UPC · Release
Complete Savoy Sessions
Charlie Parker
8436559460668
136 tracksReleased 2016-01-01Essential Jazz Classics
Last verified:
8436559460668 is the Universal Product Code (UPC barcode) for the release “Complete Savoy Sessions” by Charlie Parker, released 2016-01-01 on Essential Jazz Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 136 tracks, each with its own ISRC. Tracks include DEU240522404, DEU240812148, USSJ10000740.
Format
843GS1 prefix
6559Company prefix
46066Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCComplete Savoy Sessions
ISRC10 recordings
ISWC38 works
IPI2 songwriters
Track List (136)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tiny’s Tempo (alternate take 1) | — | ||
| 2 | Tiny’s Tempo (alternate take 2) | — | ||
| 3 | Tiny’s Tempo (master take) | — | ||
| 4 | I’ll Always Love You Just the Same (alternate take) | — | ||
| 5 | I’ll Always Love You Just the Same | Tiny Grimes Quintet | — | |
| 6 | Romance Without Finance (alternate take 1) | — | ||
| 7 | Romance Without Finance (alternate take 2; Incomplete) | — | ||
| 8 | Romance Without Finance (alternate take 3) | — | ||
| 9 | Romance Without Finance (alternate take 4; Break) | — | ||
| 10 | Romance Without Finance (master take) | — | ||
| 11 | Red Cross (alternate take) | — | ||
| 12 | Red Cross (master take) | — | ||
| 13 | Warming Up a Riff | Charlie Parker | — | |
| 14 | Billie’s Bounce (alternate take 1) | — | ||
| 15 | Billie’s Bounce (alternate take 2; incomplete) | — | ||
| 16 | Billie's Bounce (take 3) | Charlie Parker’s Re-Boppers | T-070.233.008-2 | |
| 17 | Billie's Bounce (take 4) | Charlie Parker’s Re-Boppers | T-070.233.008-2 | |
| 18 | Billie’s Bounce | Charlie Parker’s Ree Boppers | T-070.233.008-2 | |
| 19 | Now’s the Time (alternate take 1; incomplete) | — | ||
| 20 | Now’s the Time (alternate take 2; incomplete) | — | ||
| 21 | Now’s the Time (alternate take 3) | — | ||
| 22 | Now’s the Time (master take) | — | ||
| 23 | Thrivin’ on a Riff (alternate take 1) | — | ||
| 24 | Thrivin’ on a Riff (alternate take 2; false start) | — | ||
| 25 | Thrivin’ on a Riff (master take) | — | ||
| 26 | Meandering | Charlie Parker’s Re-Boppers | — | |
| 27 | Ko-Ko (alternate take; false start) | — | ||
| 28 | Ko-Ko (master take) | — | ||
| 29 | Takin’ Off | — | ||
| 30 | 20th Century Blues | — | ||
| 31 | The Street Beat | — | ||
| 2-1 | Donna Lee (alternate take 1; break) | — | ||
| 2-2 | Donna Lee (alternate take 2) | — | ||
| 2-3 | Donna Lee (alternate take 3) | — | ||
| 2-4 | Donna Lee (alternate take 4) | — | ||
| 2-5 | Donna Lee (master take) | — | ||
| 2-6 | Chasin’ the Bird (alternate take 1) | — | ||
| 2-7 | Chasin’ the Bird (alternate take 2; break) | — | ||
| 2-8 | Chasin’ the Bird (alternate take 3) | — | ||
| 2-9 | Chasin’ the Bird (master take) | — | ||
| 2-10 | Cheryl (alternate take 1; false start) | — | ||
| 2-11 | Cheryl (master take) | — | ||
| 2-12 | Buzzy (alternate take 1) | — | ||
| 2-13 | Buzzy (alternate take 2; incomplete) | — | ||
| 2-14 | Buzzy (alternate take 3) | — | ||
| 2-15 | Buzzy (alternate take 4; break) | — | ||
| 2-16 | Buzzy (master take) | — | ||
| 2-17 | Milestones (alternate take 1; false start) | — | ||
| 2-18 | Milestones (master take) | — | ||
| 2-19 | Milestones (alternate take 2) | — | ||
| 2-20 | Little Willie Leaps (alternate take 1; incomplete) | — | ||
| 2-21 | Little Willie Leaps (alternate take 2) | — | ||
| 2-22 | Little Willie Leaps (master take) | — | ||
| 2-23 | Half Nelson (alternate take) | — | ||
