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The Essential Broadway

UPC · Release

The Essential Broadway

Various Artists

828768031926
37 tracksReleased 2007-01-01Masterworks Broadway

Last verified: July 8, 2026

828768031926 is the Universal Product Code (UPC barcode) for the release “The Essential Broadway” by Various Artists, released 2007-01-01 on Masterworks Broadway. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include USSM16000338, USBC10300094, GBARL8900033.

Format

8Number system
28768Manufacturer
03192Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Essential Broadway
ISRC4 recordings
ISWC8 works
IPI2 songwriters

Track List (37)

#Track TitleArtist(s)ISWC
Oh, What a Beautiful Mornin’ (from “Oklahoma!”)1Oh, What a Beautiful Mornin’ (from “Oklahoma!”)—
Ol’ Man River (from “Showboat”)2Ol’ Man River (from “Showboat”)—
Prologue / The Carousel Waltz (from “Carousel”)3Prologue / The Carousel Waltz (from “Carousel”)—
There’s No Business Like Show Business (from “Annie Get Your Gun”)4There’s No Business Like Show Business (from “Annie Get Your Gun”)—
Almost Like Being in Love5Almost Like Being in Love—
Wunderbar (from “Kiss Me Kate”)6Wunderbar (from “Kiss Me Kate”)—
Some Enchanted Evening (from “South Pacific”)7Some Enchanted Evening (from “South Pacific”)—
Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)8Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)—
The Oldest Established (from “Guys and Dolls”)9The Oldest Established (from “Guys and Dolls”)—
The King and I : Hello Young Lovers (from “The King and I”)10The King and I : Hello Young Lovers (from “The King and I”)—
And This Is My Beloved (from “Kismet”)11And This Is My Beloved (from “Kismet”)—
Hey There (from “The Pajama Game”)12Hey There (from “The Pajama Game”)—
I’m Flying (from “Peter Pan”)13I’m Flying (from “Peter Pan”)—
Heart (from “Damn Yankees”)14Heart (from “Damn Yankees”)—
I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)15I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)—
Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)16Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)—
Overture (from “Candide”)17Overture (from “Candide”)—
America (from “West Side Story”)18America (from “West Side Story”)—
Everything’s Coming Up Roses (from “Gypsy”)19Everything’s Coming Up Roses (from “Gypsy”)—
The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)20The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)—
If Ever I Would Leave You21If Ever I Would Leave YouRobert Goulet, Franz AllersT-072.250.482-6
Hello, Dolly! (from “Hello, Dolly!”)22Hello, Dolly! (from “Hello, Dolly!”)—
Sunrise, Sunset (from “Fiddler on the Roof”)23Sunrise, Sunset (from “Fiddler on the Roof”)—
The Impossible Dream (The Quest) (from “Man of La Mancha”)24The Impossible Dream (The Quest) (from “Man of La Mancha”)—
Cabaret (from “Cabaret”)25Cabaret (from “Cabaret”)Natasha Richardson, Alan CummingT-070.880.975-9
The Flesh Failures (Let the Sunshine In) (from “Hair”)26The Flesh Failures (Let the Sunshine In) (from “Hair”)—
Another Hundred People (from “Company”)27Another Hundred People (from “Company”)—
Losing My Mind (from “Follies”)28Losing My Mind (from “Follies”)—
Send In The Clowns (from “A Little Night Music”)29Send In The Clowns (from “A Little Night Music”)—
One (from “A Chorus Line”)30One (from “A Chorus Line”)—
Tomorrow (from “Annie”)31Tomorrow (from “Annie”)—
Sunday (from “Sunday in the Park With George”)32Sunday (from “Sunday in the Park With George”)—
Bring Him Home (from “Les Misérables”)33Bring Him Home (from “Les Misérables”)Colm Wilkinson, London Philharmonic OrchestraT-900.231.112-8
Nowadays (from “Chicago”)34Nowadays (from “Chicago”)—
The Music of the Night (from “The Phantom of the Opera”)35The Music of the Night (from “The Phantom of the Opera”)Colm Wilkinson, London Philharmonic OrchestraT-803.385.794-3
We Can Do It (from “The Producers”)36We Can Do It (from “The Producers”)—
Lullaby of Broadway38Lullaby of Broadway—
Oh, What a Beautiful Mornin’ (from “Oklahoma!”)
Oh, What a Beautiful Mornin’ (from “Oklahoma!”)
—
Ol’ Man River (from “Showboat”)
Ol’ Man River (from “Showboat”)
—
Prologue / The Carousel Waltz (from “Carousel”)
Prologue / The Carousel Waltz (from “Carousel”)
