UPC · Album

Just the Best, Vol. 54

Various Artists

828768061527
40 tracksReleased 2006-01-01EMM (EMI Music Media)

Last verified:

828768061527 is the Universal Product Code (UPC barcode) for the release Just the Best, Vol. 54 by Various Artists, released 2006-01-01 on EMM (EMI Music Media). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include ATA010500096, DEA610500339, DEA610500354.

Format

8Number system
28768Manufacturer
06152Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCJust the Best, Vol. 54
ISRC48 recordings
ISWC54 works
IPI11 songwriters

Track List (48)

Mama (Ana Ahabak) (radio edit)
Christina Stürmer
Ding
Seeed
Mein Job
Massive Töne
Mein Job
Massive Töne
Ding
Seeed
Freunde bleiben
Revolverheld
Struggle
Curse, Samir
Freunde bleiben
Revolverheld
Back for Good
2 Become 1
Uh Mamma (radio)
Banaroo
Not Like You
Alexander Klaws
Shine On
Apoptygma Berzerk
Verzweifelt
Rapsoul
Fick dich
Jonesmann
Gott ist ein Popstar
Oomph!
Spiegel (radio edit)
Tic Tac Toe
Sekt zum Frühstück
200 Sachen
Sie liegt in meinen Armen (radio edit)
Muhabbet
Wenn es passiert
Wir sind Helden
Apache Rocks the Bottom
Scooter
Apache Rocks the Bottom
Scooter
Never Been
Gracia
Dieser Weg (radio edit)
Xavier Naidoo
Dieser Weg (radio edit)
Xavier Naidoo
Schrei
Tokio Hotel
Augenblick
Bushido
Schrei
Tokio Hotel
Liebe schmeckt gut
Grossstadtgeflüster
Warum
Philippe
Wahlkampf
Sido, G-Hot
Klick Klack
Pinocchio
Break the Night With Colour
Richard Ashcroft
A Pain That I’m Used To
Depeche Mode
You Raise Me Up
Westlife
No Worries
Simon Webbe
Behind These Hazel Eyes
Kelly Clarkson
Suddenly I See
KT Tunstall
First Day of My Life
Melanie C
All These Things I Hate (Revolve Around Me)
Bullet for My Valentine
Big City Life
Mattafix
Big City Life
Mattafix
Far Away
Nickelback
Uh la la la (short edit)
Blog 27
Temptation
Arash
Temptation
Arash
Beautiful Soul
Jesse McCartney
Run It!
Chris Brown
I Still…
Backstreet Boys

Identifier Graph

UPCJust the Best, …ISRCMama (Ana Ahaba…ISRCDingISRCMein JobISRCMein JobISRCDing

People also ask

What is UPC 828768061527?
UPC 828768061527 is the Universal Product Code (barcode) for "Just the Best, Vol. 54" by Various Artists, released on EMM (EMI Music Media).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 828768061527?
UPC 828768061527 contains 40 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 828768061527?

828768061527 is a Universal Product Code (UPC) assigned to Just the Best, Vol. 54 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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