| 2-24 | Half Nelson (master take) | — | ||
| 2-25 | Sippin’ at Bells (alternate take 1; incomplete) | — | ||
| 2-26 | Sippin’ at Bells (master take) | — | ||
| 2-27 | Sippin’ at Bells (alternate take 2; false start) | — | ||
| 2-28 | Sippin’ at Bells (alternate take 3) | — | ||
| 2-29 | Another Hair-Do (alternate take 1; incomplete) | — | ||
| 2-30 | Another Hair-Do (alternate take 2; incomplete) | — | ||
| 2-31 | Another Hair-Do (alternate take 3; incomplete) | — | ||
| 2-32 | Another Hair-Do (master take) | — | ||
| 2-33 | Bluebird (alternate take 1) | — | ||
| 2-34 | Bluebird (alternate take 2; false start) | — | ||
| 2-35 | Bluebird (master take) | — | ||
| 2-36 | Klaunstance | Charlie Parker | — | |
| 2-37 | Bird Gets the Worm (alternate take 1) | — | ||
| 2-38 | Bird Gets the Worm (alternate take 2; false start) | — | ||
| 2-39 | Bird Gets the Worm (master take) | — | ||
| 3-1 | Barbados (alternate take 1) | — | ||
| 3-2 | Barbados (alternate take 2; incomplete) | — | ||
| 3-3 | Barbados (alternate take 3) | — | ||
| 3-4 | Barbados (master take) | — | ||
| 3-5 | Ah-Leu-Cha (alternate take; incomplete) | — | ||
| 3-6 | Ah-Leu-Cha (master take) | — | ||
| 3-7 | Constellation (alternate take 1; incomplete) | — | ||
| 3-8 | Constellation (alternate take 2) | — | ||
| 3-9 | Constellation (alternate take 3; incomplete) | — | ||
| 3-10 | Constellation (alternate take 4; incomplete) | — | ||
| 3-11 | Constellation (master take) | — | ||
| 3-12 | Parker’s Mood (alternate take 1; false start) | — | ||
| 3-13 | Parker’s Mood (alternate take 2) | — | ||
| 3-14 | Parker’s Mood (alternate take 3; false start) | — | ||
| 3-15 | Parker’s Mood (alternate take 4; incomplete) | — | ||
| 3-16 | Parker’s Mood (master take) | — | ||
| 3-17 | Perhaps (alternate take 1) | — | ||
| 3-18 | Perhaps (alternate take 2; incomplete) | — | ||
| 3-19 | Perhaps (alternate take 3) | — | ||
| 3-20 | Perhaps (alternate take 4; incomplete) | — | ||
| 3-21 | Perhaps (alternate take 5; incomplete) | — | ||
| 3-22 | Perhaps (alternate take 6) | — | ||
| 3-23 | Perhaps (master take) | — | ||
| 3-24 | Marmaduke (alternate take 1; false start) | — | ||
| 3-25 | Marmaduke (alternate take 2; incomplete) | — | ||
| 3-26 | Marmaduke (alternate take 3; incomplete) | — | ||
| 3-27 | Marmaduke (alternate take 4; false start) | — | ||
| 3-28 | Marmaduke (alternate take 5) | — | ||
| 3-29 | Marmaduke (alternate take 6; false start) | — | ||
| 3-30 | Marmaduke (alternate take 7; false start) | — | ||
| 3-31 | Marmaduke (alternate take 8; false start) | — | ||
| 3-32 | Marmaduke (alternate take 9) | — | ||
| 3-33 | Marmaduke (alternate take 10; incomplete) | — | ||
| 3-34 | Marmaduke (alternate take 11; incomplete) | — | ||
| 3-35 | Marmaduke (master take) | — | ||
| 3-36 | Steeplechase (alternate take; false start) | — | ||
| 3-37 | Steeplechase (master take) | — | ||
| 3-38 | Merry-Go-Round (alternate take; incomplete) | — | ||
| 3-39 | Merry-Go-Round (master take) | — | ||
| 3-40 | Groovin’ High | — | ||
| 3-41 | All the Things You Are | — | ||
| 3-42 | Dizzy Atmosphere | — | ||
| 3-43 | What More Can a Woman Do? | — | ||
| 3-44 | I’d Rather Have a Memory Than a Dream | — | ||
| 3-45 | Mean to Me | — | ||
| 4-1 | Dizzy’s Boogie (master take) | — | ||
| 4-2 | Dizzy’s Boogie (alternate take) | — | ||
| 4-3 | Flat Foot Floogie (master take) | — | ||
| 4-4 | Flat Foot Floogie (alternate take) | — | ||
| 4-5 | Poppity Pop | — | ||
| 4-6 | Slim's Jam | Slim Gaillard and His Orchestra | T-070.144.685-6 | |
