UPC · Album
Dinner: Soft Pop
Various Artists
Last verified:
842474168592 is the Universal Product Code (UPC barcode) for the release “Dinner: Soft Pop” by Various Artists, released 2019-02-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include GBAAP0000001, GBAAP1300167, GBAHT0108645.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (89)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Pure Shores | All Saints | GBAAP0000001 |
| Pure Shores | All Saints | GBAAP1300167 |
| Love Shine a Light | Katrina and the Waves | GBAHT0108645 |
| Love Shine a Light | Katrina and the Waves | GBAHT1200614 |
| True | Spandau Ballet | GBAHT1303706 |
| Love Shine a Light | Katrina and the Waves | GBAHT1500607 |
| Please Don’t Go | KC and the Sunshine Band | GBAYE7900015 |
| True | Spandau Ballet | GBAYE8300100 |
| Sleeping Satellite | Tasmin Archer | GBAYE9200052 |
| True | Spandau Ballet | GBAYK8300001 |
| True | Spandau Ballet | GBAYK8300004 |
| True | Spandau Ballet | GBAYK8400047 |
| True | Spandau Ballet | GBUM70911469 |
| Man in the Moon | Titiyo | SELCA9001100 |
| Man in the Moon | Titiyo | SEPQA0900000 |
| Lover of Mine | Alannah Myles | USAKI9800169 |
| She’s Gone | Daryl Hall & John Oates | USAT20000622 |
| Follow Me | Uncle Kracker | USAT20001594 |
| Lover of Mine | Alannah Myles | USAT20103058 |
| I’d Love You to Want Me | Lobo | USAT20108558 |
| Waiting for a Girl Like You | Foreigner | USAT20610566 |
| Walking in Memphis | Marc Cohn | USAT20611179 |
| She’s Gone | Daryl Hall & John Oates | USAT20614597 |
| She’s Gone | Daryl Hall & John Oates | USAT20614606 |
| I Love You Always Forever | Donna Lewis | USAT20615894 |
| The Best Is Yet to Come | Marilyn Martin | USAT20618363 |
| The Rose | Bette Midler | USAT20706105 |
| The Rose | Bette Midler | USAT20801044 |
| Waiting for a Girl Like You | Foreigner | USAT20802339 |
| Waiting for a Girl Like You | Foreigner | USAT20803008 |
| Walking in Memphis | Marc Cohn | USAT20804277 |
| She’s Gone | Daryl Hall & John Oates | USAT21205785 |
| I’d Love You to Want Me | Lobo | USAT21205791 |
| Walking in Memphis | Marc Cohn | USAT21205872 |
| Walking in Memphis | Marc Cohn | USAT21205893 |
| I Love You Always Forever | Donna Lewis | USAT21205913 |
| Walking in Memphis | Marc Cohn | USAT21300056 |
| The Rose | Bette Midler | USAT21300069 |
| Waiting for a Girl Like You | Foreigner | USAT29500162 |
| I Love You Always Forever | Donna Lewis | USAT29600040 |
| Walking in Memphis | Marc Cohn | USAT29900737 |
| The Rose | Bette Midler | USAT29901582 |
| When the Night Comes | Joe Cocker | USCA28900094 |
| Drive | The Cars | USEE10000356 |
| Drive | The Cars | USEE10170491 |
| Come as You Are | Laura Allan | USEE10503165 |
| Drive | The Cars | USEE10900773 |
| Drive | The Cars | USEE11000896 |
| Drive | The Cars | USEE11200114 |
| Drive | The Cars | USEE11200780 |
| Drive | The Cars | USEE11200800 |
| Drive | The Cars | USEE11700317 |
| Don’t Let Go (Love) | En Vogue | USEW19605702 |
| Don’t Let Go (Love) | En Vogue | USEW20100283 |
| True | Spandau Ballet | USLIC0601220 |
| You Learn | Alanis Morissette | USMV20500298 |
| You Learn | Alanis Morissette | USMV21500007 |
| You Learn | Alanis Morissette | USMV21500042 |
| You Learn | Alanis Morissette | USMV29400004 |
| The Ballad of Jenny Ledge | Toy Matinee | USRE10801461 |
| Baby, What a Big Suprise | Chicago | USRE19800119 |
| Arthur’s Theme (Best That You Can Do) | Christopher Cross | USRH10136910 |
| Baby, What a Big Suprise | Chicago | USRH10285537 |
| Please Don’t Go | KC and the Sunshine Band | USRH10286646 |
| Baby, What a Big Suprise | Chicago | USRH10722087 |
| Baby, What a Big Suprise | Chicago | USRH10802997 |
| The Rose | Bette Midler | USRH11508998 |
| Drive | The Cars | USRH11509813 |
| Drive | The Cars | USRH11600363 |
| Easy | Faith No More | USSL19300002 |
| She’s Gone | Daryl Hall & John Oates | USUR10400492 |
| Drive | The Cars | USUS10500392 |
| Arthur’s Theme (Best That You Can Do) | Christopher Cross | USV410106590 |
| You Might Need Somebody | Randy Crawford | USWB10000729 |
| Arthur’s Theme (Best That You Can Do) | Christopher Cross | USWB10003331 |
| Arthur’s Theme (Best That You Can Do) | Christopher Cross | USWB10106590 |
| I.G.Y. | Donald Fagen | USWB10202857 |
| A Horse With No Name | America | USWB10303105 |
| Bad Day | Daniel Powter | USWB10401971 |
| A Horse With No Name | America | USWB10603240 |
| Arthur’s Theme (Best That You Can Do) | Christopher Cross | USWB10800109 |
| Hunting High and Low | a-ha | USWB11001074 |
| Bad Day | Daniel Powter | USWB11002915 |
| A Horse With No Name | America | USWB11202706 |
| You Might Need Somebody | Randy Crawford | USWB11202725 |
| Hunting High and Low | a-ha | USWB11506476 |
| I. G. Y | Donald Fagen | USWB18200007 |
| Hunting High and Low | a-ha | USWB19901216 |
| A Horse With No Name | America | USWB19901792 |
What other identifiers does this connect to?
Musical Works (ISWC)
+45 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+19 more
People also ask
Verified on
What is UPC 842474168592?
842474168592 is a Universal Product Code (UPC) assigned to Dinner: Soft Pop by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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