—
There’s No Business Like Show Business (from “Annie Get Your Gun”)
There’s No Business Like Show Business (from “Annie Get Your Gun”)
—
Almost Like Being in Love
Almost Like Being in Love
—
Wunderbar (from “Kiss Me Kate”)
Wunderbar (from “Kiss Me Kate”)
—
Some Enchanted Evening (from “South Pacific”)
Some Enchanted Evening (from “South Pacific”)
—
Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)
Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)
—
The Oldest Established (from “Guys and Dolls”)
The Oldest Established (from “Guys and Dolls”)
—
The King and I : Hello Young Lovers (from “The King and I”)
The King and I : Hello Young Lovers (from “The King and I”)
—
And This Is My Beloved (from “Kismet”)
And This Is My Beloved (from “Kismet”)
—
Hey There (from “The Pajama Game”)
Hey There (from “The Pajama Game”)
—
I’m Flying (from “Peter Pan”)
I’m Flying (from “Peter Pan”)
—
Heart (from “Damn Yankees”)
Heart (from “Damn Yankees”)
—
I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)
I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)
—
Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)
Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)
—
Overture (from “Candide”)
Overture (from “Candide”)
—
America (from “West Side Story”)
America (from “West Side Story”)
—
Everything’s Coming Up Roses (from “Gypsy”)
Everything’s Coming Up Roses (from “Gypsy”)
—
The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)
The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)
—
If Ever I Would Leave You
If Ever I Would Leave You
Robert Goulet, Franz Allers
T-072.250.482-6
Hello, Dolly! (from “Hello, Dolly!”)
Hello, Dolly! (from “Hello, Dolly!”)
—
Sunrise, Sunset (from “Fiddler on the Roof”)
Sunrise, Sunset (from “Fiddler on the Roof”)
—
The Impossible Dream (The Quest) (from “Man of La Mancha”)
The Impossible Dream (The Quest) (from “Man of La Mancha”)
—
Cabaret (from “Cabaret”)
Cabaret (from “Cabaret”)
Natasha Richardson, Alan Cumming
T-070.880.975-9
The Flesh Failures (Let the Sunshine In) (from “Hair”)
The Flesh Failures (Let the Sunshine In) (from “Hair”)
—
Another Hundred People (from “Company”)
Another Hundred People (from “Company”)
—
Losing My Mind (from “Follies”)
Losing My Mind (from “Follies”)
—
Send In The Clowns (from “A Little Night Music”)
Send In The Clowns (from “A Little Night Music”)
—
One (from “A Chorus Line”)
One (from “A Chorus Line”)
—
Tomorrow (from “Annie”)
Tomorrow (from “Annie”)
—
Sunday (from “Sunday in the Park With George”)
Sunday (from “Sunday in the Park With George”)
—
Bring Him Home (from “Les Misérables”)
Bring Him Home (from “Les Misérables”)
Colm Wilkinson, London Philharmonic Orchestra
T-900.231.112-8
Nowadays (from “Chicago”)
Nowadays (from “Chicago”)
—
The Music of the Night (from “The Phantom of the Opera”)
The Music of the Night (from “The Phantom of the Opera”)
Colm Wilkinson, London Philharmonic Orchestra
T-803.385.794-3
We Can Do It (from “The Producers”)
We Can Do It (from “The Producers”)
—
Lullaby of Broadway
Lullaby of Broadway
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-070.200.903-7T-070.902.566-0T-072.250.482-6T-072.250.482-6T-900.302.457-5T-070.880.975-9T-803.385.794-3T-900.231.112-8

Songwriters/Publishers (IPI)

0001840151300035047405

Creative Contributors (ISNI)

0000000055146294000000005516077400000000551645480000000055176952000000005552844400000000630168010000000063017580000000006302842300000000630993520000000073576562
+15 more
00000000735789470000000080154181000000008379730X000000010785705600000001096609190000000110784468000000011437035000000001145081020000000114534204000000011475224400000001199195760000000120198788000000012167737700000003685373250000000382168247
SourcesMusicBrainzDiscogs✓2 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCThe Essential B…ISRCIf Ever I Would…ISRCCabaret (from “…ISRCBring Him Home …ISRCThe Music of th…

People also ask

What is UPC 828768031926?+
UPC 828768031926 is the Universal Product Code (barcode) for "The Essential Broadway" by Various Artists, released on Masterworks Broadway.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 828768031926?+
UPC 828768031926 contains 37 tracks, each with its own ISRC.

