UPC · Release
Duke Ellington, Ben Webster, Jimmy Blanton
Last verified:
The UPC for “Complete Columbia & RCA Victor Sessions: Centennial Edition” by Duke Ellington, Ben Webster, Jimmy Blanton is 8436006491702. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Definitive Records (2). This release contains 88 tracks, each with its own ISRC. Tracks include DEU240818966, DEU240818967, USBB14001011.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Truckin’ | — | ||
| 2 | Cotton | — | ||
| 3 | Accent on Youth | — | ||
| 4 | In a Jam | — | ||
| 5 | Exposition Swing | — | ||
| 6 | Uptown Downbeat | — | ||
| 7 | Solitude | — | ||
| 8 | Stormy Weather | — | ||
| 9 | Mood Indigo | — | ||
| 10 | Sophisticated Lady | — | ||
| 11 | You, You Darlin’ | — | ||
| 12 | Jack the Bear | Duke Ellington & His Orchestra | T-070.088.135-1 | |
| 13 | Ko-Ko | Duke Ellington & His Orchestra | T-070.092.709-8 | |
| 14 | Morning Glory | Duke Ellington & His Orchestra | — | |
| 15 | So Far, So Good | — | ||
| 16 | Conga Brava | — | ||
| 17 | Concerto for Cootie | — | ||
| 18 | Me and You | — | ||
| 19 | Cotton Tail | — | ||
| 20 | Never No Lament | — | ||
| 21 | Dusk | — | ||
| 22 | Bojangles | — | ||
| 2-1 | A Portrait of Bert Williams | — | ||
| 2-2 | Blue Goose | — | ||
| 2-3 | Harlem Air-Shaft | — | ||
| 2-4 | At a Dixie Roadside Diner | — | ||
| 2-5 | All Too Soon | — | ||
| 2-6 | Rumpus in Richmond | — | ||
| 2-7 | My Greatest Mistake | — | ||
| 2-8 | Sepia Panorama | — | ||
| 2-9 | There Shall Be No Night | — | ||
| 2-10 | I’m a Mellotone | — | ||
| 2-11 | Five O’Clock Whistle | — | ||
| 2-12 | The Flaming Sword | — | ||
| 2-13 | Warm Valley | — | ||
| 2-14 | Across the Track Blues | — | ||
| 2-15 | Chloe (Song of the Swamp) | — | ||
| 2-16 | I Never Felt This Way Before | — | ||
| 2-17 | Without a Song | — | ||
| 2-18 | My Sunday Gal | — | ||
| 2-19 | Mobile Bay | — | ||
| 2-20 | Linger Awhile | — | ||
| 2-21 | Charlie the Chulo | — | ||
| 2-22 | Lament for Javanette | — | ||
| 3-1 | A Lull at Dawn | — | ||
| 3-2 | Ready Eddy | — | ||
| 3-3 | The Sidewalks of New York | — | ||
| 3-4 | Flamingo | — | ||
| 3-5 | The Girl in My Dreams Tries to Look Like You | — | ||
| 3-6 | Take the "A" Train | — | ||
| 3-7 | Jumpin’ Punkins | — | ||
| 3-8 | John Hardy’s Wife | — | ||
| 3-9 | Blue Serge | — | ||
| 3-10 | After All | — | ||
| 3-11 | Bakiff | — | ||
| 3-12 | Are You Sticking? | — | ||
| 3-13 | Just A-Sittin’ and A-Rockin’ | — | ||
| 3-14 | The Giddybug Gallop | — | ||
| 3-15 | Chocolate Shake | — | ||
| 3-16 | I Got It Bad (And That Ain’t Good) | — | ||
| 3-17 | Clementine | — | ||
| 3-18 | The Brown-Skin Gal (In the Calico Gown) | — | ||
| 3-19 | Jump for Joy | — | ||
| 3-20 | Moon Over Cuba | — | ||
| 3-21 | Some Saturday | — | ||
| 3-22 | Subtle Slough | — | ||
| 4-1 | Menelik: The Lion of Judah | — | ||
| 4-2 | Poor Bubber | — | ||
| 4-3 | Five O’Clock Drag | — | ||
| 4-4 | Rocks in My Bed | — | ||
| 4-5 | Bli-Blip | — | ||
| 4-6 | Raincheck | — | ||
| 4-7 | What Good Would It Do? | — | ||
| 4-8 | I Don’t Know What Kind of Blues I Got | — | ||
| 4-9 | Chelsea Bridge | — | ||
| 4-10 | Perdido | — | ||
| 4-11 | The "C"Jam Blues | — | ||
| 4-12 | Moon Mist | — | ||
| 4-13 | What Am I Here For? | — | ||
| 4-14 | I Don’t Mind | — | ||
| 4-15 | Someone | — | ||
| 4-16 | My Little Brown Book | — | ||
| 4-17 | Main Stem | — | ||
| 4-18 | Johnny Come Lately | — | ||
| 4-19 | Hayfoot, Strawfoot | — | ||
| 4-20 | Sentimental Lady | — | ||
| 4-21 | A Slip of the Lip (Can Sink a Ship) | — | ||
| 4-22 | Sherman Shuffle | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
