UPC · Release
The Complete Atlantic Albums
Hall & Oates
Last verified:
842474115367 is the Universal Product Code (UPC barcode) for the release “The Complete Atlantic Albums” by Hall & Oates, released 2019-09-06. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include USAT20000619, USAT20614604, USAT20614605.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | When the Morning Comes | Daryl Hall & John Oates | T-700.079.542-8 | |
| 2 | Had I Known You Better Then | Daryl Hall & John Oates | — | |
| 3 | Las Vegas Turnaround (The Stewardess Song) | Daryl Hall & John Oates | T-700.035.501-3 | |
| 4 | She’s Gone | Daryl Hall & John Oates | T-070.243.520-8 | |
| 5 | I’m Just a Kid (Don’t Make Me Feel Like a Man) | Daryl Hall & John Oates | — | |
| 6 | Abandoned Luncheonette | Daryl Hall & John Oates | T-070.348.921-7 | |
| 7 | Lady Rain | Daryl Hall & John Oates | — | |
| 8 | Laughing Boy | Daryl Hall & John Oates | T-918.239.244-5 | |
| 9 | Everytime I Look at You | Daryl Hall & John Oates | T-700.012.600-3 | |
| 10 | I’m Sorry | Daryl Hall & John Oates | T-924.601.691-1 | |
| 11 | All Our Love | Daryl Hall & John Oates | T-924.581.165-8 | |
| 12 | Georgie | Daryl Hall & John Oates | — | |
| 13 | Fall in Philadelphia | Daryl Hall & John Oates | T-924.759.965-1 | |
| 14 | Waterwheel | Daryl Hall & John Oates | T-315.816.826-0 | |
| 15 | Lazyman | Daryl Hall & John Oates | T-924.605.319-0 | |
| 16 | Goodnight and Goodmorning | Daryl Hall & John Oates | T-315.816.981-0 | |
| 17 | They Needed Each Other | Daryl Hall & John Oates | T-924.626.426-6 | |
| 18 | Southeast City Window | Daryl Hall & John Oates | — | |
| 19 | Thank You For… | Daryl Hall & John Oates | T-070.244.290-7 | |
| 20 | Lilly (Are You Happy) | Daryl Hall & John Oates | — | |
| 21 | Can't Stop the Music (He Played Much Too Long) | — | ||
| 22 | Is It a Star | Daryl Hall & John Oates | T-700.030.416-7 | |
| 23 | Beanie G. and the Rose Tattoo | Daryl Hall & John Oates | — | |
| 24 | You’re Much Too Soon | Daryl Hall & John Oates | T-071.240.562-3 | |
| 25 | 70’s Scenario | Daryl Hall & John Oates | T-071.241.913-0 | |
| 26 | War Baby Son of Zorro | Daryl Hall & John Oates | T-700.077.319-5 | |
| 27 | I’m Watching You (A Mutant Romance) | Daryl Hall & John Oates | T-700.027.334-9 | |
| 28 | Better Watch Your Back | Daryl Hall & John Oates | — | |
| 29 | Screaming Through December | Daryl Hall & John Oates | T-700.061.036-8 | |
| 30 | Johnny Gore and the “C” Eaters | Daryl Hall & John Oates | T-700.032.740-4 | |
| 31 | It’s Uncanny | Daryl Hall & John Oates | T-700.031.305-5 | |
| 32 | I Want to Know You for a Long Time | — | ||
| 33 | Love You Like a Brother | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Had I Known You Better Then | Daryl Hall & John Oates | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 842474115367?
842474115367 is a Universal Product Code (UPC) assigned to The Complete Atlantic Albums by Hall & Oates. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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