UPC · Release
Flaix History, Vol. 3
Various Artists
Last verified:
8423646368419 is the Universal Product Code (UPC barcode) for the release “Flaix History, Vol. 3” by Various Artists, released 2004-01-01 on Bit Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEE869901064, DEC739900923, BED018901380.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | It’s Like That | Run-D.M.C., Jason Nevins | T-070.083.066-5 | |
| 2 | Remember Me | — | ||
| 3 | Fable | — | ||
| 4 | From Disco to Disco | — | ||
| 5 | Mambo No. 5 (A Little Bit of…) | Lou Bega | T-901.136.109-4 | |
| 6 | This Beat Is Technotronic | Technotronic | T-900.242.730-7 | |
| 7 | Singin’ in My Mind | — | ||
| 8 | The Sign | Ace of Base | T-000.006.650-1 | |
| 9 | The Riddle | — | ||
| 10 | It’s On You | — | ||
| 11 | Looking for Love (original version) | Karen Ramirez | T-010.249.033-4 | |
| 12 | Ride Like the Wind | — | ||
| 13 | Stayin’ Alive | N-Trance | T-010.877.645-9 | |
| 14 | Look Who’s Talking | Dr. Alban | T-000.005.336-0 | |
| 15 | Don’t You Want Me (edit) | FELIX | T-900.079.181-1 | |
| 16 | Luv for Luv | — | ||
| 17 | Diva | Dana International | — | |
| 18 | Scatman’s World | Scatman John | T-070.926.277-0 | |
| 19 | Moving On Up | M People | T-010.867.994-2 | |
| 20 | Un‐Break My Heart | Toni Braxton | T-070.194.564-3 | |
| 2-1 | Rhythm Is a Dancer | Snap! | — | |
| 2-2 | Suddenly | — | ||
| 2-3 | Gonna Make You Sweat | — | ||
| 2-4 | The Summer Is Crazy | — | ||
| 2-5 | Try Me Out | Corona | T-005.001.295-7 | |
| 2-6 | Close to You (Down Town remix) | Whigfield | T-005.002.237-1 | |
| 2-7 | Move Your Body | — | ||
| 2-8 | How Gee | — | ||
| 2-9 | Move on Baby | — | ||
| 2-10 | Shock | — | ||
| 2-11 | Don’t Call Me Baby | Madison Avenue | T-060.437.423-3 | |
| 2-12 | Free | — | ||
| 2-13 | Golden Boy | — | ||
| 2-14 | Doctor Jones | Aqua | T-000.272.724-3 | |
| 2-15 | I Feel You Tonight | — | ||
| 2-16 | I Drove All Night | — | ||
| 2-17 | I Keep on Burning | — | ||
| 2-18 | Dragostea din tei (original Romanian version) | O-Zone | T-004.481.343-5 | |
| 2-19 | Cinema | — | ||
| 2-20 | Doop | — | ||
| 3-1 | Ride on Time | — | ||
| 3-2 | All the People in the World | Safri Duo | T-000.432.778-9 | |
| 3-3 | Killer | Adamski, Seal | T-010.097.004-4 | |
| 3-4 | Point of View | — | ||
| 3-5 | E Samba | — | ||
| 3-6 | C’est si bon | — | ||
| 3-7 | The Sound. | — | ||
| 3-8 | A World Celebration | — | ||
| 3-9 | The Age of Love | — | ||
| 3-10 | Take Me to the Clouds Above | LMC, U2 | T-072.018.886-2 | |
| 3-11 | God Is a DJ (radio mix) | Faithless | T-011.528.007-3 | |
| 3-12 | One More Time | — | ||
| 3-13 | The Music Sounds Better With You | — | ||
| 3-14 | Habla me Luna | — | ||
| 3-15 | Infinity | — | ||
| 3-16 | Clap Your Hands | — | ||
| 3-17 | Dancing in the Dark | — | ||
| 3-18 | I’ll Be Here | — | ||
| 3-19 | No More Turning Back | — | ||
| 3-20 | Dance | — | ||
| 4-1 | The Promised Land | — | ||
| 4-2 | Running Up That Hill | — | ||
| 4-3 | In My Eyes (DJ Philip radio edit) | Milk Inc. | — | |
| 4-4 | Scream for More | — | ||
| 4-5 | Disco Babes From Outer Space | — | ||
| 4-6 | Atlantis | Imperio | — | |
| 4-7 | Don’t Stop (airplay edit) | ATB | T-801.472.720-0 | |
| 4-8 | Virtual Experience | — | ||
| 4-9 | Iguana | — | ||
| 4-10 | I’m on Fire | — | ||
| 4-11 | Shout | — | ||
| 4-12 | Forever Young | — | ||
| 4-13 | Love to Hate You | — | ||
| 4-14 | Gold | — | ||
| 4-15 | The Spirit of Area | — | ||
| 4-16 | I Can’t Stop Raving | — | ||
| 4-17 | Protect Your Mind | — | ||
| 4-18 | I Will Always Love You | — | ||
| 4-19 | This Time I Know It’s for Real | — | ||
| 4-20 | Is It You | — | ||
| 5-1 | Eins, zwei, Polizei | — | ||
| 5-2 | In My Heart | — | ||
| 5-3 | Send Me an Angel | — | ||
| 5-4 | There’s Something Going On | — | ||
| 5-5 | The Dream Is on My Mind | — | ||
| 5-6 | Joey | — | ||
| 5-7 | Paradise | — | ||
| 5-8 | The Flames of Love | — | ||
| 5-9 | Kanashimi o Moyashite | — | ||
| 5-10 | Bring on the Night | — | ||
| 5-11 | L’Ultimo dei mohicani | — | ||
| 5-12 | Beautiful Day | — | ||
| 5-13 | Everything I Do (radio-shot) | Double You | — | |
| 5-14 | No hagas el indio. Haz el cherokee | — | ||
| 5-15 | Listen | — | ||
| 5-16 | The Sound in You | — | ||
| 5-17 | Overflow | — | ||
| 5-18 | I Want to Know What Love Is | — | ||
| 5-19 | Els segadors | — | ||
| 5-20 | Let’s Cry | — |
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Call Me Baby (original mix 7”) | Madison Avenue | T-060.437.423-3 |
| Stayin’ Alive | N-Trance | — |
| Atlantis | Imperio | — |
| Don’t You Want Me | FELIX | T-900.079.181-1 |
| Don’t You Want Me (Hooj mix edit) | FELIX | T-900.079.181-1 |
| Unbreak My Heart | Toni Braxton | T-070.194.564-3 |
| Un-Break My Heart (Classic radio mix) | Toni Braxton | T-070.194.564-3 |
| Don’t Call Me Baby (original mix 7”) | Madison Avenue | T-060.437.423-3 |
| Don’t Call Me Baby (original mix 7”) | Madison Avenue | T-060.437.423-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+52 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 8423646368419?
8423646368419 is a Universal Product Code (UPC) assigned to Flaix History, Vol. 3 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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