UPC · Release
No Time to Worry
The Expendables
Last verified:
837101306744 is the Universal Product Code (UPC barcode) for the release “No Time to Worry” by The Expendables, released 2001-01-01 on Not On Label (The Expendables Self-released). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Malibu | — | ||
| 2 | Firestarter | — | ||
| 3 | Sinsemilla | — | ||
| 4 | Sucks to Be You | — | ||
| 5 | Irie Skankin | — | ||
| 6 | Chrons | — | ||
| 7 | New Ska | — | ||
| 8 | Here We Go | — | ||
| 9 | My Life | — | ||
| 10 | Right Time | — | ||
| 11 | The Odds | — | ||
| 12 | 30 Second Bust | — | ||
| 13 | Ryan Song | — | ||
| 14 | Full of Fight | — | ||
| 15 | B.A.D. | — | ||
| 16 | Strive | — | ||
| 17 | Newbee's Dub | — | ||
| 18 | Alone | — | ||
| 19 | My Life Dub (Rev. Lovejoy remix) | — |
Credits Graph
People also ask
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What is UPC 837101306744?
837101306744 is a Universal Product Code (UPC) assigned to No Time to Worry by The Expendables. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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