What is UPC 828768031926?

828768031926 is a Universal Product Code (UPC) assigned to The Essential Broadway by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

828768031926 is the Universal Product Code (UPC barcode) for the release “The Essential Broadway” by Various Artists, released 2007-01-01 on Masterworks Broadway. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include USSM16000338, USBC10300094, GBARL8900033.

Track List (37)

#Track TitleArtist(s)ISWC
Oh, What a Beautiful Mornin’ (from “Oklahoma!”)1Oh, What a Beautiful Mornin’ (from “Oklahoma!”)—
Ol’ Man River (from “Showboat”)2Ol’ Man River (from “Showboat”)—
Prologue / The Carousel Waltz (from “Carousel”)3Prologue / The Carousel Waltz (from “Carousel”)—
There’s No Business Like Show Business (from “Annie Get Your Gun”)4There’s No Business Like Show Business (from “Annie Get Your Gun”)—
Almost Like Being in Love5Almost Like Being in Love—
Wunderbar (from “Kiss Me Kate”)6Wunderbar (from “Kiss Me Kate”)—
Some Enchanted Evening (from “South Pacific”)7Some Enchanted Evening (from “South Pacific”)—
Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)8Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)—
The Oldest Established (from “Guys and Dolls”)9The Oldest Established (from “Guys and Dolls”)—
The King and I : Hello Young Lovers (from “The King and I”)10The King and I : Hello Young Lovers (from “The King and I”)—
And This Is My Beloved (from “Kismet”)11And This Is My Beloved (from “Kismet”)—
Hey There (from “The Pajama Game”)12Hey There (from “The Pajama Game”)—
I’m Flying (from “Peter Pan”)13I’m Flying (from “Peter Pan”)—
Heart (from “Damn Yankees”)14Heart (from “Damn Yankees”)—
I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)15I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)—
Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)16Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)—
Overture (from “Candide”)17Overture (from “Candide”)—
America (from “West Side Story”)18America (from “West Side Story”)—
Everything’s Coming Up Roses (from “Gypsy”)19Everything’s Coming Up Roses (from “Gypsy”)—
The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)20The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)—
If Ever I Would Leave You21If Ever I Would Leave YouRobert Goulet, Franz AllersT-072.250.482-6
Hello, Dolly! (from “Hello, Dolly!”)22Hello, Dolly! (from “Hello, Dolly!”)—
Sunrise, Sunset (from “Fiddler on the Roof”)23Sunrise, Sunset (from “Fiddler on the Roof”)—
The Impossible Dream (The Quest) (from “Man of La Mancha”)24The Impossible Dream (The Quest) (from “Man of La Mancha”)—
Cabaret (from “Cabaret”)25Cabaret (from “Cabaret”)Natasha Richardson, Alan CummingT-070.880.975-9
The Flesh Failures (Let the Sunshine In) (from “Hair”)26The Flesh Failures (Let the Sunshine In) (from “Hair”)—
Another Hundred People (from “Company”)27Another Hundred People (from “Company”)—
Losing My Mind (from “Follies”)28Losing My Mind (from “Follies”)—
Send In The Clowns (from “A Little Night Music”)29Send In The Clowns (from “A Little Night Music”)—
One (from “A Chorus Line”)30One (from “A Chorus Line”)—
Tomorrow (from “Annie”)31Tomorrow (from “Annie”)—
Sunday (from “Sunday in the Park With George”)32Sunday (from “Sunday in the Park With George”)—
Bring Him Home (from “Les Misérables”)33Bring Him Home (from “Les Misérables”)Colm Wilkinson, London Philharmonic OrchestraT-900.231.112-8
Nowadays (from “Chicago”)34Nowadays (from “Chicago”)—
The Music of the Night (from “The Phantom of the Opera”)35The Music of the Night (from “The Phantom of the Opera”)Colm Wilkinson, London Philharmonic OrchestraT-803.385.794-3