8436006491702 is a Universal Product Code (UPC) assigned to Complete Columbia & RCA Victor Sessions: Centennial Edition by Duke Ellington, Ben Webster, Jimmy Blanton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 88 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Columbia & RCA Victor Sessions: Centennial Edition” by Duke Ellington, Ben Webster, Jimmy Blanton is 8436006491702. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Definitive Records (2). This release contains 88 tracks, each with its own ISRC. Tracks include DEU240818966, DEU240818967, USBB14001011.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Truckin’ | — | ||
| 2 | Cotton | — | ||
| 3 | Accent on Youth | — | ||
| 4 | In a Jam | — | ||
| 5 | Exposition Swing | — | ||
| 6 | Uptown Downbeat | — | ||
| 7 | Solitude | — | ||
| 8 | Stormy Weather | — | ||
| 9 | Mood Indigo | — | ||
| 10 | Sophisticated Lady | — | ||
| 11 | You, You Darlin’ | — | ||
| 12 | Jack the Bear | Duke Ellington & His Orchestra | T-070.088.135-1 | |
| 13 | Ko-Ko | Duke Ellington & His Orchestra | T-070.092.709-8 | |
| 14 | Morning Glory | Duke Ellington & His Orchestra | — | |
| 15 | So Far, So Good | — | ||
| 16 | Conga Brava | — | ||
| 17 | Concerto for Cootie | — | ||
| 18 | Me and You | — | ||
| 19 | Cotton Tail | — | ||
| 20 | Never No Lament | — | ||
| 21 | Dusk | — | ||
| 22 | Bojangles | — | ||
| 2-1 | A Portrait of Bert Williams | — | ||
| 2-2 | Blue Goose | — | ||
| 2-3 | Harlem Air-Shaft | — | ||
| 2-4 | At a Dixie Roadside Diner | — | ||
| 2-5 | All Too Soon | — | ||
| 2-6 | Rumpus in Richmond | — | ||
| 2-7 | My Greatest Mistake | — | ||
| 2-8 | Sepia Panorama | — | ||
| 2-9 | There Shall Be No Night | — | ||
| 2-10 | I’m a Mellotone | — | ||
| 2-11 | Five O’Clock Whistle | — | ||
| 2-12 | The Flaming Sword | — | ||
| 2-13 | Warm Valley | — | ||
| 2-14 | Across the Track Blues | — | ||
| 2-15 | Chloe (Song of the Swamp) | — | ||
| 2-16 | I Never Felt This Way Before | — | ||
| 2-17 | Without a Song | — | ||
| 2-18 | My Sunday Gal | — | ||
| 2-19 | Mobile Bay | — | ||
| 2-20 | Linger Awhile | — | ||
| 2-21 | Charlie the Chulo | — | ||
| 2-22 | Lament for Javanette | — | ||
| 3-1 | A Lull at Dawn | — | ||
| 3-2 | Ready Eddy | — | ||
| 3-3 | The Sidewalks of New York | — | ||
| 3-4 | Flamingo | — | ||
| 3-5 | The Girl in My Dreams Tries to Look Like You | — | ||
| 3-6 | Take the "A" Train | — | ||
| 3-7 | Jumpin’ Punkins | — | ||
| 3-8 | John Hardy’s Wife | — | ||
| 3-9 | Blue Serge | — | ||
| 3-10 | After All | — | ||
| 3-11 | Bakiff | — | ||
| 3-12 | Are You Sticking? | — | ||
| 3-13 | Just A-Sittin’ and A-Rockin’ | — | ||
| 3-14 | The Giddybug Gallop | — | ||
| 3-15 | Chocolate Shake | — | ||
| 3-16 | I Got It Bad (And That Ain’t Good) | — | ||
| 3-17 | Clementine | — | ||
| 3-18 | The Brown-Skin Gal (In the Calico Gown) | — | ||
| 3-19 | Jump for Joy | — | ||
| 3-20 | Moon Over Cuba | — | ||
| 3-21 | Some Saturday | — | ||
| 3-22 | Subtle Slough | — | ||
| 4-1 | Menelik: The Lion of Judah | — | ||
| 4-2 | Poor Bubber | — | ||
| 4-3 | Five O’Clock Drag | — | ||
| 4-4 | Rocks in My Bed | — | ||
| 4-5 | Bli-Blip | — | ||
| 4-6 | Raincheck | — | ||
| 4-7 | What Good Would It Do? | — | ||
| 4-8 | I Don’t Know What Kind of Blues I Got | — | ||
| 4-9 | Chelsea Bridge | — | ||
| 4-10 | Perdido | — | ||
| 4-11 | The "C"Jam Blues | — | ||
| 4-12 | Moon Mist | — | ||
| 4-13 | What Am I Here For? | — | ||
| 4-14 | I Don’t Mind | — | ||
| 4-15 | Someone | — | ||
| 4-16 | My Little Brown Book | — | ||
| 4-17 | Main Stem | — | ||
| 4-18 | Johnny Come Lately | — | ||
| 4-19 | Hayfoot, Strawfoot | — | ||
| 4-20 | Sentimental Lady | — | ||
| 4-21 | A Slip of the Lip (Can Sink a Ship) | — | ||
| 4-22 | Sherman Shuffle | — |