| 4-7 | Hallelujah (alternate take 1) | — | ||
| 4-8 | Hallelujah (alternate take 2) | — | ||
| 4-9 | Hallelujah (take E) | Red Norvo & His Selected Sextet | T-070.072.110-3 | |
| 4-10 | Get Happy (alternate take; incomplete) | — | ||
| 4-11 | Get Happy (master take) | — | ||
| 4-12 | Slam Slam Blues | Charlie Parker, Red Norvo & His Selected Sextet | T-070.135.903-6 | |
| 4-14 | Congo Blues (alternate take 1; incomplete) | — | ||
| 4-15 | Congo Blues (alternate take 2; incomplete) | — | ||
| 4-16 | Congo Blues (alternate take 3) | — | ||
| 4-17 | Congo Blues (alternate take 4) | — | ||
| 4-18 | Congo Blues (master take) | — | ||
| 4-19 | Groovin’ High | — | ||
| 4-20 | The Great Lie | — | ||
| 4-21 | Blues | — | ||
| 4-22 | How High the Moon? | — |
Tiny’s Tempo (alternate take 1)
—
Tiny’s Tempo (alternate take 2)
—
Tiny’s Tempo (master take)
—
I’ll Always Love You Just the Same (alternate take)
—
I’ll Always Love You Just the Same
Tiny Grimes Quintet
—
Romance Without Finance (alternate take 1)
—
Romance Without Finance (alternate take 2; Incomplete)
—
Romance Without Finance (alternate take 3)
—
Romance Without Finance (alternate take 4; Break)
—
Romance Without Finance (master take)
—
Red Cross (alternate take)
—
Red Cross (master take)
—
Warming Up a Riff
Charlie Parker
—
Billie’s Bounce (alternate take 1)
—
Billie’s Bounce (alternate take 2; incomplete)
—
Now’s the Time (alternate take 1; incomplete)
—
Now’s the Time (alternate take 2; incomplete)
—
Now’s the Time (alternate take 3)
—
Now’s the Time (master take)
—
Thrivin’ on a Riff (alternate take 1)
—
Thrivin’ on a Riff (alternate take 2; false start)
—
Thrivin’ on a Riff (master take)
—
Meandering
Charlie Parker’s Re-Boppers
—
Ko-Ko (alternate take; false start)
—
Ko-Ko (master take)
—
Takin’ Off
—
20th Century Blues
—
The Street Beat
—
Donna Lee (alternate take 1; break)
—
Donna Lee (alternate take 2)
—
Donna Lee (alternate take 3)
—
Donna Lee (alternate take 4)
—
Donna Lee (master take)
—
Chasin’ the Bird (alternate take 1)
—
Chasin’ the Bird (alternate take 2; break)
—
Chasin’ the Bird (alternate take 3)
—
Chasin’ the Bird (master take)
—
Cheryl (alternate take 1; false start)
—
Cheryl (master take)
—
Buzzy (alternate take 1)
—
Buzzy (alternate take 2; incomplete)
—
Buzzy (alternate take 3)
—
Buzzy (alternate take 4; break)
—
Buzzy (master take)
—
Milestones (alternate take 1; false start)
—
Milestones (master take)
—
Milestones (alternate take 2)
—
Little Willie Leaps (alternate take 1; incomplete)
—
Little Willie Leaps (alternate take 2)
—
Little Willie Leaps (master take)
—
Half Nelson (alternate take)
—
Half Nelson (master take)
—
Sippin’ at Bells (alternate take 1; incomplete)
—
Sippin’ at Bells (master take)
—
Sippin’ at Bells (alternate take 2; false start)
—
Sippin’ at Bells (alternate take 3)
—
Another Hair-Do (alternate take 1; incomplete)
—
Another Hair-Do (alternate take 2; incomplete)
—
Another Hair-Do (alternate take 3; incomplete)
—
Another Hair-Do (master take)
—
Bluebird (alternate take 1)
—
Bluebird (alternate take 2; false start)
—
Bluebird (master take)
—
Klaunstance
Charlie Parker
—
Bird Gets the Worm (alternate take 1)
—
Bird Gets the Worm (alternate take 2; false start)
—
Bird Gets the Worm (master take)
—
Barbados (alternate take 1)
—
Barbados (alternate take 2; incomplete)
—
Barbados (alternate take 3)
—
Barbados (master take)
—
Ah-Leu-Cha (alternate take; incomplete)
—
Ah-Leu-Cha (master take)
—
Constellation (alternate take 1; incomplete)
—
Constellation (alternate take 2)
