 | |
| 2-3 | Oró | — | ||
| 2-4 | Mna Na H-Eireann | — | ||
| 2-5 | Johnny Boy | Gary Moore | T-010.324.886-7 | |
| 2-6 | Heart of Spring | — | ||
| 2-7 | The Shores of the Swilly | — | ||
| 2-8 | Ay Fond Kiss | Fairground Attraction | T-901.665.154-0 | |
| 2-9 | Waiting for the Wind | Cantara | T-914.851.596-2 | |
| 2-10 | cúChulainn’s Last Battle | — | ||
| 2-11 | Whisper on the Moors | — | ||
| 2-12 | Caoineadh na Mara / Amen | Mary McLaughlin, William Coulter | — | |
| 2-13 | Braveheart | — | ||
| 2-14 | Aragorn | — | ||
| 2-15 | Language of the Gaels | — | ||
| 2-16 | Sweet Rain | — | ||
| 2-17 | The Rose of Tralee | Nightnoise | — | |
| 2-18 | Ommadawn (excerpt) | Mike Oldfield | T-010.177.571-6 | |
| 3-1 | Who Wants to Live Forever | — | ||
| 3-2 | Strange Day in the Country | Celtus | — | |
| 3-3 | Prayer | — | ||
| 3-4 | Maribrengaël | Stone Age | — | |
| 3-5 | Hills of Ireland | — | ||
| 3-6 | The Cloud | — | ||
| 3-7 | Abhainn an T-Sluaigh (The Crowded River) | — | ||
| 3-8 | Cailín na Gruaige Báine | James Galway, Phil Coulter | T-030.059.691-1 | |
| 3-9 | Way of the Warrior | — | ||
| 3-10 | Factory Girl | The Chieftains, Sinéad O’Connor | T-931.294.422-2 | |
| 3-11 | I Will Find You | Clannad | T-030.113.552-3 | |
| 3-12 | Bygone Days | John Boswell, Joanie Bowler, Eileen Ivers, Orchestra Brian Keane, Brian Keane | T-071.180.425-9 | |
| 3-13 | Ailein Duinn | — | ||
| 3-14 | An Gille Bàn | — | ||
| 3-15 | Circle of Joy | — | ||
| 3-16 | Our Farewell | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bygone Days | John Boswell, Joanie Bowler, Eileen Ivers, Orchestra Brian Keane, Brian Keane | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 828767522821?
828767522821 is a Universal Product Code (UPC) assigned to Best of the Celtic Circle by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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