We Can Do It (from “The Producers”)36We Can Do It (from “The Producers”)—
Lullaby of Broadway38Lullaby of Broadway—
Oh, What a Beautiful Mornin’ (from “Oklahoma!”)
Oh, What a Beautiful Mornin’ (from “Oklahoma!”)
—
Ol’ Man River (from “Showboat”)
Ol’ Man River (from “Showboat”)
—
Prologue / The Carousel Waltz (from “Carousel”)
Prologue / The Carousel Waltz (from “Carousel”)
—
There’s No Business Like Show Business (from “Annie Get Your Gun”)
There’s No Business Like Show Business (from “Annie Get Your Gun”)
—
Almost Like Being in Love
Almost Like Being in Love
—
Wunderbar (from “Kiss Me Kate”)
Wunderbar (from “Kiss Me Kate”)
—
Some Enchanted Evening (from “South Pacific”)
Some Enchanted Evening (from “South Pacific”)
—
Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)
Diamonds Are A Girl’s Best Friend (from “Gentlemen Prefer Blondes”)
—
The Oldest Established (from “Guys and Dolls”)
The Oldest Established (from “Guys and Dolls”)
—
The King and I : Hello Young Lovers (from “The King and I”)
The King and I : Hello Young Lovers (from “The King and I”)
—
And This Is My Beloved (from “Kismet”)
And This Is My Beloved (from “Kismet”)
—
Hey There (from “The Pajama Game”)
Hey There (from “The Pajama Game”)
—
I’m Flying (from “Peter Pan”)
I’m Flying (from “Peter Pan”)
—
Heart (from “Damn Yankees”)
Heart (from “Damn Yankees”)
—
I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)
I Could Have Danced All Night (from “My Fair Lady”) (From “My Fair Lady”)
—
Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)
Standing On The Corner (from “The Most Happy Fella”) (from “The Most Happy Fella, 1956”)
—
Overture (from “Candide”)
Overture (from “Candide”)
—
America (from “West Side Story”)
America (from “West Side Story”)
—
Everything’s Coming Up Roses (from “Gypsy”)
Everything’s Coming Up Roses (from “Gypsy”)
—
The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)
The Sound Of Music (from “The Sound of Music”) (From The Sound Of Music)
—
If Ever I Would Leave You
If Ever I Would Leave You
Robert Goulet, Franz Allers
T-072.250.482-6
Hello, Dolly! (from “Hello, Dolly!”)
Hello, Dolly! (from “Hello, Dolly!”)
—
Sunrise, Sunset (from “Fiddler on the Roof”)
Sunrise, Sunset (from “Fiddler on the Roof”)
—
The Impossible Dream (The Quest) (from “Man of La Mancha”)
The Impossible Dream (The Quest) (from “Man of La Mancha”)
—
Cabaret (from “Cabaret”)
Cabaret (from “Cabaret”)
Natasha Richardson, Alan Cumming
T-070.880.975-9
The Flesh Failures (Let the Sunshine In) (from “Hair”)
The Flesh Failures (Let the Sunshine In) (from “Hair”)
—
Another Hundred People (from “Company”)
Another Hundred People (from “Company”)
—
Losing My Mind (from “Follies”)
Losing My Mind (from “Follies”)
—
Send In The Clowns (from “A Little Night Music”)
Send In The Clowns (from “A Little Night Music”)
—
One (from “A Chorus Line”)
One (from “A Chorus Line”)
—
Tomorrow (from “Annie”)
Tomorrow (from “Annie”)
—
Sunday (from “Sunday in the Park With George”)
Sunday (from “Sunday in the Park With George”)
—
Bring Him Home (from “Les Misérables”)
Bring Him Home (from “Les Misérables”)
Colm Wilkinson, London Philharmonic Orchestra
T-900.231.112-8
Nowadays (from “Chicago”)
Nowadays (from “Chicago”)
—
The Music of the Night (from “The Phantom of the Opera”)
The Music of the Night (from “The Phantom of the Opera”)
Colm Wilkinson, London Philharmonic Orchestra
T-803.385.794-3
We Can Do It (from “The Producers”)
We Can Do It (from “The Producers”)
—
Lullaby of Broadway
Lullaby of Broadway
—