—
Constellation (alternate take 3; incomplete)
—
Constellation (alternate take 4; incomplete)
—
Constellation (master take)
—
Parker’s Mood (alternate take 1; false start)
—
Parker’s Mood (alternate take 2)
—
Parker’s Mood (alternate take 3; false start)
—
Parker’s Mood (alternate take 4; incomplete)
—
Parker’s Mood (master take)
—
Perhaps (alternate take 1)
—
Perhaps (alternate take 2; incomplete)
—
Perhaps (alternate take 3)
—
Perhaps (alternate take 4; incomplete)
—
Perhaps (alternate take 5; incomplete)
—
Perhaps (alternate take 6)
—
Perhaps (master take)
—
Marmaduke (alternate take 1; false start)
—
Marmaduke (alternate take 2; incomplete)
—
Marmaduke (alternate take 3; incomplete)
—
Marmaduke (alternate take 4; false start)
—
Marmaduke (alternate take 5)
—
Marmaduke (alternate take 6; false start)
—
Marmaduke (alternate take 7; false start)
—
Marmaduke (alternate take 8; false start)
—
Marmaduke (alternate take 9)
—
Marmaduke (alternate take 10; incomplete)
—
Marmaduke (alternate take 11; incomplete)
—
Marmaduke (master take)
—
Steeplechase (alternate take; false start)
—
Steeplechase (master take)
—
Merry-Go-Round (alternate take; incomplete)
—
Merry-Go-Round (master take)
—
Groovin’ High
—
All the Things You Are
—
Dizzy Atmosphere
—
What More Can a Woman Do?
—
I’d Rather Have a Memory Than a Dream
—
Mean to Me
—
Dizzy’s Boogie (master take)
—
Dizzy’s Boogie (alternate take)
—
Flat Foot Floogie (master take)
—
Flat Foot Floogie (alternate take)
—
Poppity Pop
—
Hallelujah (alternate take 1)
—
Hallelujah (alternate take 2)
—
Get Happy (alternate take; incomplete)
—
Get Happy (master take)
—
Congo Blues (alternate take 1; incomplete)
—
Congo Blues (alternate take 2; incomplete)
—
Congo Blues (alternate take 3)
—
Congo Blues (alternate take 4)
—
Congo Blues (master take)
—
Groovin’ High
—
The Great Lie
—
Blues
—
How High the Moon?
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Slam Slam Blues | Red Norvo & His Selected Sextet | T-070.135.903-6 |
| Warming Up a Riff | Charlie Parker | — |
| I’ll Always Love You Just the Same | Tiny Grimes Quintet | — |
| Klaunstance | Charlie Parker | — |
| I’ll Always Love You Just the Same | Tiny Grimes Quintet | — |
| Warming Up a Riff | Charlie Parker | — |
Red Norvo & His Selected Sextet
Warming Up a Riff
Charlie Parker
—
I’ll Always Love You Just the Same
Tiny Grimes Quintet
—
Klaunstance
Charlie Parker
—
I’ll Always Love You Just the Same
Tiny Grimes Quintet
—
Warming Up a Riff
Charlie Parker
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.320.310-6T-010.433.365-4T-010.433.645-9T-010.433.664-2T-070.072.110-3T-070.135.903-6T-070.144.685-6T-070.233.008-2T-070.000.803-2T-070.025.831-6
+28 more
T-070.054.802-2T-070.063.970-8T-070.072.110-3T-070.074.622-0T-070.108.794-6T-070.135.903-6T-070.144.685-6T-070.167.683-6T-070.198.600-6T-070.233.008-2T-070.234.395-0T-070.242.198-4T-070.242.588-4T-070.261.033-0T-070.880.744-6T-070.881.069-8T-070.881.211-6T-070.939.820-8T-070.940.357-5T-071.000.644-2T-071.244.635-9T-700.002.446-6T-700.042.317-8T-700.053.238-9T-900.305.040-6T-900.305.041-7T-900.305.042-8T-930.382.167-2
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
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What is UPC 8436559460668?
8436559460668 is a Universal Product Code (UPC) assigned to Complete Savoy Sessions by Charlie Parker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 136 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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